All posts tagged: MrKas

MrKas and “Generations” in Riodades, Portugal

MrKas and “Generations” in Riodades, Portugal

For more than two decades, MrKas has carried his Porto-born graffiti instincts across continents, painting walls from Ireland to Malta, Greece, the Netherlands, the Azores, and beyond. Festivals such as Waterford Walls, Meeting of Styles in Tampere, Kings Spray in Amsterdam, and the Pompeii Street Art Festival have shaped his evolution, each one adding another chapter to his ongoing dialogue between realism, memory, and perception. Yet no matter how far he travels, there is a steady pull that brings him back to Portugal. The return is not nostalgic but purposeful—a way to ground his practice in the places that shaped his earliest sense of community and identity.

MrKas. Generations. Riodades, Portugal. (photo courtesy of the artist)

What began as youthful graffiti—an impulsive act sparked by a stray spray can on a Porto street—has matured into a visual language built on precision, layered imagery, and portraits that seem to exist between dimensions. Today, he combines the discipline of photorealism with deliberate ruptures: cut-outs, geometric interference, and the feeling that an image is being assembled or disassembled in real time. The tension is central to his work.

MrKas. Generations. Riodades, Portugal. (photo courtesy of the artist)

His newest mural, Generations, created for the Douro Street Art Festival in the village of Riodades, carries some of those ideas into a deeply local context. Painted on the walls of the town’s school, the work reflects the artist’s engagement with the region’s everyday life. “In Riodades, among the vineyards and mountains of the Douro Valley, I found a story of identity and belonging,” he says.

MrKas. Generations. Riodades, Portugal. (photo courtesy of the artist)

The mural depicts three figures—“three souls,” in his words—each one connected to a facet of the village’s character: childhood and learning, music and harmony, tradition and joy. In the section showing the musician’s hands playing an instrument, the composition tilts between realism and constructed image, pointing directly to the layered, intergenerational act of keeping culture alive.

This appears as a recognition of the people who define the Douro’s cultural continuity. “This mural is more than paint. It’s a tribute to the people who keep culture alive. Here, the future begins with roots—strong, real, and human,” MrKas tells us.

MrKas. Generations. Riodades, Portugal. (photo courtesy of the artist)
MrKas. Generations. Riodades, Portugal. (photo courtesy of the artist)
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Mr. Kas Reminds; “Time is what you do with it” in Waterford, Ireland

Mr. Kas Reminds; “Time is what you do with it” in Waterford, Ireland

Waterford Walls, a mural festival in Waterford Ireland, may make you think of the famous crystal first, and you would be correct to make that association. The Waterford Glass House was founded around the same time as Beethoven was publishing his first works in 1783, say local historians. The festival offers a collection of quality painters from many backgrounds, formal and informal, a number of walls. With local Irish and invited international artists in league, the festival has been creating murals across the county – including in Tramore, An Rinn, Ballyduff Upper and Tallow.

MrKas. “Time is what you do with it.” Waterford, Ireland. (photo © Gringo Pictures)

Speaking of time, today we see the new piece by street artist Mr. Kas, who reminds us of the ephemerality of life.

“Time is what you do with it,” he says as he reflects upon his portrait of a senior with her eyes closed.

MrKas. “Time is what you do with it.” Waterford, Ireland. (photo © Gringo Pictures)

If you are lucky, you’ll reach the age of his subject – and it may happen far quicker than you had assumed. Mr. Kas suggests we take each moment with serious consideration and learn how to enjoy while embracing the rather quick march of time.

“The only moment we have is now,” he says, “Shall we have this in mind to use our time in the most fulfilling way possible.”

“Time is now. Enjoy it, because we don’t know when it will be our last moment.”

MrKas. “Time is what you do with it.” Waterford, Ireland. (photo © Gringo Pictures)
MrKas. “Time is what you do with it.” Waterford, Ireland. (photo © Gringo Pictures)


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MrKas Paints “Slava Ukraini” in Portugal

MrKas Paints “Slava Ukraini” in Portugal

Many street artists around the world are creating new artworks on the street in solidarity with the Ukrainians. MrKas sent us his emotional appeal from Portugal where he painted this new one modeled after a boy who was caught amidst the attacks. He also had the pleasure of meeting his mom Elza Uskas since she and her son escaped the bombs in their home city. Ms. Uskas gave him permission to share her words here;

MrKas. “Slava Ukraini”. Porto, Portugal. (photo © MrKas)

“We fled from home, in grief, in fear, from those who remained. Borders are open. We travel through beautiful cities, and meet kind people… but my heart is broken, I want to hug my family and friends. I want them to sleep peacefully instead of hiding in the basements from the missile attacks. Our life will never be the same again. And our children will never forget the sound of the siren roar that they will dream of at night …”

MrKas. “Slava Ukraini”. Porto, Portugal. (photo © MrKas)
MrKas. “Slava Ukraini”. Porto, Portugal. (photo © MrKas)
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BSA Images Of The Week: 01.16.22

BSA Images Of The Week: 01.16.22

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Welcome to BSA Images of the Week.

This week we see the rubber band of our normal expectations is stretching and contracting in the city, whether you are referring to the insistant Omicron wave, the students who walked out of classes this week, the new graffiti show at Phillips, uneffective politicians, a stagflated economy, spiking gas prices, a volcano, post-war hangover, and drums of war with Russia. It’s like all the chaos of the 1970s but without blacklight posters, waterbeds or Patty Hearst. And now you can get weed legally, man. Speaking of the 70s, here’s how to Dress Like Alana Haim in Licorice Pizza.

At the moment in New York most of us are staying off the street because it is bitterly cold outside. We just had a wind chill of -1 degrees fahrenheit (-18 celcius). Not a lot of graffiti and street art goes up during this weather.

But that doesn’t stop us from going out to shoot it.

So here’s our weekly interview with the street (in New York and Miami), this week featuring 2OX Crew, Arson, ATOMS, Boy Kong, Buff Monster, Ivan Roque, Jason Naylor, Jimenez, Kern Myrtle, MrKas, Patrick Kane McGregor, and Pleks.

Jimenez. Take it! (photo © Jaime Rojo)
Buff Monster in Wynwood, Miami. (photo © Jaime Rojo)
Buff Monster in Wynwood, Miami. (photo © Jaime Rojo)
Buff Monster in Wynwood, Miami. (photo © Jaime Rojo)
Kern Myrtle in Wynwood, Miami. (photo © Jaime Rojo)
Atoms (photo © Jaime Rojo)
Jason Naylor in Wynwood, Miami. (photo © Jaime Rojo)
MrKas in Wynwood, Miami. (photo © Jaime Rojo)
Ivan Roque in Wynwood, Miami. (photo © Jaime Rojo)
Patrick Kane McGregor in Little Haiti, Miami. (photo © Jaime Rojo)
Arson (photo © Jaime Rojo)
Pleks (photo © Jaime Rojo)
Boy Kong in Wynwood, Miami. (photo © Jaime Rojo)
2OX Crew NYC (photo © Jaime Rojo)
For the stencil, unidentified artist. Life imitates art on the streets of NYC. (photo © Jaime Rojo)
Untitled. Brooklyn, NY. January 2022. (photo © Jaime Rojo)
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MrKas Inspired by Sculpture and Classical Antiquity in Pompei

MrKas Inspired by Sculpture and Classical Antiquity in Pompei

A new cultural eruption in the heart of Pompei, Italy, the first edition of the Pompei Street Festival in September included frescoes and free music and many opportunities for people to experience contemporary life in this city famous for its buried and revealed history.

MrKas. “Leave no stone unturned” Pompeii Street Art Festival 2021. Pompeii, Italy. (photo courtesy of MrKas)

Portuguese street artist Mrkas here ties the two together with his mural inspired by a sculpture in Pompei’s archeological park, the site of the ancient Roman city Pompeii buried by the lava of Mount Vesuvius in 79 BC. The elevated street depiction elevates the blindfolded faces in the Centaurus basement; inspired by the works of Polish sculptor Igor Mitoraj.

MrKas. “Leave no stone unturned” Pompeii Street Art Festival 2021. Pompeii, Italy. (photo courtesy of MrKas)

Southeast of historic Naples and its forms smoothly draped or otherwise, MrKas appropriately brings his virtuosic application of color and light to add dimensional realism to the new wrapped faces. It’s natural for him, a fan of 3D and hyperrealism – and here in Pompei, his new work is positioned properly between classical antiquity and the current fashion of art in the streets.

To learn more about the Pompei Street Festival please see @pompeistreetfestival 

MrKas. “Leave no stone unturned” Pompeii Street Art Festival 2021. Pompeii, Italy. (photo courtesy of MrKas)
MrKas. “Leave no stone unturned” Pompeii Street Art Festival 2021. Pompeii, Italy. (photo courtesy of MrKas)
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MrKas Paints “Humanity First” in Portugal

MrKas Paints “Humanity First” in Portugal

You would like to think that we all have a basic set of priorities, although it’s not readily apparent. Street artist and muralist Mr. Kas boldly posits that we need to remember that it’s “Humanity First”.

His personal tribute to firefighters, he painted this photorealist piece in Vila nova de Gaia, Portugal.

MrKas. “Humanity first”. Vila nova de Gaia, Portugal. (photo courtesy of the artist)
MrKas. “Humanity first”. Vila nova de Gaia, Portugal. (photo courtesy of the artist)
MrKas. “Humanity first”. Vila nova de Gaia, Portugal. (photo courtesy of the artist)
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MrKas Paints “Still I heal” in a Porto Factory

MrKas Paints “Still I heal” in a Porto Factory

We always appreciate the repurposing and re-imagining of existing features in the man-made environment. Artists have myriad ways to reconfigure and transform the simplest of situations, and here in Porto, Portugal MrKas has done it twice. First he elongated this fallen wooden beam and imagined it as a lit match stick. Later he painted over his own creation, transforming the view to a human heart pierced by an arrow.

It’s good to see his imagination at work. He calls this anamorphic wall in an abandoned factor, “Still I heal”.

MrKas. Porto, Portugal. (photo © MrKas)
MrKas. Porto, Portugal. (photo © MrKas)
MrKas. Porto, Portugal. (photo © MrKas)
MrKas. Porto, Portugal. (photo © MrKas)
MrKas. Porto, Portugal. (photo © MrKas)
MrKas. Porto, Portugal. (photo © MrKas)
MrKas. Porto, Portugal. (photo © MrKas)
MrKas. Porto, Portugal. (photo © MrKas)
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MrKAS Goes Sprays Anamorphic in Porto, Portugal

MrKAS Goes Sprays Anamorphic in Porto, Portugal

With his own particular brand of magic realism and optic art that is sometimes referred to as anamorphic, MrKas has a command of the fact-based world that enables him to fool viewers into seeing something else when they are standing in the right place.

MrKas. Porto, Portugal. (photo courtesy of MrKas)

A regular participant in Street Art festivals with commercial sensibility and the wide-eyed wonder of newly discovered adventure, MrKAS has a sense of humor as well, and he’s ready to play – at least with your perceptions.

Born in Porto and now living in Brussels, the aerosol painter has travelled to countries like China, Malaysia, UAE, Indonesia, Italy, Greece, Malta, France, the Netherlands with realism that goes askew.

MrKas. Porto, Portugal. (photo courtesy of MrKas)

Here back in his Portuguese hometown, MrKas is spraying in multiple directions, playing with your perceptions some more in an abandoned factory.

MrKas. Porto, Portugal. (photo courtesy of MrKas)
MrKas. Porto, Portugal. (photo courtesy of MrKas)
MrKas. Porto, Portugal. (photo courtesy of MrKas)
MrKas. Porto, Portugal. (photo courtesy of MrKas)
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