All posts tagged: Lluis Olive Bulbena

The Ecofeminist Voices of Graffitea 2025: Painting Care and Resistance

The Ecofeminist Voices of Graffitea 2025: Painting Care and Resistance

This year Graffitea 2025 marked its tenth anniversary in the small Valencian town of Cheste, about 30 kilometers west of Valencia, with a new edition that reaffirmed its role as one of Spain’s most significant public art projects. Over the course of a decade, the festival has transformed this municipality, with more than 160 murals now lining its streets. The project, featuring new works by artists from Spain and around the world, is promoted by the Department of Culture of the City Council of Cheste. In communication with the community, Graffitea is both a municipal initiative and a collaborative cultural endeavor, officially sustained by a belief that mural art enriches public space and social consciousness alike.

HERA-Herakut. Detail. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
HERA. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)

Under the artistic direction of Toni Espinar, who also oversees its on-the-ground organization, Graffitea aims to balance curatorial vision with community participation. The festival was originally initiated in 2016 by Mª Ángeles Llorente, councillor for culture at the time, what began as a small-town experiment in civic art has become a national reference point for how local governments can embrace urban creativity as a driver of education, tourism, and pride..

Btoy. Detail. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Btoy. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)

The 2025 edition of Graffitea is distinguished by an eco-feminist theme, featuring 13 women muralists including Btoy, Fio Silva, Roseta FS, Anna Repullo, Hera Herakut, Margot Margay, Maríadie, Raquel Coba, Ana Corazón, Hélène Planquelle, Daniela Guerreiro, Lluïsa Penella i Pons, and Alicia Jordá de Lucas. Their walls touch on themes of care, love, memory, and respect for nature. Alongside these, projects like Graffitea con Palestina — co-organized with UNRWA — underscore the festival’s international outlook and solidarity with human rights causes. Such collaborations expand the festival’s social scope beyond visual spectacle, anchoring it in sometimes difficult conversations about themes such as gender, ecology, war, and justice.

Daniela Guerreiro. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)

According to the Comunitat Valenciana’s official tourism portal, Graffitea’s annual program includes conferences, round tables, screenings, practical workshops, and guided routes — a format that seeks to connect artists with audiences. Over the years, related events have also included concerts, hip-hop performances, and mural scholarships, weaving together art, education, and local participation. After a decade and 160 murals, Graffitea flexes the power of contemporary urban art and the enduring capacity of communities to welcome artists as partners in shaping the public imagination.

Our thanks to photographer Louis Olive Bulbenna for sharing these recent photos that he took with BSA readers.

Fio Silva. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Margay Art, Roseta Fs. Detail. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Margay Art, Roseta Fs. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Margay Art, Roseta Fs. Detail. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Anna Repullo. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Helene Planquelle. Detail. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Helene Planquelle. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Ana Corazon. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Esmeralda Lopez. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Feminist Art. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Maria Die. Detail. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Maria Die. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Lluisa Penella. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
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In Fanzara After Censorship and Cuts, the People Bring MIAU Back to Life

In Fanzara After Censorship and Cuts, the People Bring MIAU Back to Life

Sometimes street art festivals run headlong into battles with local politics or corporate brands that believe murals should only be decorative—certainly not inclusive of certain communities or certain politics. To be clear: all art is political. If you like a mural, chances are it aligns with your worldview. Don’t make the mistake of believing otherwise.

Fio Silva. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)

Last year, MIAU Fanzara ran squarely into that truth. In early 2024 the local council introduced a “facades ordinance” demanding prior approval of sketches—an a priori filter on themes and imagery that organizers publicly rejected as censorship. With organizers refusing to comply, the 2024 edition was “paused.” Over the summer, it appears that the dispute widened, drawing criticism from cultural bodies and press coverage that framed the rule as a curb on artistic freedom. In September, the council rescinded the ordinance—but it also withdrew the long-standing €6,000 municipal subsidy, a small but symbolically vital line that had helped the festival function, according to new reports and locals.

Fio Silva. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)

This year, the money didn’t return—but the people did. In 2025, neighbors opened their walls, volunteers handled logistics, and artists worked without fees. MIAU’s ninth edition went ahead without public subsidies, sustained by community energy and a shared conviction that public space is for public voices. All of this sounds rather like the vox populi itself — unruly, creative, and unwilling to be managed by decree. The result wasn’t just a program; it was a popular mandate painted on stucco and brick.

Santa Gross. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)

What follows is a selection from this year’s walls: pieces that speak in bright, unvarnished tones about memory, ecology, migration, gender, and the everyday. Funding can be cut. A festival can be paused. But when the people choose color over silence, the paint somehow finds a way.

Thank you to photographer Lluis Olive for sharing new shots of MIAU 2025


To read more about the censorship battle at the Fanzara “MIAU Festival”:

Laura Merayo. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
  1. “Fanzara se queda sin festival de grafiti tras 10 años por la nueva norma municipal del PP”El País (July 6, 2024). A report on the 2024 cancellation after the facades ordinance imposed prior screening of murals. (El País)
  2. “Fin al bloqueo del MIAU de Fanzara nueve meses después: el Ayuntamiento aprueba por unanimidad retirar la Ordenanza municipal de fachadas”Cadena SER, Radio Castellón (September 7, 2024). On the council’s vote to withdraw the ordinance and the simultaneous end of municipal funding. (Cadena SER)
  3. “El festival de grafitis de Fanzara sobrevive al intento de censura previa con la solidaridad de vecinos y artistas”El País (July 5, 2025). Coverage of the 2025 edition returning without subsidies, powered by residents and volunteers. (El País)

(Additional context: El País summarized the ordinance’s withdrawal and loss of the €6,000 grant on Sept. 7, 2024; local outlets like Castellón Plaza and NMPNU documented the 2025 edition proceeding “a pecho descubierto,” without public funds. (El País))

Laura Merayo. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Lluisa Penella. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Lluisa Penella. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Lluisa Penella. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Iris Serrano. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Lluisa Penella. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Tony Gallo. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Tony Gallo. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
MurOne. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Digo Diego. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Digo Diego. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Costi AMC. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Costi AMC. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Bifido. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)

We wrote about Bifido’s contribution to MIAU 2025 back in July. Click HERE to read the article.

Maria Otal. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Reka One. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Marie Balbinot. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Marie Balbinot. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Deith. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Deith. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Hombre Lopez. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Hombre Lopez. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Hombre Lopez. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Hombre Lopez. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)

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POLINIZA DOS: Valencia Campus as Living Mural Lab

POLINIZA DOS: Valencia Campus as Living Mural Lab

POLINIZA DOS (or “Polinizados”) is the annual urban-art program at the Universitat Politècnica de València (UPV), running since 2006 and turning the Vera campus into a working outdoor studio each May. It’s organized by UPV’s Área de Acción Cultural and built around site-specific murals by invited artists—recent lineups have included 108, Lidia Cao, Musa71, Felipe Pantone, Gordo Pelota, Wasted Rita and Catarina Lira Pereira—alongside public programs like artist talks, guided walkthroughs (often led by painting professor Joan Peiró), and family workshops under “Menudo Poliniza”.

Lidia Cao. Detail. Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)

Some past editions have also added fanzine markets and campus exhibitions. With support from the Generalitat Valenciana’s Department of Education, Culture and Sport, the festival’s 20th edition (May 12–16, 2025) emphasized some of the “gestural” languages of contemporary muralism and produced fresh interventions – with an educational track open to the public. The works typically remain on campus from one edition to the next, a sort of living record of Valencia’s evolving perspectives and voices in street culture.

Our special thanks to photographer Luis Olive Bulbena, who provided some images of his recent visit to the campus.

Lidia Cao. Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)
Gordo Pelota. (Martin Kazanietz). Detail. Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)
Gordo Pelota. (Martin Kazanietz). Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)
Felipe Pantone.Detail. Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)
Felipe Pantone. Detail. Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)
Felipe Pantone. Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)
MUSA. Detail. Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)
MUSA. Detail. Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)
108 (Guido Bisagni). Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)
108 (Guido Bisagni). Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)
108 (Guido Bisagni). Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)
108 (Guido Bisagni). Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)
108 (Guido Bisagni). Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)
108 (Guido Bisagni). Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)
108 (Guido Bisagni). Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)
108 (Guido Bisagni). Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)
108 (Guido Bisagni). Polinizados. Valencia, Spain. 2025. (photo © Lluis Olive-Bulbena)

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Kromatic Fest: Kromatic Festival Paints a New Identity in Sant Andreu de la Barca

Kromatic Fest: Kromatic Festival Paints a New Identity in Sant Andreu de la Barca

Kromatic de sant Andreu de la Barca, a unos 25 km de Barcelona.


Nestled just outside Barcelona, Sant Andreu de la Barca hosted the first-ever Kromatic Festival, a bold venture in large-scale street art that ran from June 3 to June 23, 2025 — transforming municipal walls into immersive murals and hopefully igniting community dialogue.

This inaugural edition featured seven expansive murals, each selected through a mix of curated invitations and an open-call process, under the artistic direction of Rebobinart in partnership with the Ajuntament de Sant Andreu de la Barca and support from the Generalitat de Catalunya.

Lula Goce. Detail. Kromatic Festival. Andreu de la Barca, Spain. (photo © Lluis Olive-Bulbena)

Participating artists included:

  • Lula Goce (Galicia, Spain)
  • ROC BlackBlock (Catalonia, Spain)
  • Dan Ferrer (Madrid, Spain)
  • Felipe Pincel (Chile → Barcelona, Spain)
  • Irene López León (Hospitalet de Llobregat, Spain)
  • BK Mafia (Catalan Pyrenees, Spain)

As is often the case today, the festival extended well beyond painting walls: guided mural tours, a children’s graffiti workshop, creative hands-on zones, and a lively closing celebration at Parc Central on June 14 – with neighbors and families in tow.  Our special thanks to photographer Lluis Olive-Bulbena for sharing these images with BSA readers.

Lula Goce. Kromatic Festival. Andreu de la Barca, Spain. (photo © Lluis Olive-Bulbena)
BK Mafia. Detail. Kromatic Festival. Andreu de la Barca, Spain. (photo © Lluis Olive-Bulbena)
BK Mafia. Detail. Kromatic Festival. Andreu de la Barca, Spain. (photo © Lluis Olive-Bulbena)
BK Mafia. Detail. Kromatic Festival. Andreu de la Barca, Spain. (photo © Lluis Olive-Bulbena)
BK Mafia. Kromatic Festival. Andreu de la Barca, Spain. (photo © Lluis Olive-Bulbena)
Dan Ferrer. Detail. Kromatic Festival. Andreu de la Barca, Spain. (photo © Lluis Olive-Bulbena)
Dan Ferrer. Detail. Kromatic Festival. Andreu de la Barca, Spain. (photo © Lluis Olive-Bulbena)
Dan Ferrer. Kromatic Festival. Andreu de la Barca, Spain. (photo © Lluis Olive-Bulbena)
Felipe Pincel. Detail. Kromatic Festival. Andreu de la Barca, Spain. (photo © Lluis Olive-Bulbena)
Felipe Pincel. Kromatic Festival. Andreu de la Barca, Spain. (photo © Lluis Olive-Bulbena)
Irene Lopez Leon. Detail. Kromatic Festival. Andreu de la Barca, Spain. (photo © Lluis Olive-Bulbena)
Irene Lopez Leon. Kromatic Festival. Andreu de la Barca, Spain. (photo © Lluis Olive-Bulbena)
Roc Blackblock. Detail. Kromatic Festival. Andreu de la Barca, Spain. (photo © Lluis Olive-Bulbena)
Roc Blackblock. Detail. Kromatic Festival. Andreu de la Barca, Spain. (photo © Lluis Olive-Bulbena)
Roc Blackblock. Kromatic Festival. Andreu de la Barca, Spain. (photo © Lluis Olive-Bulbena)
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From Burner to Branding: Street Art’s New Role on the Wall

From Burner to Branding: Street Art’s New Role on the Wall

For three days in early June, the streets of Mollet del Vallès echoed with the clatter of ladders, the hiss of spray cans, and the upbeat pulse of DJs and market stalls. Artists from across Spain and beyond—including Laia, Uriginal, Sfhir, Lily Brik, Digo.Art, and Zurik—brought their visions to life on walls around the city, turning otherwise ordinary facades into large-scale, camera-ready installations. At first glance, the scene resembled the familiar format of the community-driven mural festivals that have blossomed across Europe over the past two decades. But here, the origin story takes a turn: this wasn’t a grassroots uprising to reclaim public space. This was a polished production by a commercial mural company with a massive artist roster and an even bigger understanding of branding, translating the original aesthetic of rebellion into a marketable vibe.

Mandioh. Detail. Pintalis Festival 2025. Mollet, Spain. (photo © Lluis Olive Bulbena)
Mandioh. Detail. Pintalis Festival 2025. Mollet, Spain. (photo © Lluis Olive Bulbena)

It’s easy to feel a pang of cynicism at what looks like another chapter in the ongoing domestication of street culture. Born in the neglected and often criminalized neighborhoods of 1970s New York, graffiti and the young brown/black/white kids who created it emerged with defiance, urgency, and a distinctly anti-authoritarian voice. The DIY energy and coded visual languages that fueled the subsequent Street Art scene once sparked public outrage and discussed topics that moved conversations on the street, but sometimes now are replaced with client briefs and sponsored walls. The mural isn’t a transgression—it’s a deliverable. Need a splash of urban edge for your brand? Book a mural. Want to boost team morale? Gather the staff for a graffiti-themed bonding exercise.

But the story doesn’t end there. Many of the artists involved in these commercial projects are veterans of illegal walls and train yards. They bring serious technique and deep cultural fluency to every surface they touch. And here lies the paradox of contemporary muralism: the best of these artists walk a fine line between selling out and showing up, managing to deliver public art that retains authenticity even when it’s wrapped in a marketing package. For some, the deal is worth it—access to large walls, financial stability, and the freedom to paint without looking over your shoulder.

Taquen. Detail. Pintalis Festival 2025. Mollet, Spain. (photo © Lluis Olive Bulbena)
Taquen. Detail. Pintalis Festival 2025. Mollet, Spain. (photo © Lluis Olive Bulbena)

We don’t need to mythologize the past to see how far things have shifted, and in many cases, improved. Some of the earliest street art festivals were organized by galleries and business owners who represented the same artists. Presumably, these artists are helping to pay the rent and developing their body of work. As “outside” as it once was, Street art is no longer the outsider; it’s part of the cultural toolkit, rolled out to energize neighborhoods, attract foot traffic, and present celebratory versions of “local identity.” The murals in Mollet del Vallès may not spark revolution or defy authority, but they do offer a snapshot of where street art stands today. This is what happens when “counterculture” trades its balaclava for a business card and becomes “culture”.

Viviana Grondona. Detail. Pintalis Festival 2025. Mollet, Spain. (photo © Lluis Olive Bulbena)
Viviana Grondona. Detail. Pintalis Festival 2025. Mollet, Spain. (photo © Lluis Olive Bulbena)
Dante Arcade. Detail. Pintalis Festival 2025. Mollet, Spain. (photo © Lluis Olive Bulbena)
Dante Arcade. Detail. Pintalis Festival 2025. Mollet, Spain. (photo © Lluis Olive Bulbena)
Clarafosca. Pintalis Festival 2025. Mollet, Spain. (photo © Lluis Olive Bulbena)
Clarafosca. Pintalis Festival 2025. Mollet, Spain. (photo © Lluis Olive Bulbena)
Clarafosca. Pintalis Festival 2025. Mollet, Spain. (photo © Lluis Olive Bulbena)
Clarafosca. Pintalis Festival 2025. Mollet, Spain. (photo © Lluis Olive Bulbena)
Pintalis Festival 2025. Mollet, Spain. (photo courtesy of the festival)
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Enamurart Graffiti Jam: Painting the Streets of Les Franqueses del Vallès, Spain

Enamurart Graffiti Jam: Painting the Streets of Les Franqueses del Vallès, Spain

The small town of Les Franqueses del Vallès, located just 4 kilometers north of Granollers in Catalonia, Spain, hosted the third edition of the Enamurart Graffiti Jam on January 11, 2025. Nestled in a suburban setting, this town may not be on your radar, but you can imagine a reputation as a hub for urban art growing – especially with events like this graffiti jam.

URI KTHR. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)

Unfolding at the intersection of Carrer de la Serra and Carrer Llevant, Enamuart brought together an impressive lineup of graffiti artists and writers, including MARIA DIE, ESLICER, DANTE, MARCONE, PAKO & MAGA, STAIN, JAPON, SHORE, OKAN, MUSA, HEN, and EDZUMBA. The names represent a mix of styles, perspectives, and techniques, making the jam not just an artistic gathering but a good showcase of the breadth of contemporary graffiti.

Les Franqueses del Vallès, while quieter and more residential than its larger neighbor Granollers, is finding its footing as a cultural hotspot. The nearby Roca Umbert Fàbrica de les Arts in Granollers is a converted textile factory that’s become a cultural center and creative hub thanks to high quality works from graffiti and street artists, contributing to the region’s sense of artistic momentum. Enamurart’s graffiti jam is another layer in this evolving landscape, helping shape the community’s identity.

Thanks again to the artists and the organizers for sharing this story with us. Special thanks go to Lluis Olive Bulbena, whose sharp eye and passion for street art and graffiti have captured the day’s best moments in the photos shared with you today.

URI KTHR. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
MARIA DIE & ESLICER. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
MARIA DIE. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
ESLICER. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
DANTE. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
DANTE. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
DANTE. MARIA DIE & ESLICER. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
MARCNONE. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
MARCNONE. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
PAKO & MAGA. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
PAKO & MAGA. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
PAKO & MAGA. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
STAIN. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
STAIN. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
JAPON. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
JAPON. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
SHORE. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
SHORE. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
OKAN. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
OKAN. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
MUSA. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
MUSA. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
HEN. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
HEN. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
ED ZUMBA. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
ED ZUMBA. Les Franqueses, Spain. (photo © Lluis Olive Bulbena)
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Aryz Meets Apollo: A Contemporary Vision on Barcelona’s Avinguda del Paral·lel

Aryz Meets Apollo: A Contemporary Vision on Barcelona’s Avinguda del Paral·lel

Aryz, a name synonymous with large-scale murals that challenge the boundaries between street art and fine art, has once again brought his unique vision to life in Barcelona. Of course, this is not the first time he has painted here.

Aryz. Sala Apolo. Barcelona, Spain. (photo © Lluis Olive-Bulbena)

This time, his canvas is the exterior of Sala Apolo, a historic cultural center and music venue in the city. Renowned for surreal, muted palettes and imposing unexpected compositions, Aryz reimagines the Greek god Apollo in his latest piece, blending classical iconography with an unconventional, almost irreverent twist that defies the traditional aura of divinity. The project, documented here through the lens of Lluis Olive, showcases Aryz’s technical prowess and evolving approach to storytelling on public walls.

Aryz. Sala Apolo. Barcelona, Spain. (photo © Lluis Olive-Bulbena)

Sala Apolo, situated along the bustling Paral·lel Avenue, is far more than a venue; it’s a multidisciplinary hub for music, art, and inclusivity. Known for its commitment to amplifying various voices and creating a space for many audiences, the venue’s philosophy aligns seamlessly with Aryz’s artistic ethos. His reinterpretation of Apollo—a figure representing creativity and artistic mastery—pays homage to the center’s mission. It also anchors the new figure in the cultural heartbeat of Barcelona – a dialogue between the city’s cultural legacy and Aryz’s contemporary narrative.

In typical Aryz fashion, the mural reflects his ability to reinvent his style while maintaining the visual language that has earned him global recognition. Bold lines, translucent layers, uniquely rendered textures, soaked with warm and inviting hues—we’re midway between the divine and the human. This is public art as a shared cultural experience. Special thanks go to Lluis Olive for vividly capturing the mural’s creation and to the Sala Apolo team for fostering a platform where creativity can thrive.

Sala Apolo https://www.sala-apolo.com/es/

Aryz. Sala Apolo. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Aryz. Sala Apolo. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Aryz. Sala Apolo. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Aryz. Sala Apolo. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Aryz. Sala Apolo. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
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Pleasant Murals at the Festival d’Arts al Carrer de Calldetenes in Spain

Pleasant Murals at the Festival d’Arts al Carrer de Calldetenes in Spain

The Festival d’Arts al Carrer de Calldetenes (FACC 2024), held in late April, has become a celebrated cultural event in the town of Calldetenes, located about 60 kilometers north of Barcelona. Organized by Associació La Pera with support from the Ajuntament de Calldetenes, this annual event blends various artistic disciplines, but murals are undeniably its centerpiece.

Lily Brick. Carrer de Calldetenes 2024. Spain. (photo © Lluis Olive-Bulbena)

With a focus on creating an inviting atmosphere, the high quality murals presented at this festival are designed to resonate with the community. Their pleasant and reassuring imagery reflects the festival’s mission to foster an environment of cultural unity and artistic expression. Murals by Lidia Cao, Lily Brick, M. Calde, and Pablo Astrain—some of the more recognized names in the urban art scene—contribute to this welcoming aesthetic. Each year, around a dozen or more artists, both emerging and established, participate, bringing a sense of creative vitality to the streets of Calldetenes.

This festival is unique not just because of the murals but also for its broader cultural appeal, which includes music performances, circus acts, artisan markets, and more. It’s a family-friendly event that draws locals and visitors alike, offering them a chance to engage with the town’s artistic and cultural spirit.

Lily Brick. Carrer de Calldetenes 2024. Spain. (photo © Lluis Olive-Bulbena)

Special thanks to Lluis Olive Bulbena for once again contributing his photography to capture these murals and for making the trip to this charming town to document the vibrant street art scene. His dedication continues to provide us with stunning visuals that bring the essence of this festival to life.

INK. Carrer de Calldetenes 2024. Spain. (photo © Lluis Olive-Bulbena)
Lidia Cao. Carrer de Calldetenes 2024. Spain. (photo © Lluis Olive-Bulbena)
Lidia Cao. Carrer de Calldetenes 2024. Spain. (photo © Lluis Olive-Bulbena)
Elisa Pons. Carrer de Calldetenes 2024. Spain. (photo © Lluis Olive-Bulbena)
Pablo Astrain. Carrer de Calldetenes 2024. Spain. (photo © Lluis Olive-Bulbena)
Clara Teixidor. Carrer de Calldetenes 2024. Spain. (photo © Lluis Olive-Bulbena)
Clara Teixidor. Carrer de Calldetenes 2024. Spain. (photo © Lluis Olive-Bulbena)
M Calde. Carrer de Calldetenes 2024. Spain. (photo © Lluis Olive-Bulbena)
M Calde. Carrer de Calldetenes 2024. Spain. (photo © Lluis Olive-Bulbena)
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Graffitea 2024: Cheste Transformed During 9th Edition

Graffitea 2024: Cheste Transformed During 9th Edition

Today we have images from the the 9th Edition of the International Street Art Festival Graffitea in Cheste, Spain! Every April for the last nine years, Graffitea presents locals with a dynamic celebration of urban art – transforming the streets of Cheste into a massive canvas with works made by national and international artists.

BK Mafia. Detail. Graffitea Xest 2024. Valencia, Spain. (photo © Lluis Olive-Bulbena)

Located approximately 30 kilometers west of the city of Valencia, Cheste is becoming a notable destination for street art and cultural tourism. Cheste’s vibrant cultural scene is highlighted by several key attractions that draw visitors from far and wide, like the historic town center, its picturesque plazas, Valencian architecture, traditional local markets, the Circuit Ricardo Tormo racing events, and The San Francisco de Asís Church with its baroque architecture and intricate interior.

BK Mafia. Graffitea Xest 2024. Valencia, Spain. (photo © Lluis Olive-Bulbena)

This year’s festival featured an impressive lineup of artists, including Jota López, B:K Mafia, Bublegum, Barbiturikills, Luca Ledda, La Compañía de Mario, Yeko Yekill, Nemo LKA, Zorro, and Lluís Salvador. Each artist has contributed to an ever-expanding collection of over 130 murals that adorn the façades and walls of Cheste’s residential and industrial buildings. In addition, the festival’s artistic director, Toni Espinar, has created the inaugural mural in the “Muros Insumisos” (Insurgent Walls) series, which aims to provoke thought and dialogue through art.

This year’s theme emphasized the freedom of expression and community collaboration that Graffitea is known for. In addition to live painting, the festival included guided tours, educational workshops, and the screening of a documentary exploring the historical roots of hip-hop, produced over two years of research and filming. Schools in the area also participated, creating collaborative murals as part of the UrbanEducArt competition led by Valencian artist Xemayo.

Cheste, with a population of approximately 8,500, is becoming well known for its street art scene and Graffitea continues to enhance the city’s cultural landscape, cementing its place in the broader network of contemporary art museums and cultural events. The festival’s impact has been recognized with awards for cultural governance and is gradually attracting more international attention. We thank photographer Lluis Olive for regaling BSA readers with some photos he captured during a recent trip to Valencia.

Yeko Yekills. Xest 2024. Valencia, Spain. (photo © Lluis Olive-Bulbena)
NEMO. Detail. Graffitea Xest 2024. Valencia, Spain. (photo © Lluis Olive-Bulbena)
NEMO. Graffitea Xest 2024. Valencia, Spain. (photo © Lluis Olive-Bulbena)
Lluis Salvador. Graffitea Xest 2024. Valencia, Spain. (photo © Lluis Olive-Bulbena)
La Compania de Mario. Graffitea Xest 2024. Valencia, Spain. (photo © Lluis Olive-Bulbena)
J. Lopez. Graffitea Xest 2024. Valencia, Spain. (photo © Lluis Olive-Bulbena)
Tony Espinar. Detail. Graffitea Xest 2024. Valencia, Spain. (photo © Lluis Olive-Bulbena)
Tony Espinar. Graffitea Xest 2024. Valencia, Spain. (photo © Lluis Olive-Bulbena)
Zorro de Makinoteka. Detail. Graffitea Xest 2024. Valencia, Spain. (photo © Lluis Olive-Bulbena)
Zorro de Makinoteka. Graffitea Xest 2024. Valencia, Spain. (photo © Lluis Olive-Bulbena)
Bublegum. Detail. Graffitea Xest 2024. Valencia, Spain. (photo © Lluis Olive-Bulbena)
Bublegum. Graffitea Xest 2024. Valencia, Spain. (photo © Lluis Olive-Bulbena)
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The 2024 Efímurs Festival in L’Ametlla de Mar

The 2024 Efímurs Festival in L’Ametlla de Mar

Thanks to photographer Lluis Olive-Bulbena, we have new photos today of a sophisticated mural program called Efimur, which heralds natural beauty and creates new examples in the urban landscape. Here is a quick visual journey through the vibrant and dynamic murals of the 2024 Efímurs Festival, held in the picturesque coastal town of L’Ametlla de Mar, south of Tarragona, Spain.

Dridali (photo © Lluis Olive-Bulbena)

As an urban art festival, Efimur is directed and coordinated by the local artist Uri Márquez Cateura (@uri.kthr), who brought a selection of talented muralists this year. Supported by organizations like the Tourism Department of L’Ametlla de Mar, the City Council, and funded by the European Next Generation funds, the festival’s theme revolved around the integration of urban art with the natural and cultural landscapes of L’Ametlla de Mar.

Dridali (photo © Lluis Olive-Bulbena)

Often referred to as “the most natural cove,” L’Ametlla de MarArtists featured a roster of mural painters from various countries gathered to paint large-scale murals, each infusing their unique styles and perspectives. The festival also featured a graffiti exhibition, special events, and electronic brunch, culminating in a vibrant community celebration.

Among the notable artists who participated in the 2024 edition were Abys from France, Asem & Manz from Madrid, Dridali from Valencia, Filite from Brazil, Kamma Marlo from Mollerussa, Kitsune Jolene from Belgium, Moxaico from Almeria, Mura from Brazil, Sucri & Furyo from Valencia, Uri Kthr from L’Ametlla de Mar, and Zabala from Bilbao.

MURA (photo © Lluis Olive-Bulbena)
Filite (photo © Lluis Olive-Bulbena)
Filite (photo © Lluis Olive-Bulbena)
Moxaico (photo © Lluis Olive-Bulbena)
Asem Manz (photo © Lluis Olive-Bulbena)
URI KTHR (photo © Lluis Olive-Bulbena)
URI KTHR (photo © Lluis Olive-Bulbena)
URI KTHR (photo © Lluis Olive-Bulbena)
URI KTHR (photo © Lluis Olive-Bulbena)
Sucri Furyo (photo © Lluis Olive-Bulbena)
Kitsune Jolene (photo © Lluis Olive-Bulbena)
Abys Osmoz (photo © Lluis Olive-Bulbena)
Abys Osmoz (photo © Lluis Olive-Bulbena)
Zabala (photo © Lluis Olive-Bulbena)
Kamma Marlo (photo © Lluis Olive-Bulbena)
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Barcelona Tributes for The Amazing SKE

Barcelona Tributes for The Amazing SKE

Today, we pay tribute to an iconic figure from the Puerto Rican graffiti scene, Eliezer “SKE” Pagán Torres. Born on August 31, 1971, in Carolina, Puerto Rico, SKE was a pioneering spirit whose artistic journey began in the early 1980s. His works, influenced by the vibrancy of Puerto Rican culture and the early New York graffiti styles, resonated deeply across local and international communities.

BAYS / SKE Tribute. 3 Xemeneies Square. Barcelona, Spain. (photo © Lluis Olilve-Bulbena)

SKE passed away on April 1, 2024, leaving behind a legacy marked by bold expressions and a profound connection to his roots. His art was not just seen; it was felt, encapsulating the dynamic life and spirit of Puerto Rico. SKE’s style was characterized by its vivid imagery and thoughtful representation of societal aspirations and the influence of the culture, which he hoped would be his lasting memory. Our condolences to his family, friends, and fans.

The photos we’re showcasing today come from an emotional tribute by artists in Spain, captured by photographer Lluis Olivares Bulbena. These images from Las Tres Chimeneas park in Barcelona reflect the profound respect and affection many in the global graffiti community had for SKE. His influence stretched far beyond the shores of Puerto Rico, touching hearts and inspiring fellow artists from New York to Barcelona. SKE’s work remains a powerful reminder of art’s impact in pulling people together and voicing the stories and dreams of a community.

ABSURE / SKE Tribute. 3 Xemeneies Square. Barcelona, Spain. (photo © Lluis Olilve-Bulbena)

From @brebarcelona:
“Mural in memory of @theamazingske! Blessings to the family and all the closest brothers in Graffiti, from Barcelona we share your feelings with the best we can do, PAINT A GREAT WALL! MAC & BAD CREWS represent in Barcelona @chanmacrew @soemmac @sez69_mac @brebarcelona and @absure2000_sac_156_tsf_cpa_tkb & @baysking7.

Thanks to @divine7rbg @thestationbcn for the warmth in their club, @djcanhiphop for the music, @pinturasdecorluxe for the plastic paint and everyone who came to see us live!

Always with us on earth all those who went to paint the sky too soon!”

SEZ69-MAC / SKE Tribute. 3 Xemeneies Square. Barcelona, Spain. (photo © Lluis Olilve-Bulbena)
CHAN / SKE Tribute. 3 Xemeneies Square. Barcelona, Spain. (photo © Lluis Olilve-Bulbena)
BRE / SKE Tribute. 3 Xemeneies Square. Barcelona, Spain. (photo © Lluis Olilve-Bulbena)
SOEM / SKE Tribute. 3 Xemeneies Square. Barcelona, Spain. (photo © Lluis Olilve-Bulbena)
SKE Tribute. 3 Xemeneies Square. Barcelona, Spain. (photo © Lluis Olilve-Bulbena)
SKE Tribute. 3 Xemeneies Square. Barcelona, Spain. (photo © Lluis Olilve-Bulbena)
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A Tribute to Artist Akira Toriyama: Eslicer and Keneone in Barcelona

A Tribute to Artist Akira Toriyama: Eslicer and Keneone in Barcelona

Fans of manga and anime are mourning the loss of a legendary figure in the industry, Akira Toriyama, who passed away on March 1, 2024, at the age of 68. Born in Aichi Prefecture, Japan, he was not just a prolific manga artist; he was a visionary who brought to life some of the most iconic characters and stories in the world of Japanese pop culture. His most renowned creation, “Dragon Ball,” transcended generations and geographic boundaries, embedding itself in global pop culture and inspiring an era of manga artists.

Akira Toriyama memorial wall at the Caterina Albert Square by Eslicer & Keneone. Barcelona, Spain. (photo © Lluis Olive-Bulbena)

Toriyama’s influence extended beyond the printed page; his creative genius was instrumental in designing the characters for beloved video games like the Dragon Quest series and Chrono Trigger.

By many accounts, he had humble beginnings drawing animals and vehicles, but he eventually had what some would call a revolutionary impact on manga and anime, a testament to the universal language of art and storytelling. Despite facing challenges and opposition, Toriyama’s dedication to his craft and innovative spirit paved the way for his legendary status. The aesthetics and themes of Toriyama’s work, including a fusion of traditional and futuristic elements, resonate with fans of street culture and graffiti, showcasing his widespread influence.

Akira Toriyama memorial wall at the Caterina Albert Square by Eslicer & Keneone. Barcelona, Spain. (photo © Lluis Olive-Bulbena)

Today we look at a new mural in Barcelona Spain by Eslicer and Keneone, with shots by photographer Lluis Olive-Bulbena. As we remember Akira Toriyama, we celebrate the stories he told and the boundless imagination and creativity he inspired in artists and fans alike, leaving an indelible mark on the world of art and entertainment.

Akira Toriyama memorial wall at the Caterina Albert Square by Eslicer & Keneone. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Akira Toriyama memorial wall at the Caterina Albert Square by Eslicer & Keneone. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
Akira Toriyama memorial wall at the Caterina Albert Square by Eslicer & Keneone. Barcelona, Spain. (photo © Lluis Olive-Bulbena)
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