All posts tagged: Oldenburg

Evolution of a Revolution: MEMUR Part I in Oldenburg; Street Art

Evolution of a Revolution: MEMUR Part I in Oldenburg; Street Art

From environmental nightmares to the corporate war machine to social solidarity to identity politics to abortion to the isolation brought on by Covid, the muralists at the MEMUR Festival in Oldenburg, Germany are not muting their serious concerns about the modern world.

Amanda Arrou from San Sebastian, Spain. Chosen topic, Feminism. (photo © Martha Cooper)

For being the inaugural episode of a festival, you have to be impressed with it on many levels. First is the selection high-quality international and national artists from both the street art and graffiti world. Secondly, organizers devised an equitable solution for these two distinct, yet entirely related, subcultures to participate fully on the walls of their fair city – with respect for all. Finally, the true rebellious spirit of this organically grown and democratic global people’s art movement was preserved by encouraging artists to select a modern-day societal ill and address it with their work.

Amanda Arrou from San Sebastian, Spain. Chosen topic, Feminism. (photo © Nika Kramer)

It’s refreshing to experience a themed public exhibition like this that has not been censored by commercial interests but that endeavors to speak openly with its artworks about potentially difficult subjects to address the everyday passerby. “Street art has always been a means to criticize, reflect, and question,” says an online description of the scenes’ nascent beginnings, and that couldn’t be more true from our perspective. MEMUR 2022 calls it ‘Evolution of a Revolution,’ and since there is a widespread notion across developed world countries that leaders are not representing citizens anymore, you can imagine that these works may get people talking together and realizing that we are not polarized left-right, but top-bottom.

Amanda Arrou from San Sebastian, Spain. Chosen topic, Feminism. (photo © Nika Kramer)

Today we’ll show you images from the street art muralists’ walls on one side of the 280-meter-long wall of the railway elevation on the Oldenburg federal railway path, and tomorrow we’ll show you the ‘Wall of Fame’ created on the other side by a stunning array of graffiti writers. In both cases, we extend our heartfelt thanks to two of the main participants in the event, photographers Martha Cooper of New York and hometown superstar/international photographer Nikka Kramer. Thanks to both for sharing their images with BSA readers.

Arsek & Erase, from Sofia, Bulgaria. Chosen topic: Hyperinflation. (photo © Martha Cooper)

Bulgarian muralists Arsek & Erase may have chosen one of the hottest current topics to address in their mural; the fear of hyperinflation and the severe damage it can do to individuals. The illustration-style painting features a vicious snake enveloping a jar of “savings”, preparing to consume it whole. Here in Oldenburg, where German inflation rose to its highest level in almost 50 years in August (8.8%), people are familiar with the topic. In their hometown of Sofia, Aresek & Erase are experiencing a 17% rate of inflation as of last month. Technically the term “hyperinflation” is somewhere above 50%, and 60 or so countries have fallen into it in the last hundred years, including Argentina today, and rather famously, the Weimar Republic (of which Oldenburg was a federated state) exactly 100 years ago, from 1921-23.

Arsek & Erase, from Sofia, Bulgaria. Chosen topic: Hyperinflation. (photo © Nika Kramer)

Suffice it to say that today many of the world’s currencies are in danger of inflationary pressures, including the dollar and Euro. There was talk amongst participants and organizers of MEMUR that the costs of the festival itself had to be recalibrated a few times because of increased costs in lodging, transportation, labor, and art materials.

“Thanks to everyone who came despite the heat to watch the artists paint, participate in the graffiti workshops and try their luck at the raffle,” said the organizers in their Instagram posting.

“All the positive feedback on the festival and the exhibition “Evolution of a Revolution” in the Kulturhalle am Pferdemarkt has only strengthened our belief that Oldenburg is ready for street art and that we definitely want to continue!’

Kitsune Jolene from Ghent. Belgium. Chosen topic: Roe vs. Wade overturning women’s rights. (photo © Martha Cooper)
        
Kitsune Jolene from Ghent. Belgium. Chosen topic: Roe vs. Wade overturning women’s rights. (photo © Nika Kramer)
Yara Jacobs from Hamburg, Germany. Chosen topic: NRW flood catastrophe. (photo © Martha Cooper)
“A Valley Doesn’t Give Up” “Don’t talk, but do” Yara Jacobs from Hamburg, Germany. Chosen topic: NRW flood catastrophe. (photo © Martha Cooper)
Robin Holthaus from Oldenburg, Germany. Chosen topic: Millionaires in Space. (photo © Martha Cooper)
Robin Holthaus from Oldenburg, Germany. Chosen topic: Millionaires in Space. (photo © Martha Cooper)
Devin Liston from California. The USA. Chosen topic: Wars and military conflicts due to corporate greed. (photo © Martha Cooper)
Devin Liston from California. The USA. Chosen topic: Wars and military conflicts due to corporate greed. (photo © Martha Cooper)
Jack Lack from Groningen, Netherlands. Chosen topic: Climate change. (photo © Martha Cooper)
Jack Lack from Groningen, Netherlands. Chosen topic: Climate change. (photo © Nika Kramer)
Tayla Broekman from Melbourne, Australia. (photo © Martha Cooper)
Tayla Broekman from Melbourne, Australia. (photo © Nika Kramer)
Kartel from Berlin, Germany. Chosen topic: Ukraine war. (photo © Martha Cooper)
Kartel from Berlin, Germany. Chosen topic: Ukraine war. (photo © Nika Kramer)
Philipp Pulkowsky, from Bremen, Germany. This is a memorial RIP mural in honor of Daniel Orwoll. (photo © Nika Kramer)
Klara Schöell, from Hamburg, Germany. Chosen topic: Effects of social isolation due to the pandemic. (photo © Martha Cooper)
Klara Schöell, from Hamburg, Germany. Chosen topic: Effects of social isolation due to the pandemic. (photo © Nika Kramer)
Bolados, from Hannover, Germany. Chosen topic: Solidarity. (photo © Martha Cooper)
Bolados, from Hannover, Germany. Chosen topic: Solidarity. (photo © Nika Kramer)
Flood Shack. A sad but contemporaneous topic that responds to the immediate community; Various artists constructed this installation using salvaged materials found when the waters receded from the recent devasting floods in Oldenburg, Germany. The building in the background houses the offices of an insurance company… (photo © Martha Cooper)
Flood Shack. Various artists. (photo © Nika Kramer)
Memur Festival. Oldenburg, Germany. (photo © Martha Cooper)
Memur Festival. Nika Kramer and Martha Cooper. Oldenburg, Germany. (photo © Olly H.)
Memur Festival. Nika Kramer and Martha Cooper. Oldenburg, Germany. (photo © Olly H.)
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Stadtmuseum Oldenburg Mounts “Neue Konturen” Outside – As Art Arrives in the Street

Stadtmuseum Oldenburg Mounts “Neue Konturen” Outside – As Art Arrives in the Street

“Literally, the art had to leave the museum and come out into the street, as art in public spaces is the only art on display during these strange times,” says photographer Nika Kramer about this new program at the Stadtmuseum Oldenburg here in northern Germany.

We concur of course because we have seen that the exhibitions mounted on the streets of cities everywhere since last March have superseded the impact of most formal openings.

Renke Harms and Sebastian Zeberg painting the façade of the Oldenburg City Museum for the mural “Neue Etikette (New etiquette)”. (photo © Nika Kramer)

Covid-19, the Coronavirus has changed everything.

And that is the main point of “Neue Konturen” (New Contours), a temporary outside installation during January and February by the artist collective “The Hidden Art Project” and the muralists “die Jungs”. As a public interaction that is meant to engage people in the public sphere, a total of twelve artists and cultural workers will present seven artworks – including installations, performances, and video installations – all of which deal with the Corona pandemic.

Renke Harms sprays hands on the façade of the Oldenburg City Museum for the mural “Neue Etikette” (New Etiquette) (photo © Nika Kramer)

“Corona and its effects are perceived differently by people. Our works address and interpret the experiences,” says Sven Müller, founder of The Hidden Art Project. “In this way, we hold up a mirror to the viewers and invite them to reflect on themselves and their own actions.”

Most museums have been struggling to get their doors open after many government restrictions closed them. Oldenburg City Museum will be closed when this exhibition closes for new construction as well as the renovation of the historic villas. But this has been a welcome program to say goodbye to the old and look forward to a new, positive future.

Sebastian von Zeberg sprays hands on the façade of the Oldenburg City Museum for the mural “Neue Etikette” (New Etiquette) (photo © Nika Kramer)

Dr. Steffen Wiegmann, director of the Oldenburg, says: “With the ‘New Contours’ program, we are bidding a temporary farewell to our location and offering artists the opportunity to use the museum building as a place and space for their art.”

We thank the artists for their dedication during the many challenges that are brought to creative endeavors these days. We also thank Ms. Kramer for sharing her shots of their work and preparations here with BSA readers.

The construction of the installation “Vortex”, which in its finished state shows an anaglyph of Real News & Fake News. Hauke Beck and Georgios Kolios attach battens for the wooden spiral, which are placed in alignment. (photo © Nika Kramer)

“I’d like to give a shout-out to the Stadtmuseum for giving those young artists a platform to play,” says Nika.

“And props go to everybody working on this great project out in the very challenging cold weather and for being so flexible and making it happen – even though you completely had to change your concepts! Congrats! You rock! And thanks for having me! I had a blast.”

Hemant Godara, Katharina Shakina, Nicholas Tamagna and Felipe Dias rehearsing their performance piece inside the “Vortex” installation. (photo © Nika Kramer)
Sven Müller works on the sculpture “Trashbox”, which shows consumer goods falling out of an oversized shipping box. In the middle, the original sculpture by Waldemar Otto “Mann aus der Enge heraustretend”. (photo © Nika Kramer)
Close up of the new interpretation of the sculpture „Mann aus der enge tretend“ by Waldemar Otto. (photo © Nika Kramer)
Renke Harms paints the wooden walls to transform them into an oversized shipping box. (photo © Nika Kramer)
Renke Harms paints the wooden walls to transform them into an oversized shipping box. (photo © Nika Kramer)
Sven Müller, who foils the installation Notausgang (Emergency Exit), which addresses positive aspects of the lock-down.(photo © Nika Kramer)
Detail of the 6m-high mirror installation “Fragmentation”, which depicts the splitting and multi-perspective nature of society in the pandemic. (photo © Nika Kramer)
On view is the mirror installation “Fragmentation” on the left and the colorful installation “Emergency Exit”. (photo © Nika Kramer)
Technical set-up of the video art installation. (photo © Nika Kramer)
Keep your distance folks! (photo © Nika Kramer)
Obey! (photo © Nika Kramer)
The complete mural “New Etiquette” that calls on us to be helpful and to symbolically join hands, even if not physically. (photo © Nika Kramer)
Overall view of the outdoor exhibition “New Contours“ (photo © Nika Kramer)
The organizers Sebastian von Zeberg, Hauke Beck, Renke Harms. and Sven Müller with the Director of the museum on the center Steffen Wiegmann. (photo © Nika Kramer)
Participants: back row: Angelique Huxol, Sebastian von Zeberg, Linda Bäppler, Hauke Beck, Felipe Dias, Renke Harms, Georgios Kolios
Front row: Lena Withot, Sven Müller, Katharina Shakina. (photo © Nika Kramer)
Night-time shot of the outdoor exhibition “New Contours“. (photo © Nika Kramer)
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