We congratulate our partners at the Urban Nation Museum in Berlin for the re-opening of the museum during these difficult times. We applaud their commitment to the arts and to the institution and the people who they serve, including the artists and the community both local and international. As curators of the critically acclaimed current exhibition “Martha Cooper: Taking Pictures” we are elated to know that more people are going to be able to enjoy the exhibition now extended until May 2022.
The URBAN NATION Museum will open for you again on March 16. Here’s what you need to know regarding your next visit:
Due to the ongoing COVID-19 pandemic, there are limitations in place. As usual, admission is free of charge. However, access to the exhibition is currently only possible with a time slot ticket reserved not less than 24 hours in advance. Therefore, please book your time slot ticket at least one day before your planned visit to the museum.
▪️ Visitors will be admitted to the museum only with a booked ticket at least one day in advance via their digital ticket system. ▪️ A maximum of 12 people per hour are allowed to enter the museum. The maximum time spent in the exhibition is 60 minutes. ▪️ All visitors must register on-site with their contact details. ▪️ Access to the museum is only permitted with a medical face mask or FFP 2 mask. ▪️ A maximum of three tickets can be booked per person. ▪️ Guided tours and admission of groups of 5 or more are not possible for the time being.
Urban Nation asks for your understanding of these measures, which will allow them to reopen the URBAN NATION Museum within the framework of the current regulations of the Berlin Cultural Administration.
Welcome to BSA Images of the Week. Did you set you clocks ahead one hour? Spring forward!
We open today’s edition of BSA Images Of The Week with Peruvian artist The Monks. He’s been splashing the streets of New York with his vibrant work… and with a much-needed infusion of color during our winter grays – as a prelude to the imminent Spring in NYC.
We’re feeling good. Is that bad? Maybe it’s the lack of daily tweets that used to hector and batter the populace for 4 years that we are slowly emerging from beneath. It’s like the Twitter Gods are showing mercy on us all.
Maybe it’s the centrist rescue bill finally passed this week that will place newly-minted cash into the hands of the newly-minted poor and desperate working-class, slowing the steady decades-long growth of the gaping chasm between haves and have-nots. (Still “no” to $15 minimum wage, “no” to Medicare for All, “yes” to a bombing in Syria). You can’t blame the Democrats, though – they only have the House, Senate, and White House.
Maybe we’re also feeling partially positive because we had two consecutive days of sunshine and even experienced 60-degree temperatures. Daffodils are positively poised for popping through the dog poop in public parks presently. No doubt we’re also feeling hopeful because a deluge of new art will begin rushing through city streets in the next few weeks as artists, like everyone else, will be racing outside like giddy teenagers.
Not that they haven’t been getting up already. They have.
Here’s our weekly interview with the streets, this week featuring Clown Soldier, CRKSNK, Donut, Fours Crew, Goog, HAZE, Kiwi, Meter, Nemz, Polka, Rambo, Roachi, Samva, Sara Lynne-Leo, Texas & Gane, The Monks, Toath, Zexor, and ZigZag.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening: 1. “We Still Fight” by South Italy Street Art 2. “No Pain No Gain” Graffiti & Tattoo with Brus & Victor Chil 3. Polish National Ballet Interprets Radiohead’s “Reckoner”
BSA Special Feature: “We Still Fight” by South Italy Street Art
“I had a dream, to change the world,” said Angela Davis …. it is the same dream that moves our art.”
“Fighting against the injustices of the world and for the realization of a better world. Fairer, more humane, more beautiful. Our tribute to all the women who drive every revolution.”
“We Still Fight” by South Italy Street Art
“No Pain No Gain” Graffiti & Tattoo with Brus & Victor Chil
How many tattoo artists do you image are former or current graffiti writers? It is a high percentage.
“Graffiti & Tattoo, two worlds invariably attracted to each other, with many of their proponents active in both fields whether it be writers who love tattoo culture.”
An insightful and frankly tender video that contemplates the emotional world that accompanies and encompasses the two disciplines, uniting while contrasting. Here you are presented with two “virtuosos” of their crafts; A Don of Roman wildstyle named Brus and the Barcelona tattoo artist Victor Chil.
Polish National Ballet Interprets Radiohead’s “Reckoner”
A thoroughly modern interpretation by choreographer Robert Bondara, who also does the costume and light design.
The dancers are Yuka Ebihara and Kristóf Szabó with the Polish National Ballet.
Choreography: Robert Bondara Music: „Reckoner” by Radiohead Costume and Light Design: Robert Bondara
Polish National Ballet Dancers: Yuka Ebihara and Kristóf Szabó
“The ‘Beyond Walls’ project aims at creating the largest symbolic human chain around the world, promoting values such as togetherness, kindness and openness to the world,” say organizers of this project that has its tenth stop in this historic site of the tragic slave trade. With five frescoes in total, he painted four of them in the floating village of Ganvie, which was at one time a refuge from slave capture raids.
Additionally his is painting a fifth fresco by the ocean in the village of Abouta) in the Ouidah district, he says, “the beach that saw millions of slaves sent off across the Atlantic.”
This is the 10th step of the project for the land artist Saype. He says that after nearly two years he has visited 3 continents and 37 people have helped paint 77,300 square meters with biodegradable paint.
The world is slowly making movements toward the door as if to go outside and begin living again in a manner to which we had been accustomed before COVID made many of us become shut-ins. Parisian street artist FKDL was no exception, afraid for his health. However, he does have a very attractively feathered nest, so he made the best of his time creating.
(EN) FERME POUR INVENTAIRE (Closed (In) for Inventory) by FKDL
On the first anniversary of his 56-day confinement, we look at what art project he made for himself, using items he had collected. A serious gatherer of magazines, photographs, record albums, and objects that capture his attention, his studio is a small personal museum and archive – full of boxes and shelves and music from the era of his mid-century birth. It’s a golden age that he happily gains entrée to, especially when commanded by a global virus.
“March 17, 2020, the unprecedented experience of confinement begins in France,” writes Camille Berthelot in the introduction to Closed (in) for Inventory, “Time that usually goes so fast turns into a space of freedom, and everyone has the leisure or the obligation to devote himself to the unexpected.”
FKDL quickly began a project daily, sorting and assembling 10 items and photographing them. He posted them to his Instagram by mid-day. Eventually, he saved the photographed compositions together and created this book.
“My duty of tidying up and sorting out turned into a daily challenge. I dove like a child into the big toybox my apartment is to select and share my strange objects, my banalities, my memories, my creations, and those of others,” he writes. “I gather these treasures, valuables or not, in search of harmony of subject, forms, materials, and nuances.”
(EN)FERME POUR INVENTAIRE by Les Editions Franck Duval. Paris, France.
Parisian OG Lek has been working on the streets for the last three of his five decades, growing up close to the Mecca of European graffiti in the 1980s, Stalingrad. By the 90s he was ready to experiment with abstract and futuristic, with a balancing influence from the rigid uncompromising Bauhaus. Today he easily contemplates the illegal and legal, commissioned and commercial, and his compositions are not always easily categorized as graffiti, street art, or mural.
But he is easily called a pioneer among peers, having been one half of Lek and Sowat, as well as a member of Da Mental Vaporz, French Kiss, LCA, GNS, RAW, and 1984. Here we present a brand new gig he scored with Art Azoï last month in his hometown.
LEK in collaboration with Art Azoï. Paris. (photo courtesy of Art Azoï)LEK in collaboration with Art Azoï. Paris. (photo courtesy of Art Azoï)LEK in collaboration with Art Azoï. Paris. (photo courtesy of Art Azoï)LEK in collaboration with Art Azoï. Paris. (photo courtesy of Art Azoï)LEK in collaboration with Art Azoï. Paris. (photo courtesy of Art Azoï)
Over the last few spring-like days in Berlin, her portrait rose slowly about the streets, reminding us that her moral courage continues to have an impact today on International Women’s Day. It’s only been a recognized holiday in this German city for a year, says Urban Nation museum director Jan Sauerwald. Franco’s visage is the first to occupy what has been officially identified as the museums’ ‘Brave Wall.’
“Realizing this political mural on the theme of women’s rights together with artist Katerina Voronina is a special moment for the URBAN NATION Museum program,” he says, “To present the first ‘Brave Wall’ in Berlin and Germany on this day in cooperation with Amnesty International puts the project in a fitting context.”
The artist was chosen by a panel made of an equal number of Urban Nation and Amnesty International participants, along with journalist Miriam Davoudvandi. The joint goal on International Women’s Day is clear.
“Women’s rights are human rights and therefore an important part of our human rights work. I am very pleased that the first ‘Brave Wall’ in Germany was designed by a woman, Katerina Voronina, and honors the impressive commitment of human rights defender Marielle Franco,” says Dr. Julia Duchrow, Deputy Secretary-General of Amnesty International in Germany, in a press release.
An illustrationist and motion designer, Katerina Voronina successfully evokes the resolute spirit of fighting for human rights in the portrait of Franco, “With the realization of this ‘Brave Wall’ I had the opportunity to bring a special and courageous woman into focus.” she says.
Meanwhile, in Spain, artist and muralist Marina Capdevila identifies an obvious question about saving only one day to pay tribute to women in this new piece.
“Today, we still are fighting and working nearly every day to be listened to, to be taken seriously,” she laments, reflecting on the sly kind of dismissiveness she feels about her art practice sometimes. “I’m tired of receiving 8 million emails with proposals that offer to ‘give visibility to women,’ ” she says.
“If we continue like this, will we also eventually only work one day a year?”
Until such a day, she’s loving life as a painter and savors the sisterhood that brings her support and opportunity. “I am fortunate to have wonderful women in my life who inspire me, help me, and above all, make me laugh.”
Marina Capdevila. “365 Dias Luchando” (photo courtesy of the artist)
Remember that time when your best friend’s boyfriend was installing a towel rack in the bathroom of their apartment, and he clumsily busted a hole through the wall, revealing a hidden room – which subsequently released a ghost who regularly appeared at the foot of their bed and slammed doors throughout their dwelling? We do. That’s why it was/was not shocking when a New York woman investigated the breeze emanating from her bathroom mirror. She took the mirror off the wall and discovered a portal to a three-room apartment.
Dude, if that happens to us, we’re not putting it on Tik Tok. We’re heading to Bed Bath and Beyond. In a space-starved city, newly discovered square footage is like finding gold bullion or bitcoin between couch cushions.
In other New York news, some street art neighborhoods are devoid of new works these days – perhaps because January and February are a frozen, mischievous purgatory that chases you inside in a normal year – doubly so when you’re on your 37th consecutive month of pajamas, Minecraft, and Chef Boyardee Beefaroni. Have faith; the next tumultuous 8 weeks of winter-spring-winter-spring weather will eventually coax the street artists and graffiti writers outside in a perennial sign of spring like the appearance of a robin on your windowsill.
Despite the paucity of prancing vandals at the moment, our Editor of Photography, Jaime Rojo, still managed to capture new art in the streets this week in Red Hook, Bushwick, Chelsea, and Bushwick – amongst the scores of closed restaurant huts that have besieged sidewalks citywide. Movie theaters will open for 25% capacity now, and perhaps the moribund restaurants will be coming back to life in this city that never quite sleeps.
Here’s our weekly interview with the streets, this week featuring Adrian Wilson, Berkit, Binho, Blur, Captain Eyeliner, Colin Capernick, Comik, DYM Crew, Ethan Minsker, Know Your Rights Camp, Locs, Matt Siren, Paolo Tolentino, Sara Lynne Leo, Shark, Taboo, The Monks, and Tony De Pew.
Adrian Wilson in collaboration with The L.I.S.A. Project NYC draws our attention at the increase of hate speech and violent acts against the Asian Community – spearheaded by none other than our former Hateful-in-Chief. Why the GOP continues to make this pact with the Devil is a mystery, or is it? It alerts people’s darkest, most odious traits and keeps us fighting with each other. As a true melting pot, we believe New York is better than this. (photo @ Jaime Rojo)Now, now, Sara Lynne-Leo. Remember what the minister’s wife/organist at church always says; “The Good Lord doesn’t make mistakes.” (photo @ Jaime Rojo)Unidentified artist (photo @ Jaime Rojo)The Monks for The Bushwick Collective (photo @ Jaime Rojo)Psychedelic reimaginings by Tony De Pew in collaboration with Matt Siren. (photo @ Jaime Rojo)Comik. DYM Crew. (photo @ Jaime Rojo)Blur (photo @ Jaime Rojo)Berkit, Locs and Binho (photo @ Jaime Rojo)Shark (photo @ Jaime Rojo)Captain Eyeliner (photo @ Jaime Rojo)Taboo, Host. DYM Crew. (photo @ Jaime Rojo)Ethan Minsker (photo @ Jaime Rojo)Public service messages from Paolo Tolentino (photo @ Jaime Rojo)#knowyourrightscamp This is a form of advertisement, and we recognize it, despite its graffiti/street art vernacular. Even so, we admire Mr. Caepernick as one of the few brave sports figures of immense relevance and influence who was and still is willing to forgo fat checks in exchange for being free to speak his mind on social and racial justice issues that are close to his heart and to his home. Untitled. Manhattan. Winter 2021. (photo @ Jaime Rojo)
Angelo Milano, the founder of Studiocromie and FAME Festival, has been courting Brooklyn artist duo Faile for more than a decade, and they finally created a series of ceramics together for his studio art business in Grottaglie under the tutelage and traditional expertise of the centuries-old Ceramiche Nicola Fasano’s workshop.
Faile. Large Vases. Stenciled and Glazed Terracotta. (photo courtesy of Faile)
The model of hosting artists for a variable length of time and offering them cooperation with local artisans to create commercial products was part of the original concept of FAME, in addition to the well-curated placement of stunning murals on walls by artists including Erica Il Cane, Vhils, Interesni Kazki, Conor Harrington, Cyop & Kaf, Momo, Lucy McLauchlan, Bastardilla, and Ted Moneyless. Since the mural festivals’ dissolution by Milano a half dozen years ago, he’s hosted a growing list of talents mirroring his eclectic fine eye for quality, and devil-may-care philosophical stance – the solo show and rap album with the Italian trio Canemorto both come to mind, for example.
“Exploring a mix of our stencil processes and combining it with a variety of their methodologies,” says Faile (Patrick McNeil and Patrick Miller), “we created a small collection of unique ceramic plates and vases.”
Faile. Multilayered Large Plate Collection. Stenciled and Glazed Terracotta Plate. (photo courtesy of Faile)
The pieces incorporate the familiar pop and pulp imagery and visual vocabulary of canvasses, collaged media, wheat-pasted posters, and street art stencils on a plate. Now you can enjoy your Friselle bread and tomato salad with your favorite stenciled skateboard girl in pink while looking at a vase that may recall prayer wheels.
Faile. Small Plate Collection in Blue.Stenciled and Glazed Terracotta Plate. ( Photo courtesy of Faile)
Faile. Small Plate Collection in Red. Stenciled and Glazed Terracotta Plate. ( Photo courtesy of Faile)
Collection available now via the StudioCromie Shop. Click HERE to see more.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening participants at Festival Asalto 2020: 1. FAITH XLVIII 410 BC – 340 BC 2. Ozmo / “La visión de Tondalo” via Urban Art Field 3. SOFLES / Geometric
BSA Special Feature: FAITH XLVIII 410 BC – 340 BC
You knew FAITH XLVIII was OG, but did you imagine she dipped back to the 4th century? In this newly unveiled clandestine scene, the South African street artist paints among the decay in Lexington.
She says it is part of her “7.83Hz Series”
FAITH XLVIII 410 BC – 340 BC, Lexington, Kentucky
Ozmo / “La visión de Tondalo” via Urban Art Field
Ozmo in Turin finds inspiration here from a Renaissance panel from the Bosch school and interprets it for Urban Art Field. In it, we find the journey of a dreamer in hell beneath the power of the Mole Antonelliana, the major landmark building that serves as a symbol of Turin.
SOFLES / Geometric
Professor Sofles takes us to school again with this brand new 3D-style graffiti piece he painted in a gym. He says he took inspiration from the interior wall design and climbing equipment.
In the US, families of military veterans say, “Freedom isn’t free.” It refers to the enormous amount of sacrifice people have to make – military and civilians alike – to guarantee that societies provide a fulsome measure of freedom and autonomy to their citizens. Likewise, free speech has to be fought for periodically to ensure that people have it – because it can be so swiftly taken away if we are not vigilant.
In our third installment of the murals painted in February in Barcelona, Spain, we are reminded that historically, the artist is often one of an oppressive government’s targets. It is somewhat sequential, the positions and stations in society who gradually are targeted for slurring and silencing. Academics, clergy, the press – a building degradation of respect for institutions and trust across the board.
These artists express their opinions in defiance of silencing because, inherently, they fight for everyone’s right to freedom of speech and expression, regardless of our comfort or discomfort with the ideas expressed. Because they must.
It is notable when an organized gang of aerosol-wielding vandals protests your protest against censorship with censorship.
It’s also odious.
Everyone knows that it is normal for graffiti writers and street artists to expect that their ephemeral work may be buffed by a municipality or crossed out by a rival painter. This is a different matter entirely.
This is our 2nd time to bring you this story from a paint jam in Barcelona’s Plaza de las Tres Chimeneas where a collection of artists gathered to paint works addressing what they see as an unjust attack on the freedom of a citizen to express opinions in lyrics and writings. Taken together, these works are a passionate rejection of censorship and a colorful act of free speech by a community.
It made international news last month when Pablo Hasel, a Spanish rapper/singer/artist/musician from this city, was imprisoned under a Supreme Court ruling, which found his lyrics about King Emeritus Juan Carlos De Borbon to be offensive.
Artist Roc Blackblock was surrounded by a tight semi-circle of scrutinizing journalists and citizens as he painted. This was his second mural since his first had been immediately censored and ordered removed at the action in mid-February by an NCNeta brigade who a Barcelona Urban Guard escorted. He didn’t appear to mind the pressure.
Because there have been demonstrations in various cities and because modern media drools over scenes of destruction and violence, it’s easy to forget the many peaceful artists who paint their opinions, says documentary photographer Fernando Alcalá, who shares his work here.
“I think it’s important to keep speaking about the artistic actions when, after days of riots and looting, the media has forgotten about freedom of speech, and they just talk about burnt trash cans,” he says.
We’re happy that he captured these before they were destroyed by ‘Union de Brigadas,’ who recorded their censorious actions proudly and shared them on Twitter and YouTube.
I think it’s important to keep speaking about the artistic actions when, after days of riots and looting, the media has forgotten about freedom of speech and they just talk about burnt trash cans.”
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
