For all the flooding of our street art consciousness by the mural movement during the last handful of years, we’re still impressed by the completely organic personality of New York’s scene. New York has the ability to absorb countless graffiti and street artists from around the world and still retain its own particular attitude regardless. Prickly, preening, pensive, or ready to throw a punch, you are never quite sure what you will end up with the art on the streets here. However, you are guaranteed to see something unique — and you’ll never have time to be bored.
Here’s our weekly interview with the street, this week featuring Al Diaz, Alex Ferror, ATOMS, Billy Barnacles, Brooklsey Dark, Carlitos Skills, Don Rimx, Drecks, Duel1, Gane, Hiss, Jowl, Little Ricky, London Kaye, Lucky Rabbit, Praxis VGZ, Skewville, Smells, and UFO907 .
You made it! Thanksgiving is over and you did not explode from eating too much pumpkin pie. Right?
A number of subverting artists and activists took over billboards in cities around the world this Thanksgiving holiday to celebrate “NO AD DAY” – an aesthetic effort to reclaim public space from advertisers who have slowly but surely crept into everything, producing an ever-present artificial and continuous knawing in the stomach that you are not handsome or pretty enough, rich enough, or somehow incomplete in a thousand ways.
Check out folks like Brandalism to learn more about a growing grassroots movement that began perhaps in the 60s with folks like the Billboard Liberation Front but has picked up speed and technique in the last decade. Of course artists like Abe Lincoln Jr. don’t need a special day to take over a phone booth – any day is fine.
So here is our weekly interview with the streets, this week featuring Abe Lincoln Jr. Adam Fu, Bortusk Leer, Kenny Scharf, Lucky Rabbit, Maia Lorian, Mastro, Norm Magnusson, Tito Ferrara, Rawraffe, Solus, and Uncle Susan.
Back when we began this BSA journey we used to tell people we felt lucky to be in New York and to witness the birth of a new Street Art movement here and to walk the streets discovering people, fashion, architecture, and Street Art like Walt Whitman taking a walk through Leaves of Grass.
Happily we’re still saying it, with total conviction.
Serendipity happens again here as we discover a new painter, a new style of painting on the street. It recalls the illustrations on commercial greeting cards and children’s story books from the 1960s and 1970s perhaps; a blushing bashful blundering bushel of big-eyed bliss bisecting the blond head of a slumbering beauty. It’s all Bambi and Mary Poppins up in here.