Trees are turning, politicians are jamming your phone texts with election slogans, Comic Con 20 is celebrating Coney Island, and hundreds of murals are in full effect this fall in every borough of New York City. We’ve been riding bikes through the streets to find new stuff and give you some of the best that makes this NYC.
Here is our weekly interview with the street, legal and otherwise, this week featuring Cram, Ejek98, El Cekis, Hektad, Jappy Agoncillo, Jim Power, MCY, Minhafofa, Mosaic Man, Motomichi Nakamura, OG King 157, Optimo NYC, and WC.
Mr. Power is a well known ceramic tiles artist whose work can be found primarily in the East Village neighborhood in Manhattan, NY. The Mosaic Man as he’s better known has been working on his installations in the East Village since the early 1980s creating a trail of tiles installations on urban furniture and the bases of street lamp posts. We were surprised that some of his work has been vandalized and in some cases completely destroyed. We can’t make any sense of why and who is responsible for the destruction of public art that contains an oral and visual history of the city and contributes to the dynamism of the city.
Congratulations to HAZE for his opening of Eric Haze & Matt Weber — Vanishing City at Atelier Jolie, 57 Great Jones Street this week. The show runs through December 30 and it connects Haze’s graffiti-rooted practice with Weber’s New York street photography and their shared history in the city’s 1970s scene.
Our late summer has been blessed by the methodical beast that is Kiwi artist Owen Dippie, who still doesn’t get enough love from New York considering his photorealistic chops and appetite for blockbusters. Catch him in action on the southwest corner of Bowery and Great Jones Street, where he’s building a mammoth, nearly six-story Jean-Michel Basquiat mural just around the corner from Atelier Jolie. It’s still in progress.
…and don’t forget Charlie Ahearn’s New Paintings at WHAAM! on Elizabeth Street, still on view through October 23, or Vandals to Vanguard at BronxArtSpace, up through October 24 — both keeping the city’s graffiti and hip-hop histories in active circulation rather than treating them as finished chapters.
Here is our weekly interview with the street, this week featuring AAron Wrinkle, Billy Barnacles, City Kitty, DARA, Filthy Freak, Free Humanity, Fumero, Hektad, Jappy Agoncillo, JerkFace, Lexi Bella, Minhafofa, My Dog Signs, OGKING157, Richard Hoffman, RIOT, SEKHMET, UNEG, and Welder Underground.
Welcome to BSA Images of the Week. You look amazing in that shirt!
We were running up that hill this week to see the designer currently on view at the Brooklyn Museum, Iris van Herpen, in the exhibition Iris van Herpen: Sculpting the Senses. Her work often looks less like traditional couture and more like living systems captured in motion — borrowing from coral formations, jellyfish, skeletons, water currents, insect wings, cellular structures, and fractal geometry. With the breezes blowing the newly arrived green leaves on the trees in front of the museum, we left feeling that the systems of nature merged with art, and that the city was in natural motion on the street.
Brooklyn-born artist Keisha Scarville has transformed the exterior street-facing walls of the Brooklyn Museum with large-scale photographic works that layer fabric, portraiture, memory, and fragmented identity into immersive public images. Like Iris van Herpen’s couture inside the museum, Scarville’s visual language draws from organic structures, repetition, translucency, and flowing forms that dissolve boundaries between materials and atmosphere. Both artists build intricate systems inspired by natural growth patterns and transformation, creating works that feel simultaneously intimate, sculptural, and almost biologically alive.
A few blocks away, the community wall project called Washington Walls is newly refreshed for the season, and many artists are again in touch with nature, or their inner nature anyway.
Here is our survey of the streets, this week featuring Aaron Metzger, Barbtropolis, Ben Keller, Calicho Art, Furmero, Homesick, Jason Naylor, Kams S Art, Keisha Scarville, Lady DJay, Le Crue, Luch, Minhofofa, Phetus, Praxis, Question Marks, Sarkism, Savior El Mundo, and Slut Puppy.
Happy Easter to all our readers who celebrate it, and pray for peace.
This week, we give light to some of the recent panels from a community wall project that consistently refreshes the view for people in the Prospect Heights neighborhood of Brooklyn. Founded in 2015 by artist and curator Jeff Beler, who developed the site after securing permission to transform construction fencing around a fire-damaged, long-abandoned building into an open-air mural space. The project, initially organized with curator Frankie Velez, operates as a recurring, theme-based installation refreshed roughly twice a year, bringing together a mix of established and emerging muralists to produce site-specific work across multiple panels. A community-based initiative, Underhill Walls has grown into a visible neighborhood fixture and a broader hub for mural production, emphasizing collaboration, accessibility, and artist “chemistry” in selection for the rotating roster.
Here is our weekly interview with the street, today featuring Anna Faris, Barbtropolis, BC NBA, Bunny M, Calicho Art, CAMI XVX, DG Millie, Drones, Fumero, Georgia Violett, Kams S Art, LeCrue Eyebrows, Luis Valle, Majo, Margarita Howls, Metamorph, Minhafofa, and Peachee Blue.
Fourth of July weekend stretched into at least three days this year for many New Yorkers—some staying in town to catch the spectacular fireworks displays over the East River between Brooklyn and Manhattan, others escaping to Long Island, Upstate New York, or New Jersey. Chasing cooler air and a patch of green, they rent, borrow, and maybe even steal cars for the chance to go camping, canoeing, fire up a barbecue, and revisit Aunt Eloise’s legendary Ambrosia Salad—a chilled “salad” of mini marshmallows, canned mandarin oranges, crushed pineapple, coconut, and Cool Whip. Anyone want a hot dog?
Back in the city, stoop sales and block parties occupy the streets, murals are going up, and conversations drift between the Fourth of July Subway Series games with the Mets and Yankees, the newly approved rent-control rate hikes, and the eye-popping sums raised by the city’s elite to defeat the Socialist Democrat currently leading the mayoral race.
There’s also unease over the Big Beautiful Billsigned by the president on July 4th—an enormous, controversial budget that offers major tax breaks for the wealthy while cutting food and healthcare programs for the poor. It’s being called one of the most consequential—and divisive—pieces of legislation in decades. As you read over the text and see where the money is disappearing from and who it is going to, it may appear to you as a dark mirror version of a well-known children’s story, like a “Reverse Robinhood.” Yet, the debt will still increase…
Here’s a glimpse of the latest graffiti, street art, and murals captured in this week’s survey, including Aida Miro, Frankie Botz, Humble, Juliana Ruiz, Kong Savage, Lao Art, Lina Montoya, Minhafofa, MSK Crew, Musicoby, OSK, Paolo Tolention, Phetus88, Pixote, Qzar, Rambo, Sonni, Steve Sie, Tess, and Zoot.
Welcome to Part I of II of our photo collection from the 14th Annual Bushwick Collective Block Party. This year’s edition, held on May 31, 2025, brought together a powerful fusion of beats, paint, and community spirit—just the kind of vibrant energy we at BSA love to celebrate.
The day’s star performer, hip-hop legend Rakim, set the stage alight with an electrifying set that fused old-school authenticity with Bushwick’s forward-thinking street culture – an intelligent merging of underground and old-school. Sharing the spotlight were dynamic artists Statik Selektah, Gorilla Nems, Termanology, and Evil Dee, among others.
On the mural front, the Block Party again transformed Troutman Street into a living gallery. This year’s visiting muralists included Sef1, Contrabandre, Huetek, Gigstar & Minus One, Tymon de Laat, Ashley Hodder, and Enzo a psychotropic summer stew that again sampled from acrss the graffiti and street art spectrum.
It was a weekend where paint met poetry, beats met brushstrokes, and each corner of Bushwick told a fresh story. We hope these images capture the creative dialogue that unfolded. Stay tuned for Part II, where we continue to explore more of this year’s murals and moments.
Remember the heyday of street art lists? People are still compiling them. From top 10 cities in the US for Street Art, to tourist-tilted lists of Street Art Destinations, to the Best street art experiences for 2024. The muscle behind most of the big events these days is a value-driven investment by city councils, branding opportunities for corporations or thinly-veiled vehicles for private gallerists to champion artists on their roster.
The more organic works, the less decorative murals can be found in community-organized campaigns. The free-form, unbridled, un-bossed, and un-bought spirit of organic street art survives, and it often takes chances politically or stylistically. Presented without handlers, communicating directly to you, it may be vexing, thrilling, educational, inspirational, or miss the mark. It’s all there and probably in your city – if you keep your eyes and ears open.
Here is our weekly interview with the street, this week featuring City Kitty, Homesick, Sara Lynne-Leo, Muebon, Miki Mu, Cody James, Humble, Underhill Walls, Manuel Alejandro, Mihfofa, Brittney Sprice, Cuadrosa, Felipe Umbral, and Hello the Mushroom.
G. James Daichendt. Robbie Conal: Streetwise: 35 Years of Politically Charged Guerrilla Art. Schiffer, 2020. Reprinted from the original review. …Read More »
A vast aquatic landscape painted on the pavement becomes a collective artwork and an open-air playground.Artistic direction by Andrea Conte …Read More »
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
