All posts tagged: Jaime Rojo

BSA Film Friday 02.14.20

BSA Film Friday 02.14.20

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. “Who is TAKI183?”, Jim Prigoff and Cedric Godin
2. ESPO: A Love Letter For You
3. Exquisite Waste Of Time – Telmo Miel

BSA Special Feature: “Who is TAKI183?”

Graffiti writers were going hard in New York City in the mid-late 1960s but it wasn’t until the elite cultural avatar The New York Times did a story on the prolific TAKI183 in July of 1971 that many felt that the graffiti scene was somehow validated. From that point forward, the writer’s reputation as being all-city and unofficial representative of taggers everywhere was gold plated among his peers, and competition to get up all-city was suddenly on fire.

Writer, photographer, author, lecturer and storied nonagenarian Jim Prigoff, who published Spraycan Art with Henry Chalfant in 1987, has just produced a new video with Cedric Godin that more closely examines this tagger/standard-bearer and lets the camera roll on stories from him and others inside his family’s car repair shop.

“A lot of the earlier graffiti was scratched or done with paint brushes. There weren’t really spray cans. I think because markers were available and you could do it quick,” says Taki.

“I discovered the first graffiti in NY as Taki 183. I was stunned. This determined my life direction,” says French Street Artist Blek le Rat. 

“But in New York, it was the media capital of the world,” says Philadelphia graffiti king Cornbread, who was writing in the 1960s as well. “When they had done something, it was magnified. To be honest with you, New York overshadowed me.”

The storytelling leads to stylized writing and people like Stay High 149 and the dawn of more formalized or experimental gallery spaces like Fashion Moda in the Bronx. But Taki retained his tagger status, and remained a touchpoint for an era. “I never had a relationship with the art world because I was just so removed from it.

So much of this history is lost already, mostly because our art institutions and universities have been ignorant and adamantly so about the importance of graffiti in the language of society and its evolution as the most democratic global art movement ever. Videos like this one by Mr. Prigoff and Cedric Godin act to preserve and archive the images and voices of those at the forefront of a movement that influenced so many other parts of global culture.

WHO is TAKI183 A film by Jim Prigoff and Cedric Godin

ESPO: A Love Letter For You

“To mark the 10th anniversary of A Love Letter For You, ESPO and the film director Joey Garfield held a Q & A in Brooklyn’s Night Hawk Cinema. With this documentary, Mr. Garfield captures the artist’s process while directly asking the residents of this Philadelphia community, which was once ESPO’s own hood, what they wish was painted on the walls. ESPO took the inspiration that he received from the community and went onto painting 50 walls.

Exquisite Waste Of TimeTelmo Miel

Exactly how your dad describes your interest in painting, in music, in social work – an “Exquisite Waste of Time”. Luckily, this video promo for a show by Telmo and Miel will make you drool so much to paint that you won’t care what Dad says.

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Ceramics, Miniatures, and Molten Missives; Sudden Sculptures In The Street

Ceramics, Miniatures, and Molten Missives; Sudden Sculptures In The Street

Okay, you are not likely to find Michaelangelo’s Pietà or Bernini’s Ecstasy of Saint Teresa, but you will serendipitously discover ruddy-cheeked siren or a pointillist Whistler’s Daughter made of plastic beads or a molten chess set or a brutalist architectural model as you scan the surface of the modern city for sculpture.

NesPoon in Boras, Sweeden. (photo © Jaime Rojo)

Easy to overlook as so much bumpy skin on the face of the metropolis, today’s street art sculptures have personality and drama and echoes of the “high art” that may be stuck on the other side of the wall, but here it is for everyone to enjoy. Or destroy. 

NesPoon in Leipzig, Germany. (photo © Jaime Rojo)

Whether commercial or diagrammatic or exquisitely ornate, we always appreciate the added dimension that adds to what can be a rather flat “Street Art” scene sometimes – and an excellent entry point into the scene for your friend who is sight-impaired.

Here is a collection of small sculptures from Leipzig to Hong Kong to Moscow and Madrid for you to enjoy.

Unidentifed artist in NYC (photo © Jaime Rojo)
Traz in Berlin. (photo © Jaime Rojo)
3 x 3 x 3 in Hong Kong. (photo © Jaime Rojo)
3 x 3 x 3 in Hong Kong. (photo © Jaime Rojo)
Vaka in Madrid. (photo © Jaime Rojo)
Lego Party in Berlin. (photo © Jaime Rojo)
Unidentified artist in NYC. (photo © Jaime Rojo)
Unidentified artist in Moscow. (photo © Jaime Rojo)
Berroer in Berlin. (photo © Jaime Rojo)
Unidentified artist in Berlin. (photo © Jaime Rojo)
Unidentified artist in Berlin. (photo © Jaime Rojo)
Mesy in Berlin. (photo © Jaime Rojo)
Wolfi in Madrid. (photo © Jaime Rojo)
Mr. Joul in Berlin. (photo © Jaime Rojo)
Unidentified artist in Madrid. (photo © Jaime Rojo)
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Sickid Paints a Sun-Melted Mind Tableau in Wynwood, Miami

Sickid Paints a Sun-Melted Mind Tableau in Wynwood, Miami

Neo-psychedelic-cosmic-abstract-expressionist Sickid took this wall by storm in Wynwood and is blowing minds daily with his curious cast of misshapen feverish oddballs and satiric characters doing nearly unspeakable things that you love to analyze.

Sickid. Wynwood, Miami. December 2019. (photo © Jaime Rojo)

Originally from Bristol, the Street Artist has done much travel since those late 2000s where he first hit Shoreditch with his logo and stretched his interpretations of archetypes, architecture, everyday scenery far enough for adventurous viewers to hop inside and slither around, imagining themselves just outside reality.

Sickid. Wynwood, Miami. December 2019. (photo © Jaime Rojo)

Frankly, this comic world he shows is not that much more surreal than this urban swamp called Wynwood, and he’s probably just painting allegory and metaphor to slag the scaley sidewinders he’s been meeting in the sun-beaten neighborhood. Delicious and salty street food for the unsuspecting tourist, this is a hot-steaming stacked meat sandwich baked inside a deep and chipped chafing dish in his fabulous fever-dream, braised with Corona beer and a hint of coconut suntan lotion.    

Sickid. Wynwood, Miami. December 2019. (photo © Jaime Rojo)
Sickid. Wynwood, Miami. December 2019. (photo © Jaime Rojo)
Sickid. Wynwood, Miami. December 2019. (photo © Jaime Rojo)
Sickid. Wynwood, Miami. December 2019. (photo © Jaime Rojo)
Sickid. Wynwood, Miami. December 2019. (photo © Jaime Rojo)
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Stickers: One Quick Slap And You Are Done!

Stickers: One Quick Slap And You Are Done!

We remember walking down the street somewhere in Los Angeles with Shepard Fairey and a gaggle of other artists after a panel discussion we led at LA MOCA back in the day…Shepard was enthusiastically sharing stories about one thing or another and as he walked, and talked he discreetly and nonchalantly would reach into his back pocket grab a sticker and slap it – sometimes leaping into the air.

Quick. Fast. Done. Noone was the wiser. And that’s how it works. Instantly.

Stickers. Wynwood, Miami. December 2019. (photo © Jaime Rojo)

If the artist is a wordsmith he or she can deliver a zinger or a joke. A distilled sentiment can be just as effective as a sermon. A powerful graphic sticker can deliver a cogent idea to the masses.

Legendary photographer and collector, Martha Cooper wrote and published two books about stickers; “Name Tagging”, which shed light on the practice of graffiti writers writing their tag on the ubiquitous “Hello My Name Is” sticker usually displayed at conferences to identify oneself. The second book, “Going Postal” takes its name from the US post office sticker originally intended to address parcels. Graffiti and street art practitioners use them as a platform to deliver artworks and messages to the public on the streets.

Recently during a walk through the streets in Wynwood, Miami we found a set of wooden panels specifically created to be covered with stickers by the multitude of artists visiting the city. Below we share our finds with you. How many artists can you identify?

Stickers. Wynwood, Miami. December 2019. (photo © Jaime Rojo)
Stickers. Wynwood, Miami. December 2019. (photo © Jaime Rojo)
Stickers. Wynwood, Miami. December 2019. (photo © Jaime Rojo)
Stickers. Wynwood, Miami. December 2019. (photo © Jaime Rojo)
Stickers. Wynwood, Miami. December 2019. (photo © Jaime Rojo)
Stickers. Wynwood, Miami. December 2019. (photo © Jaime Rojo)
Stickers. Wynwood, Miami. December 2019. (photo © Jaime Rojo)
Stickers. Wynwood, Miami. December 2019. (photo © Jaime Rojo)
Stickers. Wynwood, Miami. December 2019. (photo © Jaime Rojo)

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BSA Images Of The Week: 02.09.20

BSA Images Of The Week: 02.09.20

This image has an empty alt attribute; its file name is Brooklyn-Street-Art-Images-of-Week-solo-900x300.gif

The pronounced disparities and hypocrisies of society are now on display and on parade in our politics, on our multiple screens, in our bank accounts, our hospitals, our music, our schools, our neighborhoods, and in our Street Art — which again proves an apt and reliable reflection of society, despite the fog.

While our politicians and political machines and corporate media and cultural institutions are now being questioned more openly and often for their alliances, their entrenched classism, and exploitation of the rank-and-file, you can see those dynamics reflected in the messages and alliances that are occurring in Street Art as well – and questioned more often as well.

Will a torrent of populism be unleashed? Will our institutions fall or further erode? Who knows. As ever, one must be vigilant to spot the colorful wolf in populist clothes, often right in front of you in black and white.

Here’s our weekly interview with the street featuring Adam Fu, Albertus Joseph, Anthony Lister, Captain Eyeliner, COSBE, CRKSHNK, JR, Poet Was Taken, Praxis, Sara Lynne Leo, Vivid Trash, Will Power, Wing, and WK Interact.

JR in collaboration with the Brooklyn Museum. “JR: Chronicles”. (photo © Jaime Rojo)
JR. Detail. “JR: Chronicles” (photo © Jaime Rojo)
Poet Was Taken (photo © Jaime Rojo)
Sara Lynne-Leo (photo © Jaime Rojo)
Praxis (photo © Jaime Rojo)
Will Power x Albertus Joseph (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Cosbe (photo © Jaime Rojo)
Anthony Lister (photo © Jaime Rojo)
Vivid Trash (photo © Jaime Rojo)
CRKSHNK…speaking of vivid trash… (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Wing (photo © Jaime Rojo)
Captain Eyeliner (photo © Jaime Rojo)
Adam Fu (photo © Jaime Rojo)
WK Interact (photo © Jaime Rojo)
WK Interact (photo © Jaime Rojo)
WK Interact (photo © Jaime Rojo)
WK Interact (photo © Jaime Rojo)
WK Interact (photo © Jaime Rojo)
WK Interact (photo © Jaime Rojo)
East River. Winter 2020. (photo © Jaime Rojo)
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Alice Pasquini – “Crossroads”, The Intersections Between Internal and External

Alice Pasquini – “Crossroads”, The Intersections Between Internal and External

Crossroads, the new monograph from Alice Pasquini is full of the young daring and confident girls and women whom have been traveling with her since she began painting walls around the world two decades ago.

Alice Pasquini “Crossroads” Drago Publisher. Rome, Italy, 2019

Rendered in aqua and goldenrod and midnight, withstanding winds and rains, these figures are willing to be there as a testament to the daily walk through your life. A survey and diary of her works and experiences, her style is more human than international in its everyday appeal, advocacy gently advanced through the depiction of intimate personal dynamics and internal reflection.

Perhaps this quality alludes to the invitation of interaction, the ease of integration with the public space in a way that the cultural norms of her Italian roots influenced her.

“In Rome, where I grew up, everything is urban art. Any little fountain or corner was made by an artist. And there were always a lot of expressions of freedom in this city,” she says in an interview here with writer Stephen Heyman.

Alice Pasquini “Crossroads” Drago Publisher. Rome, Italy, 2019

Alternating between aerosol rendering, ink sketches on paper, and the sharpened portraiture of street stencils in hidden places, Pasquini can distill a moment that is perhaps remarkable, perhaps everyday noblesse.

“I have discovered that art is a universal language,” she says. Working in the streets I have found myself in countless situations, whether exhilarating, educational, or expected. I receive immediate feedback, whether it be surprise, joy or curiosity of the passerby, irrespective of age or culture.”

Alice Pasquini “Crossroads” Drago Publisher. Rome, Italy, 2019

Elsewhere in an essay addressing the still-current imbalance of representation of males and females in the Street Art scene internationally, she speaks of a social aspect to her practice, a fulfillment of her desire to engage and encourage women to be themselves and be present, fully immersed in public life.

“Maybe women are presented with a behavioral model that limits our liberty to be ourselves. They tell us how we should be. By painting the women I see, I try to show to them – like a mirror – what they could be but what they repress. It is an incitement for women to do what they wish to do.”

Alice Pasquini “Crossroads” Drago Publisher. Rome, Italy, 2019

With page after page of images in these Crossroads, the artist presents many people, not unlike herself, and undoubtedly extensions of her.  Tender, confessional, timidly hiding in plain view, these figures are public expressions for introverts, observers and dreamers who must confront the harsh chaos of the metropolis, but who are happier without the tumult and able to conjure beauty without the drama.

Alice Pasquini “Crossroads” Drago Publisher. Rome, Italy, 2019

Longtime stalwart friend, advisor, and manager Jessica Stewart gives readers a warm and close view of the artist and her practice, adding a timbre needed to fully appreciate the work.

“I’ve often remarked to Alice that she’s lucky that she knew what she wanted to do since she was a child. I sometimes think that she doesn’t realize just how rare it is to not only have that calling but to be fearless enough to follow your heart. Through her example, who knows how many others will be brave enough to also take the leap.”

Alice Pasquini “Crossroads” Drago Publisher. Rome, Italy, 2019
Alice Pasquini “Crossroads” Drago Publisher. Rome, Italy, 2019
Alice Pasquini “Crossroads” Drago Publisher. Rome, Italy, 2019
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BSA Film Friday: 02.07.20

BSA Film Friday: 02.07.20

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. 1Up X Hand Mixed – “Love is Love”
2. WK Interact x Kobe Bryant
3. Bordalo II in Studio

BSA Special Feature: 1Up X Hand Mixed – “Love is Love”

Many old school original graff dudes kicked gay guys onto the tracks in the 1970s and 80s and 90s and 00s and…. They may have been rebels against oppression, but they could still use their own power and prejudice to keep people down.

Somewhere during that time LGBTQ people began to vociferate for social and legal equality in Western democracies, and their braver straight allies also began to fight alongside of them, and begrudgingly the graff scene began to let these folks into the mix. But homophobia, like racism, is still present in places where the dominant culture embraces homo/transphobia and has held tight to its exclusionary claims to privilege and power – including in the subcultures of graffiti, hip-hop, tattoo, punk, skateboarding, and street art.

So it’s still remarkable when a graffiti crew stands in the face of all of it and says “Love is Love” and uses its One United Power to recognize the rights of everyone, regardless of their particular crush or kink. Granted, 1UP and Hand Mixed employee rebellion and vandalism to make the point, and no one is going to hire any of these guys/gals to work on the UN Security Council because of their diplomacy, but life is messy, yo. And viewer comments on this video on Instagram and Youtube prove that change is still incremental.

WK Interact x Kobe Bryant

In the wake of the unfortunate death of basketball star Kobe Bryant, we’re reminded of that campaign Street Artist WK Interact did with him for a brand a few years ago. It was a very good merging of styles, with their intersection at the corner of movement and strategically employed power. Our condolences to his family and extended network of friends.

Bordalo II in Studio

A full interview with street sculptor Bordalo II last fall on Camões TV. Also a great opportunity for you to practice Portuguese.

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Swoon Flying in “Cicada”

Swoon Flying in “Cicada”

The three-dimensional figures cavort with the thickened and filigreed waves of memory and emotion. They emerge from the wall, flicker across the screen, mesmerizing.

Swoon. “Cicada” Deitch Gallery NYC. (photo © Jaime Rojo)

The hand-drawn lines and patterned shadings are familiar to fans of street art over the last two decades, but this goddess seems so real, so haunted. Swoons’ Cicada installations at Deitch Gallery on 76 Grand Street are in movement, fluttering in your periphery, stories from her past melting into motifs and fragments of her memories, and quite possibly yours.

Swoon. “Cicada” Deitch Gallery NYC. (photo © Jaime Rojo)

Cicada is a life cycle, and it glimmers in the darkness as you turn. In this collection of drawings, installations, and film you finally reach the pain, the trauma, the escapist desire for divinity to save us. Swoon introduces the fluttering mystic figures into her new stop motion film, again your memories are triggered, but it’s hers that are on display – while they continue to hide before us.

Even though she’s not here with you, it feels like Swoon’s never been so close and so theatrical, even when she sailed the Switchback Seas with this same journeyman Deitch. Her own odyssey continues to be rebirthed in so many surprising ways; often at the center of the stage, and still behind the wings.

Swoon. “Cicada” Deitch Gallery NYC. (photo © Jaime Rojo)
Swoon. “Cicada” Deitch Gallery NYC. (photo © Jaime Rojo)
Swoon. “Cicada” Deitch Gallery NYC. (photo © Jaime Rojo)
Swoon. “Cicada” Deitch Gallery NYC. (photo © Jaime Rojo)
Swoon. “Cicada” Deitch Gallery NYC. (photo © Jaime Rojo)
Swoon. “Cicada” Deitch Gallery NYC. (photo still from the film)
Swoon. “Cicada” Deitch Gallery NYC. (photo still from the film)
Swoon. “Cicada” Deitch Gallery NYC. (photo still from the film)
Swoon. “Cicada” Deitch Gallery NYC. (photo still from the film)

Swoon “Cicada” exhibition ran at Deitch Gallery in New York from Nov 14, 2019 – February 1, 2020.

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Axel Void’s “Homeless” Project Comes “Home” in Miami

Axel Void’s “Homeless” Project Comes “Home” in Miami

Doug Gillen’s New Video Captures “Homeless”

Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)

“The aim is to create quality shows outside of the conventional art scene, cutting the middlemen, galleries or institutions,” says Axel Void’s mission statement for “Homeless.”

When his Instagram following gets big enough, will he add art websites and magazines to that list of superfluous middlemen/women?

Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)

In the meantime, here’s London based filmmaker/vlogger and Radio Juxtapoz co-host Doug Gillen with his take on the “residency” that Void (Alejandro Dorda) hosted this year in Miami during Art Basel. As his craft evolves, more of his subjects are emerging; his languorous takes are fulsome, his pacing creating space.

It’s a meditation on what “home” means for 15 or so artists who are in Void’s house “to eat, sleep and create together”. The construction of that phrase suddenly makes this residency sound a LOT more interesting.

Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)

For Axel Voids’ project, the location is North Miami and the temperature is 75 degrees Fahrenheit and the architectural era in the 1920s. From the looks on the face of this crew of international painters, “home” has a lovely barefoot-in-the-grass quality, a sun-drenched smokey Arkestra of soul and silliness. 

When you look at these paintings and these people and think of this environment you may ask yourself, “What is home?”

Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo © Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo © Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo © Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)
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James Bullough Shares a Sneak Peek at “Parallel Truths”

James Bullough Shares a Sneak Peek at “Parallel Truths”

American muralist James Bullough continuously ups his game on canvasses as well, his realism and figurative work slid through the slicer and rearranged with little emotion, a lot of languid style, exquisitely.

James Bullough. “Parallel Truths”. Detail. (photo courtesy of the artist)

He tell us he’s been developing distinctly different styles of painting for the last eighteen months in his Berlin studio and here we share new shots of the works as he prepares for his new show on Leap Day (Feb 29) at Thinkspace in Los Angeles.

We’re pleased that James is sharing these first images with BSA readers – along with a teaser video of the new works in progress.

James Bullough. “Parallel Truths”. Detail. (photo courtesy of the artist)
James Bullough. “Parallel Truths”. Detail. (photo courtesy of the artist)
James Bullough. “Parallel Truths”. Detail. (photo courtesy of the artist)
James Bullough. “Parallel Truths”. Detail. (photo courtesy of the artist)
James Bullough. “Parallel Truths”. Detail. (photo courtesy of the artist)
James Bullough. “Parallel Truths”. Detail. (photo courtesy of the artist)

THINKSPACE GALLERY

James Bullough

Parallel Truths (Main Room)

Opening Reception with the Artist(s): Saturday, February 29, 2020 6:00pm – 9:00pm

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41 Artists Band Together for #BushfireBrandalism

41 Artists Band Together for #BushfireBrandalism

New brandalism campaign commands attention across 3 Australian Cities at bus stops. They call it #BushfireBrandalism

“We’re not a real group. There’s no back story, no history, no narrative – it’s a reaction to what’s just happened,” an anonymous brandalism activist tells us as they describe the sudden swelling of artists who joined together to take over those outdoor big illuminated ad kiosks that pepper your walk through public space.

#BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)

“Sell the water. Dry the Land. Watch it Burn. Blame Drought,” says one of the boldface headlines on one bus-stop ad controlled by the ubiquitous street ad purveyor JCDecaux. 

“Despite Australia being the driest inhabited continent on earth, the Australian Government continues to sell water to mining companies, large irrigators and foreign corporations. This must not go on. Act now,” says the remainder of the black and white poster before providing a QR code for you to scan in the lower right-hand corner.

BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)

“It’s an awareness project. It’s just trying to raise money for a charity but its so much bigger than that,” says one of the organizers. “It’s about having a conversation, changing our habits, becoming more interested in politics, participating.”

With a very loosely organized 41 artists making brand new works that were installed in the last week with the help of about 20 volunteers across three large Australian cities, Sydney, Melbourne and Brisbane, the new messages in these ad spaces are in direct opposition to the coal industry that the current Prime Minister often promotes. There are a number of solutions proposed, and the tenor of urgency varies –but none seem to use particularly offensive imagery.

BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)

“Most of these artists have never had a political bent to their work,” says one person involved in the video released here today. “So this campaign can be an exercise in new territory for the artists as well. These are artists who have huge followings and people look to them as leaders, cultural leaders.”

Indeed, the group says that they have “a combined 700,000 social media following,” and they hope to raise awareness of the underlying causes of the recent unprecedented fires in Australia.  

BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)

“We do not accept that this situation is ‘business as usual’, says a statement by the artists. “We are making these issues visible in our public spaces and in our media; areas monopolized by entities maintaining conservative climate denial agendas.”

“I think there is something cool about taking over the bus stop advertising because we’re the home of Rupert Murdoch and so much of our media and advertising is controlled by News Corp,” one activist tells us, “and they are not really interested in having conversations about climate change so it’s a way to put that conversation out there in public.”

BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)
BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)
BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)
BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)
BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)
BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)
BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)


 
Artists include: Georgia Hill, Tom Gerrard, Sarah McCloskey, Amok Island, Andrew J Steel, Blends, Callum Preston, Cam Scale, Damien Mitchell, Dani Hair, DVATE, E.L.K, Ed Whitfield, FIKARIS, Fintan Magee, HEESCO, JESWRI, Ghostpatrol, Leans, Lluis fuzzhound, Lotte Smith, Lucy Lucy, Makatron, Michael Langenegger, Peter Breen, The Workers Art Collective, Stanislava Pinchuk, The Lazy Edwin, Thomas Bell, Tom Civil, WordPlay Studio, Peter Breen.  

Thanks to the many participating artists and creative professionals who chose to remain anonymous, 20 volunteers, MilkBar Print,
Brandalism UK , Bill Posters, Sasha Bogojev, Ian Cox, KGB Crew, Public Access, Nicole Reed, Luke Shirlaw, Jordan Seiler, After Midnight Film Co, Everfresh Crew, The Culprit Club, The Peep Tempel, Wing Sing Records, Waste, Adam Scarf, NCCP, Gabby Dadgostar, James Straker, Partier Bresson and Charlotte Pyatt

 

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BSA Images Of The Week: 02.02.20

BSA Images Of The Week: 02.02.20

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The ebullient brilliance of the street is what lifts us up in this time of disarray and misdirection. Our collective cognitive dissonance, fed by hired mercenary disinformationists of the oligarchy and their corporate armies, tells us that truth is foggy, or even a lie. No wonder the preponderance of surrealists who are spraying the streets these days. They are merely a reflection of this war on our minds, a war by the way, that you and we are not winning.

Here’s our weekly interview with the street, this week from Miami, and this time featuring A Lucky Rabbit, Bunny M, Caratoes, City Kitty, CRKSHNK, Insomniak Crew, Koalas of NYC, Lauren YS, The London Police, W3r3on3, and Zio Ziegler.

Zio Ziegler deeply wrecking your brain with emanating rays of gold foil genius. Detail. (photo © Jaime Rojo)
Zio Ziegler. Detail. (photo © Jaime Rojo)
Zio Ziegler (photo © Jaime Rojo)
The London Police can’t give a complete compliment. Wynwood, Miami. (photo © Jaime Rojo)
Need a hand?
City kitty (photo © Jaime Rojo)
Unidentified artist’s 3-d rendition of Saturn and its moon Europa. The rings are made with a compact disc-like material. (photo © Jaime Rojo)
Caratoes. Detail. Wynwood, Miami. (photo © Jaime Rojo)
Caratoes. Detail. Wynwood, Miami. (photo © Jaime Rojo)
Caratoes. Wynwood, Miami. (photo © Jaime Rojo)
bunny M (photo © Jaime Rojo)
Lauren YS. Wynwood, Miami. (photo © Jaime Rojo)
W3r3on3. Insomniak Crew. Wynwood, Miami. (photo © Jaime Rojo)
Koalas of NYC. A scannable code overleaf links the reader to a GoFundMe account where they can donate to WIRES, the largest wildlife rescue and rehabilitation charity in Australia. (photo © Jaime Rojo)
Koalas of NYC (photo © Jaime Rojo)
CRKSHNK. This reminds us of the work of MC Escher. (photo © Jaime Rojo)
A Lucky Rabbit (photo © Jaime Rojo)
Dont Fret (photo © Jaime Rojo)
Dont Fret in collaboration with The L.I.S.A. Project NYC. (photo © Jaime Rojo)
Dont Fret in collaboration with The L.I.S.A. Project NYC. (photo © Jaime Rojo)
Dont Fret in collaboration with The L.I.S.A. Project NYC. (photo © Jaime Rojo)
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