Last night we listened to artist Futura speak with Timothy Anne Burnside at the “Beyond the Streets” about his initial impetus for hitting the streets as a teenage graffiti writer in the late 1960s in New York – an urban environment he described aptly as “the city was on fire”.
“I wanted to express myself,” he said. “That’s all anyone wants to do, no matter how they do it.”
As we move further from graffiti and mark-making in public art-making, is it a revelation that the desire to be seen, to have your voice heard, is the common denominator again, regardless of the form of expression.
In this case, a tram shelter in Poland preserves the natural world in resin, transparently.
Like a mix master, the artist here samples someone else’s handiwork and remixes it, adding a filter, chopping it up and repeating it.
Dominika Cebula, a
She’s calling it “Nostalgia”, and you can see how those minutes of waiting could be affected; your memories triggered to remember birthdays, weddings, funerals, walks by yourself along a train track or beside the river. Hundreds of dried flowers are embedded in the resin, including cornflowers, forget-me-nots, roses, narcissus, freesias, daisies, fern leaves,
Curated by Michał Bieżyński, “Nostalgia” is an unusual horticultural intervention that adds one more point of visual interest in a city that has enjoyed an alluvial visual invasion of murals and sculptural works in the last decade.