The culmination of a decade-long photography and painting project by artist AKUT (one half of Herakut) brings many of your street art heroes a new level of super-hero status in Heidelberg, Germany, right now until February 25th.
Asking friends and colleagues to sit for a photograph, AKUT (Falk Lehman) projected images of their own artworks across their closed eyes, leaving them gleaming under the imprint of their own distinctive motifs, their skin soaking in the patterns, colors, wildstyles of their own works.
Now that the Insight project has gathered more than 70 photographs of his cherished circle, AKUT brings the unique program, curated by Metropolink, to the old commissary at Patrick-Henry-Village. Some faces you’ll recognize, others are rarely on public display. All of them keep their eyes closed and their secrets to themselves, preferring introspection to opening their windows to the soul.
“The projection of an artwork onto the face creates a mask-like, archaic expression,” he says, and one wonders if these masks are more obscuring or revealing.
In addition to the photography show, AKUT invited four artists to collaborate on canvasses with him, including KKADE, MADC, STOHEAD, and JULIA BENZ. Additionally he collaborated with the artist KKADE on “the street” for an inaugural mural to celebrate the project in the giant hall of the commissary. The images are stunning, even stirring, in their mystery.
Only AKUT’s uncontested mastery of the photorealist technique can enhance the poignancy of these photos; his hyper sensitive application of texture and volume enables another spirit to free itself from the handpainted works in a way that may supercede the original shot.
Considering the Insight theme, it is evident that on display here as well is the potential network of social and personal connections that one may accrue over time in this street art/contemporary art milieu. If you possess additional talent for listening to the stories of others, not to mention the art of documentation, there can be rich friendships forged too.
The “INSIGHT” exhibition will be on view until February 25th, 2022 at Metropolink’s Commissary in the Patrick-Henry-Village in Heidelberg. (in compliance with the current hygiene restrictions)
Get in, get out, no one gets hurt. Our few days in Miami were full of adventure on the street and at parties and receptions for artists. The party rages on tonight and this weekend at the fairs and in the galleries and bars and streets of course, but our last events were interviewing Faile onstage at Wynwood Walls last night, going to the Museum of Graffiti 2nd Anniversary party/opening for FUZI, and, well there was this thing with Shepard Fairey and Major Lazer and a guy proposing marriage to his girl before the crowd…
But really, where else but Wynwood do you see Blade and his lovely wife Portia on the street, or sit with Ron English and his son Mars on folding chairs directly on the street in front of his new pop-up, or have a hug with ever-sunny Elle in front of her lift, or hide in the shade with seven 1UP dudes across the street from their massive new space piece, or talk with Ket in the back yard with “Style Wars” playing on a large screen behind him and the DJ while a florescent colored Okuda marches by, or chase Lamour Supreme while he tries a one-wheel skateboard around a parking lot, nearly crashing into Crash who is in his cherry picker with Abstrk painting a wall? The dinner at Goldman Properties Monday night? Dude.
We’re not really name-droppers, you know that, but honestly it was like a family reunion dinner with perfectly punctilious attention to detail over at Wynwood Walls this week – after two years of Covid fears killing everyone’s buzz. We saw Daze, Shoe, PichiAvo, Bordalo II, Jonone, Shepard Fairey, 1Up, Add Fuel, Case MacClaim, Nychos, Faile, Martha Cooper, Nika Kramer, Mantra, Ken Hiratsuka just to name a few – cavorting with collectors, cultural workers, fanboys, journalists, bloggers, academics, critics, bankers, gallerists, curators, museum people, real estate folks, photographers, dancers, silk climbing aerialists and hustlers of many flavors – and all the class of ’21 artists whom Jessica Goldman invited to paint this year. A Miami mélange, we’ll call it.
We were even having dinner with Martha when a local stencilist named Gregg Rivero sat in an empty chair at the table with us to offer an array of small stencil works featuring graphically pornographic scenes – to choose from as a memento of Miami indubitably. Naturally, we carefully perused his entire collection of 20 or so spread-eagles, doggie-styles, Shanghai-swans, Mississippi-missionaries, Dutch-doors, bobbing-for-sausages, and lord-knows-what-else. After careful consideration and we each selected a favorite stencil and he autographed it. Just not sure what room to hang it in…
Our treasured part of the Miami art vortex ’21 was meeting some BSA fans and Faile fans mixed together at the artist talk hosted by Peter Tunney at GGA Gallery last night. An action-packed hour of pictures covering their 35 year friendship was on offer for the assembled – focused mainly of course on their 22 year professional career. What an amazing career of image-making it is too – and even though we were prepared, there are always surprises with such dynamic dudes who have parlayed an illegal street art career into a well-respected and pretty high profile career with intense collectors and fans of their simplest silk screens and works on paper to their wood puzzle boxes, wood paintings, toys, ripped paintings, and their very new, completely radical approach that breaks their own mold for this “Endless” exhibition. And need we say it, Faile have already released a number of NFTs of course – which some in the audience didn’t know that Faile had – but could have guessed since Faile pioneered interactive digital games that accompanied their analog works as early as 2010 when most people still didn’t even have a smart phone.
But we digress. Back in New York now and it’s grey and cold and unwelcoming, and of course we love it. Thanks Miami! See you soon.
The image below was taken in Wynwood, Miami. At the panel, with Faile, they talked about the process of making their art and one of the subjects was about ripping up posters from the street…. – and how their original name was Alife. Two blocks away we found these ripped posters advertising Alife.
FAILE: ENDLESS is currently on view at Goldman Global Arts Gallery at Wynwood Walls. Wynwood, Miami.
The abstract expressionist New York graffiti writer John Andrew Parello AKA JONONE has called Paris his home for a couple of decades. So it only makes sense that his oeuvre is well suited here at le mur du Pavillon Carré de Baudouin – an expansive public work that shows his sophisticated eye for pushing a color palette.
Whether stylized and slippery text-based detonations or pod-like geometric landscapes that jauntily swerve and swoop, JONONE rarely errs in the field of hues. In this new work, he joins a strong roster of talents who have created new city environments in collaboration with ART AZOÏ.
Tomokazu Matsuyama and Deih killed it this year in Wynwood, no doubt and curator Alan Ket slayed with the solo show by Vhils at the primary gallery on the compound. Art Basel brings the crowds to Miami traditionally but there is no doubt that the magnet of Wynwood’s kid-friendly murals and Street Art as selfie backgrounds wins the day. Everywhere you look you see the families, influencers-in-training, tour guides and gobsmacked gaggles of teens creating pedestrian traffic jams inside Wynwood Walls. These artists and this art may have risen from an outsider marginalised and criminalised culture of illegal vandalism but these crowds are simply enjoying the art and each other.
That foot traffic inside replicates the car and heavy truck traffic jams throughout the neighborhood as new multi-story construction continues apace and the gentrification cycle rapidly courses through the real estate / street culture corpus. Right now this romance between development and art-in-the-streets is still in the heavy petting stage, and there is a lot of star gazing. How long can this tryst continue, you ask? It’s impossible to say what benchmark to measure, but watch for the moment when the sales of mezcal slushies and Moscow Mules are eclipsed by Acai bowls and kale smoothies.
So here’s our first weekly interview with the street, this time directly from Miami, featuring AShop Crew, Audrey Kawasaki, Bordallo II, Deih, Joe Iurato, JonOne, Martin Watson, Tavar Zawacki, Tomokazu Matsuyama, and Vhils.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening : 1. JonOne “Illuminier le Future” in Rabat with Montresso Art Foundation
2. ASU / Contorno Urbano / 12 + 1 Projects
3. COLOUR: Rolland Berry. Film by Aether Films
4. GDS from São Paulo crew Os Cururus in Montreal
5. Leonard Cohen, “You Want It Darker”
BSA Special Feature: JonOne “Illuminier le Future” in Rabat with Montresso Art Foundation
“I wanted people to feel what I feel: The joy of life,” says JonOne in this self narrated video that keeps the focus on the creative spirit and his new show “Illuminating the Future” in Rabat, Morocco’s capital, which rests along the shores of the Bouregreg River and the Atlantic Ocean. The kinetic action of his strokes and splashes are gestural bolts of energy at the top of this tower to be seen on all sides, an abstract beacon from this New York graffiti writer who metamorphosed into a Parisian fine artist.
ASU / Contorno Urbano / 12 + 1 Projects
“Leave the rationality of your brain and listen to your heart, what you feel, what vibrates,” recommends ASU the muralist painting the Contorno Urbano wall in Barcelona – as we wrote in September. Now comes the newly release video to give more context to his techniques as a calligraffitist.
COLOUR: Rolland Berry. Film by Aether Films
“America is dying because they forgot the instruction of how to live on Earth,” says the wise voice weaving across this minimalist tableau in monochrome and quietly thundering beats. Succinct, brief, hard hitting, well paced and scored – ultimately a missive of power and stark symbology from Aether Films.
GDS from São Paulo crew Os Cururus in Montreal
A uniquely spare documentation of the meditated, deliberate, and dangerous application of straight down pixação, São Paulo style, on the side of this Montreal building. How it is received in this northern part of the the Northern Hemisphere is not told, but as the drone camera rises to catch the cityscape, a mural by Kevin Ledo of Leonard Cohen in his old neighborhood of Saint-Laurent takes the stage and you may wonder how that man of letters would see these new symbols, now two years after his passing.
“There’s a lover in the story
But the story’s still the same
There’s a lullaby for suffering
And a paradox to blame
But it’s written in the scriptures
And it’s not some idle claim
You want it darker
We kill the flame”
Two versions of the catalogue, one by Felipe Pantone, the other by Futura, are available on the Magda Danysz website .
But she also brings an eclectic mix of others on her roster and possibly lent from some private collections. Collectively they span many of the high profile, the saleable and known over the past 5 decades from various disciplines and philosophical practices; In the case of Jacques Villeglé, whose practice of lacerating posters in the 1960s predates Failes’ by 4 decades, a lineage can be drawn. Other connections are not as easy.
Ultimately the collection gives a sense of the vast number of personalities and techniques that have characterized the street practice in Europe and North America primarily without focusing on any one specialty too greatly. Here are the revered names along with mid-career folks and current darlings who are sure to leave a mark. There is also a small inclusion of more regional favorites like Eko Nugroho from Indonesia, and Singapore’s Speak Cryptic, who each were on hand this weekend with many of the artists for the opening.
Giving tours with microphone in hand during the opening days, the energetic Ms. Danysz educates new fans and potential buyers about an organic artists scene that grew from the streets and is now more frequently being offered for sale in places such as her three gallery locations in London, Paris, and Shanghai. Today it is slowly appearing more often in museums as well.
“Conscious that promotion of the emerging scene is necessary, Magda Danysz took part in many fairs,” says a press release, “such as for example Art Brussels, Arte Fiera in Bologna, Artissima in Torino, Fiac in Paris or Pulse in New York, and is one of the four galleries at the origin of the Show Off Paris art fair.”
This weekend’s activities included short presentations panel discussions and a screen of Wild Style.
Niels Shoe Meulman on the cover of The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
“Writing”, as in the graffiti sense of the word, has become quite tastefully adventurous of late, as calligraffiti pushes and pulls it in height, dimension, finesse. Evolved from our first recorded history, the modern stylizing of the letter form is as fascinating and wild as it is domesticated, the mundanity of your particular tag now veritably swimming in many depths and swirling currents, weaving complex melodies, hitting notes previously unheard.
JonOne The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
This was inevitable, now that you think of it, this organic and ornate practice of making your mark, and the freedom to explore it came from the street. Mark-making indeed. You can call it “The Art of Writing Your Name,” as have the authors/artists Christian Hundertmark and Patrick Hartl.
Born of many late night talks and collaborative painting sessions together, merging Christian’s abstract graphics and collage with Patrick’s calligraphy and tagging, the two slowly discovered a mutual collection of writers and artists whose work they both admired, a book slowly taking form in their minds. “Our late night sessions also implied long conversations about the evolution of Graffiti to Street Art to urban calligraphy,” the authors say in their preface.
Poesia The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
Graff writers in the mid 90s Munich scene, both had developed their individual styles beyond the classic street vocabulary, now evermore interested in discovering new materials, forms, processes, influences. Just released this summer, this new collection confidently illustrates what until now may have been evident to only a few; the aesthetics of writing have expanded and permutated far beyond their own roots in graffiti, tattoo, traditional calligraphy.
“Every artist brings a different approach with their calligraphy artwork,” says perhaps the most prominent of the genre today, Niels Shoe Meulman, who blazed into the publishing world with his tome “Calligraffiti” in 2010 after bringing his practice to the street and gallery. “We all come from different experiences and have different things to say.”
SheOne The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
Indeed the list here includes the literal interpretations to those so far dissembled as to appear purely abstract, the aerosoled, the inked, the drippy, the purely light, the monstrously brushed acrossed floors and rooftops, the molded and bent and aroused into sculpture. Here the letter form is stretched to its limits, far beyond its relevance as part of codified language, more so the malleable warm putty in the hands of the artist, molded and mounted and even mystifying in the service of energy, kineticism, emotion.
“I start with quite randomly placed fat cap tags on the white surface,” says German author/artist Hartl to describe his particular technique, “then I overpaint it like 80% with slightly transparent paint, tag the wall with markers, overpaint that layer again, then I do stickers and posters, rip parts off again, repeat all these steps again and again until I’m happy with the result.”
Said Dokins The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
Without doubt many will find inspiration in these nearly 300 pages, these insightful interviews with artists like Stohead, Usugrow, Saber, Kryptic, Faust, Carlos Mare, L’Atlas, Lek & Sowat, Poesia, Tilt; the forward by Chaz Bojorquez, the singular, at times stunning, photos and supportive texts.
Made for “graffiti fanatics, hand lettering fans, street art junkies, calligraphy lovers, and type enthusiasts”, co-author Christian Hundertmark edited the respected “Art of Rebellion” series and he knows his audience and this slice of his culture. The 36 artists are not the only ones representing this evolution in calligraphy, but they are certainly some of the finest.
Lek & Sowat The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
L’Atlas The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
Tilt The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
Carlos Mare The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
Faust The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
The Art Of Writing Your Name: Contemporary Urban Calligraphy and Beyond by Patrick Hartl & Christian Hundertmark. Publikat Verlags – und Handels GmbH & Co. KG. Mainaschaff, Germany, 2017.
Artists included are Chaz Bojorquez, JonOne, Niels Shoe Meulman, Poesia, Cryptik, SheOne, Said Dokins, Stohead, Usugrow, Patrick Hartl, Lek & Sowat, L’Atlas, Tanc, Mayonaize, Soklak, Mami, Tilt, Blaqk, Soemone, Jan Koke, Jun Inoue, Vincent Abdie Hafez / Zepha, Carlos Mare, Egs, Simon Silaidis, Faust, Luca Barcellona, Bisco Smith, Creepy Mouse, Defer, eL Seed, Rafael Sliks, Saber, Pokras Lampas.
They’ve been here since the 1950s, these silos for wheat and corn on the harbor of Catania on the east coast of the island of Sicily at the foot of Mount Etna. 28 meters tall and facing the Ionian Sea, they are now some of the largest canvasses in Italy by a small group of international and local Street Artists.
The “Art Silos” project includes works completed during an eight month installation begun in June 2015 as part of Festival “I-ART” organized by “Emergence”, thanks to Angelo Bacchelli, curated by Giuseppe Stagnitta. The artists taking part in the project were Okuda (Spain), ROSH333 (Spain), Microbo (Italy), BO130 (Italy), VladyArt (Italy), Danilo Bucchi (Italy) and the duo Interesni Kaxki (Ukraine), mostly all from the graffiti/Street Art world. A separately organized but related project on the harbor-facing row of eight silos was completed by one artist alone, the Lisbon-based Vhils.
The project’s completion at the turn of the year culminated in one of the largest Street Art/Graffiti artists’ collective shows in Italy held in the city’s main public gallery Palazzo Platamone, entitled “Codici Sorgenti” (Source Code), which was curated by Stefano S. Antonelli and Francesca Mezzano from Rome’s 999 Contemporary Gallery.
There is talk about the possibility that this exhibition of about 60 artists work will tour throughout Europe with its message of the historic roots of modern graffiti and Street Art along with many of its most impactful practitioners pushing into the contemporary art world.
According to Arianna Ascione in Artsblog.it, the gallery exhibition was “divided into three sections that tell the birth, interactive development and consecration of the (graffiti/street art) phenomenon” Indeed, the list contains works by 108, A One, Augustine Iacurci, Alexis Diaz, Alexone, Bo 130, Boris Tellegen (aka Delta), Brad Downey, C215, Clemens Behr, Conor Harrington, Crash, Delta 2, Dondi White, Doze Green, El Seed, Ericailcane, Eron, Escif, Evol, Faile, Feitakis, Gaia, Herbert Baglione, Horfee, Interesni Kazki, Invader, Jaz, Jeff Aerosol, Mark Jenkins, Jonone, JR, Judith Supine, Kool Poor, The Atlas, Lek & Sowat, Lucy McLauchlan, Matt Small, Maya Hayuk, Mensanger, Miss Van, Momo, Moneyless, Peeta, Rammellzee, Retna, Roa, Seth, Philippe Baudelocque, Sharp, Shepard Fairey, StenLex, Swoon, The London Police, Todd James,Toxic, and the aforementioned Vhils.
Ironically the genre-melting inclination of so-called “urban art” has eroded the silo mentality of many who follow these art forms as they become known, followed, collected, and exhibited; As a metaphor “Art Silos” may more accurately refer to the past and the dogmatic separation of genres such as graffiti, tattoo, illustration, ad jamming, and Street Art for example.
Although not strictly what you might call public art either, the scale of “Art Silos”, with its major artworks that typically may take years to be approved in large cities elsewhere, is an occurrence routinely happening in cities around the world.
For us this is one more example of the “New Muralism” that is enabling Street Artists to do major works in public spaces via non-traditional routes. On par with a public art works of other committee-approved sorts, this silo project was a private/public collaboration that made selections, secured funding and permissions from the harbor authorities, city figures, politicians and the manager of the silos themselves, according to VladyArt, who along with Microbo is one of the artists and a resident of Catania.
He says the size of the project and the power of the imagery combined with the process of watching them go up has drawn a lot of attention to the area lately. “The people here were amazed by our speed and the large scale operation. Catania had no large murals like this… this was the very first time for Sicily. They can be seen from far away and even from taking off from and landing at the airport – or coming by cruise line on the sea. It seems that nobody really paid that much attention to this spot before, and everyone is talking about it now.”
To understand why a project of this nature can happen so quickly these days, look no further than the location. As we have recounted numerous times, often these efforts are deliberately programmed to draw attention to economically challenged areas as a way of encouraging tourism and investment.
In fact VladyArt says that this historic region and city that dates back many centuries before Christ is having a very challenging time economically and socially and could use positive attention from a crowd that appreciates art. “Catania is somehow the most dynamic city of Sicily, because of its industrial and commercial features,” he says.
“Having said that, please be aware that the south of Italy is no way wealthy or an easy place, despite its beauty and lucky location in the sun. Almost the whole city is rough, I can name a many neighborhoods where this is the case.”
So it is all the more remarkable that a multi-artist iconic installation can happen here in Catania and people are exposed to a grassroots-fueled art scene that is currently galloping across the globe.
“Regular people around here don’t know much about the whole thing, street art and stuff,” says Vlady Art. “So, quite frankly they wouldn’t care much about Okuda, Vhils or Interesni. They never heard of them before and probably people will find hard to spell their names. They cannot catch the meaning or the purpose of this. They simply like what they see – they like this energy. They do get the ‘message’, the power of art.”
“The Language Of The Wall. Graffiti / Street Art” Pera Museum. Istanbul, Turkey
No Street Artist is a prophet in his own land, to paraphrase the Latin “Nemo propheta in patria”.
To see a large show of new Street Art in a museum right now don’t think of New York. Surprisingly a vibrant and impactful art scene that has foundational roots in NYC streets and culture is once again celebrated more often by major museum exhibits elsewhere in the world.
In Istanbul they even invite you to paint on trains.
The nine year old Pera Museum is currently hosting 20 artists from America, Germany, France, and Japan, along with some more local talents and is featuring photographers whose New York work is considered seminal such as Martha Cooper, Henry Chalfant, and the California skate culture documenter Hugh Holland.
The detailed study of New York graffiti, train writing, hip-hop culture, and the evolution that pushed this current explosive growth of Street Art are all evident in the curation and choices by Roxane Ayral. Language of the Wall is cognizant of the weight of graff history while looking squarely in the eye of the present and considering the interdisciplinary nature of today’s scene, the show is at once expansive and tightly lyrical. The swath of new works inside the museum and out on the streets of Istanbul is a mix of respected older graff writers and some of the newer practitioners including Futura, Carlos Mare, Cope 2, Turbo, Wyne, JonOne, Tilt, Psyckoze, Craig Costello (aka KR), Herakut, Logan Hicks, C215, Suiko, Evol, Gaia, Tabone, Funk, and No More Lies.
Over the course of the installation, Martha Cooper traveled the city and captured the new works by the artists and she shares with us her shots and some of her observations.
“Mare worked with a local foundry to produce 3 big welded sculptures and 2 little “B-Boy” ones,” says Ms. Cooper. “The foundry was able to produce pieces of metal with Islamic patterns, which I found impressive. This was the first time Mare was able to design the metal in this way.”
“Tilt painted a garbage truck with his iconic throwup,” says Ms. Cooper, of the actual truck he painted on the street. “The garbage men gave him an official shirt to wear and he painted their names (and mine) on the truck. He also painted an entire bus that had been cut apart and hung on the wall of the museum.”
“Suiko is from Hiroshima, Japan. We were in the museum on the anniversary of the bombing on August 16th,” says Martha. “Hiroshima, synonymous with nuclear bombs, now sells spray paint for graffiti bombing. Crazy world!”
“Imagine you had to teach your kids never to laugh” is the translation of the text, which Martha says was Herakut’s response to a Deputy Minister’s outrageous statement that women shouldn’t laugh in public.
Street artist Gaia did very labor intensive pieces inside and outside the museum “commemorating those that have lost their lives in construction murders due to lack of safety, regulation and corruption,” he says. For more information on Workers’ Families In Pursuit of Justice please go to http://iscinayetleriniunutma.org/ .
“Psyckoze is famous for being the king of the Paris catacombs. He knows every nook and cranny,” reports Ms. Cooper. “I once spent the night there—scary and completely confusing if you don’t have a guide. Psyckoze made an installation replicating a room in the catacombs reproducing paintings that were actually there.”
“KR did his extinguisher thing inside the museum and it turned out great—sort of a delicate blizzard of criss-crossing spray. I liked this shot of the cleaning lady in his room – Who’s to decide what needs cleaning?” asks Martha.
A highlight of the events was the opportunity for many of the artists to legally hit a number of train cars in the yards, and archetypal right of passage immortalized by a handful of New York photographers in the 1970s and 1980s like Martha Cooper and Henry Chalfant, among others. Martha was at least as excited as the artists and felt like she was in a movie she had seen before, but with new enthusiastic actors and actresses – and without the fear of being arrested.
Exposition Art Urbain Vernissage le mercredi 4 septembre 2013 de 18h à 21h
Exposition du 4 au 15 septembre 2013.
La collection d’art urbain sera accueillie dans les 200m2 de la Mairie du 1er arrondissement de Paris.
Environ 50 œuvres seront présentées à cette occasion. Des grandes figures de l’art urbain telles que Barry Mc Gee, Banksy, Blu, Boris Hoppek, Dem 189, Dran, Faile, Invader, Jacques Villeglé, Jef Aerosol, Jonone, JR, Lek, Ludo, Rero, Roa, Shepard Fairey, Sowat, Speedy Graphito, Swoon…
Mais aussi des nouveaux talents de la scène urbaine tels que Roti ou Studio 21 bis…
Ex SituLe Street Art prend ses quartiers au Studio 13/16
13 – 28 avril 2013, tous les mercredis, samedis, dimanches, à 14h00 (4h00)
29 avril – 12 mai 2013, à 14h00 (4h00)
15 mai – 16 juin 2013, tous les mercredis, samedis, dimanches, à 14h00 (4h00)
Studio 13/16 – Centre Pompidou
Mercredis, samedis et dimanches, de 14 à 18h.
Pendant les vacances scolaires : tous les jours sauf le mardi, de 14 à 18h.
EX SITU c’est :
– 7 artistes issus du milieu de l’art urbain invités à mener une expérience artistique au Centre Pompidou.
– 7 résidences au Studio 13/16 où les artistes invitent les jeunes à participer à un work-in-progress et une réflexion sur la création in situ.
– 7 installations éphémères réalisées par les artistes en lien avec l’architecture du Centre Pompidou.
– 1 parcours dans la ville, le temps d’un après-midi, le Kiosque Tour, réalisé par les artistes et des groupes d’adolescents sur des kiosques de presse.
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Yseult Digan (YZ)
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Le terme « ex situ » renvoie à la conservation d’un objet hors de son mil…
VOLUNTEER TODAY AND THIS WEEKEND – RESOURCES AVAILABLE
Happy Friday Everyone!
This is not a typical Friday and not very fun in New York and for much of the east coast as we continue to grapple with the results of the storm called Sandy. New Yorkers always help each other get back on our feet and this time it is again heartening to see so many people volunteering and doing what they can to bring this city back. Our art listings this week take a 2nd place to our listings for places you can go to get help, and things you can do to volunteer.
LOOK FOR THE FULL LIST OF ART EVENTS AFTER THESE VOLUNTEERING OPPORTUNITIES.
Volunteering The Mayor’s Office has stated that the best way to find out how to volunteer is to register with NYCService.org and you will get notified of opportunities. You can also follow them on Twitter and Facebook
Red Hook Initiative is seeking donations at 767 Hicks Street (at West 9th) “Please bring donations of food, flashlights, candles, water pumps, generators. Many buildings in the neighborhood will likely not have power for the next 4-5 days.” For more information call, (347) 770-1528 or email email@example.com
Clean up at BWAC / Brooklyn Waterfront Artists Coalition in Red Hook on November 3rd & 4th: “This Saturday and Sunday we hope to clean out all the trash and debris. This includes much of the sheet rock as well as anything destroyed. If anyone has a portable generator, long extension cords, or work lights, we would like to borrow them. Anyone and everyone is needed for this effort. We will be starting at 10AM on Saturday. RSVP/questions: firstname.lastname@example.org”
The MoMA and PS1 curator Klaus Biesenbach is helping to organize relief efforts in the Rockaways Saturday: http://bit.ly/WcFgWD Biesenbach plans to meet volunteers outside the Lewis B. and Dorothy Cullman Education and Research building at 4 West 54th Street at 10am on Saturday, and then will drive people and supplies out to the Rockaways.
Donate to families in the Rockaways now-Sat. Nov.3rd 9:30-11am. El Puente is collecting donations of clothing/supplies/nonperishable food for affected families in the Rockaways, now through Saturday. Drop-off location: El Puente Headquarters, 211 South 4th St. (@Roebling) in Williamsburg BK 11211
Donate clothing and food items in Bay Ridge, Brooklyn today Nov. 2. The Arab American Association of NY is collecting clothing and food items for donation. “All clothing donations should be washed & all food items must be sealed. We will deliver items to three Brooklyn shelters – Brooklyn Armory, FDR High School, and the Caton School” Please drop off items to 7111 5th Avenue, Brooklyn, NY 11209 between 10am-6pm today until 2pm Friday, November 2ed. Contact: email@example.com
Help cleanup New York City Parkshttp://on.nyc.gov/Pp0v3n to volunteer in our parks this weekend. Help clean up Prospect Park Nov. 2ed, 3ed, 4th: Volunteer with the NYC Department of Parks & Recreation to aid in the cleanup and recovery of Prospect Park this Friday, Saturday and Sunday (11/2 – 11/4), clickthis link to sign up.
The American Red Cross
Red Cross: The Red Cross is seeking volunteers over 16 and who are able to lift 50 pounds and comfortable working in stressful situations. Email them at firstname.lastname@example.org
Give Blood – Hurricane Sandy has caused the cancellation of 100 blood drives in the Northeast and Mid-Atlantic, a shortfall of 3,200 blood and platelet donations that would otherwise be available for those needing transfusions.
Volunteer at a Hurricane Sandy Shelter – The American Red Cross is specifically seeking individuals over 16 years of age that can carry 50 lbs to volunteer at local New York Red Cross Shelters.
Donate Money – You can choose to donate money to the Red Cross Disaster Relief by visiting their website or texting REDCROSS to 90999.
Donate Money – AmeriCares delivers medicines and medical supplies to disaster areas, and as of yesterday was deploying a mobile medical unit to affected areas in Connecticut.
The Salvation Army
Donate Money – The Salvation Army is currently on the ground in New Jersey helping with relief efforts, according to New Jersey Governor Chris Christie.
Food Bank for New York
Donate Money – The Food Bank for New York provides food and emergency meals to New Yorkers, and as of last night was planning to continue distribution on Tuesday. You can donate money by simply texting FBNYC to 50555. If you wish to volunteer, check with and contact your neighborhood pantry or kitchen via the Food Bank for New York’s website.
Donate Money – The ASPCA will assist and rescue the thousands of animals affected by Hurricane Sandy.
The American Society for the Prevention of Cruelty to Animals (ASPCA) takes donations to rescue and shelter animals affected by the storm. According to spokesperson Emily Schneider, the group’s efforts are currently focused in the New York City area, where nearly 240 animals are staying with their owners in pet-friendly Red Cross shelters. The ASPCA is also setting up a distribution center in Syracuse, New York with 4,000 sheltering units, which contain pet food, crates, food bowls, toys, and anything else an animal may need. They’re also standing with water rescue units should they be called.
The Humane Society of the United States
Report – The HSUS has a 24-hour hotline for New York evacuees to report pets that were left behind. The number is 347-573-1561.
The Bowery Mission Has Current Needs
Financial donations — They are serving three times as many as normal, and will need to restock food and resources once we have power.
Help provide food for 200 people at a time (make and/or get and drop off at the Mission – 227 Bowery)
Make peanut butter and jelly sandwiches and drop them off
Trays of cooked food, ready to be served
Large amounts of Gatorade and Iced Tea – Currently only serving water
Gasoline for generators that are providing emergency power — Please deliver to 227 Bowery (at Prince Street), 45-51 Avenue D (between 4th and 5th Streets), or our Administrative Headquarters at 132 Madison Ave. (Madison & 31 St).
Blankets at The Bowery Mission Transitional Center — Please deliver to 45-51 Avenue D (between 4th and 5th Streets) or our Administrative Headquarters at 132 Madison Ave. (Madison & 31 St).
Sweatshirts, Large and XL coats and hoodies, men’s jeans and boots, at The Bowery Mission — Please deliver to 227 Bowery (at Prince Street) or our Administrative Headquarters at 132 Madison Ave. (Madison & 31 St).
Pantry items such as sugar, oatmeal, coffee, rice, potatoes — Please deliver to 227 Bowery (at Prince Street) or our Administrative Headquarters at 132 Madison Ave. (Madison & 31 St).
For those who want to send other kinds of help, the American Red Cross collects funds and coordinates blood donations. The organization sheltered more than 3,000 people across nine states during the worst of the storm. You can donate $10 by phone by texting the word REDCROSS to 90999.
The United Way has created a regional fund for communities hit by Sandy. They’re asking for donations at uwsandyrecovery.org. Donors can also give $10 by texting RECOVERY to 52000.
Volunteers in New Jersey are being coordinated through an emergency response hotline, 1-800-JERSEY-7 (1-800-537-7397). Alternate numbers, for when the hotline isn’t staffed, include 609-775-5236 and 908-303-0471 or emails can be sent to Rowena.Madden@sos.state.nj.us.
1. New York Kings at Pure Evil (London)
2.”Stikman 20.1″ Opens in Philadelphia Tonight
3. EVOK “Ordinary Things” in Detroit
4. “Four” Group Show at Loft F (Boston)
5. Dale Grimshaw’s”Moreish” Signal Gallery in London
6. ARD*POP-UP 2012 Festival in Oslo, Norway
7. Unruly Gallery in Amsterdam showing Finland’s Graffiti Artist EGS
8. JonOne solo show “Beautiful Madness” at Fabien Castanier in Studio City, CA
9. All City Canvas: The Short Film (VIDEO)
10. Chris Dyer in Montreal (VIDEO)
New York Kings at Pure Evil (London)
“New York Kings” is the title of the new group exhibition at the Pure Evil Gallery in London featuring COPE2, INDIE 184, BLADE, STAY HIGH 149, SEN2, FUZZ ONE, POEM, BOM5, RD 357, DECK, and EASY & JOZ . In London for the first time in over a decade, a unique exhibition of the godfathers of graffiti art using new york subway maps as their canvas to tell their 30 year story while remaining true to their roots. this is a rare opportunity to see examples of a genre that is often temporary by its very nature.
For further information regarding this show click here.
“Stikman 20.1” Opens in Philadelphia Tonight
Enigmatic Street Artist STIKMAN has a solo show titled “Stikman 20.1” opening today at the Stupid Easy Gallery in Philadelphia, PA. You might not see him if you to the opening but you sure will see his vast artistic output on display. For 20 years Stikman has been putting his art on the streets based on this one character presented in so many different ways and situations, with humor, wit and poignancy – more recently they have appeared with a lot of Mondrian influences. Most people never tire of discovering these rigid little fellers as they turn a corner, look up a sign post, cross a street, admire an architectural detail on a building.
For further information regarding this show click here.
REVOK “Ordinary Things” in Detroit
REVOK is a son of Detroit and the Library Street Collective Gallery is welcoming him with a solo show titled “Ordinary Things” opening tonight. The things may be ordinary, but what he makes with them are not. Assembling and fashioning found objects and materials he shows a fastidious attention to detail and an acute sense of balance, harmony and color.
For further information regarding this show click here.
Also Happening this weekend:
Dale Grimshaw‘s show “Moreish” is now open to the general public at the Signal Gallery in London, UK. Click here for more details on this show.
ARD*POP-UP 2012 Festival in Oslo, Norway is now underway until Sunday Nov. 04 with the participation of renowned Street Artists including: CODEROCK (NOR), M-CITY (POL), PHLEGM (UK), PEZ (SPA), KENOR (SPA), ZOSEN(SPA), CHANOIR (FRA), GALO (BRA), SUB LUNA (ISL), ACHOE (NOR), MARTIN WHATSON (NOR) and DOT DOT DOT (NOR). Click here for more details on this festival.
Unruly Gallery in Amsterdam, The Netherlands is showing Finland’s Graffiti Artist EGS in a solo show with works on paper and sculptures. This show is now open to the general public. Click here for more details on this show.
JonOne solo show “Beautiful Madness” at the Fabien Castanier Gallery in Studio City, CA opens tomorrow. Click here for more details on this show.