All posts tagged: Jaime Rojo

First Monograph by Germany’s ECB is “Blurring Boundaries”

First Monograph by Germany’s ECB is “Blurring Boundaries”

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Hendrik ECB Beikirch “Blurring Boundaries” (photo of book spread by Jaime Rojo)

A respectable and rich first monograph by German Street Artist Hendrik Beikirch, known on the street as ECB, Blurring Boundaries aptly explains the area between his graffiti roots and photo-realist portraiture that makes room for emotion. Discovering the hip-hop world in the late 1980s as so many metropolitan youth around the world did thanks to the cultural export of video, vinyl, books and cassette tapes, Beikirch first began his own exploration in graffiti that mimicked the influence of cities like New York interpreted through the local teen culture of Kassel where he was born.

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Hendrik ECB Beikirch “Blurring Boundaries” (photo of book spread by Jaime Rojo)

The intervening twenty years put him on a singular route to develop his own style of using acrylic, emulsion paint, and aerosol in an integrated seamless monochromatic palette technique.  His massive portraits of anonymous men (primarily) with creased faces and cryptic maxims have grown onto and into street scenes, evoking emotion in the viewer, and the rare of empathy from a stranger.  Now installing his works around the world on ever larger facades in cities like Sao Paulo, Seoul, Delhi, Miami, Kazan, Brooklyn, and throughout Germany, ECB makes an additional looming space for the face of one more wanderer.

Rather than attaching a distinct storyline, ECB gives his sitters a narrative that stretches and ambulates beyond location, sometimes following the passerby to their next appointment.  If your imagination was in slumber, an unexpected ECB portrait can awaken it and create the story. At the very least you are introduced to a stranger whom you hadn’t realized could become a confidant, a familiar face in the cacophony of the city.

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Hendrik ECB Beikirch “Blurring Boundaries” (photo of book spread by Jaime Rojo)

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Hendrik ECB Beikirch “Blurring Boundaries” (photo of book spread by Jaime Rojo)

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Hendrik ECB Beikirch “Blurring Boundaries” (photo of book spread by Jaime Rojo)

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Hendrik ECB Beikirch “Blurring Boundaries” (photo of book spread by Jaime Rojo)

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Hendrik ECB Beikirch “Blurring Boundaries” (photo of book spread by Jaime Rojo)

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Hendrik ECB Beikirch “Blurring Boundaries” (photo of book spread by Jaime Rojo)

 

 

Hendrick ECB Beikirch “Blurring Boundries” Publikat Publishing

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MORIK Starts the 2014 Urban Forms Festival in Łódź, Poland

MORIK Starts the 2014 Urban Forms Festival in Łódź, Poland

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Urban Forms in Łódź, Poland marks year 5 and their 31st wall for the city with Russia’s Morik and iterative laying that mimics the digital art made by plan and happenstance during the day of a designer. A Street Artist with roots in graffiti, Morik hails from Siberia and has an illustration style encompassing this moments fascination with photo realism and clever hi-def effects – but brought to you by the hand and brush.

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MORIK at work on his inaugural mural for Urban Forms 2014. Lodz, Poland. (photo © Urban Forms/Michał Bieżyński)

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MORIK at work on his inaugural mural for Urban Forms 2014. Lodz, Poland. (photo © Urban Forms/Michał Bieżyński)

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MORIK at work on his inaugural mural for Urban Forms 2014. Lodz, Poland. (photo © Urban Forms/Michał Bieżyński)

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MORIK. Detail. Urban Forms 2014. Lodz, Poland. (photo © Urban Forms/Michał Bieżyński)

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MORIK. Inaugural mural for Urban Forms 2014. Lodz, Poland. (photo © Urban Forms/Michał Bieżyński)

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MORIK. Inaugural mural for Urban Forms 2014. Lodz, Poland. (photo © Urban Forms/Michał Bieżyński)

 

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WWW.GALERIAURBANFORMS.ORG

www.urbanforms.org

www.facebook.com/urbanforms

www.vimeo.com/urbanforms

www.instagram.com/urbanforms

www.youtube.com/user/UrbanFormsFoundation

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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BSA Images Of The Week: 09.21.14

BSA Images Of The Week: 09.21.14

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Autumn in New York yo! Crisp cool, sunny days. Girls in tight sweaters. Boys in combat boots. Every cool air festival you can think of is all happening simultaneously – skateboarders closing down Kent Ave on BKs north side, Indian Larry’s block party with motorcycles of every stripe, and this years San Gennaro festival in Little Italy looks like it wants to reclaim this part of town before it is subsumed by the crushing wealth machine now chewing through Chinatown. Literally the festival looks like it spans the entire length of Mulberry from Canal to Houston – that’s longer than the line to get the new iPhone in Soho!

But neither one of those will compare to todays’ expected line of concerned citizens snaking through the streets in Manhattan to address the effect of climate change. Coordinated with marches in cities around the world it’s estimated to draw 100,000 people. We’ve had a sneak peek at what Street Artist Swoon has in store for an installation at the end of the march, including some of the very same materials she just used for her “Submerged Motherlands” at the Brooklyn Museum, but arranged entirely cleverly differently.

A few weeks ago at Nuart we were invite to speak about activism on the street around the world using Street Art as a form of expression, and we are surprised to see a rising wave of it that not many seem aware of – including some of our artworld peers. This week alone a few Street Artists have created new work to promote today’s march. It is not hard to get us into the street on a regular day so this is just one shiny bauble of grassroots creativity that you won’t want to miss. Also, technically, it’s still summer until Tuesday.

Here’s our weekly interview with the street, this week featuring Bifido, Crash, Daze, Gilf!, Hek Tad, Jetsonorama, Karl Addison, LMNOPI, Misshab, Sean9Lugo, and Skount.

Top Image >> A portrait of Ta’kaiya Blaney, a 13 year old girl from the Sliammon First Nation (Vancouver) and an environmental activist. The large mural was painted by Street Artist LMNOPI this week to commemorate the People’s Climate March here today in NYC. Click HERE for more details on the march. (photo © Jaime Rojo)

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LMNOPI (photo © Jaime Rojo)

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A collaborative image created by Jetsonorama and Monica Canilao  (photo © Jaime Rojo)

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Gilf! created this new piece to bring people to the march.(photo © Jaime Rojo)

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Misshab (photo © Jaime Rojo)

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A cosmic folkloric futurist meeting of souls from Skount at the StreetMeet Festival in Würzburg, Germany. (photo © Skount)

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Skount. Detail. StreetMeet Festival. Würzburg, Germany. (photo © Skount)

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Karl Addison for The Bushwick Collective. That spot to the left may look like a prison, but that’s what we call a beer garden in Brooklyn. (photo © Jaime Rojo)

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Karl Addison for The Bushwick Collective. Detail. (photo © Jaime Rojo)

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Hek Tad. A public declaration of love. (photo © Jaime Rojo)

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An outdoor installation of craft paper by an unknown artist. (photo © Jaime Rojo)

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Oh, hi! Sorry I kicked the ball into your head. Bifido “Do It” Caserta, Italy. (photo © Bifido)

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A porcine pal to stand atop, but you are still not tall enough. Bifido “I Want My Meat” Budapest, Hungary. (photo © Bifido)

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Could be cheese. Could be a brick of a hallucinogenic substance that gives people animal heads. Sean9Lugo (photo © Jaime Rojo)

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Crash and Daze for The L.I.S.A. Project. (photo © Jaime Rojo)

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Untitled. SOHO, NYC. August 2014. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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Men Like Cows, Nemo’s Man/Animal Hybrids for “Sagra della Street Art”

Men Like Cows, Nemo’s Man/Animal Hybrids for “Sagra della Street Art”

Meat eaters look away!

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NemO’S. Vedriano – Italy for “Sagra della Street Art”. August, 2014. (photo © NemO’S)

Shield thine eyes from the delightful and disgusting; this new acrylic depiction of our human-bovine connection on the side of a former farm building is in the gesture, posture, and the eyes. The individuals are rather sad, desperate, and comic – an intertwined set of characteristics teeming inside Nemo’s head that he brings again and again to his work.

Yes, men do like cows. Also, men are like cows.

Either way, you may want to order the veggie burger at lunch today.

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The windows are incorporated into the cow’s markings. NemO’S. Vedriano – Italy for “Sagra della Street Art”. August, 2014. (photo © NemO’S)

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NemO’S. Vedriano – Italy for “Sagra della Street Art”. August, 2014. (photo © NemO’S)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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BSA Film Friday 09.19.14

BSA Film Friday 09.19.14

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Shepard Fairey’s Wall in Little Italy
2. ARYZ  for CityLeaks
3. Robots Spraying Out the Window – Jeff Soto
4. Robo-Rainbow
5. NO AD: NYC
6. Edoardi Tresoldi “Pensieri” For street art festival “OLTRE IL MURO” in Sapri, Italy
7. Ryan Seslow / Adam Void * Handstyles

BSA Special Feature:
Shepard Fairey’s Wall in Little Italy

Produced by Element Tree, this is the video by Serringe that just came out a couple of days ago of Shepard Fairey’s recent installation in New York.

 

ARYZ  for CityLeaks

From the CityLeaks Urban Arts Feastival in Cologne, Germany, here is ARYZ speaking about the largest skeleton he’s every painted.

Robots Spraying Out the Window – Jeff Soto

This car manufacturer placed robots in a car to spray the walls to give their product some street cred. While they are busy patting themselves on the back we’re reminded of many street art autonomous innovators who have done this kind of work on the streets before, like Mudlevel, who created the Robo-Rainbow three years ago (below). Self-funded experimenters have jerry-rigged bikes, scooters, contraptions, machines, even drones to spray paint onto walls over the last decade so this brand hasn’t pioneered anything new necessarily. Possibly they just saw the Alexander McQueen robots spraying a dress in 1999.

Cool project nonetheless and props to artist Jeff Soto for his continued good work.

Robo-Rainbow

A splendid look at street ingenuity and over-thinking the simplest job. Clap your hands for MUDLEVEL.

NO AD: NYC

Augmented reality continues to grow into the consumer world and this app will help you to replace those pesky print messages foisted into the public space with, oh, art.

Perhaps soon when you scan one of those hideous new all-car subway advertising campaigns it will trigger a full car piece by Lee Quinones! Now that’s an idea worth pursuing!

Edoardi Tresoldi “Pensieri” For street art festival “OLTRE IL MURO” in Sapri, Italy

A permanent installation of electro-welded net for Oltre il Muro festival, in Sapri, Italy, bends perception depending on the angle it is seen from, especially when shot by drone.

 

Grafideo = Graffiti + Video * Ryan Seslow / Adam Void * Handstyles

In their second collaboration, this Street Art and graffiti duo offer up their latest experiment combining their interests and skills and feeding them through a series of texturing. “This is what happens when new-school meets old-school, when technology collides with the primal. Real life distortion of spray tags & letter styles merged with animated gifs & overlay filters.”

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“West Side is the Best Side”, Vogue & BAM In Oakland

“West Side is the Best Side”, Vogue & BAM In Oakland

Today we have the honor of photographer, author and lecturer Mr. James Prigoff sharing with BSA readers his images and observations about a new 8,000 square foot mural that went up in Oakland last month paying tribute to graffiti’s love of locomotives, Oakland’s history as a port town and ship builder, and a line out of Tupac Shakur’s “California Love”.  A neighborhood project that aims to educate and beautify, two old school writers from The O named Vogue and BAM (Norman Chuck and Mike Tyau) gathered together some friends and interns to knock this mammoth one out. But enough from us, we’ll let Mr. Prigoff paint the scene for you.

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. CLICK ON IMAGE TO ENLARGE (photo © Jim Prigoff)

By James Prigoff

I have been documenting Norman Vogue and Mike “BAM” Tyau’s Spraycan painting for thirty years. It was evident in the early days of West Coast “writing” that the two of them and their crews had very special talent.

Following their work over the years brought me to the Wrist Ship Supply building in West Oakland yesterday.

Modern Graffiti Art started on the East Coast with simple tags and evolved over the years until it became the most significant art form of the last forty years. In the evolution, part of the art form became Street Art and today is entitled Urban Art. The variety of imagery would fill endless books, light years away from what once were known as Graffiti Masterpieces.

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

The mural that these artists have created, “West Side is the Best Side”, is historically important for many reasons and I think it has an significant place among the art form’s historical images for these reasons;

  1.  It is technically very proficient as an example of how sophisticated the use of the spray can has become.

  2.  It pays tribute to a few of the most important writers to develop on the West Coast, particularly an iconic young R.I.P who wrote DREAM.

  3.  It is a classic in that it goes back to the roots of name writing and characters.

  4.  It celebrates the train writing that brightened the drab railroad cars and became a vehicle to send the “writer’s” name to distant cities.

Put it all together and they have created a very special piece of art, far more so than the average eye would perceive.

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

Sage coordinated the deal at first and got all the scissor/boom lifts for the artists to use and coordinated daily operations early on. Jase, King157, Sear & Done/TDK all painted their pieces within one day. Vogue painted his & Dream’s throwies all within one day also. The “Schmoe” piece was painted by Done on the caboose in memory of him since he passed away in a car accident back in July and he was a part of the TDK crew.

I’ve told Sage to help us file this at the Guinness Book of World Records for the largest train mural.

 
(Continued credits continue at the end of posting)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

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Vogue/Bam collaboration with help from Derp, Jase, King157, Goser, Sear & Done/TDK, Robz & Colour. West Oakland, CA. (photo © Jim Prigoff)

In addition to Bryan “DERP,” three other interns who worked on the mural include Thavin Rajanakhan, Thitiwat Phromratanapongse, and Dominic Cheng

“We would not have been able to complete the first half of this mural without these guys,” say Vogue and Bam, who wish to express their gratitude to everyone and especially to the interns.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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Sweden Starts “No Limit” Mural Festival in Borås

Sweden Starts “No Limit” Mural Festival in Borås

It isn’t just Nuart any more.

Scandinavia is taking their mural festivals seriously thanks to buoyant economies, arts programming support, and a growing global appreciation for art in the streets in general. Included in the list of recent festivals are Denmark’s Galore (Copenhagen) and We Aart (Aalborg) and Sweden’s Artscape (Malmö) as well as the more graffiti-inflected Örebro, Helsinki’s Arabia and of course the one-kilometer long graffiti/Street Art slaughter that accompanies the mammoth music festival Roskilde.

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ECB. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

This month humbly began No Limit in the small city of Borås, Sweden, and artist / curator Shai Dahan hopes to enliven the daily views for this population of 66,000 with his curated collection of international artists from street / graffiti / fine art backgrounds.

An artist and entrepreneur who moved here from New York three and a half years ago, Dahan has been rallying local building owners and government institutions to aid in his idea of mounting a show on walls in the city that emulates the success of such festivals elsewhere.

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Isaac Cordal. The small scale installations by the Spanish artist provide a welcome answer to the ever more massive tendencies of wall installations in mural programs. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

“I’ve been on quite a journey and accomplishing this project has been something I have been working on personally for over a year,” he says. With participation and funding from the city of Borås, No Limit this month invited and hosted artists from countries such as The Netherlands, Brasil, France, Italy, Germany, Poland, Spain and Sweden and included artists like Natalia Rak, ETAM Cru, Peeta, ECB, The London Police, Kobra, Ollio, Ekta, Carolina Falkholt, Issac Cordal and one of the earliest Street Art stencilists, Blek le Rat.

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Isaac Cordal. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

“And best of all, we had no bad weather. The day Natalia landed (she was the first to arrive) the sun came out, and it stayed out until the very last day,” says Dahan of the festival that he deemed “phenomenal” and included guided tours for over 200 people at a time.

“After everyone left, it began raining, ” he smiles.

For countries that have a so-called “zero tolerance” for illegal art or any kind like Sweden, mural festivals like these effectively circumvent the rigid approval process that typically characterizes public art projects and many make inroads into engaging public space with art in a new way that is emblematic of a vibrant global movement. It may be a tenuous line to walk, but more cities seem willing to embrace this swing of the pendulum with art in the streets.

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The Brazillian Street Artist named Kobra created a portrait of Alfred Nobel, the Swedish chemist, engineer, industrialist, and inventor of dynamite. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Kobra. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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The London Police began stripping because of the hot sun and of course, Jane Fonda. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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The London Police. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Natalia Rak. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Natalia Rak. Detail. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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The graffiti writing artist from Venice named Peeta basically killed his wall with a signature three dimensional tag that floats off of the wall. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Simple. No Limit Borås, Sweden. September 2014. (photo © Simple)

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Ollio. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Carolina Falkholt. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Ekta. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Etam Cru. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

 

Click HERE to learn more about No Limit Borås.

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Mae Jean & Mary Reese Grace The Arizona Desert with Jetsonorama

Mae Jean & Mary Reese Grace The Arizona Desert with Jetsonorama

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Jetsonorama. Mae Jean & Mary Reese. The Painted Desert Project. Navajo Nation. (photo © Jetsonorama)

Mata Ruda and LNY are on their way out to The Painted Desert Project with Chip Thomas (Jetsonorama) and will be painting the back of the old gymnasium in Kaibeto this week. Argentina’s Jaz is already in town and talking with Ms. Hall about what he’ll be painting on the wall she is donating. Yesterday he and Chip took the day to tour the region and get a good look at the land and the life here.

“There was much driving between Monument Valley and the Grand Canyon,” says Chip. And we hear that Hyuro from Spain is coming soon. All the artists will be continuing this most unconventional mural project that is now in its third full iteration.

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Jetsonorama. Mae Jean & Mary Reese. The Painted Desert Project. Navajo Nation. (photo © Jetsonorama)

While waiting for the Jaz and the Jersey Boys to pull in Jetsonorama himself just completed this large scale tribute to a two local women of two generations on the exterior of a storage barn at milepost 358 on Arizona’s Highway 160.

“The woman on the left having trouble with her flip phone is Mae Jean Begay,” says the photographer who has been placing large images of local folks on buildings on the reservation for a number of years. The woman waiting patiently for Mae Jean is her mother, Mary Reese, who you may typically find herding sheep on any given day. Ladies and gentlemen we re present Mae Jean and her mom, Mary.

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Jetsonorama. Mae Jean & Mary Reese. The Painted Desert Project. Navajo Nation. (photo © Jetsonorama)

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Jetsonorama. Mae Jean & Mary Reese. The Painted Desert Project. Navajo Nation. (photo © Jetsonorama)

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Beneath The Streets, New York’s Century Old Underground in Photos and Aerosol

Beneath The Streets, New York’s Century Old Underground in Photos and Aerosol

New York’s train system carries an estimated five million per day, is a little over a hundred years old, and for most is limited to the ride. Urban explorers, graffiti writers, artists, photographers and homeless people have often found it to be a destination they are drawn into for myriad additional reasons. You will most likely pass through the tunnels of course while encapsulated in a train car perhaps multiple times in a day, but few will ever venture off the end of the platform or through a hole in a fence to explore the hidden world beneath the streets of New York.

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“Beneath The Streets” Matthew Litwack and JURNE. Gingko Press, 2014. (photo © Jaime Rojo)

And that is good, says Matthew Litwick, who along with JURNE released Beneath the Streets (Gingko Press) this summer, because along with the thrill of exploring the forbidden tunnels and abandoned stations beneath the feet of millions, a certain deadly threat of the third rail exists as well. During a recent presentation of images and stories from the new hardcover Litwick stressed a number of times the instant electrocution that can result from accidentally touching it, a point underscored by the death this July of graffiti writer Jason Wulf, a titan of the New York scene.

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“Beneath The Streets” Matthew Litwack and JURNE. Gingko Press, 2014. (photo © Jaime Rojo)

So with that in mind, your fascination will be either sated or encouraged by the eerily vast and sometimes wondrously lit tunnels in some of these photos as well as the more everyday snapshots culled from many collections that illustrate the book. Punctuated throughout with descriptions that lean toward the educational, you also find personal experiences and viewpoints from well known graffiti writers and explorers about their time underground that helps put scenes in context.

Included among the piles of rotting trash, debris, crash walls, bumpers, taggers, throwies, and REVS diary pages is at least one completely legal installation, the Masstransiscsope by artist Bill Brand in collaboration with Creative Time, a 228 panel display from 1980 visible from passing trains that creates the illusion of an animation.

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“Beneath The Streets” Matthew Litwack and JURNE. Gingko Press, 2014. (photo © Jaime Rojo)

Steering carefully away from depicting the abandoned stations and hidden spots as simply a bombers wet dream, the authors notably give a solid appreciation to understanding the trains and the system itself, including scholarly passages and photographs about the history of the planning, building, and maintaining of the tunnels and tracks, as well as the conditions that workers endured during its creation.

“Until now, graffiti writers, subway enthusiasts, and transit workers have been some of the only people to take notice of these environments,” say Litwick and Jurne in their forward. “This book intends to provide an up-close and introspective look at a world that a handful … have been able to experience and observe outside of the confines of a speeding train.”

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“Beneath The Streets” Matthew Litwack and JURNE. Gingko Press, 2014. (photo © Jaime Rojo)

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“Beneath The Streets” Matthew Litwack and JURNE. Gingko Press, 2014. (photo © Jaime Rojo)

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“Beneath The Streets” Matthew Litwack and JURNE. Gingko Press, 2014. (photo © Jaime Rojo)

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“Beneath The Streets” Matthew Litwack and JURNE. Gingko Press, 2014. (photo © Jaime Rojo)

See examples of the photos in the book by following their INSTAGRAM @beneaththestreetsnyc

 

 

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BSA Images Of The Week: 09.14.14

BSA Images Of The Week: 09.14.14

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The street appears in the living room when you visit some artists homes or those of hard core collectors. “Brooklyn is in da house!” suddenly takes on additional meaning. So imagine rolling through a heavily graffitied section of Bushwick this week to find someone’s living room is on display on the street. It’s like a set for a TV show, or a theater stage; The couch, the coffee table, a lamp, paneling, even a hard wood floor comprised of, well, not really hard wood.  A hunter’s lodge maybe? A cabin in the Adirondacks? Without a back story, this looked like a stage had been built but you couldn’t be sure what for. Just as our intrepid photographer raised his camera to his eye, the woody indoor scene became exactly that – a stage.

“As I was taking the above photo a fast and furious dude came like a flash out of nowhere on his bike, stopped abruptly, and threw his bike on the floor,” says Jaime. “I didn’t know what to expect and watched him fish a spray can from a plastic shopping bag and step up on the sofa and write his tag upon the living room wall. The actor muttered something I couldn’t hear as he sprayed over another’s tag and then stepped down, leaving just as quickly as he has appeared. It was as if the fourth wall really did exist and he didn’t see me, the audience. I did want to ask him about the tag and about his very fashionable French chignon.  But really, I wasn’t even visible.”

See him in action in the photo below.

Here’s our weekly interview with the street, this week featuring C215, Dain, Damon, Dope, Dotmasters, Jamie Paul Scanlon (JPS), Marilyn Minter, NRG US Crew, Pøbel, Richard Best, Stefan Ways, Wolfe Work, You Go Girl!, and Østrem.

Top Image >> The living room set in the street. (photo © Jaime Rojo)

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A stage set in the street with an impromptu live tagging performance. (photo © Jaime Rojo)

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Pøbel and Østrem in Stavanger, Norway. (photo © Steven P. Harrington)

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Dain (photo © Jaime Rojo)

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Artist Unknown. Stavanger, Norway. (photo © Steven P. Harrington)

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Artist Unknown. Stavanger, Norway. (photo © Steven P. Harrington)

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Wolfe Work (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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C215. Stavanger, Norway. (photo © Steven P. Harrington)

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You Go Girl (photo © Jaime Rojo)

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Jamie Paul Scanlon AKA JPS. Stavanger, Norway. (photo © Steven P. Harrington)

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NRG US Crew (photo © Jaime Rojo)

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Artist Unknown. Stavanger, Norway. (photo © Steven P. Harrington)

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Dotmasters. Stavanger, Norway. (photo © Steven P. Harrington)

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Damon (photo © Jaime Rojo)

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A fox by an artist from Chile. Stavanger, Norway. (photo © Steven P. Harrington)

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DOPE (photo © Jaime Rojo)

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Stefan Ways in front of his Warner Mural in Baltimore. Detail. (photo © David Muse)

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Richard Best. Warner Mural in Baltimore (photo © David Muse)

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Untitled. I took this photo from a Marilyn Minter video commissioned by the Brooklyn Museum for the current exhibition “Killer Heels” curated by Lisa Small. Brooklyn, NYC 2104. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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BSA Film Friday: 09.12.14

BSA Film Friday: 09.12.14

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Skewville and Two Dead Rats on Wire
2. Farewell: Velibre
3. Park Rituals” with HOT TEA
4. Project M/5 in Berlin with VNA

BSA Special Feature:
Skewville and Two Dead Rats on Wire

Produced by Dscreet, DUBL Vermin shows one of Brooklyn’s finest and one half of Skewville, Mr. Ad Deville being his usual charming bad-role-model self with a little extra disgustingness thrown in for flava. Just released, this video looks like it was shot about 3-4 years ago, we’re guessing. But after you see the major attraction/s here, you will agree that this is just a timeless piece of art. Sponsored by Heineweiser.

Farewell: Velibre

Farewell is back with a new experiment on the street entitled “Velibre” which may re-calibrate your expectations for transportation.

PARK RITUALS WITH HOTTEA

A more commercial video but yet insightful into the work of Hot Tea and the enthusiastic renaissance man from Montreal, Fred Caron.

 

Project M/5 in Berlin with VNA

The latest installment of the nascent UN museum Project M is curated by Roland Henry for VNA magazine a great crew of artists. You may also enjoy the community element on display here as Yasha Young and team find an opportunity to give back.

 

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“Pintemos Mexico” with Specter, OverUnder, Shente and Libre in Ensanada

“Pintemos Mexico” with Specter, OverUnder, Shente and Libre in Ensanada

Irish Catholics like Specter always get romantic when they see the Virgin Mary being worked into a mural. The Brooklyn based Street Artist just got back from the heavily catholic country of Mexico (Ensenada) where the virgin Guadalupe is the local version that people revere and he says he was inspired by the “Tree of Life”. The metaphorical árbol in this case is the ceramic sculpture displayed at the Museo de Arte Popular in México City.

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Gabriel Specter. “Pintemos Mexico” Ensenada, BC. Mexico (photo © Gabriel Specter)

Joined by Street Artist OverUnder from Reno and Shente and Libre from the HEM crew out of Tijuana one of the oldest graffiti crews in Mexico, Specter worked on his mural for an art project called “Pintemos Mexico”. Each artist chose a more modern and public approach to popular icons and religious figures and storytelling, says Specter, and he liked finding a way to relate his own heritage to the folklore and religious fervor of Mexican culture. With many of the neighborhood kids pitching in to help, these are murals for a community that hopefully reflect the people back to themselves.

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Sculpture by Oscar Soteno on display at Museo de Arte Popular in México City (image courtesy Wikipedia).

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Gabriel Specter. “Pintemos Mexico” Ensenada, BC. Mexico (photo © Gabriel Specter)

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Gabriel Specter. “Pintemos Mexico” Ensenada, BC. Mexico (photo © Gabriel Specter)

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OverUnder. “Pintemos Mexico” Ensenada, BC. Mexico (photo © Gabriel Specter)

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OverUnder. “Pintemos Mexico” Ensenada, BC. Mexico (photo © OverUnder)

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Libre. “Pintemos Mexico” Ensenada, BC. Mexico (photo © Gabriel Specter)

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Libre. “Pintemos Mexico” Ensenada, BC. Mexico (photo © Gabriel Specter)

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Shente. “Pintemos Mexico” Ensenada, BC. Mexico (photo © Gabriel Specter)

 

“Pintemos Mexico” is made possible by Infonavit and the Fundacion Hogares, with Mamutt as one of the collaborators.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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