Welcome to BSA Images of the Week! New York has endured a week of choking smoke from Canadian wildfires, 98-degree (37°C) heat, and pounding summer thunderstorms. Today, the FIFA World Cup Final arrives, briefly transforming the city once again. Bars in Argentine and Spanish neighborhoods are overflowing with fans, an estimated 50,000 people will gather before giant screens in Central Park, and across the Hudson, 83,000 will pack MetLife Stadium. The match has also turned the region into a temporary diplomatic capital, drawing President Trump, Mexican President Claudia Sheinbaum, Spain’s King Felipe VI, Spanish Prime Minister Pedro Sánchez, and Canadian Prime Minister Mark Carney.
Yet New York has a way of absorbing even the grandest spectacles. While the sporting euphoria fills many spaces, someone in Jackson Heights is comparing the price of canned beans and reaching for the store brand, another is watering tomatoes at M’Finda Kalunga Community Garden on the Lower East Side, someone else is doing the week’s laundry at Ludlow Laundromat, while another is stretched out beside a rooftop pool in Williamsburg. As they say on Broadway, come hell or high water, the show must go on.
Here is our weekly interview with the street, this time featuring CRKSHNK, Debt, Hops Art, IMK, JerkFace, Little Ricky, Makatron, Sara Lynne Leo, SOOBEK, and Worst Timer.
It is music opening and closing, Italia mia, on Bleecker,
ciao, Antonio, and the water-cries of children
tearing the rose-coloured sky in streams of paper;
it is dusk in the nostrils and the smell of water
down littered streets that lead you to no water,
and gathering islands and lemons in the mind.”
Bleeker Street, Summer Derek Walcott
Here’s our weekly interview with the street, this week featuring Buttafly, Dan Witz, ICU463, Iena Cruz, IMK, Jorit, KAM, Magwie, Manuel Alejandro, Odette, Petit Agite, Rise, Sempri, and VK Mills.
Welcome to BSA Images of the Week! Yo, don’t sleep on New York – we’re still setting an eclectic standard of outlaw graffiti and street art and out-of-your-mind people on the street, in the clubs, concerts, and parks. When the weather warms like this week, all the subcultures emerge again on the streets, out of their apartments after a long winter, looking for action, and thankfully, there is plenty – 5-Borough bike rides, Smorgasbord, Shakespeare in the Park, cherry tree festival at the botanical gardens, LES skatepark, Union Square Market, Washington Park gatherings, Fleet Week. Yes all the prices are going up, but a lot of New York can be enjoyed for little or no money – just go outside.
Let’s see how the Met Gala sidesteps its Bezos-era funding this week during the annual craven catwalk of shallowness and hot air. The usual procession of “stars” will take the carpet—plenty of spectacle, putting very little at stake beyond the attention it generates. As a street art campaign heated up to boycott the event this spring, Hyperallergic’s article from mid-April nailed the gist of it. More recently, bus stop installations hit the message directly by stating “Amazon Powers ICE”. The Met doesn’t know how to do people-powered revolt – unless it can be pulled completely out of its original context (or happened 300 years ago). Remember the thorough de-boning of punk culture for the “punk” themed event in the twenty-teens? It was like a tasty punk Filet-O-Fish.
Surprisingly, corporate media didn’t pick up this new anti-corporate Amazon/Met story. See the video of a street poster installation at the end here.
So here is our weekly interview with the street, this time featuring Depoe, Dirt Cobain, Frank Ape, Gane, Guila, Gushe, IMK X, Jorit, Love X, Miss 17, Modomatic, Ollin, Pear, Qzar, Rems, Sonni, Stikman, Tuney, and Want Pear.
Welcome to BSA Images of the Week. We are following, with you and the rest of the world, the negotiations between Iran and the Trumpsters. We imagine that you cannot trust anything that comes from a foreign leader who said earlier in the week “a whole civilization will die tonight” in a social media post. Meanwhile, a 2-liter Coke is $4.10 at your local deli – about the same as a gallon of gas nationwide, and all young men 18-26 are going to be automatically registered for the draft. We’re trying to think of a clever joke to insert here, but nothing is coming up.
70s/80s NYC train writer Fab 5 Freddy has been on a book tour tied to a new memoir, “Everybody’s Fly” out this spring, re-centering his role as a connector between uptown graffiti writers, the downtown art world of the 1980s, and his early hip-hop media crossover in the 90s. Meanwhile, nobody is doing trains today, as rooftops and rappelling are the current popular practices in graffiti in Brooklyn and Queens, with names like Notice + Rams (MSK), Qzar, Vods, Timer, Sokem, Sickpay, and Dase circulating again for getting up—names you’ll recognize mixed with newer hands. And of course, the murals are starting to come out in force; private, community-led, and corporately sponsored.
Here are some new shots we caught this week on New York streets, featuring Eternal Possessions, Shev Lunatic, BESRK, IMK, El Avo, STOP, CRKSHNK, DEBT, FCM, Jenna Morello, Damsel, and Charm
In New York, the New Museum has reopened with its expansion by Rem Koolhaas and Shohei Shigematsu, pulling in steady lines of architecture watchers and contemporary art pilgrims. The opening exhibition, “New Humans: Memories of the Future,”sets out to parse what it means to be human as technology redraws the terms, gathering more than 200 contributors across art, science, and film—an experience that is by turns enthralling, overwhelming, poetic, and brutal.
In a display of the classic New York tension between preservation and redevelopment, a canonical piece of early street culture history—a 1987 mural by Keith Haring—is at risk. The City says it will preserve it, but many remain unclear how—and are openly skeptical.
At the mural festival called The Crystal Ship 2026 in Ostend, Belgium, a cleverly named exhibition “Subway Art”—curated by Alice Gallery—revisits the origins of graffiti culture, tracing its roots in the subway systems of New York and other early writing scenes. Presented alongside the festival’s citywide program, it anchors the broader theme of Curiosity by grounding it in the movement’s unsanctioned beginnings and writer-driven history.
Coming up in April, “Martha Cooper: A Retrospective” opens at the Bronx Documentary Center Annex in the Bronx, New York, offering a comprehensive survey of her five-decade career documenting urban life and creative expression. On view from April 9 through June 14, 2026, the exhibition brings together decades of work that helped define the visual record of graffiti and street culture.
César Chávez, long honored as a leader of the farmworker movement, has also been the subject of grave allegations reported in recent accounts, including statements by Dolores Huerta, who said publicly that he raped her twice in the 1960s and that she bore two children as a result. In recognition of the labor, sacrifice, and leadership of women in the movement, we call for Huerta’s name to replace his on parades, holidays, streets, schools, libraries, parks, post offices, vessels, monuments, murals, and other public institutions or commemorations that now bear his name.
¡Viva Dolores Huerta!
Here is our weekly photographic interview with the street, this time featuring: Carlos Alberto, City Kitty, Hanimal, Homesick, IMK, Le Crue, Mickalene Thomas, Queen Andrea, and Vesod.
Spring is arriving, but conversations around the city keep circling back to the war—bombings, deaths, oil prices, and the prospect of boots on the ground. At bars, clubs, and bagel shops, the mood turns serious quickly. There’s little joking in today’s daily discourse. Mostly, people wonder how this war began when so few seem to support it; recent polls put approval around 29%. People don’t feel like they were consulted, or considered.
Across news agencies as days pile up, the stories grow of governments in more than 50 countries across Europe, the Middle East, Asia, Africa, and the Americas have calling for a ceasefire, de-escalation, or a return to diplomacy. It is a widening conflict involving the United States, Israel, Iran, and every contry in the region- with threats to Turkey and Europe. In New York—home to neighborhoods and communities from many of those same countries—the conversations are personal, and the tension is easy to notice.
The famous yet anonymous Banksy has finally been revealed—at least according to a lengthy new piece in Reuters. Over the years, the elusive street artist has weighed in on the plight of Palestinians, Ukrainians, and African and Syrian refugees, and has often returned to the images of children as a symbol of hope, innocence, and loss. At the moment, as events around the world turn darker by the day, few seem to be talking about his wry interventions.
In Washington public space, a satirical sculpture that appeared on the National Mall has been drawing laughs—and, for some, feelings of nausea. The piece depicts Donald Trump and Jeffrey Epstein in a Titanic-style pose and is titled “King of the World.” Reuters reports that the installation was created by the anonymous collective called Secret Handshake. The Epstein scandal has been mentioned in some circles as a possible motive for distraction in launching the war, though others argue the drivers are more likely rooted in geopolitics—namely oil, and the petrodollar that runs through it.
Here is our weekly interview with the streets, this week featuring Alice Mizrachi, Calicho Art, City Kitty, Clark, Crash, Fun Quest, Humble, IMK, Inphiltrate, Manuel Alejando, Must Art, OSK, Outer Source, Rats, REPO, REVOLT, and TOWER.
Our hearts are full of love this Valentine’s weekend for you, dear reader.
A new study shows New York’s artist population is declining for the first time in decades due largely to housing costs, and most people here will agree with that conclusion. Brooklyn-based Street Artist Marka27 (Victor Quiñonez) found that censorship is strong on campus when his exhibition addressing immigration enforcement was cancelled at the University of North Texas, yet another example of universities not standing up for free speech but suppressing it. Meanwhile, Street artist Ernest Zacharevic has filed a lawsuit against AirAsia for unauthorized use of his famous Penang mural imagery, highlighting ongoing battles over ownership and reproduction of street art. In graffiti news, Street Art NYC has a brief interview with curator Christine DeFazio on her Tales from the Ghost Yard show in the Bronx. In Paris A Valentine’s Day exhibition yesterday brought together street and contemporary artists Clément Herrmann, Mr Byste, FinDAC, Uri Martinez, Belin, and Sandra Chevrier in a live, public-facing showcase.
The Federal government continues its campaign to remove people’s histories from public space, most visibly this week with the removal of the Pride flag from the Stonewall National Monument — the symbolic birthplace of the modern LGBTQ rights movement — before local officials and activists raised it again in defiance. New York Governor Kathy Hochul criticized the removal, calling it “hurtful”, noting that the LGBTQ community has been “discriminated against and oppressed for much of its history,” adding, “The Pride Flag has meant a lot to all of us here in New York and to those who come around the world to see this place.”
New York’s Public Art Fund is featuring a number of artists in 2026 whose paths have crossed with street art, including Barbara Kruger, whose early wheatpaste posters and later bus-shelter text works established a new language of the street; Nina Chanel Abney, whose large-scale murals and façade projects have extended the public wall tradition with socio-political critique; and Jane Dickson, whose decades of street-level and transit-based projects in Times Square and the subway system connect directly to New York’s urban visual culture. It’s encouraging to see institutions recognize artists whose methods have long existed outside the mainstream—even if that recognition often arrives only after the market has validated the work.
Here’s our weekly interview with the street, this week featuring Appleton Pictures, Atomik, BK Foxx, Chuck U, Dee Dee, EASC, Homesick, IMK, NESC, and Siner One.
Queens, New York-based Duendita often moves between NYC and Berlin contexts. “Mind” reads more as an intimate, interior/performance piece rather than a particular place.
Welcome to BSA Images of the Week. Photographer Jaime Rojo hit the ground running upon getting back to dirty old Brooklyn this week from a Berlin/Prague tour. Lots to report from there on the walls, in the gallery, and in the museum spaces – and more to come for you to enjoy. In the meantime, here’s what he found on the streets of NYC; a mash-up of handstyles, graphics, pop cues, fine-art chops, humor, sarcasm, reverence, and straight-up rebellion — cultures colliding and talking back.
We begin the show with a new portrait of the much-loved graffiti and street art photographer Martha Cooper, based on a photo by Corey Nickols and painted by Swed Oner (Mathieu Taupenas) in Bushwick with Joe Ficalora and the Bushwick Collective by his side. Born in the south of France in the 80s, a graffiti writer in the late 90s, Swed Oner is now known for his hyper-realistic, monochrome portraits of people transformed into religious icons – featuring a “halo” motif for framing.
Featuring Dzel, EAZV, EXR, Gloom, Homesick, IMK, ISB, Jodi Da Real, KAMZ, Mike King, Notice, RIP Money, Shwan McArt, Silent, Smaer, Two Five, VENG, Warios, Werds, and ZOZS.
Welcome to BSA Images of the Week! New York’s streets are in overdrive—diplomats and protesters jostle around the UN, teens climb a tree outside a storefront to chase FakeMink’s latest haircut on the Bowery, fans mob Cardi B as she perches on an SUV outside a deli in the Bronx, throngs pour through the 99th San Gennaro Festival in Little Italy, and a sudden storm of black-windowed SUVs swarms with cameras at the Soho Grand—just as a double-decker tour bus lumbers onto the block, because of course it does. You skip the spectacle, grab a sour pickle from the Pickle Guys on Grand Street, and pedal home on your e-bike to the cat.
Re: the latest sniper shooting in the US that tears hearts and inflames passions; Fox News says, ‘America is divided and headed for civil war.’ What they should admit is, ‘We’ve spent 25 years programming division—and now we’re congratulating ourselves for the results. Pay no attention to the man behind the curtain.’
The sun is warm and bright, like that fateful New York day 24 years ago. It’s a shame that a generation of New Yorkers has grown up since then, and there is more war than ever.
At least we still have bodegas open at 3 a.m., subway preachers who bark and yelp, and the Mets breaking our hearts! Aaron Judge and the Yankees are still keeping the World Series on the perennial wish-list.
Oh yes, and Anna Wintour is leaving Vogue. For some, that will feel like the end of an era. Others will ask, “Anna who?”
On our weekly interview with the street, we feature new stuff from De Grupo, Divock Okoth Origi, Eternal Possessions, Faile, Fumero, ICU463, IMK, Neko, Ollin, Turtle Caps, and ZamArt.
“Flow on, river! flow with the flood-tide, and ebb with the ebb-tide! Frolic on, crested and scallop-edg’d waves! Gorgeous clouds of the sunset! drench with your splendor me, or the men and women generations after me! Cross from shore to shore, countless crowds of passengers!” ~ Crossing Brooklyn Ferry, Walt Whitman, 1860
Here’s our weekly interview with the street, this time featuring Caryn Cast, Chris (Robots Will Kill), Christian Penn, Fumero, Hugus, IMK, James Vance, Jenna Morello, Joao is Typing, Kosuke James, LeCrue Eyebrows, Luch, Mike Shine, Nandos Art, Ninth Wave Studio, Ottograph, Peachee Blue, Prez Arecta, Renek X, and VEW.
The George Floyd mural at Elgin and Ennis in Houston’s Third Ward has been quietly demolished — a move that caught many off guard, especially as the fifth anniversary of his death approached. More than a painting on a wall in the margins of the city, it was a community’s act of remembrance, a public reckoning, and a visual anchor for a moment when the country seemed to shift. To awaken.
And yet, here we are. Five years later, and it’s hard to say what lasting change took root. In some camps, being ‘woke’ is a pejorative, and going back to sleep is encouraged. The arc of justice bends, but it bends slowly. Or maybe it bends into circles.
Meanwhile in New York, a Banksy mural on a six-ton wall hit the auction block and… nothing. Not a single bid. Cue speculation: are we finally past the Banksy-buoyed street art boom that’s defined the last two decades? Or was the opening price just too steep? Maybe the rollout was sloppy. Maybe it was the economy. Whatever the reason, the silence in the salesroom is rare — and could signal a shift in the so-called urban contemporary art market.
And yet, the Banksy machine rolls on. At this point, there may be more Banksy museums than Starbucks — none sanctioned by the artist, of course, but still packing in the crowds. There’s The Banksy Museum in NYC, The World of Banksy in Paris, Museu Banksy in Barcelona and Madrid, and the touring Art of Banksy show, rolling through Jakarta, Melbourne, and Vancouver. It’s a brand now — maybe not quite as big as Mickey Mouse, but it’s definitely what cultural tourists reach for when they want a little edge with their museum day. What this says about the artist, the audience, or the architecture of commodified rebellion… you draw your own conclusions.
So here’s some of this week’s visual conversation from the street, including works from Shin, Crash One, GO, Ham, Hasp, Homesick, IMK, Jeff Henriquez, Mike King, Nela, Piggie the Pig, Queen Andrea, Stesi, Wetiko, Wild West, and Zimer.
This week, St. Patrick’s Cathedral on Fifth Avenue was suddenly flooded with pealing bells and congregants. In a historic moment for the Catholic Church, Pope Leo XIV, born in Chicago, was chosen, following in the footsteps of his predecessor Francis and his namesake Leo XIII, who was widely admired for his steadfast advocacy for migrants and laborers at the turn of the 20th century. Many observers have noted that the selection of an American pope may reflect a conscious decision by the College of Cardinals to offer a moral counterbalance to the growing tide of authoritarianism and exclusionary politics seen in some of today’s global leadership. With roots in a city shaped by immigration, industry, and social struggle, Leo XIV arrives at a time when such grounding may prove especially relevant. Best wishes to all of us.
So here’s some of this week’s visual conversation from the street, including works from Homesick, Gabriel Specter, Clint Mario, Werds, IMK, EXR, Jorit, Wild West, JEMZ, Ribs, Diva, Ellena Lourens, APE, NOEVE, ENEKKO, Rene, Happy, Disoh, Peuf, and Off Key.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
