

Niels Shoe Meulman: Shoe’s Black Book / Graffiti in the 1980’s.
Reprinted from the original review.
There are black books that function as polished archives, and then there are black books that still feel alive—creased at the edges, unstable, carrying the residue of graffiti movement, personal exchange, theft, boredom, obsession, and natural elements – like weather. Shoe’s Black Book: Graffiti in the 1980s is the latter. Drawn from the surviving pages of Niels “Shoe” Meulman’s working black book from roughly 1985 to 1987, this oversized volume feels like a partially stabilized artifact from a moment when European graffiti culture was still inventing itself.
Shoe—now known internationally for his later contributions to typography and calligraffiti—presents the black book not as a sacred relic but as a functional object that absorbed experience as it traveled. The pages move associatively rather than chronologically: sketches, throw-ups, train stories, prison recollections, handstyle experiments, hotel-room meetings, and technical observations are piled together the way memory often does inside graffiti culture itself. A muddy anecdote about losing drawings beneath a bridge sits comfortably beside reflections on line weight, marker tips, or the evolving geometry of a single letterform. Throughout, Shoe resists overexplaining, avoiding the nostalgic deep dive that can flatten graffiti history into sentimentality. Like many black books, the accumulation becomes the narrative.

What emerges most clearly is that graffiti is not primarily an aesthetic category but a form of interpersonal behavior and connectedness—a repetitive, improvisational system of exchange carried “mouth-to-mouth and hand-to-hand.” Shoe documents the fixation on style with unusual candor: the endless reworking of an “S,” the influence absorbed after meeting another writer, the quiet competition embedded inside even casual sketch sessions. The obsession is visible everywhere, but so is the camaraderie – as is the low-grade paranoia that accompanied painting trains illegally, traveling across borders, and navigating police pressure in pre-Internet Europe.

Text Steven P. Harrington & Jaime Rojo Photos Diana Paun
Title: Shoe’s Black Book. Graffiti in th 1980’s
Published: Ryuzdael Publishing. Amsterdam, 2024.
Author: Niels Shoe Meulman
Language: English
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