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Herr Nilsson: When Innocence Misbehaves Under the Bridge in Stockholm

Herr Nilsson: When Innocence Misbehaves Under the Bridge in Stockholm

Swedish street artist Herr Nilsson has long built his work around a deceptively simple collision: take characters and images associated with innocence, beauty, childhood, or cultural familiarity and let them misbehave, or worse.

Sweetness meets guns, alcohol, rebellion, and darker impulses; the joke lands first, but a certain discomfort is rarely far behind. His recent works around Stockholm continue that strategy, drawing on sources as different as Swan Lake, Winnie the Pooh, and John Bauer’s beloved fairy-tale princess Tuvstarr. What connects them is not simply provocation, but the idea of a familiar character breaking character—escaping the roles, behaviors, and meanings that have been assigned to them.

Several of these paintings have found an especially effective stage beneath a bridge at Lillsjön, a lake in Stockholm, where Nilsson uses the water itself to complete the composition. The setting is picturesque but shadowy, distorted reflections in currents, public yet protected. The reflections give his altered cultural icons a second life below the surface, opening the imagination for altered subrealities.

Herr Nilsson. Dance of the Little Swans. Detail. Lillsjön lake. Stockholm-Sweden. (photo © Herr Nilsson)

Here ballerinas perform Danse des petits cygnes while carrying and firing Kalashnikovs in a work responding to Russia’s invasion of Ukraine; Christopher Robin and Winnie the Pooh drift away from respectable expectations for a drunken day out; and Bauer’s once-innocent Tuvstarr returns as a figure who, in Nilsson’s telling, has simply had enough.

Taken together, the pieces suggest a recurring narrative of innocence confronted by the adult world—and familiar figures deciding, sometimes gleefully and sometimes angrily, that they are no longer going to behave as expected.

BSA: The Ballerinas. At a glance, this image appears straightforward. Four young dancers from the corps de ballet are seen performing the sequence “Danse des Petits Cygnes” from Swan Lake. On closer inspection, the viewer sees them locking arms and holding two fired war-grade weapons, AK-47s? Can you tell us what inspired you to combine these two seemingly different concepts into one? Are you speaking up against firearms violence? 

HN: Yes, they are AK-47 Kalashnikovs, and the ballerinas are performing Danse des petits cygnes, or Dance of the Little Swans, from Tchaikovsky’s Swan Lake. It is a very beautiful work, both visually and musically, and I got the idea for the painting while watching the ballet at the Stockholm Opera House with my daughter, who is a ballet dancer.

Herr Nilsson. Dance of the Little Swans. Lillsjön lake. Stockholm-Sweden. (photo © Herr Nilsson)

The painting is a comment on the Russian invasion of Ukraine. I wanted to create something beautiful and poetic while, at the same time, holding a sense of brutal and raging violence.

Some friends from Estonia, formerly part of the Soviet Union, visited me in my studio while I was working on the painting. They told me that there is a strong tradition in the Soviet Union, and now in Russia, of broadcasting Swan Lake on television and radio when a president dies or another major crisis occurs. My friends told me that it’s quite common that people in Estonia can say to each other, like an expression, that they are hoping to watch the Swan Lake on TV soon.

Also when independent Russian media outlets were forced to shut down following the 2022 invasion of Ukraine, including the TV channel TV Rain (Dozhd), they ended their final broadcast by playing Swan Lake.

Herr Nilsson. Skech for It’s Today My Favorite Day. Winnie the Pooh and Christopher Robin. (photo © Herr Nilsson)

BSA: Winnie the Pooh and Christopher Robin? Floating on a river, an inverted umbrella as a boat. They seem to be drunk. Do you wish to draw attention to youth drinking with this image? Underage drinking?

HN: It’s Today, My Favourite Day, featuring Winnie the Pooh and Christopher Robin, plays with roles and expectations, with the ways people are expected to act and behave. It is about rebelling against those expectations, or simply hiding away with your friends, having fun and party like a maniac.

Herr Nilsson. It’s Today My Favorite Day. Winnie the Pooh and Christopher Robin. Lillsjön lake. Stockholm-Sweden. (photo © Herr Nilsson)

BSA: This image shows a Non-binary or Gender non-conforming individual. They are nude; their right breast is exposed, and the primary symbol of anarchism, Circle-A, is drawn on what their left breast would have been. Their face is cast in shadow, looking down and mostly covered by an abundant cascade of blond hair. What’s the significance of this illustration? What inspired you to paint it? 

HN: Tuvstarr is based on a very famous and beloved Swedish painting by the artist John Bauer. You can see the original here: https://sv.wikipedia.org/wiki/Tuvstarr_%28sagofigur%29#/media/Fil:Ännu_sitter_Tuvstarr_kvar_och_ser_ner_i_vattnet.jpg

John Bauer was a famous Swedish painter and illustrator, best known for his atmospheric and mysterious fairy-tale illustrations in the children’s book series Bland tomtar och troll (Among Gnomes and Trolls), first published in 1913.

Herr Nilsson. Tuvstarr. Detail. Lillsjön lake. Stockholm-Sweden. (photo © Herr Nilsson)

One of his most iconic characters is Tuvstarr, an innocent fairy-tale princess who ventures into the forest and encounters representatives of the wild: the fairies, the Skogsrå (forest nymph), and the forest tarn. Along the way, she loses the three symbols of her royal dignity: her princess crown, her white dress and her gold necklace, ultimately ending up sitting beside a dark forest tarn, endlessly gazing into the water. Eventually, she disappears, leaving only a white flower behind.

In my painting, she is no longer quite so innocent. It is about having had enough, embracing the wild and rebelling.

Herr Nilsson. Tuvstarr. Lillsjön lake. Stockholm-Sweden. (photo © Herr Nilsson)

BSA: Is there a particular reason why you chose to place them under a bridge other than the resulting effect of seeing the image’s reflection on the water?

HN: Yes, I have painted three different motifs that needed a water reflection to complete the image. The atmosphere underneath that bridge is beautiful, but also dark and mysterious, which I found perfect for all three paintings.

It is a popular spot for walkers and runners who go around the lake Lillsjön, so the paintings are seen by many people. In Sweden, graffiti and street art are strictly forbidden in many places and are often removed within hours or days. The water beneath the bridge is quite deep, which gives the paintings some additional protection.

At the same location, back in 2017, I painted my own version of Caravaggio’s Narcissus, replacing Narcissus with Justin Bieber, sitting by the shore and staring at his reflection in the water. I have attached that painting in this email.

Herr Nilsson. Justin Bieber / Narcissus after Caravaggio. Lillsjön lake. Stockholm-Sweden. (photo © Herr Nilsson)

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NohJ Coley: Noise in Your Head

NohJ Coley: Noise in Your Head

Storied Portraits In a Texan Music Warehouse

Brooklyn-Street-Art-NohJ-Coley-Texas-BOY-Detail-Fall2010Street Artist NohJColey travelled to Texas for a few weeks to visit friends and put up these new portraits in the studios of a de facto music factory. The former meat packing plant is abuzz with activity day and night with up-and-coming entrepreneurs of all stripes pounding out the beats, doing fashion shoots, making videos, mixing music, and a little bit of partying to ease the stress of all that work. NohJ slept on couches for a few weeks and hung out with many unknowns on the hip-hop tip, and a few bigger names too. He also spent long stretches of time killing large walls in these artists studios with his very distinctive illustration style of portraiture. Not surprisingly, the theme of music runs through them.

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“The first piece I did was done in the place I was sleeping in. It wasn’t about the owner but it was a reflection of him in a way because he literally ran around with his head cut off and he didn’t know what was going on half the time. He was mostly crying about his girlfriend or surfing the net looking at new videos.  Supposedly he was a DJ. He had gigs, but no turntables. He was scratcher and mixer,” explains NohJ about this mural going up a staircase.

If you know anything about NohJ, it’s that he is always thinking and observing people. Each piece has a story that is rooted in his imagination as much as his observation of the human condition. His characters are illustrative of greater truths and of their personal idiosyncracies. You can imagine him becoming a literary or screen writer because he knows his subjects inside and out. Psychology, sociology, and popular culture all come to fore, placed with symbolism and gesture into the portrait and into a moment. If NohJ inhabits each fictional character he creates just for a moment, he stays with them for hours, gently observing their motivations and making judgments about their judgment, blending in some social critique.

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No. 1

Brooklyn Street Art: What about this dude?

NohJ: These are piano keys, I don’t know if I ever said that.

Brooklyn Street Art: No, I didn’t see that

NohJ: Yeah, they’re supposed to be exiting his chest

Brooklyn Street Art: So does it seem like musical notes coming out of his chest?

NohJ: No, just keys

Brooklyn Street Art: So they’re musical tools with which to create the sound but they don’t necessarily have a sound?

NohJ: I’d say they represent the sound just because those are the keys, you know?

Brooklyn Street Art: Biomorphic, undulating

NohJ: Definitely, contorted, yeah

Brooklyn Street Art: What about these gray lines that go around?

NohJ: That’s the chords

Brooklyn Street Art: He looks kind of constricted by them, his lower torso

NohJ: He’s can’t go anywhere because the line is wrapped. He wants to DJ but he can’t get the turntable, it keeps rocking back and forth. He can’t really see it. The right eye is covered because, you know how there are constantly music videos going – he’s constantly seeing the music video in something. He sees clothes, a phone, somebody’s chain, sneakers. He sees it in a video and thinks he’s gotta buy it.

Brooklyn Street Art: So he’s imprisoned by his consumerist tendencies?

NohJ: Yeah

Brooklyn Street Art: or just his impulses

NohJ: Probably his tendencies though because he’s like being brainwashed.

Brooklyn Street Art: It becomes a tendency after a while

NohJ: He’s like “Oh, it’s a whole lifestyle”, you know

Brooklyn Street Art: “this stuff represents ‘me’”. He doesn’t look like he’s very old.

NohJ: I don’t know – mid twenties, early thirties

Brooklyn Street Art: So what was the reaction of the person who hangs out in this space?

NohJ: He liked it. He didn’t know what it was about. It was about him though.

Brooklyn-Street-Art-NohJ-Coley-Texas-Image3-Fall2010

No. 2

NohJ: This one is about noise levels.

Brooklyn Street Art: She’s plugging her ears too.

NohJ: Even though the sound is coming out of her nose. That’s why I used the pattern- It’s octagons and triangles. I usually use triangles to represent strife, the points!

Brooklyn Street Art: So if we see shapes that are in your work that are circles or are circular, what are those going to represent?

NohJ: I rarely use circles but it probably would mean that you are going through a transition. It might be rough but it’s going to get better.  It all depends though cause it all has to do with the number.

Brooklyn Street Art: What’s her name?

NohJ: She doesn’t have a name but this is in a guys studio and when he has the speakers on, this piece makes so much sense to you.  Because it’s like all this noise coming from the right side of the house and you are just looking at this woman and she is looking at you and she’s like, “Yeah it’s noisy right?”

Brooklyn-Street-Art-WEB-music-detail-NohJ-Coley-Texas-Image3-Fall2010

Brooklyn Street Art: This pattern also makes me think of some folk art or maybe Native American art.

NohJ: I kind of figured you’d…. I mean, why?

Brooklyn Street Art: Because of the diamond motif repeated. I mean it’s a quadrilateral but it’s squashed. There’s no Native American influence here.

NohJ: Maybe, but if so it subconsciously got in there.

Brooklyn Street Art: I think her name is Consuelo. That’s what I’ve decided. But you don’t have a name for her.

NohJ: She’s trying to distance herself from the rest of her body because this over here is her back and the speakers are inbetween, you know?

Brooklyn Street Art: Man! She is really trying to get away!

NohJ: She’s pulling herself apart.

While a portrait may be a symbol of a greater truth, he isn’t going to stand on a soapbox. But if you really want to know and you are listening, he’ll tell you. If not, he won’t worry very much. Amalgams of people he’s met and the person he is, the pieces and their stories have their own logic – part reality and science fiction. Mixing fantasy with reality, sometimes it’s not clear where one ends and the other starts;Just when you think you got the scenario and you think it’s all symbolism and representation, you’ll learn that a character actually does have a piece of jewelry protruding from their head, or a cassette tape flowing out of his mouth and it is not a metaphor after all.

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No. 3

Brooklyn Street Art: Tell me about this boy

NohJ: He’s just like a teenager that listens to all this new music that we’ve been talking about. – Like poor quality stuff.

Brooklyn Street Art: He doesn’t think it’s poor quality though.

NohJ: Exactly, that’s the problem. That’s why there are all these tapes flying at him and he’s just covering his ears. He doesn’t want to hear the titles of the good stuff you know? – Whether it’s like Led Zepplin or the Beatles or I don’t know.

Brooklyn Street Art: What does he want  to listen to?

NohJ: I don’t know, like Justin Bieber, Souljah Boy, stuff like that.

Brooklyn Street Art: Is this other guy lecturing him?

NohJ: Yeah, definitely. He’s like an older musician, dressed in 70s fashion.

Brooklyn Street Art: He looks like he was on the set of “Sanford and Son”

NohJ: Yeah, definitely. The large oversized collar, open.

Brooklyn Street Art: That looks like a VCR tape

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NohJ: It’s a cassette tape.

Brooklyn Street Art: So what do you think this guy has on these cassette tapes?

NohJ: Like Hendrix, the O’Jays

Brooklyn Street Art: Oh yeah, like “Love Train”.

NohJ: …Sonny Rollins… I mean he’s really just telling him about quality stuff, and really where most of the new stuff derives from.

Brooklyn Street Art: This kid looks a little bit mad

NohJ: Yeah he’s super angry, he doesn’t like this

Brooklyn Street Art: But he can’t talk back, that’s why his mouth is closed

NohJ: I think he’s really scared though because he’s like “how are cassette tapes coming out of someone’s mouth?”

Brooklyn Street Art: I love that kid.

Images courtesy and © of NohJColey

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