All posts tagged: Innerfields

BSA Film Friday 06.08.18

BSA Film Friday 06.08.18

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1.1st Berlin Mural Fest Wrap Up
2. Pixel Pancho in Papeete. for ONO’U Tahiti Festival 2018. French Polynesia.
3. Christina Angelina in Papeete. for ONO’U Tahiti Festival 2018. French Polynesia.
4. Doug Gillen FWTV – Street Art and Anti-Semitism…discuss..

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BSA Special Feature: 1st Berlin Mural Fest Wrap Up

Of course Berlin has no shortage of organically grown aerosol artworks around the city so it takes something special like a mural festival started by Die Dixons to make an impact. They have the connection to community and ability to mobilize across walls and art and performance disciplines. After the success of The Haus last year it seemed like anything was possible for the team, and the first time out shows the results in this short aftermovie.

#berlinmuralfest #nackenstarregarantiert #allewändevollzutun #berlinartbang

Props from the organizers to: Akteone, CREN, Jelio Dimitrov Arsek, Erase, case_maclaim, Die Dixons, Dr.Molrok, El Bocho, Elle Street Art, HERAKUT , Icke_art, Innerfields, Insane 51, Isakov, James Bullough, Kera1, Klebebande Berlin, Kobe Eins, Mika Yat Graffiti, Millo, Mr.WOODLAND , MTO (Graffiti / Street-art), MüCke32, Natalia Rak, Notes of Berlin, Nuno Viegas, One Truth Graffiti Street Art, ONUR, WES 21, Size Two, snik, TASSO, TELMO MIEL, Ria Wank, Michael Dyne Mieth, Anne ‘Blondie’ Bengard, Slider.Bandits, Caparso, Bas2, Daniela Uhlig, Ghettostars Crew , Monsta 179, Semor the mad one, Skenar73, Max Roche, Raws, TAPE OVER, Tape That, Tobo

Pixel Pancho in Papeete. for ONO’U Tahiti Festival 2018. French Polynesia.

Here are a couple of quick work-in-progress videos we shot this week on the island of Papeete in French Polynesia while we’re chasing artists with Martha Cooper across 4 islands of Papeete, Raitea, Moorea, and Bora Bora. Here are Pixel Pancho and Christina Angelina.

Christina Angelina in Papeete. for ONO’U Tahiti Festival 2018. French Polynesia.

 

Doug Gillen FWTV – Street Art and Anti-Semitism…discuss…

Is Banksy anti-semitic? The Street Artist has used his work to address social and political causes for almost two decades and this is the first we’ve heard the charge. We’ve seen all sorts of sentiments on the streets – racist, misogynist, homophobic, strains of xenophobia from different angles. But this is Israelis and the Palestinians and an active fight – with a multitude of shadings. Doug Gillen flies directly into the hornets’ nest – all for the love of Street Art.

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12 Finalist Artists Announced for Contorno Urbano Mural in Barcelona

12 Finalist Artists Announced for Contorno Urbano Mural in Barcelona

Almost 300 artists and collectives from around the world (42 countries) have entered the 2018 Contorno Urbano competition for this wall/residency/7000€ prize in Barcelona! It is astounding how many high caliber artists are at work today in cities everywhere, bringing innovative new techniques and unique perspectives to public space like never before.

After reviewing all applications and submitted materials during a process begun this summer, today we are excited to announce that this list has been narrowed to just 12 finalists. Next month their names will go to the final stage of selection in Barcelona with esteemed co-jurors from organizers and creators in the areas of art academia, mural art, public art, and Street Art to narrow the list to one.

The 12 premiere finalists for the Mural de la Salut in Sant Feliu de Llobregat (Barcelona, Spain) are:

Axel Void
Borondo
Colectivo Licuado
David de la Mano
Escif
Guido Van Helten
Hyuro
Innerfields
Millo
Otecki
Sabotaje al Montaje
San

Congratulations to each artist! It wasn’t an easy task for the pre-selection committee to decide the best from 300, but your work rose to the top 4% of the applications according to the selection criteria.

#MuralSalut: Finalistas – Finalists from Contorno Urbano on Vimeo.

Among the considerations for selection were academic studies, experience and history creating murals in public space, previous internships or residencies, and suitability of artwork style to the central purpose of this 400 square meter mural.

Each of the 12 finalists will be asked to submit a sketch and a written proposal.

The final stage of the selection will be on November 15th and 16th, with the following professionals travelling to Sant Feliu de Llobregat:

Monica Campana (Cofounder of Living Walls and project manager for the urban art exhibition Open Source),
Fernando Figueroa (PHD in History of Art and independent researcher specialized in graffiti and urban art),
Esteban Marin (President of Contorno Urbano and mural artist),
Jaime Rojo (co-founder of Brooklyn Street Art and curator), and
Veronica Werckmeister (painter and muralist, curator).

The mural will commemorate the neighborhood’s fight 30 years ago to have this public square created for the neighbors instead of building a gas station. After meeting with the Association La Salut and the neighbors who live in the area, members of the jury will review previous artworks and experience of the 12 finalists to help them to select the artist who is best suited for painting the mural.

The winner will receive an artistic residence beginning in Spring 2018 and will receive a 7000€ prize. The wall will be painted after an artistic residency in order for the artist to become acquainted with the historic context of the project and the city itself.

The project is a collaboration between the municipality (Ajuntament) of Sant Feliu de Llobregat, Fundacion Contorno Urbano and Kaligrafics.

Kaligrafics: Founded in 1999, it’s the oldest non-profit organization dedicated to graffiti and street art in Cataluña, and a significant record of experience in Spain.

Contorno Urbano: The first Foundation in Spain to be fully dedicated to street art and graffiti. The team has over 10 years’ experience organizing murals and urban art dissemination locally and internationally.


Following in no particular order are the 12 finalists:

Guido Van Helten / United Kingdom

Guido Van Helten for Nashville Walls Project. Nashville, TN. June 2017. (photo © Eric E Johnson)

Borondo / Spain

Borondo for Urban Nation this spring (UN) in the Tegel section of Berlin. (photo © Jaime Rojo)

Escif / Spain

Escif. Living Walls Atlanta. (photo © Jaime Rojo)

Daniel “SAN” Muñoz / Spain

Daniel Muñoz. The curtain ( 983 followers). The Highlands, Scotland. (photo © courtesy of the artist)

Axel Void / USA

Axel Void. Los Muros Hablan. El Barrio/Spanish Harlem. NYC. (photo © Jaime Rojo)

Hyuro / Spain

Hyuro. What In The World PM/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo © Jaime Rojo)

Colectivo Licuado / Uruguay

Colectivo Licuado. Lisbon, Portugal. (photo © courtesy of Colectivo Licuado)

Millo / Italy

Millo in Kiev for Mural Social Club Festival/NGO Sky Art Foundation. (photo © Maksim Belousov)

Innerfields / Germany

Innerfields for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

David De La Mano / Spain

David De La Mano. Urban Nation Musuem For Urban Contemporary Art. Berlin. September 2017. (photo © Jaime Rojo)

Sabotaje Al Montaje / Spain

Sabotaje Al Montaje. Los Alcazares. Murcia, Spain. (photo © Lluis Olive Bulbena)

Otecki / Poland

Otecki. Urban Forms. Lodz, Poland. (photo © Courtesy Urban Forms)

 

 

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Rocking “THE HAUS” : A 5-Floor Berlin Bank is Transformed by Artists

Rocking “THE HAUS” : A 5-Floor Berlin Bank is Transformed by Artists

“Normally we paint advertising – hand-painted advertising, mostly with cans. So we work all over Germany, with a lot of crews, “ says Kimo, a bearded, bald energetic and sharp witted guy who is lighting up a cigarette in this tattered, beige ex-conference room.  That explanation doesn’t prepare you for what you will see in the rooms upstairs.

Size Two. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

The floors are piled with unopened paint buckets and brushes and cans and the walls in this organizing office are covered with scotch-taped project timelines, to-do lists, and floor plans of the old bank. Each former office space is plainly labled with names of German Street Artists or graffiti  crews, some you recognize, others you don’t. More recent Street Art names are next to classic Graff heads, installation  artists mix freely with Optic Artists, photographers, sculptors, even a live moss installation.

Case Maclaim is right next door to Turbokultur with Stohead out in the hall on floor 1.  El Bocho and Emess are in small rooms to either side of 1UP on the 3rd. Herakut in a corner room numbered 506 is right next to Nick Platt and Paul Punk in 505.

1UP Crew. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

What are all these artists, more than 175 of them and almost entirely German, all doing throughout a five-floor bank building in central Berlin on the Kudamm?

You’ll find out in April when the doors open to thousands of graffiti/Street Art/contemporary art fans to tour through THE HAUS, an enthusiastic life-affirming  joyful and pissed-off D.I.Y.-flavored fun-haus of fully realized installations, painting, projections, exhibits, and interventions.

You’ve been to (or at least read about) these last-hurrah urban art installations before – celebrations of artists’ visions that inhabit a building destined to be demolished soon. Possibly because of their ephemeral nature or a lack of serious interest in art-making, often the artworks and their execution are a bit slap-dash and loosely committed.

Not at THE HAUS. You’ll likely be surprised by the conceptual sophistication at times and wowed by technical dexterity, stagecraft, attention to details, and genuinely mind-challenging immersive environments.

Super Bad Boys. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

But this is Berlin after all, an urban art capital where graffiti crews are known for getting way up on impossible walls with foolhardy and militarily precise plans – sometimes implemented with rehearsal and execution under cover of night.

The logistical planning of Street Art and graffiti interventions here often centers around devising a slick and ingeniously resourceful roll-out of the aesthetic attack- some times given as much attention as executing the artwork.

Innerfields. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

“We do not curate any of the room concepts,” explains Kimo as he leads you from room to room, sometime removing protective tape over doorways and turning on lights to allow a guest to see inside. “There is no over all concept. It has to be really really nice, but that’s it.”

Okay, there are some challenging themes around violence, graphic sexuality, and the horror of human trafficking. More often they are driven by character, text, and slaughtering with paint and pattern. As with most creative ventures of this size, it is impossible for organizers to know when or if to draw the line on content.

 

Herakut. Process Shot. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

There is also a darkened and completely life-sized realistic portion of a train-yard with a capped train over head, rails below, and cables and ground stones. A companion “white box” installation is said to be somewhere right now inside an underground Berlin train station. It is evident that weeks of preparation went into many of these dioramas and scenes.

“We just called around 50 artists to invite them here to take a look at the building and we told them, ‘If you know guys who have skills like you, just tell them.’ We’re looking for more artists,” Kimo says.

With more than three times that number coming and installing in the HAUS building over the last four months, there are still more artists who are clamoring to get in. “Now we have 100 artists on the waiting list”.

Case Maclaim. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

The existence of this list would sound like bragadoccio coming from another organizer of an event like this, but when you see the calendars, lists of names, video scheduling, website design schedule, team responsibilities, art materials, contracts, even marketing plans printed and thumb-tacked on the walls of the Orga, you know that these three partners have created a supportive art-making environment with a sense of purpose.

“Bolle and Jörni  have been painting for 25 years,” says Kimo of his two partners. The three are members of their own crew called DIE DIXONS. Kimo says he cannot paint. “I tried but I can’t, I don’t have the patience to paint”. Instead he says he has great organizational abilities and love for the art  subculture and the graffiti/Street Art game.

 

Kaleido. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Together the DIE DIXONS also own the professional sign-painting company Xi-Design who originated THE HAUS project, and it is their multiple contacts with real estate, construction, lifestyle brands, paint suppliers, and highly-skilled commercial painters that makes this endeavor a POWER HAUS like few you’ll find.

This show is planned to be destroyed in a few months along with the building for a new project with condos and retail, but the quality here in many cases actually rivals art fairs we have seen in the last few years. Based on the buzz it has it safe to say that by the time the doors open in April, it will already have been declared a success.

Ostap. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Please note: Under the agreement with the organizers we agreed to publish only details of the pieces, so the surprise is not ruined. Some of these are installations in progress along with completed installations.

Tape That. Process Shot. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Tomislav Topic . Thomas Granseuer. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

Dr. Molrok. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Steffen Seeger. Process shot. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

Base23. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Vidam. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Telmo & Miel. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Paulo Consentino. Process shot. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

Anne Bengard. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Arsek . Erase. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Amanda Arrou-Tea. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Go Go Plata. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Honsar. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Insane51. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Popay. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Daniela Uhlig. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

Felix Rodewaldt. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

DeerBLN. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

Klebebande. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Mario Mankey. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

One Truth. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Koikate. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Rotkäppchen . Goliath. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Señor Schnu. Process Shot. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Urzula Amen. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

We wish to express our sincere thanks to Kimo, Bolle, Jörni and their team for all the time and assistance provided to us for the production of this article. Thank you to Katrin for helping with the artists IDs, and to Lisa Schmidt for her help with information as well.

 

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Innerfields, Dourone, Le Bonnar, Dima Fatum and Ernesto Marenje in KIEV for “Art United Us”

Innerfields, Dourone, Le Bonnar, Dima Fatum and Ernesto Marenje in KIEV for “Art United Us”

New work today from many artists who are participating in the the mural program in Kiev called Art United Us. In the wake of war and threats of aggression and instability, it is admirable when an art program can be successful and project an aura of hope despite fears.

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Innerfields for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

Art United Us says they are committed to pursuing positive life-affirming goals and they ask the artists to create works that reinforce themes of peace and brotherhood/sisterhood. The murals in the city are primarily a beautification project and the areas that they appear in are naturally affected by their overall pleasant messages. Here are some of the newest ones.

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Innerfields for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

The Berlin based trio who call themselves Innerfields created this figurative piece where one person is there and the other is not, yet they are hugging. “Present” is the name of the multi-story painting and the authors remain vague about it’s possibly meanings, saying it “deals with desire and interpersonal relations.”

Certainly that arrow looks painful physically, but it may also be a metaphor for emotional pain.

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Dourone for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

Madrid based world traveler DOURONE brought his fantasy figurative portrait work to Kiev on his largest mural ever to promote “Fraternity,” he says. Our more honorable qualities of respect, freedom, and valuing diversity are being gradually eroded, says the artist in a statement.

“These aspects of life are being erased by other aspects like individualism and selfishness.” Perhaps fourteen floors of fraternity will help to re-focus viewers on our shared humanity and foster mutual respect.

 

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Dourone for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

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Dourone for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

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Olivier Bonnard for ArtUnitedUs in Kiev, Ukraine in collaboration with Artsynonym and Pangeaseed Foundation. (photo © @dronarium)

“This combines the role of Cossacks in the historical development of Ukraine and the consequences of human impact on the Black Sea,” says artist Olivier Bonnard, whose painting of a vase is in coordination with the organization named Sea Walls: Murals for Oceans. A peon to biodiversity, the deterioration of our seas and killing off of species is creating “dead zones’ where no animals can survive and the artist wants to draw attention to this.

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Olivier Bonnard for ArtUnitedUs in Kiev, Ukraine in collaboration with Artsynonym and Pangeaseed Foundation. (photo © @dronarium)

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Ernesto Marenje for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

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Ernesto Marenje for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

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Dima Fatum. Detail. ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

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Dima Fatumm for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

ArtUnitedUs is co-founded and curated by Geo Leros and Iryna Kanishcheva.

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