All posts tagged: Lluis Olive Bulbena

Arnau Gallery In Barcelona. A Wall with a mission

Arnau Gallery In Barcelona. A Wall with a mission

The celebrated but now ruinous Arnau Theater in Barcelona sits patiently awaiting to be revived. Once an effervescent center of spectacle and entertainment the theater opened its doors in 1894 and through various mutations including a place to go to the “talkies” and a variety program hosted by the then famous actress Sara Montiel closed its doors in 2004. The theater is now the property of the municipality and with that it has a very good chance to see the light of day again.

Mohamed Lghacham AKA Moha and Emilio Cerezo collaboration at Arnau Gallery in Barcelona. October 2017. (photo © Lluís Olivé Bulbena)

As it’s often the case the revitalization of our city centers or downtown falls on the hands of the artists and the creative sort. Once an artist has set his or her eyes on a crumbling piece of real state or on a neglected part of town it’s almost unavoidable for these artists to ignore what they see. That’s precisely what Arnau Gallery is. Not a gallery in the traditional white walls cube but and open door wall, Arnau Gallery is a canvas, an opportunity for artists to paint commissioned work under the guidance of Street Art Barcelona and Difusor.

The wall sits at street level close to the pedestrians and is part of the edifice that bears the theater’s name. The curators have a rotating schedule of local, national and international artists who are invited to experiment, paint and create on the wall. The project has as its main supporter Platform to Save The Arnau Theater the organization leading the fight to keep Arnau Theater alive with the hopes that in the not so distant future the theater will re-open its doors.

In October the Moroccan born Spanish artist Mohamed Lghacham AKA Moha, joined Barcelona native artist Emilio Cerezo to collaborate on this wall. Below are the results of their efforts.

Mohamed Lghacham AKA Moha and Emilio Cerezo collaboration at Arnau Gallery in Barcelona. October 2017. (photo © Lluís Olivé Bulbena)

Mohamed Lghacham AKA Moha and Emilio Cerezo collaboration at Arnau Gallery in Barcelona. October 2017. (photo © Lluís Olivé Bulbena)

Mohamed Lghacham AKA Moha and Emilio Cerezo collaboration at Arnau Gallery in Barcelona. October 2017. (photo © Lluís Olivé Bulbena)

Mohamed Lghacham AKA Moha and Emilio Cerezo collaboration at Arnau Gallery in Barcelona. October 2017. (photo © Lluís Olivé Bulbena)

Mohamed Lghacham AKA Moha and Emilio Cerezo collaboration at Arnau Gallery in Barcelona. October 2017. (photo © Lluís Olivé Bulbena)

Mohamed Lghacham AKA Moha and Emilio Cerezo collaboration at Arnau Gallery in Barcelona. October 2017. (photo © Lluís Olivé Bulbena)

Mohamed Lghacham AKA Moha and Emilio Cerezo collaboration at Arnau Gallery in Barcelona. October 2017. (photo © Lluís Olivé Bulbena)

Mohamed Lghacham AKA Moha and Emilio Cerezo collaboration at Arnau Gallery in Barcelona. October 2017. (photo © Lluís Olivé Bulbena)

Mohamed Lghacham AKA Moha and Emilio Cerezo collaboration at Arnau Gallery in Barcelona. October 2017. (photo © Lluís Olivé Bulbena)

 

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“Nau Bostik” Invigorates La Sagrera District in Barcelona

“Nau Bostik” Invigorates La Sagrera District in Barcelona

Portraits, characters, surrealistic scenes and a range of illustration styles all reigned at the Nau Bostik festival in the La Sagrera neighborhood of Barcelona this summer. Organizing the painted component of the festival were folks from the Open Walls Conference and Difusor in a collaborative program to bring a new cultural infusion of life to this former industrial center.

Ralf Urban (photo © Lluis Olive Bulbena)

These walls are what stand long after the film festival, craft beer festival, conference discussions, food trucks, children’s dance program, photography exhibition and musical performances leave. Contrary to the image of Street Art and graffiti in the margins of society, in the case of these twenty or so muralists from a variety of backgrounds, painting in the public sphere is an integral part of the programming of a communities future, rather than a sign of its degradation.

We’re pleased that photographer Lluis Olive Bulbena shares some of the images he captured at Bostik Murals this summer with BSA readers.

BToy (photo © Lluis Olive Bulbena)

BToy (photo © Lluis Olive Bulbena)

El Rughy (photo © Lluis Olive Bulbena)

Simon Vazquez (photo © Lluis Olive Bulbena)

Twee Muizen (photo © Lluis Olive Bulbena)

Ox Alien (photo © Lluis Olive Bulbena)

SheOne (photo © Lluis Olive Bulbena)

SheOne (photo © Lluis Olive Bulbena)

Manu Manu (photo © Lluis Olive Bulbena)

Fau Art (photo © Lluis Olive Bulbena)

Fau Art (photo © Lluis Olive Bulbena)

David Petroni (photo © Lluis Olive Bulbena)

Sixe Paredes (photo © Lluis Olive Bulbena)

Syrup (photo © Lluis Olive Bulbena)

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Selections from Farm Country: GarGar2 Festival in Penelles, Spain.

Selections from Farm Country: GarGar2 Festival in Penelles, Spain.

A well branded cultural initiative brings for the second edition a festival of art, music, craft beer, food trucks, workshops to the village of Penelles in Spain, including 900 square meters of murals in this town with farmer roots and low one story buildings.

It has become almost a formula for cities and municipalities to inject a youthful culture and energy into an area – as you may expect, it is about striking a balance and treating all of your artists well and creating a mixture of events and opportunities for the people to engage with the scene. Even when the population of your Catalonian town is a little less than 500 people.

Fonoll Mas. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

GarGar2 just happened in May with about 30 artists displaying public art in disciplines that touch on almost all of the currently used styles on the street; aerosol, wild style, figurative, illustration, neo-realism, photorealist, commercially slick, folk heroism, calligraphy, text based, pop art, abstract optics, political commentary, brush paint, stencil, craft, crochet, primitive sculpture… Organizers have studied the websites and social postings and surveyed closely what is happening in the mural/Street Art scene and are presenting a cross-section of at least one example of every category.

Sebastien Waknine. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

The somewhat arid agricultural community is spread out over many small roads and fields of wheat, rye, and corn. Old buildings are used for small art exhibitions and music venues – with many of the performing solo artists and ensembles playing a familiar mix of folk, jazz, afrocarribean, and electronic genres that merge local with international tastes.

It is a polished presentation meant to draw attention to the town, and we are thankful to photographer Lluis Olive Bulbena for capturing some of the images from this year’s festival. Following it is a video from last years’ GarGar.

Sebastien Waknine. Detail. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

Sebastien Waknine. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

BYG. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

Draw . Contra. Detail. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

Draw . Contra. Detail. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

Draw . Contra. Detail. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

Asu Calligraphy. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

Miquel Wert. Detail. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

Miquel Wert. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

Draw . Contra. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

Ryan Smeeton. Detail. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

Ryan Smeeton. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

Paella. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

Paella. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

Zeso WS. Detail. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

Zeso WS. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

Jofre Works. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

TV Boy. GarGar Festival. Penelles, Spain. May 2017. (photo © Lluis Olive Bulbena)

GarGar 2016

Festival GarGar 2016 from lacreativa.com on Vimeo.


Website for GarGar

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Marina Capdevila Brings Her Seniors to the Winery

Marina Capdevila Brings Her Seniors to the Winery

When muralist Marina Capdevila is in Miami her senior ladies are in a convertible heading to the beach and when in Brooklyn they buy a hamburger and fries on the sidewalk.

Now visiting a winery cooperative just south of her native Barcelona, the illustrator chooses men and donkeys.

Marina Capdevila. Gratallops, Spain. April 2017. (photo © lluis Olive Bulbena)

“The mural commemorates the 100 years of the Gratallops Winery Cooperative,” says photographer Lluis Olive Bulbena, who shares some images of the new mural.

“Gratallops is a small municipality of 250 inhabitants about 180 km south of Barcelona, part of the famous wine region of Priorat.” Absent Capdevila’s typical on-point observations of seniors encountering the modern world with irony, the characters and action here are more typical and straightforward, but still with a sense of humor.

Marina Capdevila. Gratallops, Spain. April 2017. (photo © lluis Olive Bulbena)

Marina Capdevila. Gratallops, Spain. April 2017. (photo © lluis Olive Bulbena)

To learn more about the winery cooperative in Gratallops, click HERE.

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BSA Images Of The Week: 03.19.17

BSA Images Of The Week: 03.19.17

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Here’s our weekly interview with the streets, this week featuring: Baron Von Fancy, City Kitty, Claudio Dre, Consumer Art, Ethan Armen, Humenbote, Jerk Face, Mr. Sis, Pantonio, Paola Delfin, Paris Sketch Culture, Peter Tunney, Sac Six, Thomas Allen, Tictail, and Zor.

Top image: Jerk Face (photo © Jaime Rojo)

Baron Von Fancy (photo © Jaime Rojo)

Phone booth ad take over by an identified artist. (photo © Jaime Rojo)

Tictail…speaking of female resistance… (photo © Jaime Rojo)

Consumer Art borrows from Banksy and quotes the current occupant in the Oval Office. (photo © Jaime Rojo)

Paola Delfin. Detail. Barcelona. (photo © Lluis Olive Bulbena)

Unidentified artist (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

A clever paste-up collab between Ethan Armen and Thomas Allen with the humenbote logo (photo © Jaime Rojo)

Claudio Dre. Detail. Barcelona. (photo © Luis Olive Bulbena)

Peter Tunney (photo © Jaime Rojo)

 

Paris Sketch Culture (photo © Jaime Rojo)

Zor (photo © Jaime Rojo)

Pantonio. Detail. Barcelona (photo © Lluis Olive Bulbena)

City Kitty takes the children for a ride on the Kittymobile…(photo © Jaime Rojo)

Love this tag…who is the writer? (photo © Jaime Rojo)

Mr. Sis. Detail. Barcelona (photo © Jaime Rojo)

Sac Six (photo © Jaime Rojo)

Untitled. Jerry and his birds. Manhattan, NYC. March 2017 (photo © Jaime Rojo)

 

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Sixe Paredes: Future-Folk Geometry In Barcelona

Sixe Paredes: Future-Folk Geometry In Barcelona

The Future-Folk Geometrist named Sixe Paredes is in Madrid at Palacio Neptuno this weekend for the Urvanity commercial art fair but today we have a look at a recent large scale pared he painted for the Open Walls Conference in Barcelona recently.

Sixe Paredes. Open Walls Conference 2016. Barcelona, Spain. (photo © Lluis Olive Bulbena)

Even at this massive scale there is a handmade warmth recalling traditional craft and the people of perhaps Central and South America; dissembling and abstracting its patterns and elements and re-stitching them in an open, inviting way.

Here we give BSA readers a peak at the process of making the mural with documentation by BSA collaborator Lluis Olive Bulbena:

Sixe Paredes. Open Walls Conference 2016. Barcelona, Spain. (photo © Lluis Olive Bulbena)

Sixe Paredes. Open Walls Conference 2016. Barcelona, Spain. (photo © Lluis Olive Bulbena)

Sixe Paredes. Open Walls Conference 2016. Barcelona, Spain. (photo © Lluis Olive Bulbena)

Sixe Paredes. Open Walls Conference 2016. Barcelona, Spain. (photo © Lluis Olive Bulbena)

Sixe Paredes. Open Walls Conference 2016. Barcelona, Spain. (photo © Lluis Olive Bulbena)

Sixe Paredes. Open Walls Conference 2016. Barcelona, Spain. (photo © Lluis Olive Bulbena)

Sixe Paredes. Open Walls Conference 2016. Barcelona, Spain. (photo © Lluis Olive Bulbena)

Sixe Paredes. Open Walls Conference 2016. Barcelona, Spain. (photo © Lluis Olive Bulbena)

Sixe Paredes. Open Walls Conference 2016. Barcelona, Spain. (photo © Lluis Olive Bulbena)

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BSA Images Of The Week: 02.12.17

BSA Images Of The Week: 02.12.17

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“It’s surreal to be on the south side of the US border,” we said last week about being in Mexico. Sorry to report that it may be even more surreal on this side.

Trump and Co. suffered a setback on their Muslim travel ban via the courts but are reportedly breaking out the ICE and going after undocumented people inside US cities suddenly. Politicians are reportedly being flooded with phone calls, letters, postcards, and overflowing town halls from people riled by extreme actions of the new president, and protests pop up sort of everywhere right now about DAPL, Planned Parenthood, immigration….

Meanwhile he’s raging against the judiciary in ALL CAPS, still saying the murder rate is high when its actually low, bankers and corporate captains are sailing into positions in his cabinet, his manic spokes-spinners are attacking/being attacked rhetorically and/or selling his daughters’ fashion wares on live news, his National Security Advisor may have tipped off Russians about easing sanctions before the inauguration, and his top advisor appears to have a large Armageddon roast slathered with terror sauce for breakfast…  frankly there is too much fresh horror every day to re-count and we all have a giant pile of laundry to get caught up on. Jeez!

Meanwhile New York had an impressive snowstorm this week, BAST had his first show of new work in something like 4 years at Allouche Gallery, and Jilly Ballistic is cutting and slicing her way through subway billboard satire in a way that’s pretty funny!

Here’s our weekly interview with the streets, this week featuring: 1Up, Icy & Sot, Jilly Ballistic, Josef Foos, Karm, Michelle Angela Ortiz, Pichi & Avo, Sam Durant, Street-People, and Sebastien Waknine.

Top image: Icy & Sot (photo © Jaime Rojo)

Michelle Angela Ortiz for #artinadplaces. NYC phone booth ad takeover. (photo © Jaime Rojo)

“If my parents are deported, I will have to raise my sister.” Erick 13 years old

Jilly Ballistic. NYC Subway ad takeover. (photo © Jaime Rojo)

Jilly Ballistic. NYC Subway ad takeover. (photo © Jaime Rojo)

Sam Durant “End White Supremacy” sign outside Paula Cooper Gallery in Chelsea, NYC. (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Pichi & Avo. Houston Bowery Wall for Goldman Global Arts in Manhattan, NYC. (photo © Jaime Rojo)

Pichi & Avo. Detail. Houston Bowery Wall for Goldman Global Arts in Manhattan, NYC. (photo © Jaime Rojo)

143 ?? (photo © Jaime Rojo)

Street-People on the streets of Berlin. (photo © Jaime Rojo)

Street-People on the streets of Berlin. (photo © Jaime Rojo)

1UP and company. (photo © Jaime Rojo)

Unidentified Artist on the streets of Berlin. (photo © Jaime Rojo)

Josef Foos in Berlin. (photo © Jaime Rojo)

 

Unidentified Artist on the streets of Berlin. (photo © Jaime Rojo)

Karm on the streets of Berlin. (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

SebastienWaknine on the streets of Barcelona. (photo © Lluis Olive Bulbena)

 

SebastienWaknine on the streets of Barcelona. (photo © Lluis Olive Bulbena)

SebastienWaknine on the streets of Barcelona. (photo © Lluis Olive Bulbena)

Untitled. Buskers. NYC Subway. February 2017. (photo © Jaime Rojo)

 

 

 

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Sebastien Waknine, Rubicon1, Mugraff “Journey of a Refugee” in Barcelona

Sebastien Waknine, Rubicon1, Mugraff “Journey of a Refugee” in Barcelona

As the world looks on and Americans are deciding which of the world’s refugee children to ban from the country, London-born Street Artist Sebastien Waknine has created a new work in Barcelona called “Journey of a Refugee” with Rubicon 1 and Mugraff.

Sebastien Waknine (0ld lady) in collaboration with Rubicon 1 (refugees) and Mugraff (letters) titled “Journey of a Refugee”.  Detail. Barcelona, Spain. (photo © Lluis Olive Bulbena)

One of the most active artists in the streets creating in a variety of styles of work that lean toward realism and sometimes tilt into fantasy and exaggerated caricature the London born Waknine decided to do this mural on Selva de Mar to speak to the pure human factors in a refugee crisis that grips much of the developed and developing world.

Sebastien Waknine (0ld lady) in collaboration with Rubicon 1 (refugees) and Mugraff (letters) titled “Journey of a Refugee”.  Detail. Barcelona, Spain. (photo © Lluis Olive Bulbena)

The new work captures the raw human emotions of fear, desperation and distress of people afloat on rough waters. Somehow Waknine also brings dignity to the harrowing scene and references classical painting, as he has on walls in his travels to countries like Mexico, France, Israel, Germany, and England.

As some societies open their doors to help those fleeing war and imminent danger it seems unthinkable to do anything less for the least of these.

Sebastien Waknine (0ld lady) in collaboration with Rubicon 1 (refugees) and Mugraff (letters) titled “Journey of a Refugee”.  Detail. Barcelona, Spain. (photo © Lluis Olive Bulbena)

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BSA Top Stories 2016 – As Picked by You

BSA Top Stories 2016 – As Picked by You

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Museums, Festivals, and Activism – three of the themes that garnered the most traffic on our published stories on BSA and The Huffington Post this year.

From a scholarly Street Art related exhibition in St. Petersburg to the opening of the Mima Museum in Belgium to the Anti-Banksy exhibition with the Blu controversy in Bologna and the “Magic City” exhibition in Dresden, BSA readers were astutely studying the slow but steady move of Street Art from the street to the museum and the academic canons.

But you also liked the huge multi-player outside exhibitions as well – with stories from Sicily and Northern Spain to Northern Mexico, BSA readers were interested this year in seeing how eclectic locally-organized Street Art festivals and projects are done, and who is doing them.

Finally activism played a big role in what you were re-Tweeting and “liking” and sending to your friends – From Icy & Sot installing anti-radiation work in the Native American desert and then talking about oceans polluted with plastic, to a United Nations food program with kids and artists in El Salvador, to highlighting Indigenous peoples rights with Jetsonorama, to a US cross-country tour to save endangered species by one artist and a Greenpeace show in Barcelona addressing the same issue with 35 artists, it looks like BSA readers are engaged and concerned about socio-politico-environmental issues left and right.

On a side note, we were honored that our El Salvador article was picked up and published in spanish on the UN World Food program website – HERE.

Of course it was good to see that you liked the feature on the notorious graffiti crew 1UP and seeing Nychos slay New York as well. Tasty!

These are the TOP 15 articles on BSA for 2016 from the more than 365 postings we did this year – meaning they all beat at least 350 articles to get here. Congratulations to us all.


No. 15
Borders and Boundaries : A Multi-Disciplinary Exhibit at St. Petersburg’s Street Art Museum

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SpY. Street Art Museum (SAM). St. Petersburg, Russia. May 2016. (photo © Evgeniy Belikov)

Rafael Schacter Takes a More Nuanced Approach to the Migration Crisis

Commerce and technology have been eroding traditional constructs of the borders and boundaries, especially in the age of the Internet, satellites, transnational banking and trade agreements that create governing bodies that openly dismiss national sovereignty, integrity, identity, aspirations. Borders and boundaries are contested, guarded, or disregarded at will; open to international capital, porous to immigration, hardened by armies.

Daily they are in the headlines: Trump’s plans to build a wall along the US-Mexican border, Syrian war refugees immigrating across European borders, Israel and Palestine’s ongoing land and settlement disputes, even maritime territorial claims of China and the Phillipines in the South China Sea that were ruled upon yesterday  – all reveal clues to our historically complicated relationships and geo-political perspectives.

Art to the rescue! continue reading here


No. 14
Icy & Sot Stencil An Enormous Blue Whale in LA

brooklyn-street-art-icy-sot-Endangered-Species-Mural-Project-los-angeles-Jess-X-Chen-01-16-web-6

Icy & Sot. Endangered Species Mural Project. Los Angeles, CA. January 2016 (photo © Jess X. Chen)

“The brothers spent two solid days hand cutting the multi-layer stencil here on Melrose Avenue. How many pieces? “19 pieces,” says Icy. “Its not that big but it has a lot of details” The composite image features an enormous whale emerging from the sea in full view of a coastline packed with industrial forms which presumably are dumping contaminants directly into the waters.

As ever, the brothers crash into each others sentences while talking to us. “Whatever happens in the ocean… it comes back to us,” says Sot. “Whether is trash or plastics or oil..”

Icy jumps in, “The fish eat them and then we eat the animals and we have the plastics inside of us.”

“Yeah, It’s a cycle. We are all making a lot of trash – we are affecting the world. Then it all comes back to us,” says Sot… Continue reading here


No. 13
MIMA Museum: City Lights with Swoon, MOMO, Hayuk, Faile

brooklyn-street-art-MAYA-HAYUK_THEPICKLES-MIMAMUSEUM.EU_2016-web

Maya Hayuk. MIMA Museum. Brussels, Belgium. April 2016. (photo © The Pickles – MIMA Museum)

What is it about Brooklyn Street Art that is so appealing that one would curate the opening exhibition of a museum with it?

Four pillars of the New York Street Art scene are welcoming the first guests of the new Millennium Iconoclast Museum of Art (MIMA), which opened days ago in Brussels. Attacking the cherished institutions that relegate grassroots people’s art movements into the margins, MIMA intends to elevate them all and let them play together. Graphic design, illustration, comic design, tattoo design, graffiti, street art, plastic arts, wheat pasting, sculpture, text, advertising, pop, story-telling, aerosol, brushwork, and naturally, dripping paint.

Obviously street culture has been mixing these influences together in a never-ending lust for experimentation; punk with hip-hop, skateboarding with tattoo, performance art with graffiti – for the past four decades at least. The folk tradition of cutting and pasting predates all our  modern shape-shifting by centuries, but institutional/organizational curating often often has a preference for sorting street culture disciplines into separate piles.

With the inaugural exhibition “City Lights” MOMO, Swoon, Faile, and Maya Hayuk each bring what made their street practice unique, but with an added dimension of maturity and development. Without exception each of these artists have benefitted from the Internet and its ability to find audiences who respond strongly to the work with physical location a secondary consideration. Now as world travelers these four have evolved and refined their practice and MIMA gives them room to expand comfortably…Continue reading here


No. 12
San Salvador, Street Artists, Food Insecurity and “Conect-Arte”

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Vexta.Workshop. Conect-Arte. San Salvador. April 2016. (photo © Yvette Vexta)

“Six street artists took their social engagement a step further in El Salvador last month and taught youth some serious skillz from the street.

Coming from Brazil, Australia, Ecuador, Mexico, New York, and New Jersey, this international crew took the time to share and teach about painting, art, and how community can be built. The program Conect-Arte is a newly launched initiative by the United Nations World Food Programme, which as the name suggests, also is in the city to address a more core need to battle food insecurity. With Conect-Arte the goal is to also meet youth in some communities and help with positive role models an options with an eye on transforming lives through developing art and related creative skills that can provide income and channel energy in ways productive to community.

Together the artists worked on projects with 45 teens and younger kids over the course of the a week-long workshop in San Salvador, teaching street art techniques like stencil, lettering, mural painting, sculpture, even hot air balloon making. The goals are huge, like reducing violence, food insecurity, increasing access to economic opportunity. The tools here are art, the creative spirit, and strengthening relationships.

We bring you some images of the works that were made by the visiting artists and some of their observations and experiences during the Conect-Arte program…Continue reading here


No. 11
Discovering a “Magic City” in Dresden, Germany

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Unidentified Artist (photo © Jaime Rojo)

“A couple of weeks ago BSA was in Dresden, Germany to help lay plans for a new Street Art show opening there this fall called “Magic City” and naturally we hit the streets with bicycles three days in a row to see the city’s graffiti, Street Art, and murals whenever time would permit. The first day we had the honor of getting a tour from Jens Besser, an artist, author, lecturer, and producer of mural festivals in the city who sped ahead of us through a labyrinth of streets to show us a number of the impressive murals he and partners have brought to the city in the last decade or so…Continue reading here


No. 10

Louis Masai: “The Art Of Beeing” Tour Kicks Off in NYC to Save Endangered Species

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Louis Masai: The Art of Beeing USA Tour. Bog Turtle. Endangered. The Bushwick Collective, Brooklyn. NYC. October  2016. (photo © Jaime Rojo)

“Activism and Street Art go hand in hand and some artists are skilled at activating public space for hearts and brains to spark and cogitate. During the last 15 years we’ve documented a number of seriously affecting artworks on the street that use text and/or imagery to address political, social, environmental, and economic issues and opinions by artists as varied as Shepard Fairey, Banksy, John Fekner, Ganzeer, LMNOPI, Myth, Gilf!, Gaia, LNY, Jetsonorama, and any number of one-shot authors. In this election year there are too many Trumps to count, and a few Hillary pieces as well.

Undaunted by commercial interests and able to deliver directly to the passerby, Street Artists know that their visual message isn’t guaranteed acceptance but they take a chance anyway. The ones that reflect the sentiments on the street tend to last longer, aesthetics count, and so does spelling, at least that is our inductive observation.

One London artist who seriously raises awareness about the Earths’ endangered species is Louis Masai, a painter, sculptor, illustrator and Street Artist. Starting this week in New York Masai is beginning a 20 mural tour across the United States to talk about the hard working, honey-making, pretty pollinating bee – and a number of our animals that are in danger of dying off completely…Continue reading here


No. 9
1UP in Berlin : “ ‘All City’ Doesn’t Even Begin to Cover It ”

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1UP. Berlin 2016. (photo © Jaime Rojo)

“An amorphous shape-shifting consortium of Berlin-based aerosol hooligans named 1UP is one of those graffiti crews who eventually make the entry into graffiti street lore because of the scope and daring of their travails.

Primarily Berlin based, you’ll find their almost-commercial sounding name on roofs, walls, abandoned factories, and in tunnels in many cities around the globe. Without a clear idea of the exact number in their association nor precise membership these daredevils are most often described as white men in their twenties and early thirties reveling in the athleticism and sport of graffiti, in addition to style. The tag itself appears to be rather “open source” at times, with only insiders able to keep track of the distinct hand styles forming the ubiquitous name on thousands of surfaces…continue reading here


No. 8
A “Cathedral” of Characters in Northern Spain

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RIM. Spain. (photo © Lluis Olive Bulbena)

“It’s a cathedral of characters, this abandoned furniture factory forty kilometers outside of Barcelona. Cartoons, illustrations, portraits are everywhere; a curious collection of aerosol spray pieces that highlights the popularity of the animated and exaggerated personalities among graffiti and Street Artists in this region of the world.

The character may be a salty with a haggard stare, or reference a topic with a bit of satire. The scene may be serious, comical, ridiculous or purely sci-fi and horror. You discover the stories and allegories as you walk through the empty manufacturing rooms now flooded with natural light and dust. Expressions and situations here are full of drama that may trigger your empathy, startle your attention, elicit a shiver, or creepily fondle your funny bone…Continue reading here


No. 7
“Art Silos” Rise in the Harbor of Catania, Sicily

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Interesni Kazki. Detail. (photo © VladyArt)

“They’ve been here since the 1950s, these silos for wheat and corn on the harbor of Catania on the east coast of the island of Sicily at the foot of Mount Etna. 28 meters tall and facing the Ionian Sea, they are now some of the largest canvasses in Italy by a small group of international and local Street Artists.

The “Art Silos” project includes works completed during an eight month installation begun in June 2015 as part of Festival “I-ART” organized by “Emergence”, thanks to Angelo Bacchelli, curated by Giuseppe Stagnitta. The artists taking part in the project were Okuda (Spain), ROSH333 (Spain), Microbo (Italy), BO130 (Italy), VladyArt (Italy), Danilo Bucchi (Italy) and the duo Interesni Kaxki (Ukraine), mostly all from the graffiti/Street Art world. A separately organized but related project on the harbor-facing row of eight silos was completed by one artist alone, the Lisbon-based Vhils…continue reading here


No. 6
BLU Allies : A Counter Exhibition to “Banksy & Co.” Launched in Bologna

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Tadlock (photo © @around730)

“An anti-Banksy & Co. Street Art show opened in Bologna Italy the same night as its controversial bank-backed cousin with brand new works by 50 or so Italian and international Street Artists and open admission to their outdoor ‘museum’.

 “It is free and spontaneous, as Street Art should be,” says an organizer and participant named About Ponny as he describes the exuberant and sometimes saucy toned exhibition on the grounds of the sprawling former headquarters of Zincaturificio Bolognese which is destined for future demolition.

“The message we want to convey is that true street art is found where it was born, in the street and not in the paid exhibits,” says Bibbito, who along with two other out-of-town street artists named Jamesboy and Enter/Exit found food and couches during their installations thanks to an association of artists called L’Associazione Serendippo. Together, these artists say, they and other organizers want to send a “strong signal” by creating “one of the largest museums of ephemeral street art ever made”. The new coalition named this project “R.U.S.Co” (Recupero Urbano Spazi Comuni) or (Urban Renewal Common spaces).

The new 16,000 m2 open-air art show may appear as a rather curious development because its method of protest runs completely counter to that of the shows’ most vocal and high-profile critic, BLU, who last week protested the same show by defiantly destroying 20 years of his own public paintings, rather than making new ones…Continue reading here


No. 5
Raising Yellowcake in Grand Canyon: Icy & Sot, Jetsonorama in Arizona

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Icy & Sot. “Nuclear Plant” Navajo Nation. Arizona. June 2017. (photo © Icy & Sot)

“Yellow Cake: A simple sweet dessert confection that gets its signature color from 8 egg yolks and a cup of butter, and is great with either vanilla or chocolate icing.

Yellowcake: A type of uranium concentrate powder obtained from leach solutions, in an intermediate step in the processing of uranium ores. Also, its radioactive. Also, Colin Powell showed off a vial of it at the United Nations to sell the Iraq invasion in 2003 to that body and the world.

Being more knowledgeable about the dessert variety of yellow cake than the desert variety of uranium contamination, we turn to Street Artists Jetsonorama and Icy & Sot to educate us about the active uranium mines that are at the North Rim of The Grand Canyon. The three worked jointly in June to create new public works addressing the topic and we have each of them here for you to see.

“The issue of uranium contamination and nuclear waste is timely as there is an active uranium mine at the North Rim of the Grand Canyon presently and a proposal to start mining at the South Rim,” explains Jetsonorama (Chip Thomas), who is a local artist, a practicing doctor, and a social activist advocating for the people who live on the reservation and the natural environment in general…Continue reading here


No. 4
Nychos Slays in New York : IKONS Revealed as Never Before

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Nychos. “Dissection of Sigmund Freud”. Vienna Therapy. Manhattan, NY. June 2016. (photo © Jaime Rojo)

“Scientists, psychologists, surgeons…in the end we’re all driven by a similar curiosity.”

This month has been a whirlwind in New York for Austrian Street Artist /fine artist /illustrator named Nychos and he’s made quite the iconic impression. Anchored by a show that opened last weekend of canvasses and illustrations at Jonathan Levine Gallery in Chelsea named “IKON” and assisted by a co-branded sculptural event with the Vienna Tourist Board, the surreal dissectionist didn’t rest there.

In the weeks leading up to and after these events he also managed to hit a number of walls in Coney Island, Bushwick, and Jersey City…oh and he knocked out a box truck as well.

In addition to pulling out an astounding sculpture of Sigmund Freud looming over a couch that drew a crowd to the foot of the (also iconic) Flatiron Building at 23rd and 6th, the afterparty and reception featured Dominic Freud, the great grandson of the founder of psychoanalysis, who surmised that if he were alive today he would definitely have wanted to put Nychos on his couch…Continue reading here


No 3
35 Artists in Barcelona Trying To Save The Arctic with Greenpeace

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La Castillo. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

“Yesterday our posting was about artists in London creating works about endangered species and today we go to Barcelona where 35 artists joined with Greenpeace and a local group named RebobinArt on April 9th to create works centered on environmental issues, especially the quickly disappearing polar ice cap.

Only three days later scientists announced that the Greenland “Melt” has happened one month earlier than usual this year, smashing records and causing scientists to reexamine their measuring instruments to make sure they were working correctly.

The art-platform model of RebobinArt is interesting because they are a community organization that manages spaces and issues permits for painting for competitions, festivals, exhibitions, educational programs, and cause-based events like this one.

Under the guidance of Director Marc Garcia, RobobinArt promotes and facilitates a different sort of public painting that is not strictly commercial and yet it is clearly not the freewheeling graffiti/street art based stuff that made Barcelona such a magnet for artists in the early-mid 2000s…Continue reading here


No. 2
Chip Thomas’ New Mural, Indigenous People, and #NoDAPL

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Chip Thomas. The original photograph of JC Morningstar holding her dog on a swing. Indigenous People’s Day at Fort Lewis College. Durango, CO. (photo © Chip Thomas)

“Street Artist and activist Jetsonorama (Chip Thomas) saw his work pull together a number of people in Durango, Colorado on October 10th as the city and the college celebrated their first ever “Indigenous People’s Day”. His photograph of an indigenous youth named JC Morningstar swinging and kissing her dog was chosen by a group of students from Fort Lewis College, where 24% of the population is indigenous.

The unveiling ceremony for the mural began with a traditional pow wow prayer by a drum circle and Chip says “the highlight of the day for me was having JC, her dog and her family travel 4 hours to Durango to attend the unveiling before going to the Tribe Called Red show that evening.”…Continue reading here


No 1
Chihuahua, a Mexican Desert City with a Few “Street Art” Blooms

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Paola Delfin. Chihuahua, Mexico. Centropolis Art Festival 2014. (photo © Jaime Rojo)

“Chihuahua is like one big ranch,” says a local reporter who guides you around this desert city known for beef, cheese, sotol, cowboy boots… and a growing middle class – thanks to the hundred plus multinational maquiladoras operating here with a focus on aerospace, medical equipment, and automobile manufacturing.

The “ranch” metaphor is meant to be welcoming, but it also lets you know that this city of nearly a million can still feel like a small town. This is the capital of Mexico’s largest state, which goes by the same name. And yes, the diminutive and scrappy dog originated here – as did Pancho Villa, and you can visit his homestead if you like.

It’s not the typical city where you might expect to find Street Art, yet only a few blocks from the government palace downtown that holds two stories of wall paintings by Mexican muralist Aarón Piña Mora, you will find new paintings in the dusty side streets that indicate a more international flavor is present…Continue reading here

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Asalto 2016 In Zaragoza

Asalto 2016 In Zaragoza

For the 11th annual Asalto Festival in northern Spain’s Zaragoza the public art portion of cultural celebration is anything but assaulting in its content and style. In fact, the works can be compelling, and agreeable.

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Borondo. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

The juried selection from a large number of applicants is carefully chosen and more integrated in the architecture and the city’s environment than most “Street Art” themed festivals. The murals are often designed to be site specific, appear far removed from the concepts of activism or protest and from accounts in local media, make people very happy.

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Borondo. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

For example the remarkable mural by Aryz and SAN (Daniel Muñoz) on a historic chapel transforms its appearance while carefully staying within the bricked perimeters of other framing aspects of the original design, Elian’s conversion of steps into colorful abstract shapes is very decorative and agreeable, and Erica con C. Asalto’s “Rhinos in Love” piece is gently cute and completed with a heart.

Borondo’s multi-framed poolside piece really opens the conversation and imagination of viewers and invites you to imagine what he is seeing through those open doors.

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Borondo. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Borondo. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Erica con C. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Elian. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Elian. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Elian. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Aryz . San. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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San. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Aryz. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Aryz. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Aryz. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

 

We thank photographer Lluis Olive Bulbena for sharing these recent photos from Lluis Olive Bulbena for BSA readers.

For more on the Asalto Festival see http://www.festivalasalto.com/

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BCN Transit Walls Festival during La Mercè in Barcelona

BCN Transit Walls Festival during La Mercè in Barcelona

Cultural organizations and lifestyle brands often pool together their resources and coordinate events to capitalize on foot traffic. It’s like punk kids organizing a skate event – with bands, djs, graffiti jams, tattooing… You can catch some air, catch a great show, catch a tag, and hopefully catch secret kisses behind some old rusty freight train all on one perfect Saturday.

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Cayn Sanchez. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

During the La Mercè Festival in Barcelona in September the organizers for “BCN Transit Walls” brought to life a former ‘hall of fame’ stretch of wall and captured the attention of a lot of folks who were in town for the concerts, fireworks, drummer parades, wine festivals, projections, human acrobat towers – and many other events marking the end of the summer. Organizers brought many artists together to paint live on the wall at Passeig de Circumval·lació; the incredibly long wall that surrounds the Barcelona Zoo at the edge of the Estació de França train tracks.

Lluis Olive Bulbena was there with his camera and he shares some of the walls here with BSA readers.

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Cayn Sanchez. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Uriginal . Cintal Vidal . Lucas Milart. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Uriginal . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Uriginal . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Lucas Milart . Cintal Vidal . Kenor1. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Uriginal . Cintal Vidal . Kenor1. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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SPOGO. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Aleix Gordo. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Roc Black Block . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Roc Black Block . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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BToy. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Hyuro’s BreastFeeding Mural is Not Provocative in Barcelona

Hyuro’s BreastFeeding Mural is Not Provocative in Barcelona

The Spanish Street Artist Hyuro again features the uncovered breast of a female form in her public mural.

The news here in Barcelona is that it is not news.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Four years ago at a mural festival in Atlanta, Georgia the Argentinian artist was embroiled in a local “controversy” for painting a mural that depicted the nude female form. The monochromatic film-frame presentation across a long wall showed the incremental metaphorical shedding of wolves clothing to that of a human, then back to a wolf – or something like that. It’s open to your interpretation and not painstakingly explained by the artist, as is often the case.

Most viewers didn’t find it to be an eroticized presentation and some thought it had religious undertones actually. Alexandra Parrish, a principal organizer of the mural explained to the Huffington Post at that time that it was “a portrait of transformation, the mural reflects the teachings of the church.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Regardless, the high-minded Atlantans who rallied to have that painting destroyed could only see that the mural presented naked lady parts parading in public, which could potentially light loins afire. Presumably none of those people were in attendance with more than 50,000 Beyonce fans this September at Atlanta’s Georgia Dome, since it was essentially two hours of women strutting in high heels and highly revealing, even erotically inspired, costumes across enormous screens for everyone in attendance, including children, to ogle.

Here in Barcelona Hyuro doesn’t report any negative commentary coming her way for this mural painted with BCN Transit Walls in conjunction with La Mercè, Barcelona’s largest cultural, musical arts and communities festival. Named after the Virgin of Grace (Mare de Déu de la Mercè), the patron saint of the Archdiocese of Barcelona, you may think that the vision of a bared breast may cause a firestorm here.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Like many of her public pieces the Hyuro’s mural is a series of frames that collectively can create a sense of motion when viewed in quick succession. This series depicts a woman opening her garments to expose her breast and give it to her nursing infant.

These are not erotic images but in a society that again is increasingly equating women’s worth with their their physical appearance and sexual availability, devaluing their intellects, and otherwise objectifying and sexualizing them in media and advertising imagery, a simple loving and nurturing act like this can be perversely, stunningly, misinterpreted.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

We often say that Street Art and Public Art are a mirror; a reflection of a society back to itself. Our extensive experience observing art in the streets has taught us that certain images are allowed by the greater culture to stay up while others are destroyed quickly. It is a fair measuring device for the opinions, mores, political leanings, and popular tastes of a locality.

Spanish passersby at this transit hub do not appear to find objection with this mural, but Hyuro might have to think twice about a mural like this in many American cities, where reports of shaming and bullying of breastfeeding mothers are still common.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Not surprisingly perhaps, the candidate for the highest office in the US this year whom has not been a mother reportedly told an attorney that she was “disgusting” for requesting a break to breast-pump milk for her baby. She also may have been “nasty“.

Whether the female form is entirely sexualized in your mind or not, for the record, US federal law permits breastfeeding in any public area where you happen to be when your baby gets hungry and laws in cities like New York actually permit women to be topless in public at any time. It may take a while for popular tastes in art to reflect this in certain areas, and when it comes to legal mural festivals visiting artists are always wise to consider the audience.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

 


 

Our sincere thanks to photographer Lluis Olive Bulbena for sharing his images with BSA readers.

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