The nascent voyage of ‘Nuart Journal’ comes slowly into view as a softly bound Street Art/graffiti cultural preservation document; its glossy cover is purple for issue Number 2, like a thick royal-court velvet, or a bruised eye.
Editor-in-Chief Martyn Reed opens this forum to a hand-selected series of thought leaders, artists, organizers, academics and friends who are invited to impart, illustrate, confound and inspire. It is an extension of what he has endeavored to do with his annual invitational public art/commercial art festival Nuart- the newest edition which commences this week in Stavanger, Norway.
An impossible goal; to track the precise movement of the dancing tentacles of this scene as it grew – as it grows – much less to assign motivation or significance or measure impact. A mutational march of interconnected disconnectedness, no amount of pontification will ever fully capture the width of this circle, but Nuart Journal is beginning to take its measure and introduce a sense of order if only to better examine it. The theme is “Eloquent Vandals”, a reference to Nuart’s 2011 self-survey in hardcover. Themes range from colorless black street bombing to definitions of place and authenticity, to Street Art’s movement into conceptual, and decolonizing artivism.
The layout is the new utilitarian modern; clean-framing articles, essays, interviews, inquisitions – text-based and visual. Editor and academic Suse Hansen
Here’s the lineup of contributors for “Eloquent Vandals”, Nuart Journal Volume 1 Number 2, 2019;
Jeff Ferrell, Oskolki, Jens Besser, Georgios Stampoulidis, Daniel de Jongh, Jaime Rojo, Vlady, Alison Young, Reuben Woods, Lindsey Mancini, Christian Omodeo, Vittorio Parisi, Faith XLVII, and Milu Correch.
Nuart Journal, Stavanger, Norway. Editor@nuartjournal.com Click HERE for more about Nuart Journal.