All posts tagged: Jiame Rojo

Slap It! Slick Stickers Spread Across City Surfaces Speak and Surprise

Slap It! Slick Stickers Spread Across City Surfaces Speak and Surprise

Stickers, or slaps, are small but formidable graphic and text messages, especially when massed together on a doorway or light pole. They are also fast and surreptitiously placed, as simple as a gesture, undetectable in their ease of application.

A board covered with stickers at Urban Nation Museum For Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

Begun exclusively perhaps as vehicles for handwritten or hand drawn missives, usually the tag of an artist, today they are often mass produced and designed on a screen, commercially printed on stock that is weatherproof, yet crumbles into pieces when you try to remove it. Personal and political are often on display, as well as that eternal graffiti impulse to simply spread your name.

Phil (photo © Jaime Rojo)

Stickers and their creation, distribution, and collection are a culture unto themselves, with fans mounting massive sticker shows and books tracing historical roots and telling stories. On the street, just one sticker can alter your day. Because you know it is made and placed by an individual and not a corporation, it feels like a personal message. Because it is small enough for you to get close to, it becomes intimate.

Here is a selection of recent images of stickers caught by our editor of photography, Jaime Rojo, for BSA readers to get up close to.

Unidentified Artist (photo © Jaime Rojo)

Above (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Elle (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Cash4 and Smells with friends in Berlin. (photo © Jaime Rojo)

El sol25 (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Where is He? (photo © Jaime Rojo)

Unidentified Artist…YES!!! (photo © Jaime Rojo)

45 (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Fonki World (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Dceve . Croma . Above . J0eg (photo © Jaime Rojo)

Detail of the fridge door at Urban Nation Museum For Urban Contemporary Art in Berlin (photo © Jaime Rojo)

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BSA Images Of The Week: 11.06.16

BSA Images Of The Week: 11.06.16

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Today is Marathon Day in New York City and the leaves on the trees have turned to oranges and reds and yellows to welcome the 26,000 people running through all five boroughs.  In two days right here in New York City both Donald J. Trump and Hillary Clinton will wait at their campaign headquarters to see the results of the longest and slimiest presidential campaigns most of us can remember, with many of us reporting that it made us sick.

There is plenty of blame to go around, and hopefully these are simply the fitful growing pains of a fighting, evolving society and not the stabbing spasms of a dissolute, dying republic.

So here’s our weekly interview with the streets, this week featuring Amanda Wong, Atomik, Boa Mistura, BK Foxx, Cash4, Giver, Kobra, Lexi Bella, Moter, Olek, Rambo, Reverend, Rocko, Ruben Sanchez, Sheryo, Sokar Uno, Wolftits, and You Go Girl.

Our top image: Kobra’s new monumental mural of David Bowie in Jersey City, NJ. (photo © Jaime Rojo)

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Kobra at work  on his mural of David Bowie. (photo © Jaime Rojo)

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Lexi Bella portrait of Frida Kahlo for JMZ Murals. (photo © Jaime Rojo)

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OLEK on the roof of the Ice Factory in Jersey City, NJ in collaboration with Mana Urban Arts Project. (photo © Jaime Rojo)

We asked Olek about this brand new crocheted billboard she and a small team installed this week in New Jersey. We publish her reflections and statement here for BSA readers.

“This crocheted billboard is my uncommissioned letter to Hillary Clinton, a letter from a woman, an artist, and a naturalized US citizen.

This election has been fueled by hate and negativity. Initially, I did not want to make overtly political art. But then I realized I must, as too much is at stake. I could either make a negative statement about the other candidate or a positive one about Hillary.  When a piece of art has 1000 hours of hand labor invested in it, I’d rather it be a positive statement.

Hillary might not be cool, but she is qualified, experienced and competent. I don’t want to hang out with her. I don’t want to drink beer with her. I don’t want to go dancing all night with her. I want her to be our president. I want her to run this country!

This is history happening in front of you, incredible and groundbreaking. The first African-American president will pass the most important job in the USA to the first woman president. No one would have imagined this just 50 years ago. So yes, these are amazing times.

Look at what is happening in Europe. Countries are returning to a conservative stance and people’s rights are being trampled and revoked. Few believed Brexit could take place, but indeed it did. We should learn from this mistake. Hate crimes are escalating. Immigrants, and especially Polish citizens, are being beaten and even killed. We cannot let this happen here in USA.  We cannot go down this path of destruction in The United States of America.

I involved people across the USA to help me with this project. It was about a community working together and making a statement. We had two main groups crocheting – one in Virginia Beach and one in NYC. The excitement was tangible as we worked together to realize this vision. Each day we gathered in my tiny studio, those outside of NYC would join via Skype, as we all crocheted around the clock, talking to each other about our commitment to this piece and to Hillary Clinton, listening to music, podcasts, and audiobooks.  Everyone involved jumped on this project because they believed in it.

We are happy that we have achieved it.

I am an artist.  I am a woman.  As both I must make a statement.  I cannot remain neutral or silent.  I wish more people would find a way make positive statements.  Unfortunately, negativity sells much better these days.

It is imperative for the future of our country that we succeed in electing Hillary Clinton as President of The United States of America this November 8th.” – OLEK

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Sokar Uno (photo © Jaime Rojo)

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BK Foxx for JMZ Murals. (photo © Jaime Rojo)

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An Amanda Wong Love Letter to her man in Detroit, Michigan. (photo © Jaime Rojo)

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Boa Mistura spreadin’ some love. It’s the Brooklyn way. (photo © Jaime Rojo)

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Boa Mistura (photo © Jaime Rojo)

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Atomik in Detroit, Michigan. (photo © Jaime Rojo)

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Sheryo in Detroit Michigan. (photo © Jaime Rojo)

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REVEREND at Lincoln Park in Detroit, Michigan. (photo © Jaime Rojo)

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Reverend . You Go Girl . Giver and a couple of tags we can’t ID in Detroit, Michigan. (photo © Jaime Rojo)

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Wolf Tits in Detroit, Michigan. (photo © Jaime Rojo)

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RAMBO in Detroit, Michigan. (photo © Jaime Rojo)

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Class War…Cash4 in Detroit, Michigan. (photo © Jaime Rojo)

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Moter…train spotin’ (photo © Jaime Rojo)

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Rocko (photo © Jaime Rojo)

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Ruben Sanchez in Jersey City, NJ for Mana Urban Arts Project. (photo © Jaime Rojo)

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Untitled. The Little Red Lighthouse on the Hudson River. NYC. October 2016. (photo © Jaime Rojo)

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Spider Tag: “Secuencias Minimas” Opens in Madrid

Spider Tag: “Secuencias Minimas” Opens in Madrid

Doors, windows, shipping pallets, nails, yarn. These are the humble materials that Spidertag uses in his geometric abstractions, commingling handmade craft traditions, mid-century modernism, and the history of commercial graphic sign painting.

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Spider Tag. Secuencias Minimas Swinton Gallery. Madrid, Spain. (photo © courtesy of Spider Tag)

SECUENCIAS MÍNIMAS is his new Madrid solo show just opened with 23 works that include sculptural wallhangings, video, lights, logs, and a generous amount of fire engine red.

The Street Artist has been pounding nails into the walls of community gardens, winding small streets, and abandoned old houses and factories for nearly a decade, each time responding to the environment with his materials and geometry based compositions in new ways to create one of a kind installations. By retaining that ability to be resourceful on the spot, Spidertag knows how to transform many angles of the gallery effectively and without pretension.

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Spider Tag. Secuencias Minimas Swinton Gallery. Madrid, Spain. (photo © courtesy of Spider Tag)

The new show at Swinton Gallery presents Spidertag’s facination for experimentation and the simplicity of form, dimension, and materials – often with a touch of levity. Choices of color, shape, and placement in the gallery environment are wry and unassuming, reminding the viewer that the creative spirit can be simultaneously challenging and rewarding while remaining disarmingly simple.

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Spider Tag. Secuencias Minimas Swinton Gallery. Madrid, Spain. (photo © courtesy of Spider Tag)

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Spider Tag. Secuencias Minimas Swinton Gallery. Madrid, Spain. (photo © courtesy of Spider Tag)

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Spider Tag. Secuencias Minimas Swinton Gallery. Madrid, Spain. (photo © courtesy of Spider Tag)

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Spider Tag. Secuencias Minimas Swinton Gallery. Madrid, Spain. (photo © courtesy of Spider Tag)

 

Spider Tag Secuencias Minimas is currently on view at Swinton Gallery in Madrid, Spain. Click HERE for more information.

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