All posts tagged: MIAU FESTIVAL 2025

In Fanzara After Censorship and Cuts, the People Bring MIAU Back to Life

In Fanzara After Censorship and Cuts, the People Bring MIAU Back to Life

Sometimes street art festivals run headlong into battles with local politics or corporate brands that believe murals should only be decorative—certainly not inclusive of certain communities or certain politics. To be clear: all art is political. If you like a mural, chances are it aligns with your worldview. Don’t make the mistake of believing otherwise.

Fio Silva. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)

Last year, MIAU Fanzara ran squarely into that truth. In early 2024 the local council introduced a “facades ordinance” demanding prior approval of sketches—an a priori filter on themes and imagery that organizers publicly rejected as censorship. With organizers refusing to comply, the 2024 edition was “paused.” Over the summer, it appears that the dispute widened, drawing criticism from cultural bodies and press coverage that framed the rule as a curb on artistic freedom. In September, the council rescinded the ordinance—but it also withdrew the long-standing €6,000 municipal subsidy, a small but symbolically vital line that had helped the festival function, according to new reports and locals.

Fio Silva. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)

This year, the money didn’t return—but the people did. In 2025, neighbors opened their walls, volunteers handled logistics, and artists worked without fees. MIAU’s ninth edition went ahead without public subsidies, sustained by community energy and a shared conviction that public space is for public voices. All of this sounds rather like the vox populi itself — unruly, creative, and unwilling to be managed by decree. The result wasn’t just a program; it was a popular mandate painted on stucco and brick.

Santa Gross. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)

What follows is a selection from this year’s walls: pieces that speak in bright, unvarnished tones about memory, ecology, migration, gender, and the everyday. Funding can be cut. A festival can be paused. But when the people choose color over silence, the paint somehow finds a way.

Thank you to photographer Lluis Olive for sharing new shots of MIAU 2025


To read more about the censorship battle at the Fanzara “MIAU Festival”:

Laura Merayo. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
  1. “Fanzara se queda sin festival de grafiti tras 10 años por la nueva norma municipal del PP”El País (July 6, 2024). A report on the 2024 cancellation after the facades ordinance imposed prior screening of murals. (El País)
  2. “Fin al bloqueo del MIAU de Fanzara nueve meses después: el Ayuntamiento aprueba por unanimidad retirar la Ordenanza municipal de fachadas”Cadena SER, Radio Castellón (September 7, 2024). On the council’s vote to withdraw the ordinance and the simultaneous end of municipal funding. (Cadena SER)
  3. “El festival de grafitis de Fanzara sobrevive al intento de censura previa con la solidaridad de vecinos y artistas”El País (July 5, 2025). Coverage of the 2025 edition returning without subsidies, powered by residents and volunteers. (El País)

(Additional context: El País summarized the ordinance’s withdrawal and loss of the €6,000 grant on Sept. 7, 2024; local outlets like Castellón Plaza and NMPNU documented the 2025 edition proceeding “a pecho descubierto,” without public funds. (El País))

Laura Merayo. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Lluisa Penella. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Lluisa Penella. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Lluisa Penella. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Iris Serrano. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Lluisa Penella. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Tony Gallo. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Tony Gallo. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
MurOne. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Digo Diego. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Digo Diego. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Costi AMC. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Costi AMC. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Bifido. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)

We wrote about Bifido’s contribution to MIAU 2025 back in July. Click HERE to read the article.

Maria Otal. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Reka One. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Marie Balbinot. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Marie Balbinot. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Deith. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Deith. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Hombre Lopez. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Hombre Lopez. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Hombre Lopez. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Hombre Lopez. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)

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Bifido Gives “No Pain, No Flowers” in Fanzara, Spain

Bifido Gives “No Pain, No Flowers” in Fanzara, Spain

Street art reflects the aspirations, connections, and conflicts of society back to us—often unfiltered and always direct. That’s the case with “No Pain, No Flowers,” a striking new installation by Italian artist Bifido, created for the MIAU Fanzara festival in Spain. The wheatpasted photo-portrait features a teenage girl with facial piercings, caught in a moment that feels emotionally raw and universally familiar. She’s defiant yet fragile, bright but uncertain—a portrait of adolescence that hits with clarity, and rings true.

Bifido. MIAU Festival. Fanzara, Spain. (photo © courtesy of the artist)

Known for his emotionally resonant paste-ups, Bifido has appeared on Brooklyn Street Art numerous times over the years. Based in Naples, he is celebrated for using photography to explore youth, vulnerability, and psychological tension. Children and teenagers are his recurring subjects, and his work often channels a personal, autobiographical undercurrent: “I am drawn to the anxieties, melancholy, expectations, fragilities, and turmoil of that age in relation to society and its absurd rules.”

MIAU Fanzara, held annually in a small village of about 250 residents, has become a rare model for community-centered urban art. With no corporate sponsorship and no censorship, artists are hosted by local families, creating a powerful sense of shared experience. As Bifido puts it, “It’s a place where urban art truly connects with the local fabric.” With no brand managers or gatekeeping curators calling the shots, the lineup hits closer to the kind of unfiltered street art you see in the wild.

Bifido. MIAU Festival. Fanzara, Spain. (photo © courtesy of the artist)

“I am drawn to the anxieties, melancholy, expectations, fragilities, and turmoil of that age in relation to society and its absurd rules.”

When confronted with this larger-than-life face on the street, it’s clear that the mural draws its power from Bifido’s unwavering authenticity. This is not a retouched Photoshopped or AI-generated confection. You’ve met this person in your life, at your school, or in your living room at home. Additionally, the artist isn’t speaking from a distant, sociological standpoint only – he is channeling lived experience. In the context of the festival, Bifido’s autobiographical approach meshes with the open, authentic environment of Fanzara. The portrait’s model might be a specific girl, but in a sense, she is every young person (and the young version of each of us). By placing her image in the streets, Bifido turns the town into a gallery of real life – precisely the kind of integration of art and daily experience that MIAU Fanzara champions.

Bifido. MIAU Festival. Fanzara, Spain. (photo © courtesy of the artist)

This new piece lives on Calle Purísima, suddenly appearing among the winding streets of Fanzara, now home to more than 100 murals from artists across the globe. In this intimate setting, Bifido’s portrait blooms not just as a visual artwork, but as a symbol of resilience. The title “No Pain, No Flowers” suggests a hard truth: beauty often comes from struggle. Yes, darling. Bring me my flowers.

Bifido. MIAU Festival. Fanzara, Spain. (photo © courtesy of the artist)
Bifido. MIAU Festival. Fanzara, Spain. (photo © courtesy of the artist)
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