All posts tagged: Keith Haring

BSA Images Of The Week: 08.14.22

BSA Images Of The Week: 08.14.22

Welcome to BSA Images of the Week!

The rain hasn’t been coming around much this summer, so we begin the postings with a dreamy sequence from Dan Kitchener and his muse walking with an umbrella. Good to see so much quality art in the streets this summer. Things may be difficult in many ways when it comes to life in this city, but the vibe on the streets is still rockin’ it.

Here’s our weekly interview with the street, this week featuring: SacSix, Degrupo, Sara Lynne-Leo, Dan Kitchener, Doves, IMK, @2easae, GanoWon, Your Camera is a Weapon, and Habibi.

Dan Kitchener in collaboration with East Village Walls. (photo © Jaime Rojo)
Dan Kitchener in collaboration with East Village Walls. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Degrupo and 2Esae. Detail. (photo © Jaime Rojo)
GanoWon (photo © Jaime Rojo)
Sara Lynne-Leo (photo © Jaime Rojo)
Doves (photo © Jaime Rojo)
2Esae (photo © Jaime Rojo)
2Esae (photo © Jaime Rojo)
SacSix (photo © Jaime Rojo)
SacSix (photo © Jaime Rojo)
Your Camera Is A Weapon (photo © Jaime Rojo)
Habibi (photo © Jaime Rojo)
IMK (photo © Jaime Rojo)
Untitled. Summer 2022, NYC. (photo © Jaime Rojo)
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BSA Images Of The Week: 02.20.22

BSA Images Of The Week: 02.20.22

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Welcome to BSA Images of the Week, where New York keeps pushing forward through this stormy winter – although the amount of new street art and graffiti dissipates this time of year as artists stay in their creative caves, waiting for spring. Hang in there peeps.

It’s still cold today so you may want to check out the last day of the Christian Dior show at Brooklyn Museum, or you can see BG183’s solo exhibition at Wallworks in the Bronx, or Daze’s solo show in Manhattan at PPOW.

Great news for New York artists this week: artists can now apply for a monthly stipend of $1,000. This is big news because unlike a lot of Europe, the US and its institutions do not support artists or cultural workers.

Bad news for the orange man in New York this week: The Supreme Court says he and his progeny have to testify under oath, after the Attorney General uncovered “copious evidence of possible financial fraud”. Perhaps Ivanka can consult with her friends Christine Lagarde or Angela Merkel about what to say.

Speaking of exemplary New Yorkers, Jeffery Epstein’s friend Jean-Luc Brunel has been found dead in his prison cell, mysteriously. One of Epstein’s other friends, Prince Andrew, reportedly settled out of court this week. “Prince Andrew reportedly agreed to never again deny raping Virginia Giuffre”, says the New York Post, The Independent, and The Sun. The Times says: “A new nursery rhyme is doing the rounds at the Palace:

‘The grand old Duke of York,
he had 12 million quid.
He gave it to someone he’d never met,
for something he never did’”.

Jesus, let’s go out for a walk and see if we discover some new street art.

Here’s our weekly interview with the street, this week featuring: Skewville, Specter, City Kitty, Adam Fujita, Pork, Jason Naylor, Below Key, Lexi Bella, Jowl, Nimek, Klonism, Harvey Ball, Eloy Bida, Kat Blouch, Timmy Ache, and Eyedao.

Jason Naylor (photo © Jaime Rojo)
Eyedao (photo © Jaime Rojo)
Adam Fujita pays tribute to Keith Haring. (photo © Jaime Rojo)
City Kitty & Kat Blouch (photo © Jaime Rojo)
The Batman (photo © Jaime Rojo)
Jowl (photo © Jaime Rojo)
Eloy Bida. Memorial mural in honor of Ingrid Washinawtok. (photo © Jaime Rojo)
Skewville turned 100 years old this month. Long Live Skewville! (photo © Jaime Rojo)
Below Key (photo © Jaime Rojo)
The Smiley Face. The design of the iconic image turns 50 years. Originally created by Harvey Ball the symbol has been used everywhere from advertising to movies to fashion and high and low art. This poster has been plastered all over the city to highlight its anniversary…oh don’t forget to SMILE!
Klonism (photo © Jaime Rojo)
Specter (photo © Jaime Rojo)
Timmy Ache (photo © Jaime Rojo)
The Art Of Will Power. “Hip Hop” is my religion. Here’s Mary being a muse again. (photo © Jaime Rojo)
Pork. Chinamak (photo © Jaime Rojo)
Pork (photo © Jaime Rojo)
Nimek (photo © Jaime Rojo)
Lexi Bella with the lush lips. (photo © Jaime Rojo)
Untitled. Snow ghosts. East River. Brooklyn, NYC. (photo © Jaime Rojo)
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BSA Images Of The Week: 03.14.21

BSA Images Of The Week: 03.14.21

Welcome to BSA Images of the Week. Did you set you clocks ahead one hour? Spring forward!

We open today’s edition of BSA Images Of The Week with Peruvian artist The Monks. He’s been splashing the streets of New York with his vibrant work… and with a much-needed infusion of color during our winter grays – as a prelude to the imminent Spring in NYC.

We’re feeling good. Is that bad? Maybe it’s the lack of daily tweets that used to hector and batter the populace for 4 years that we are slowly emerging from beneath. It’s like the Twitter Gods are showing mercy on us all.

Maybe it’s the centrist rescue bill finally passed this week that will place newly-minted cash into the hands of the newly-minted poor and desperate working-class, slowing the steady decades-long growth of the gaping chasm between haves and have-nots. (Still “no” to $15 minimum wage, “no” to Medicare for All, “yes” to a bombing in Syria). You can’t blame the Democrats, though – they only have the House, Senate, and White House.

Maybe we’re also feeling partially positive because we had two consecutive days of sunshine and even experienced 60-degree temperatures. Daffodils are positively poised for popping through the dog poop in public parks presently. No doubt we’re also feeling hopeful because a deluge of new art will begin rushing through city streets in the next few weeks as artists, like everyone else, will be racing outside like giddy teenagers.

Not that they haven’t been getting up already. They have.

Here’s our weekly interview with the streets, this week featuring Clown Soldier, CRKSNK, Donut, Fours Crew, Goog, HAZE, Kiwi, Meter, Nemz, Polka, Rambo, Roachi, Samva, Sara Lynne-Leo, Texas & Gane, The Monks, Toath, Zexor, and ZigZag.

The Monks for Graffiti Tours. (photo © Jaime Rojo)
The Monks for Graffiti Tours. (photo © Jaime Rojo)
The Monks for East Village Walls(photo © Jaime Rojo)
The Monks for The Bushwick Collective. (photo © Jaime Rojo)
Sara Lynne-Leo (photo © Jaime Rojo)
Clown Solider bus shelter takeover. (photo © Jaime Rojo)
Zexor (photo © Jaime Rojo)
Goog (photo © Jaime Rojo)
Roachi. Fours Crew. (photo © Jaime Rojo)
Nemz with a tribute to Zexor on the left. (photo © Jaime Rojo)
Nemz . Zexor. (photo © Jaime Rojo)
Jean-Michel Maskiat? Unidentified artist (photo © Jaime Rojo)
Rambo (photo © Jaime Rojo)
CRKSHNK (photo © Jaime Rojo)
Polka, Thoath (photo © Jaime Rojo)
Haze pays tribute to skateboarder Keith Hufnagel, who died in 2020. See video below. (photo © Jaime Rojo)
Donut (photo © Jaime Rojo)
Gane, Texas, ZigZag, Meter, Sport, Samva, Kiwi. (photo © Jaime Rojo)
Untitled. Williamsburg, Brooklyn. March 2021. (photo © Jaime Rojo)

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BSA Images Of The Week: 10.11.20

BSA Images Of The Week: 10.11.20

Welcome to BSA Images of the Week, where that silence you hear is the controlled collapse of the entire economy. Blink. Notwithstanding the drama that monopolizes the airwaves courtesy our daily-car-crash-in-chief, the breeze lilts and whirls gently downward like a loosened yellowed leaf set free from a tree.

But right now – New York street art is all about the raw nerves that are on display across the culture.

Here is our weekly interview with the streets, this week including Butterfly Mush, De Grupo, Eye Sticker, Hani, Hearts NY, Heck Sign, Kest, Detor, Daie, Ribs, Lexi Bella, My Life in Yello, Reisha Perimutter, Skewville, Sticker Maul, The Art of Willpower, Timmy Ache, and Tito Ferrara.

Hani (photo © Jaime Rojo)
Hani (photo © Jaime Rojo)
Reisha Perimutter (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Lexi Bella (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Sticker Maul, Hearts NY (photo © Jaime Rojo)
Butterfly Mush (photo © Jaime Rojo)
Tito Ferrara (photo © Jaime Rojo)
The Art of Will Power (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
After Keith Haring (photo © Jaime Rojo)
My Life In Yellow (photo © Jaime Rojo)
Timmy Ache (photo © Jaime Rojo)
Heck Sign (photo © Jaime Rojo)
De Grupo (photo © Jaime Rojo)
Eye Sticker (photo © Jaime Rojo)
Kest, Detor, Daie, Ribs. (photo © Jaime Rojo)
Kest, Detor, Daie, Ribs. (photo © Jaime Rojo)
Skewville (photo © Jaime Rojo)
Untitled. Manhattan, NYC (photo © Jaime Rojo)
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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. From the Archives: Keith Haring
2. Friday Night, August 14th – From Funkadelic
3. One Thousand Stories / The Making of a Mural / A Project by JR

BSA Special Feature: From the Archives: Keith Haring

Why are we thinking about street artist Keith Haring so often right now?
Possibly because we are remembering how he used his art practice to talk about crisis on his doorstep, and took risks to get his work out, and we are seeing more artists stepping up to that challenge on the street today.

When we think about this pandemic and the ways in which the artistic community has swiftly and forcefully responded to illustrate with their art the general mood, the ethos, the official response from our political leaders, the health providers unequivocal rush to action to save lives, the scientific community pushing to guide us during this still ongoing crisis, the dissemination of information and misinformation on social media, and the decisive actions from the mainstream media to educate the public on the pandemic one New York City artist comes to mind.

Keith Haring. He used his art to talk about Apartheid in South Africa, the crack epidemic, and the scourge of AIDS, a disease that took his life in 1990. We wonder what he will be doing on the streets if he were still alive. He’d be 62 now, still an age where he’d have the creative energy imbued with wisdom and experience. Below we share with you a vintage reel of him getting up on the NYC Subway.

As you watch this video for a mass TV audience under the guise of kooky kuriosity, it also crosses your mind that the police handle him with kid gloves – they don’t tackle him and slam him on the ground. Would his fate have been the same if he were black? And the reporter follows him around like a curious puppy, in awe of his escapades, intoning that vandalism is cute when its done by white guys from Pennsylvania who sell canvasses in Soho. There is so much we can learn from archived footage like this.

So you know what tonight is, right?

One Thousand Stories / The Making of a Mural / A Project by JR

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“Beyond The Streets” Comes To Brooklyn in June

“Beyond The Streets” Comes To Brooklyn in June

Gastman’s Massive Graffiti and Street Art Show Arrives at Epicenter.

“I’m really excited to bring this show to New York,” says curator, graffiti historian and urban anthropologist Roger Gastman, “because the city plays such a pivotal role in the origin and evolution of the culture. The iconic images of covered subway cars made graffiti famous worldwide.”

Style Wars Car by NOC 167 with Door Open, Man Reading Newspaper, 96th Street Station, New York, NY, 1981. (photo © Martha Cooper)

He’s talking of course about “Beyond The Streets” the hybrid exhibition that he mounted in LA last year featuring the work of 150 who have proved to be pivotal to the evolution of a fifty year global people’s art movement that includes graffiti, street art, and urban contemporary art. Filling over 100,000 square feet of new space in Brooklyn, this two-floor cross-section survey will feature artworks by many of the same vandals, graffiti writers, Street Artists, and art activists who hit NYC streets, created dialogue with passersby, and were sometimes chased by the authorities. To see them showcased here is to recognize that there is not just one route to take – in fact there are many.

Guerrilla Girls at Abrons Art Center, New York, 2015. (photo © Andrew Hindrake)

“We have an incredible roster of artists for New York,” Gastman tells us, “and a brand new space in Williamsburg that has a stunning view of the Manhattan skyline as our backdrop.” Notably the lineup includes artists whose work BSA has documented on the streets in this very same neighborhood over the past two decades, including Shepard Fairey, Faile, Swoon, Bast, Invader, Aiko, and others. Ironically the appearance of free-range Street Art in the neighborhood has been seriously diminished since that time.

The exhibition is one more verification that a significant portion of the scene is being widely recognized for its cultural contribution and value in the contemporary art canon – a significantly fluid scene fueled by discontent and a desire to short-circuit the established routes to audience appreciation. Like large survey shows elsewhere, the takeaway is the significant impact street culture and its tangential subcultures continues to have on the culture at large.

Lil’ Crazy Legs during shoot for Wild Style, Riverside Park, NY, 1983. (photo © Martha Cooper)

Gastman says the New York version of “Beyond The Streets” will take an additional interest at the role of music and art activism on the street, along with immersive installations, a tattoo parlor, a special Beastie Boys installation with artifacts and ephemera, a new 30th Anniversary Shepard Fairey project “Facing The Giant: 3 Decades of Dissent,” and large scale works by Gorilla Girls, Futura, Cleon Peterson, and Takashi Murakami. 

More news coming on programming and events, but the important opening date to know right now is June 21st.

“All in all, it will make for a really special show this Summer,” says Gastman.


Curator: Roger Gastman

Co-Curators: Sacha Jenkins SHR, Evan Pricco, David CHINO Villorente

Producer: Ian Mazie & Pressure Point Creative

Tickets and hours of operation can be found at: BEYONDTHESTREETS.COM


A-ONE, AIKO, Al Diaz, Alexis Ross, Alicia McCarthy, André ​Saraiva, Barry McGee, BAST, Beastie Boys, Bert Krak, Bill Barminski, Bill Daniel, BLADE, Broken Fingaz, Buddy Esquire, buZ blurr, Carlos Mare, Carl Weston, Cey Adams, C.R. Stecyk III, Charlie Ahearn, Chaz Bojórquez, Claudia Gold, Cleon Peterson, COCO 144, Conor Harrington, Corita Kent, Craig Costello, CRASH, DABSMYLA, Dan Witz, Dash Snow, DAZE, DEFER, Dennis Hopper, Dondi White, Doze Green, EARSNOT, Estevan Oriol, Fab 5 Freddy, FAILE, Faith XLVII, Felipe Pantone, FREEDOM, FUTURA 2000, Gajin Fujita, Glen E. Friedman, Gordon Matta-Clark, Guerrilla Girls, HAZE, Henry Chalfant, Herb Migdoll, Husk Mit Navn, INVADER, Jane Dickson, Jason REVOK, Jean-Michel Basquiat, Jenny Holzer, Jim Prigoff, John Ahearn, John Fekner, John Tsombikos, Joe Conzo, José Parlá, KATS, KC Ortiz, Keith Haring, Kenny Scharf, Kilroy Was Here, LADY PINK, LAZAR, LEE Quiñones, Lisa Kahane, MADSAKI, Maripol, Mark Gonzales, Mark Mothersbaugh, Martha Cooper, Matt Weber, Maya Hayuk, Michael Lawrence, MIKE 171, MISS 17, Mister CARTOON, Nina Chanel Abney, NOC 167, Pat Riot, Patrick Martinez, Paul Insect, POSE, PRAY, Rammellzee, Randall Harrington, RETNA, Richard Colman, Richard Hambleton, RIME, RISK, Ron English, Ruby Neri, SABER, Sam Friedman, SANESMITH, Sayre Gomez, Shepard Fairey, SJK 171, SLICK, SNAKE 1, SNIPE1, STAY HIGH 149, Stephen Powers, SWOON, Takashi Murakami, TAKI 183, TATS CRU, TENGAone, Tim Conlon, Timothy Curtis, Todd James, Trash Records, UGA, VHILS, and ZESER

The show is developed in partnership with Adidas and Perrier. Additional support provided by Modernica, Montana Colors, NPR, NTWRK, Twenty Five Kent and WNYC.

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BSA Film Friday 05.03.19

BSA Film Friday 05.03.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Subvertisers in London 2019
2. Cristina Lina / Contorno Urbano Foundation / 12+1 Project / Barcelona
3. Keith Haring: 4 Minute Mini Documentary.

BSA Special Feature: “Subvertisers in London 2019”

Sorry, nothing to sell here. Not what it’s about.

Few have demonstrated or practiced subvertising/culture jamming with such endurance as the folks profiled in this new mini-doc. The ever more popular street art activist practice of reclaiming public space from commercial interests is built on the premise that a consumer mindset is blind to the necessary fundamentals of civic life, or life.  When you hear these nuanced discussions of legal and moral aspects of hi-jacking commercial signage you admit that it sadly reductivist to turn everything, including art, into merely a product for buying and selling.

“I always felt it as an aggression, as a violence. The fact that it is a visual violence does not make it less of a violence, because it imposes a certain idea of reality which I don’t feel is my own. When I realized that we could make something of our own, it gave me an idea of liberation” says a commentator as the video presents a blinking series of billboards, signs, and bus stops all around the city in constant succession.

Advertising itself is not the issue – everyone agrees that it has its place. The issue is when it wants to be in every place, public and private. At all times. More threatening, and more contemporary, is the consolidation of media/news companies, the re-writing of regulations, and the blunt force of capital that now uses these commandeered public spaces to “educate” the populace about policy – a thoroughly different form of “selling”. Do we all see where we are going with this?

Subvertisers in London 2019

Cristina Lina / Contorno Urbano Foundation / 12+1 Project / Barcelona

“This Spanish cat named Tommy looks like he could have belonged to Matisse, due to the overlapping abstract collage method, but British artist Christina Lina says he was her grandmother’s cat – so we guessed wrong,” we said the day we featured this new public mural she did with Contorno Urbano in Barcelona.

Read more at Cristina Lina: “Tommy” Cat and the Kids at Ferran Sunyer School .

Keith Haring: 4 Minute Mini Documentary.

Giving a concise history that nonetheless mispronounces the name of the town the subject was born in, the narration has an affected sage tone that shoots for earnest profundity but settles for deadpan vocal fry. Delivery aside, it’s a quick primer of the career climb and cultural significance of the Street Artist Keith Haring that firmly addresses the significance of his role as an openly gay man and AIDS activist – especially at time when even most graffiti/Street Art peers and would-be fans were still homophobic and AIDS hysteria was at its peak .

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0907 Pays Homage To ‘Hero’ Keith Haring And #LGBT Community in Xi’an

0907 Pays Homage To ‘Hero’ Keith Haring And #LGBT Community in Xi’an

Xi’an is a large city of about 7 million, the capital of Shaanxi Province in central China, often called the birthplace of Chinese civilization. It’s also been sprouting Street Art in recent years.

0907. Keith Haring. Xi’an, China. May 2018. (photo © 0907)

According to some tourist sites it is a city with a nascent Street Art and graffiti scene where there are more graffiti writers than in Beijing, Shanghai and Hangzhou (Absolute China Tours). So it is notable when Keith Haring is honored on a wall here where it is unlikely many know his name or his significance as an early practitioner of the freewheeling public art interventions that came to characterize a movement of artists on the streets.

Street Artist 0907 tells us his new piece on this Xi’an street is called “Hero”.

0907. Keith Haring. Xi’an, China. May 2018. (photo © 0907)

0907. Keith Haring. Xi’an, China. May 2018. (photo © 0907)

0907. Keith Haring. Xi’an, China. May 2018. (photo © 0907)

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BSA Images Of The Week: 02.04.18

BSA Images Of The Week: 02.04.18


Stomping through the streets of New York Friday looking for new Street Art and graffiti, the cold and the wind reminded us of a saying we learned from the Norwegians during recent trips there: “There’s no such a thing as bad weather, only bad clothing”.

Cold comfort perhaps, but an apt metaphor for weathering the storms. Prepare!

These photos draw from that frozen urban exploration we embarked upon to the hinterlands of places not typically known for a Street Art scene like Sunnyside, Queens and places now slaughtered with murals and some smaller illegal pieces like the Lower East Side of Manhattan.

Hope you are as impressed by what we found as we are as Gen Z is making some of those Millenials look like old grannies out here! Real Talk.

Here’s our weekly interview with the streets, this week featuring A Cool 55, Alex Andre, Damien Mitchell, drsc0, Alexander Evans, Ardif, Angry Red, Arrex Skulls, Below Key, Dede, Dirt Cobain, Gongkan, Keith Haring, Praxis VGZ, SacSix, Sean Slaney, Special Robot Dog, Teg Artworks, Thrashbird, and Voxx Romana .

Top Image: Thrashbird…and LBJ at the #greatwallofsavas (photo © Jaime Rojo)

A Cool 55 at the #greatwallofsavas (photo © Jaime Rojo)

A Cool 55 at the #greatwallofsavas (photo © Jaime Rojo)

Alexandra Evans . Alex Andrae at First Street Green. (photo © Jaime Rojo)

Damien Mitchell (photo © Jaime Rojo)

SacSix tribute to Biggie Smalls. (photo © Jaime Rojo)

Dirt Cobain at the #greatwallofsavas (photo © Jaime Rojo)

Arrex Skulls at the #greatwallofsavas (photo © Jaime Rojo)

Gongkan at First Street Green. (photo © Jaime Rojo)

Special Robot Dog at First Street Green. (photo © Jaime Rojo)

Dede (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Ardif. Detail. At the #greatwallofsavas (photo © Jaime Rojo)

Ardif at the #greatwallofsavas (photo © Jaime Rojo)

Voxx Romana at the #greatwallofsavas (photo © Jaime Rojo)

drsc0 (photo © Jaime Rojo)

Teg Artworks at the #greatwallofsavas (photo © Jaime Rojo)

Below Key and friends. (photo © Jaime Rojo)

Sean Slaney and Angry Red at First Street Green. (photo © Jaime Rojo)

Sean Slaney and Angry Red at First Street Green. (photo © Jaime Rojo)


Praxis VGZ (photo © Jaime Rojo)

Keith Haring (photo © Jaime Rojo)

Untitled. East River. January 2018. (photo © Jaime Rojo)

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Magda Danysz Brings “Art From The Streets” to Singapore Art Science Museum

Magda Danysz Brings “Art From The Streets” to Singapore Art Science Museum

“Art From the Streets”, an exhibition at the Art Science Museum in Singapore opened this weekend to coordinate with Singapore Art Week that runs from tomorrow until the end of the month with fairs, festivals and art exhibitions. Commercial art dealer and writer Magda Danysz curated the show with names she represents and whom you will be familiar with – Banksy, Shepard Fairey, Faile, and Futura, for example.

Two versions of the catalogue, one by Felipe Pantone, the other by Futura, are available on the Magda Danysz website .

But she also brings an eclectic mix of others on her roster and possibly lent from some private collections. Collectively they span many of the high profile, the saleable and known over the past 5 decades from various disciplines and philosophical practices; In the case of Jacques Villeglé, whose practice of lacerating posters in the 1960s predates Failes’ by 4 decades, a lineage can be drawn. Other connections are not as easy.

Ultimately the collection gives a sense of the vast number of personalities and techniques that have characterized the street practice in Europe and North America primarily without focusing on any one specialty too greatly. Here are the revered names along with mid-career folks and current darlings who are sure to leave a mark. There is also a small inclusion of more regional favorites like Eko Nugroho from Indonesia, and Singapore’s Speak Cryptic, who each were on hand this weekend with many of the artists for the opening.

Giving tours with microphone in hand during the opening days, the energetic Ms. Danysz educates new fans and potential buyers about an organic artists scene that grew from the streets and is now more frequently being offered for sale in places such as her three gallery locations in London, Paris, and Shanghai. Today it is slowly appearing more often in museums as well.

“Conscious that promotion of the emerging scene is necessary, Magda Danysz took part in many fairs,” says a press release, “such as for example Art Brussels, Arte Fiera in Bologna, Artissima in Torino, Fiac in Paris or Pulse in New York, and is one of the four galleries at the origin of the Show Off Paris art fair.”

This weekend’s activities included short presentations panel discussions and a screen of Wild Style.

Art from the Streets tickets are $17.00 on the Marina Bay Sands website.

A complete list of artists varies online with artists listed on the museum website including:

Banksy, Tarek Benaoum, Stéphane Bisseuil, Blade, Crash, Speak Cryptic, D*face, Fab 5 Freddy, FAILE, Shepard Fairey (aka Obey), Futura, Invader, JR, L’Atlas, Ludo, M-City, Nasty, Eko Nugroho, Nunca, Felipe Pantone, Quik, Lee Quinones, Blek le Rat, Rero, Remi Rough, André Saraiva, Seen, Seth, Sten Lex, Tanc, Hua Tunan, Yok & Sheryo, YZ, Zevs “and many more“.

Elsewhere online the roster is said to include 2Koa, Jef Aérosol, Ash, André, A-One, Aplickone, Banksy, Benjamin Duquenne, Tarek Benaoum, Stephane Bisseuil, Blek Le Rat, Boulaone, C215, Crash, Dface, Dondi, Dran, Eror729, Shepard Fairey, Faile, Futura, Keith Haring, Isham, Jayone, Jonone, Jr, Katre, Kaws, L’atlas, Lem, Ludo, Barry Mc Gee, Mikostic, Miss.Tic, Mode 2, Steve More, Nasty, Nord, Yoshi Omori, Os Gemeos, Psyckoze, Quik, Rammellzee, Recidivism, Rero, Remi Rough, Seen, Seth, Skki, Sore, Space Invader, Spazm, Spécio, Swoon, Tanc, Toxick, Vhils, Jacques Villeglé, Nick Walker, West, Yz, Zevs, Zhang Dali, Zlotykamien and Zuba.


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A Street View From Inside the Doors of Mexico City ; Galleries, Studios, Museums, and the Metro

A Street View From Inside the Doors of Mexico City ; Galleries, Studios, Museums, and the Metro

Street Art and graffiti and their relatives often go inside these days, including in Mexico City, where we recently found some interesting new intersections between urban art and contemporary art when we wandered off the streets into studio, gallery, and even museum spaces.

Here we’ll show you images from a few of these places, including; a versatile gallery and performance space that happens to serve pizza, a toy museum and the Street Art visionary who runs it who has facilitated some of the best installations around the city that you’ll see, a visit with a Mexican mural/fine artist who has made serious waves on the Street Art stage as well as museums, three Argentinians setting up a temporary art-making studio in preparation for a gallery show, and a serendipitous run-in with Keith Haring on a train in a metro station.

Bernardo Flores pays tribute to Mexican Luchadores on the walls, ceilings in the Antique Toy Museum (MUJAM) that features murals and tags by Street Artists throughout the exhibitions and up on the roof. Mexico, City. (photo © Jaime Rojo)

Perhaps taking its name from the largest cemetery in the city, or simply the Pantheon, the Roman temple with its multiple galleries leading off the grand rotunda, this Panteón opened in spring 2017 and is funded by Mexican pizza chain scion.

Inside a finely appointed 200 year old colonial mansion and former headquarters of the Mexican Academy of Language on Calle Donceles, one of the oldest streets in the city, the spacious two story building is now hosting a live concert stage with a bar off the pizza restaurant court on the first floor. Climb the winding stairs to discover an open balcony ringed with well-curated shows of current art movements that break your expectations in their diversity and quality, hung with care and well-lit in high-ceilings former libraries and entertaining salons, replete with hardwood floors and articulated cream and oak mouldings.

Motick. Centro Cultural Panteón. Mexico, City. (photo © Jaime Rojo)

“I think frontiers are breaking apart across the world,” says director and curator Andres Medina, who is creating a blended focus on graffiti writers, Street Artists, master screen printers, illustrators, and painters whose work is informed by elements of street culture like tattoo, dark pop, skater culture.

The 9 month old series of exhibitions and shows have included group shows, installations, and pop up shops by Mexican street heavyweights like Street Artist/muralist Smithe, original 90s stencilist Watchavato, and modern stylemaster Buster Duque, who has helped out with some selected burners on the roof. The tight vision of the shows is quietly bringing inquisitive fans as well.

“So we are getting at least one international visitor per week who wants to know more about our projects,” he says. As an editor of zines and a student of films, he gradually has been defining his focus on curation with themes that have an almost personal touchstone that he develops with the artists along with curator Mariela Gomez, and they both speak about a need for gallery exhibitions to evolve.

KlaseOne. Centro Cultural Panteón. Mexico, City. (photo © Jaime Rojo)

“One of the things that excites us the most is the idea of an exhibition as more of a ‘happening’. We want there to be a part that is graphic and a part that is an experience,” he says as he leads us to a separate white walled colonial space where handguns are made from molds in black wax and guests at the opening scrawled missives across makeshift walls related to violence in society. “It’s meant as an interactive critique,” he says, “these are guns that shoot ideas.”

Attendees are not typical art patrons interested only in collecting – for this show about violence and terror, “Dispara” by the Mexico City artist Ciler, the invited guests were policy makers, elected officials, journalists, even Tito Fuentes the lead singer of the popular rock band Molotov, as well as people directly affected by gun violence. “It was a pretty emotional night,” says Mariela Gomez, who recounts the fiery conversations that began when guests realized that they could express their thoughts about gun violence and organized crime, which is more-or-less openly terrorizing certain neighborhoods and cities in the country.

Ciler. “Dispara (nombre ficticio)”. Centro Cultural Panteón. Mexico, City. (photo © Jaime Rojo)

Ciler. “Dispara (nombre ficticio)”. Centro Cultural Panteón. Mexico, City. (photo © Jaime Rojo)

Wachavato. “No Esto No Es Lo Que Fue” Centro Cultural Panteón. Mexico, City. (photo © Jaime Rojo)

Wachavato. “No Esto No Es Lo Que Fue” Centro Cultural Panteón. Mexico, City. (photo © Jaime Rojo)

“Once everyone was here we found that everyone wanted to make art as well; so they all became part of ‘the happening’,” she says. Guests broke the guns, wrote screeds across the walls, even blasted black paint with a power tool “Everyone was covered in black dust and wax, were breathing some of it” she says,” which goes along with the concept of violence in society – no one can escape it really.”

Still young and at the behest of a fast food business, it’s unclear what kind of mandate Panteón has, but the owner has long term leased the historic building next door to further the show, which will now include his brother’s burger café and a freshly poured concrete mini-skate park and we climb a tattered yet elegant staircase to tour through grand raw spaces that will house martial arts, yoga training and yes, the occasional sports branded pop-up store. It’s a formula attempted before – life-style and entertainment intermixing with the plastic arts – and it will be good to see the integrity of the art game supported here. The balance is hard to strike, but it can be done.

Buster. Centro Cultural Panteón. Mexico, City. (photo © Jaime Rojo)

Museum of Toys and Art on the Streets

A Street Art proponent and personal brand champion, Roberto Shimizu is the second generation 30-something who is running the five-story, decade old Museo Del Juguete Antiguo (Antique Toy Museum) aka MUJAM with his ever-curious and professional collector father in the Colonia Doctores neighborhood. A stylistically unremarkable structure in the thick of this middle class eclectic cluster of cantinas, mechanics garages, and a hospital, most of the streets are named after famous physicians and many of the initial Street Artists who painted his parking lot and roof have also gone on to make names for themselves.

Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

The Circus. Detail. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

With a few hundred thousand toys carefully arranged in “toy environments” customized from industrial machinery and unusual found items, these surreal scenes may move animatronically or glitter under rotating lights – or get pinched and refracted through specialized viewers. If you are not high on something, there will be no need to do so before entering the meandering homemade and hand-loved MUJAM. Just unbutton your childhood imagination and you’ll find complete display cases of original illustrations and figures of Mexican comedic character Cantinflas, or an arrangement of stuffed bunnies dancing erotically, or a colorful parade of luchador dolls with Shimizu-customized fashions that play with proportions and sometimes reverse their genders – getting married to each other.

Pavel Ioudine. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

The beyond eclectic collection, estimated at only 5% of the total 60-year collection that has been hand-archived and warehoused, is only enhanced by large paintings by ROA or M-City that have graced the walls outside and the 75 or so intermediate and medium sized murals sprinkled through rooms, hallways, pillars, ceilings, stairwells throughout the museum, including a by-invitation-only rooftop gallery.

The younger Shimizu (and new father) weaves in and out of neighborhood streets with us in his truck the same way he navigates the museum, brooding and swerving and pulling aside to hold forth with bits of historical fanfare and numerical details, peppered by behind-the-scenes stories of intrigue and dalliances – all set off by his own striped and checked slim-waisted sartorial selections that effect an elegant carnival barker, a sixties mod rocker, or the mysteriously aloof millionaire in a family board game.

Arty & Chikle. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

Arty & Chikle. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

Arty & Chikle. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

Aligned with more commercial partners in the past when bringing appreciable Street Art names to Mexico City, Roberto says he prefers the organically grown festivals and exhibitions that have taken root in a few cities to the brand-flogging lifestyle-delivering “influencers” who are Snap-chatting their way through a Street Art tour. His own public/private collection of walls that he has organized over the last decade or so is rather impossible to categorize stylistically, veering from the cartoon to folkloric, photorealistic to abstract, magical-mystical to wildstyle bubbles.

With all these participants it is a come-one-come-all collection that reminds you of the vast reenactment of a circus that is under glass on the second floor, a menagerie of strongmen, tigers, lions, bearded ladies, and assorted crowds of various configurations lined up on the periphery of the big show.

Saner in Studio

Saner. Work in progress. Studio Visit. Mexico, City. (photo © Jaime Rojo)

In a gated, if worn but serene, community of two story ranch houses built in the 1960s and 70s, the painter Saner has his studio and home. He meets you at the ornate iron gate to his concrete patio and invites you in while speaking on his phone to see the sun-sharpened shapes inside, a personal welcome replete with mask-painted characters interacting on the dining room wall, two large sculptural facsimiles of him and his wife and bright back deck.

A meteorically-rising yet not flashy spirit on the Street Art circuit, Saner is enjoying steady success with a carefully selected path of public walls, gallery shows and even museum representation in the last decade. Sitting in the small front living room while his beige retriever and muse chews through a basket of dog toys and vies for his masters attention, you can see that Saner’s art world accomplishments haven’t distracted him from a grounded view of Mexican socio-political history, his deep love for its people, and his almost mystical, darkly emotional storytelling.

Saner. Studio Visit. Mexico, City. (photo © Jaime Rojo)

In his studio you see his latest sketchbook that he is slowly building page-by-page with details of figures overlapping and radiating and sometimes dancing in warlike poses among the fern and fauna. His crossed-arm stance while leaning on his worktable tells you that he’s waiting for your ideas to help propel the conversation, partially because he is shy, partially as a challenge. A graffiti writer here during the explosive 1990s scene on the streets and trained as a graphic designer, his identity as a Mexican painter became more important to him as he grew older and he began to be less concerned with emulating European or American visual and cultural language.

Saner. Studio Visit. Mexico, City. (photo © Jaime Rojo)

You look at the hand-illustrations of figures and costume, weaponry, instruments, flowers, feathers, and wild animals, and you realize that any of these could be the paintings you have seen on walls in neighborhoods and canvasses in galleries – suddenly perhaps a little awed to be in this artists sacred studio space. Then the talk turns to his dog and his recent travels across the world and you know that its just one guys’ greatness, that’s all.

3 Argentinian Street Artists in Studio

Elian. Studio Visit. Centro Historico. Mexico City. (photo © Jaime Rojo)

The thick air is thumping with a live-performance of a 1980s Judas Priest song by the house band in a musical instrument store across the street here in the crowded old central district of the city at lunchtime. With French doors flung open over your head from the second floor, a cloud of green aerosol envelopes the body of Street Artist Elian and creates a silhouette as he coats an organic form carved from wood on the worktable before him. The shape will join others mounted on a wall next week in Toba Gallery as a smaller 3-D interpretation of his abstract compositions that he sprays across massive walls on buildings and even parking garages for festivals and private clients across Europe, the US, Russia, and his native Argentina.

Ever. Studio Visit. Centro Historico. Mexico City. (photo © Jaime Rojo)

In this raw colonial former home with chipping paint and rusted hinges, the rooms serve as studios for a number of artists who pass by the small news stand with lottery-tickets and cigarettes before jogging up the central steps that are lit by an open sky. Also readying for the 3-artist show called “Deforme¨ are two Street Art brothers from the scene who have often painted in the same city with him, JAZ and Ever Siempre. Together the three are pushing their creativity beyond the work they are each known for in murals at festivals, each saying they are a little tired of the way the organic and illegal Street Art scene morphed into legal and often approved murals, even though they appreciate being paid by these events that are partially funded by municipalities or commercial interests. A symbol of mobility and fraternidad in the scene, local Street Art/graffiti artist Smithe, who is loaning the studio space to the artists as they prepare, also owns Toba.

JAZ. Studio Visit. Centro Historico. Mexico City. (photo © Jaime Rojo)

Speaking of galleries, the Celaya brothers have begun a number of commercial enterprises and spaces in the last half-decade, looking for the right formula for capitalizing on the Street Art zeitgeist and partnering with corporate brands. Not far from an enormous mural by the London-based D*Face, their most recent contemporary art gallery in Colonia Roma Norte was featuring a solo show “Trompe L’oeil” by the Italian born, Berlin-based Street Artist/ fine artist Agostino Iacurci as he adds a third dimension to his ornately synthetic forms and sophisticated bright palette. Curated by Vittorio Parisi, the room is spare, the sculptures pleasantly innocent, and slyly humorous.

Agostino Iacurci. “Trompe L’oeil” solo exhibition at Celaya Brothers Gallery. (photo © Jaime Rojo)

Keith Haring on a Train

The metro train system in Mexico City, like many aspects of public life over the last two decades, is a faded shade of its previous zeal. It may also be the damage from a large earthquake three months earlier that shook this city, which adds to a feeling of insecurity as you navigate the swarming crowds and watch packed trains pull away while you wait your turn to board. You may also get a bit forcefully pick-pocketed in the middle of the day on one of these trains, as did your author, so you may favor zippers inside your clothing the next time you return.

Keith Haring on a whole car on the Metro. Mexico City. (photo © Jaime Rojo)

Hearkening back to the lack of public services in New York’s when it was fiscally broke in the 70s and 80s and Street Artists Keith Haring wrote freely on empty ad-spaces in the subway, it felt a little like the spirit of the Street Artist appeared unexpectedly in front of us while we waited for our next underground connection in this magic city. A swath of colorful characters jumping every which way across the full cars, the familiarly active Haring symbols of figures herked and jerked into place while the cars went through a series of starts and sudden stops. The riders slid back and forth, clutching their straphangers, and we quickly fumbled for a shot of this Mexico City train covered with the welcoming sight of a New York Street Artist who sparkled at the dawn of the go-go portion of the 80s, soon taken in the sadness of the AIDS-panic portion that struck the city.

Undoubtedly, the Street Art and graffiti scene continue to expand and morph into other scenes and venues – many now inside. For some, this is anathema to the true spirit of the mark-making practice that first took root in unsanctioned acts in illegal places, often in open defiance of accepted norms. For others, this route indoors only strengthens the appeal of voices that are now speaking inside the organizational structures we build, and it is remarkable to see such a diverse and lively number of examples throughout this doorway to Latin America aided by very gracious and friendly Mexican hosts at every stop we made.

Below are more images and video from the Antique Toy Museum, MUJAM – Mexico City

Alegria Prado. Roof top. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

Ear One has a good play on words here, and a nod to cartoonist Vaughn Bodē, whose work inspired a generation of graffiti writers on the Roof top. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

LELO. Roof top. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

Ovrlnds. Roof top. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

NAS. Roof top. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

Alina Kiliwa . OJE . Alegria Prado. Roof top. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

EsMARQ. Roof top. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

Noel. Roof top. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

Paola Delfin. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

Paola Delfin. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

Curiot. Detail. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

Curiot. Detail. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

This toy monkey served as the inspiration for a political mural by artist Erica Il Cane a few years ago visible to the street. See A Mexican Mural “Manifesto”, Blackened Flag Colors, and Censorship. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

Daniel Bauchsbaum. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)

Daniel Bauchsbaum. Antique Toy Museum (MUJAM). Mexico, City. (photo © Jaime Rojo)


This is the second of two articles with BSA in Mexico City in collaboration with UN Berlin, it was originally published on the Urban Nation website, and the project is funded in part with the support of Urban Nation Museum for Urban Contemporary Art (UN) in Berlin.

Additional coverage by BSA in Mexico City:

An Unlikely Museum for Street Art? MUJAM is in the MX MIX : BSA X UN X Mexico City: Day 1

Saner, Mexican Muralist and Painter, Studio Visit. BSA X UN X Mexico City: Day 2

Panteón and Watchavato “No Esto No Es Lo Que Fue” Opens In Mexico City

Exploring New Techniques and Processes with Elian, Jaz and Ever in Mexico City

BSA Images Of The Week: 11.26.17 Mexico City Special

This article is also published on the Urban Nation museum website:

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Top 15 Videos on BSA Film Friday From 2017

Top 15 Videos on BSA Film Friday From 2017

Every Friday we invite you to stop by and take a look at new videos that have been submitted or recommended or that we tripped over walking by the railroad tracks. This year we showed you about 250 of them.

We call it BSA Film Friday and it travels with us to cities around the world now when we do it LIVE with you and other audience members in theaters and lecture halls and museums. The beauty of the video/film form is you can get a full story quickly, and you are often surprised by how transformative it can be. You can also see how many people are affected by urban and street culture through these films – we see people’s eyes light up when they realize that they too can create in public space, that the world is not simply a product but is a piece of art that many of their peers are now jumping in to co-create.

As a collection, these 15 are illuminating, elevating, riveting, strange, soaring, and achingly beautifully normal. From looking at the Separation Wall and Banksy to a travelling crew of graffiti writers on farms in Polish pig country to the amazing dance troupe who interpreted the 5 floors of art installations in a downtown Berlin former bank, you have before you a massive buffet of a visual feast.

The final desert is hand-held phone video caught in the moment last month in Mexico City. We didn’t know Keith Haring was coming down the tracks to surprise us, and we didn’t know that this unpolished jewel would garner thousands of viewers and commenters – effectively placing this little piece of video at number 1 for its popularity. Maybe the fact that it is so raw is what people relate to – along with an ongoing adulation for Haring.

We hope you can take some time to enjoy some of the best Street Art videos from around the world and on BSA this year.

No. 15
Faith XLVII / Aqua Regalia Hong Kong

From BSA Film Friday 05.19.17

“Distant universes delicately tangled,” says the near-whispering narration as you are gazing upon scenes from Hong Kong – those interstitial moments that carry you between the more remarkable ones. Faith XLVII gives us a quiet look at these inside a the dencse cacophony called “Aqua Regalia”, looking at the parts of a culture that a visitor is sensitive to because they are not taken for granted. With this ability to see, one takes a quick course of a city, a society. Invariably you end up with more questions.

“We speak of death and birth in terms of celebration and mourning.” Faith XLVII is in search of more universal truths, the timeless ones, since we understand them so poorly. Herein are glimpses, romantic and unvarnished.

“This is one of the first videos I’ve co-directed, alongside filmmaker Dane Dodds,” Faith tells us. “Its a project that is close to my heart.”

No. 14
Gonzalo Borondo / Cenere

From BSA Film Friday 08.11.17

Borondo keeps it open for you. He provides the stage, the staging area, the proscenium, the altar, the emanating light, the associations and memories you have with your belief system, or lack of one. During his artist residency with Pubblica, curated by Carlo Vignapiano and Elena Nicolini in May, the Street Artist (among other things) creates a journey as much as a destination in this intimate chapel. The video by Gerdi Petanaj captures this and perhaps a little more.


No. 13
The Haus / Lunatix Dance

From BSA Film Friday 04.07.17

From the moment it opened on April 1st, the Haus was a hit! BSA was very lucky to be there in February for a full tour while still in development in Berlin, nearly dancing ourselves through all five floors of this former bank with full scale installations in places that once held offices, conference rooms, employee coffee lounges.

By inviting Creative Director/dancer Serdar Bogatin and the film crew “Shuto Crew” into the space with members of the Lunatix Dance Production troupe, these spaces and art environments come completely alive, invoking stories and dramas – clearly making the spaces into elaborate set-design pieces.


No. 12
Ella & Pitr / Frappés PinPins

From BSA Film Friday 05.05.17

The French duo Ella + Pitr here revel in the simplicity of the gestural act of a full-body full-bucket splash of black paint.

Carnal, visceral, overlaid with psychographical information, the motion of splashing inky pigment across a white quadrilateral is an act of defiance and a release of the inner chaos – instantly recognizable as chaos elsewhere in the world.

The uncontrollable quality, especially when purveyed within an atmosphere of prim control, provokes amplified emotions in some. Fear, liberation, rage, release. Which ones will you experience?


No. 11
Indecline/ Rail Beast

From BSA Film Friday 10.20.17

“This reminds why I hate vandals! All this does is create more unnecessary work for the guys at the paint shop,” says a commenter on the Vimeo page where INDECLINE has posted this locomotive takeover.

You see kids, this is why we can’t have nice things. I just mopped this floor and you come running in here with your muddy boots! For Pete’s sake.

Truthfully, this decidedly unpolitical piece is a surprise coming from INDECLINE. Guess they were taking the day off from railing against hypocrisy and injustice with this animated train that recalls Saturday morning cartoons like Bugs Bunny and the Road Runner.


No. 10
Olek / In the Blink of an Eye

From BSA Film Friday 01.13.17

“It is one thing to read about the events in those parts of the world, but it is something totally different to actually look in the eyes of the women who lost everything while running from the war,” says artist Olek about how her world view changed when crocheting the project featured this week.

While gathering and producing materials for her installation with Verket Museum in Avesta, Sweden, the Brooklyn based Street Artist was holding informal crochet workshops with volunteers who would be producing the decorative yarn skin that covered every single item inside and outside of the house with their handmade crochet stitches.

Some invited guests were refugees who had escaped war in Syria and Ukraine and the artist and local folks shared stories and crocheted, sewed, and prepared the art materials together over the course of a number of days. It was during these exchanges of personal stories that, “a conversation started that has changed me forever,” she says – and she immediately needed to reflect it in her project with the museum.


No. 09
Sebastian Purfürst – Soniconoclasm / Broken Motor

From BSA Film Friday 06.02.17

In Berlin recently we met a photographer/media artist/musician who showed us a music video he just made of regular people whom you might meet on the city streets at night. This spring he asked more than 25 of them to recite phrases and “cut-up of army radio slang phrases” and by splicing them together with his band mate’s recitation of the lyrics synched to their lips, the rawness and rage and disconnected connectedness of people whom you can meet on the street rang true. “

This unvarnished quality bypasses the styled self-awareness of a lot of commercial media, and the anger actually comes across as fear. Perhaps you’ll think its too dark in demeanor – but then suddenly the melding together of the faces into one common entity makes it magic, even transcendent – revealing a simple sameness of everyone.

“This suspenseful individuality of the people is almost completely dissolved in the chorus,” says Sebastian Purfürst of his video with bandmate Markus F.C.Buhl.

Together they are called SONICONOCLASM.


No. 08
Pixel Pancho/ UN – Berlin

From BSA Film Friday 09.22.17

Pixel’s original installation was nixed by the city at the last moment but that didn’t prevent the Italian Street Artist from rallying to find another solution!

This new installation in the back courtyard was conceived of, designed, and constructed over a period of 4 days last week and became the secret surprise behind the museum for those who wandered there. Using landscaping techniques and botanical knowledge that come naturally from his farm in Italy, the artist create a mise en scène of epic impact with his robotic folk-futurist sculptures. Night time lighting took it to another world, but you can see the details better here in this short video Jaime Rojo shot on site.


No. 07
FifthWall TV / Occupied in Bethlehem – A visit to BANKSY’s “Walled Off Hotel”

From BSA Film Friday 06.16.17

“It’s almost become a playground for people to come to,” says your host Doug Gille as he looks at the section of the Separation Wall that the Banksy “Walled Off” Hotel is installed upon. “I think it is so crucial for people not to just come to see the wall or to paint on the wall,” he says.

“50 years under military control makes it the longest occupation in history,” is a quote that Gillen brandishes across the screen from the United Nations. The fact that Banksy is using his art star power to keep this on the front burner says a lot about the man.

“I think a lot of these people feel like we are forgetting about them and we have to remind them that we’re not,” says Gillen as he soul searches next to the Dead Sea.


No. 06
Various & Gould / City Skins – Marx und Engels

From BSA Film Friday 07.14.17

Conceptual Street Artists often perform interventions without explanation, satisfied with their own observations of the outcome. For Berlians Various & Gould the process has more often included the participation of the public – a way for more to take ownership and inspire dialogue. Sometimes many dialogues.

You may have seen our piece on their most recent public project called “City Skins”: Marx and Engels Statues Re-Skinned & Re-Located : Various & Gould.  Here is a mini-documentary that shows you the artists, the process, and the thinking behind the process.


No. 05

From BSA Film Friday 01.27.17

Now to the Polish pig farms! Another Street Art/Mural road trip movie, this time across Poland with JAYPOP, Seikon, Krik KONG and filmmaker Cuba Goździewicz. See the discoveries, the relationships, the reactions to the work from a warm and considered human perspective.

The beauty of randomness and the randomness of beauty. These guys are fully engaged with their surroundings, the opportunity, the myriad people they befriend or portend to make allies. It’s an uncharted trip where permissions are sought and often refused, but they never stop painting somehow.


No. 04
Swoon/ Fearless

From BSA Film Friday 10.13.17

Using existing and new footage of Street Artist Swoon and selected interviews with people in her orbit, director Fredric King presents and hour long documentary that looks over two decades of art making. The stories told and the insights that Calendonia Curry aka Swoon presents while en route to her next adventure illustrate the fluidity with which she pursues the creative spirit, whether on the street, on a vessel down a river, or installing in a museum. An integrated explorer, Swoon brings you into the fold to go on this journey that always feels like its just begun.

No. 03
Fin DAC/ Rooftop in San Francisco

From BSA Film Friday 08.25.17

On an expansive rooftop in rainy/sunny/rainy San Francisco, Street Artist Fin Dac brings to life ‘Shukumei’, an ebullient and mysterious muse. The film is largely a stop motion record of the work set to music, but did you notice how much dexterity and effort goes into this precision play when you are working at this angle, basically painting the floor? The remarkable integration of the glowing skylight orb, dramatically revealed, imparts the figure a mystical dimension as well.

Video editing by Tonic Media, Soundtrack by Mombassa/Lovechild, and shout out to Ian and Danielle at Rocha Art and Missy Marisa, model.


No. 02
Niels Shoe Meulman In Magic City / The Art Of The Street

From BSA Film Friday 12.01.17

Niels Shoe Meulman spent some nights in a Munich jail thirty years ago for mucking about on the walls. This year he was paid to do it in Munich for Magic City, the travelling morphing exhibition (now in Stockholm) where Street Art is celebrated along with all its tributaries – including a film program and a number of photographs by your friends here at BSA.

Born, raised and based in Amsterdam, The Netherlands, Shoe shares here his new improvisational piece and some of his reflections on his process and his evolution from being in advertising as an art/creative director and reclaiming his soul as a graffiti/Street Art/fine artist. As ever, Martha is in the frame, putting him in the frame.

No. 01
Keith Haring- Rough Cut / Mexico City Metro

This rough cut lil’ video reached more than 300K individuals and had 100K views with thousands of shares on FB and on Instagram with dozens of comments and high engagement was easily propelled to the #1 spot.

From BSA Film Friday 12.01.17

It all took us by surprise last week in Mexico City when suddenly a whole train covered on both sides with Keith Haring’s work approached while we were waiting at the platform to catch the Linea 2 of the Metro. He made his name in part by illegally doing drawings like these in NYC subways and here now they are crushing a whole train. The name of the project is “Ser Humano. Ser Urbano” or “Being Human. Being Urban” and it aims to promote human values and human rights. The pattern you see is from “Sin Titulo (Tokyo Fabric Design)” – now stretched across these whole cars, if you will.

The train itself is inexplicably having brake troubles, so we get some jerky spur-of-the-moment footage but all week on Instagram and Facebook we’ve received tons of comments from people reacting to this little bit of Keith video by Jaime Rojo on BSA.


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