All posts tagged: Icy & Sot

BSA Film Friday: 08.16.19

BSA Film Friday: 08.16.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Calligrafreaks Project – A New Era of Writing
2. Who Is My Brother?
3. Graffiti Hunting In NYC – Beyond The Streets 2019 Via Migz Tatz
4. Gray Mountain, Green Room
5. CARDI B Interviews Bernie Sanders

BSA Special Feature: Calligrafreaks Project – A New Era of Writing

In a collaborative gallery space or at a barbecue on Devil’s Mountain, Berlin’s calligraffiti writers and artists are showing off the attitude and exactitude of the city as well as the evolution of this artform.

Hosted by Theosone at the “Scriptorium Berlin” and curated by Makearte, a  small selection of scientists artists are convened at the Letters Temple where artists create an exhibition with lucid and ornate letter skillz. Later on Devil’s Mountain (Tefelsberg) they paint together for the first time.

Artists include Theosone, Stohead, Warios, Naok Write, Jan Koke Parisurteil, Scon, Alpha Skao, Belloskoni, YAT, Drury Brennan, CRBZ, Schriftzug, Reano Feros, Paindesign, Alot, Bello, Cay Miles, Naok Write, Scon, Schriftzug, Parisurteil, CRBZ, Reano Feros, YAT.

The sound and editing are sharply done by Abstract Monollog with a certain finesse as well.

Who Is My Brother? A Film about artist Ben Farleigh by his brother Jacob Perlmutter

Those kooky middle class artists, making crafty art and movies about each other. Simply loveable aren’t they?

Graffiti Hunting In NYC – Beyond The Streets 2019 Via Migz Tatz

Migz Tatz takes people on graffiti hunting escapades on the regular. Here is his hand-made trip to the Beyond the Streets exhibit in Williamsburg, Brooklyn currently on display – and now extended into late September. Not everyone can get to New York so this is one guys personal experience walking through the exhibit.

Gray Mountain, Green Room

Another homemade video tour without complete attribution to the artists, Jared Amiljo-Wardie wanders along U.S. HWY89 in Arizona. He happens upon a collection of illegal artworks from Gray Mountain that BSA published years ago. It is good to see that an arid climate preserves many of these works – even if he doesn’t know who they are by – because he thinks of them as part of his film making expression. He also describes his adventure with a poetic cadence.

“The earth has begun to reclaim most of the parking lots in Gray Mountain and with time the buildings too but for now it remains in the early stages of decay. As I sweat through perfecting a gimble shot a group of people stop to inspect the apocalyptic scene; an abandoned hotel and gas station. While I do my fourth take I hear windows begin to break. “

CARDI B Interviews Bernie Sanders

Nuff said.

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Icy & Sot: Giving Plants and New Life to Refugees in Greece

Icy & Sot: Giving Plants and New Life to Refugees in Greece

Street Art brothers Icy and Sot once again lead by example with their latest act of artivism at a refugee camp in Greece.

Icy & Sot. Giving Flowers. Lesbos Greece. June 2019. (photo © Icy & Sot)

People chased from their homes by wars in places like Syria, Iraq and Afghanistan are now part of a larger conversation in Europe as countries struggle to accept the massive numbers of refugees in the last decade. On the Greek island of Lesbos, the overcrowding of a camp named Moria has produced Olive Grove, a temporary place full of tents, but little nature.

Icy & Sot. Giving Flowers. Lesbos Greece. June 2019. (photo © Icy & Sot)

With a goal of softening the hardship for people living here, Icy and Sot raised money through a print sale online and with the proceeds purchased fresh flowering plants to give away. “It was wonderful to see that actually put a smile on peoples’ faces for a moment,” they say in a press release.

Icy & Sot. Giving Flowers. Lesbos Greece. June 2019. (photo © Icy & Sot)

While they have traveled around many international cities in the last five years creating site-specific interventions that contemplate issues of immigration, environmental degradation, and endangered species, the artists felt that the gravity of this place merited something more than just an art installation.

Working with a group called Movement on the Ground and with Doug Gillen of Fifth Wall TV in tow, the two helped build raised gardens and planted vegetables, in addition to handing out many potted plants. Today we have images of persons in the camp from Icy & Sot along with the new video, one of Doug’s best.

Icy & Sot. Giving Flowers. Lesbos Greece. June 2019. (photo © Icy & Sot)

It’s a simple act full of symbolism and invokes the power of the natural world in healing our many wounds. “We know this project didn’t really change anything for those people,” the say, “They come to Europe to be far from the dangers of war, far from hearing bomb explosions, for a better future for their kids. They have had an exhausting journey and they deserve better. They deserve our support.”

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Icy & Sot: “Giving Plant” Gives Plants to Refugees

Icy & Sot: “Giving Plant” Gives Plants to Refugees

Springtime makes you do spontaneous acts of nature – like running to the local plant store or corner deli to buy a plant for your mom, or your grandma, or that colorful guy who runs the laundromat on the corner.

There is something very gratifying in the act of giving a living thing to another person that makes you feel grounded to the earth, connected to the family of humanity.

For the next five days Street Art brothers Icy & Sot are giving us all an opportunity to give plants to people who live in refugee camps, while they wait for a better future.

Icy & Sot “Giving Plant” (photo courtesy of Icy & Sot)

With the goal of improving quality of life and fortifying the dignity of the refugee population in Greece, Icy & Sot will be in Lesvos in person next month to hand out plants to the people there together with the foundation Movement On The Ground .

For the next five days, until April 22nd at midnight (EST) you can help by purchasing their new print, “Giving Plant”.

“The Idea is to give hope and joy to the people in the refugee camps while they are waiting for a better future,” says Sot.

Girl with flowers at the Olive Grove. (photo courtesy of Icy & Sot)

“Basically with buying a print you are buying plants for the refugees,” explains Icy.

Please Click on the link below to purchase the print:

https://givingplant.bigcartel.com/product/giving-plant

Please forward this link to friends and family as well – It’s an excellent way to give and show support in a place where nature will be welcomed.

Family at the Olive Grove. (photo courtesy of Icy & Sot)

From Movement On The Ground Website: Movement On The Ground, is a group of independent business people responding to a humanitarian crisis affecting the innocent men, women, and children forced from their homes by climate change, poverty, and war. Movement On The Ground sets a new blueprint for humanitarian help worldwide.

The organization aims to maintain a fixed presence on the island of Lesvos. They work as much as possible with the local community in the attempt to connect locals with refugees. Their projects are all based on the goal of improving dignity for the refugee population.

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BSA Film Friday: 04.05.19

BSA Film Friday: 04.05.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Icy & Sot Overview
2. Imaginary City. Teaser from MZM Projects (UA)
3. “Martha Cooper: Evolucion de una Revolucion” Queretaro, Mexico.
4. Fanakapan x 1UP Crew in Berlin.

BSA Special Feature: Icy & Sot Overview

The Iranian brothers have been toiling and innovating and taking risks on the streets of Tabriz and Brooklyn now for more than a decade. Now commercial brands are discovering them as well. These guys just keep marching forward with purpose, staying true to their beliefs.

Icy & Sot Video Project

Imaginary City. Teaser from MZM Projects (UA)

Entirely of their own volition and vision, filmmakers Kristina Borhes & Nazar Tymoshchuk created this ode to Stavanger and the Street Art festival called Nuart.


Two BSA quickvids in a row here from our recent travels in Berlin and Queretero…

“Martha Cooper: Evolucion de una Revolucion” Queretaro, Mexico.

Urban photographer Martha Cooper now has 101 of her photographs on the streets — literally on the streets of Queretero, Mexico. Part of the Nueve Arte Urbano festival, the exhibition is called “Evolution of a Revolution” and we were pleased to be a part of the opening events with Ms. Cooper, who said she was very pleased with the quality of the large format photos and the reception of the people on the streets.

Thanks to Édgar Sánchez and Sigre Tompel and their team for the vision and hard work. See more on “Evolucion de una Revolucion” Outside in Queretaro, Mexico

Fanakapan x 1UP Crew in Berlin.

Thanks to a new big empty city lot this building seems primed for the big stage! First the Alanis angel has ridden on this wall for a long time with grace and beautiful realism. Secondly, Berlin Kidz climbed vertically down from the roof in their distinctive and colorful language.

But we were lucky to see the British Fanakapan working with the worldwide, Berlin-based, anonymous graffiti crew 1UP for a stunning collaboration. This kind of shit can turn you into a fanboy or fangirl in a heartbeat. If you had a heart.

Shout out YAP and team! Read more about the project on Vox Graffiti Roars in Berlin with New Fanakapan X 1UP Collabo.


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“Trashplant” with Forest Dump Et Al : The Completed Installations – Part III

“Trashplant” with Forest Dump Et Al : The Completed Installations – Part III

Here at the Trashplant festival in Tenerife, the performance artist and eco-artivist Forest Dump re-added foliage to this new tree that once was a telephone pole that once was a tree. Then he jumped down off the fence.

For those who have been on the fence about their responsibility to the earth and our natural resources, many people in this new generation are making that jump as well.

Forest Dump. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

“We have been building cities for years, replacing nature with concrete and steel,” he says in a recent Instagram post, “We tend to forget but our deepest roots are in Mother Nature and we truly need her to survive.”

Reminds us of all these online orders we’ve been placing lately for all kinds of household items, and the boxes that are piling high under the desk. Cardboard consumption had been reduced by manufacturers in recent years but now the world is consuming about 415 metric tons of paper and cardboard every year, and tons of water is involved in its production as well.

Forest Dump. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

 

Forest Dump. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

It’s something to think about when looking at the new Coruja owl that Montreal based artist Laurence Vallières has fashioned out of cardboard.

Laurence Vallières. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Beginning with a small clay sculpture that she made for reference that is closer in scale to the diminutive size of the actual owl (usually about 8 inches, or 20 centimeters tall) she brought this one to life over the course of a few days while gazing out the studio window at the ocean. The new sculpture joins a long line of animals that the artist has made in the last few years using this same technique and material, at once impressive because of the volume of the work, then by it’s relative fragility.

Laurence Vallières. WIP shot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Laurence Vallières. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Portuguese artist Miguel Januário pokes at that corner of your consciousness that has stopped making connections through disuse. His new installations for Trashplant are in alignment with his ±MaisMenos± art project that is drawing attention to the connection between the natural internal environment and the natural external environment.

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

EMPHASEMA is translucently suspended in the air amidst a leafy wooded area that is always cleaning the air and aiding respiration. Similarly his intervention of the word CIRRHOSIS is afloat in the nearby surf where water brings to mind the role of your clean liver in all metabolic processes. As usual, the artist creates gently jarring messaged that may begin further inquisition and examination into our attitudes and behaviors.

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Trashplant as a project curated by Bordalo II is a potent reminder of the multiple functions that art can play in our daily intercourse and Street Arts’/Public Arts’ potential to reach larger cross sections of people who normally do not frequent galleries or museums. With the obvious, the subtle, and the conceptual at play, this festival takes a meaningful approach to the power of communication to a range of audiences.

Forest Dump has the last word here.

“No matter who you are, where you live, or what kind of life you lead, you remain linked to the natural world! Respect it before is too late!”


Our sincere thanks to photographer Luz Sosa for sharing these photos with BSA readers over the past three days of our coverage of Trashplant.


To learn more about Trashplant please go here: http://trashplantfestival.org/

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Forest Dump. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Forest Dump. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordalo II. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Catarina Glam. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

 

 

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“Trashplant” in Tenerife Corralls Trash and Welds New Life : Process – Part II

“Trashplant” in Tenerife Corralls Trash and Welds New Life : Process – Part II

It’s our second day of sharing scenes from Trashplant and here we see Icy and Sot are bobbing and diving inside a colorful unnatural environment of plastic trash that is being corralled into a fenced cube, and musician and welder Diedel Klöver is crafting fish fins from corrugated metal fence posts.

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

The German lawn sculptor from Varel on the North Sea is adding a blow-torched fish to his recent animal parade of a lion, a rhino, stingrays, and penguins. The Tenerife truckload of metal he selected at the scrapyard speed is being speed-welded in just four days, thanks to some help from his buddy Alex.

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Curator Bordalo II watches artist Catarina Glam from a safe distance as she wields a power saw to form the wood pieces of a creature that is coming together when he’s not out in the yard with João piecing together what looks like it may be a penguin from the recycled trash they have collected.

The fact that much of the work here at Trashplant in Tenerife is made from recycled refuse is central to the exhibition and one that is easier to understand when we have the opportunity to see how it actually comes together.

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Compound this with the realization that much of the human-made materials that we are using daily actually poison the water and air for these animals and of course our families… and you begin to think that the whole world is really just once enormous trash plant.

To learn more about Trashplant please go here: http://trashplantfestival.org/

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Catarina Glam. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Catarina Glam. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Catarina Glam. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Laurence Vallières. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Laurence Vallières. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordalo II. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordalo II. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordalo II. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

 

 

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Artists + Trash as Activism at “Trashplant” in Tenerife: Process – Part I

Artists + Trash as Activism at “Trashplant” in Tenerife: Process – Part I

Art Activism (Artivism) in progress here this past weekend at the Trashplant Festival in San Cristobal de La Laguna, Tenerife, Canary Islands. A dozen artists have formulated installations directly in response to environmental issues at the invitation of the one of Street Art’s main trashmen himself, the street sculptor Bordalo II.

Today we have first phase installation shots of the artists preparing their new pieces thanks to photographer Luz Sosa, who shares these images with BSA readers. Included are ±MaisMenos±, Bordalo II, Catarina Glam,  Diedel Klöver, Forest Dump, Icy & Sot, and Laurence Vallieres.

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

The garbage that we generate can also transform into art and the Trashplant Festival was born – an unparalleled event where a large group of the best plastic and urban artists from all over the world come together to carry out one of the greatest tasks of environmental awareness through art.

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordallo II tells us that the point is to draw attention to how we can reuse, recreate, and reflect on how we generate waste. It’s an obsession for many in this troupe of like minded artists, and guests observe and investigate their new figurative and conceptual pieces here while attending music concerts as well, hopefully “inoculating” them with awareness of the need for all us us to transform society to preserve the natural environment.

To learn more about Trashplant please go here: http://trashplantfestival.org/

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Forest Dump. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Forest Dump. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

 

Forest Dump. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Laurence Vallières. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Laurence Vallières. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Laurence Vallières. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Laurence Vallières. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Catarina Glam. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Catarina Glam. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordalo II. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordalo II. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordalo II. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordalo II. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

 

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Moniker BK 2018 Catalogue Introduction Text by BSA

Moniker BK 2018 Catalogue Introduction Text by BSA

For the past few days we’ve been highlighting some of the artists whose brand new works will be debuted this week at Moniker International Art Fair this week. We are pleased that our editor in chief, Steven P. Harrington, was asked to write the Moniker catalogue introduction and today we share with you his original text to give you an idea of his perspective on having this art fair in BK.


From the seedy to the sublime, Brooklyn’s underground and street culture always bubbles up to the surface like hot gritty pavement tar when you least expect it – maybe because it’s character is so diverse and scrappy; a perpetual underdog, a fighter who never tires. Likewise Moniker has blazed many dark streets during its first nine years in search of new unusual inspiration and authentic voices. For its New York debut Moniker again short-circuits expectations and takes up a seriously innovative residence in the street culture epicenter of BKLN.

Icy & Sot (photo © Jaime Rojo)

In the modern Urban Art story Brooklyn is known for giving birth to epic 1970s train writers like Dondi, 80s train/canvas artists like Daze, crossover iconoclast graffiti/Street Artists like REVS in the 90s, and Street Art innovators like Bäst, Faile, Judith Supine, Skewville and Swoon in the 00s. Currently it claims the thickest density of international murals by urban aerosol wizards anywhere in the city – with the Bushwick Collective proliferating an epic scene of styles in the 2010s that brings a river of fans and tours out on the L train on any given sunny Saturday.

An earlier Bast in Brooklyn (photo ©Jaime Rojo)

Curated, experiential, and immersive, Moniker again goes right to the source of this Street Art scene that has jolted many international collectors out of their comfort zones and sparked life into Contemporary Art in a way that nobody foresaw.

With an awesome shot of Gotham across the river and just adjacent to Williamsburg this site is where 4,000 workers in factories manufactured nautical rope for the Merchant Marine in the previous century, later becoming a marginalized and abandoned industrial neighborhood that was like a powerful magnet to Street Artists and graffiti writers until only recently.

Specter (photo © Jaime Rojo)

Right here only a decade ago my partner and I threw a Street Art burlesque show for 300 avant-art fans behind a graffiti supply store; acrobats, fire tagging and drunken DJs included. Months later, with abandoned buildings and empty lots at our disposal, we projected Street Art images meta-style on walls around the neighborhood along with 20 or so projection artists for BK’s own version of a renegade Nuit Blanche.

ASVP (photo © Jaime Rojo)

Only a block or two from where Moniker is sited graffiti throwups and bubble letters were scattered everywhere, squatters started fires to keep warm and scare off rats, skater kids regularly rode the underground paradise called “Autumn Bowl” by sneaking through a hole in the wall, and Banksy did one of his famous New York residency pieces here in 2013, “This site contains blocked messages.” The hardcore and anonymous REVS himself used a blowtorch to weld a dozen or so sculptures around this neighborhood during the 00s and ‘10s. There is at least one remaining.

FaithXLVII (photo © Jaime Rojo)

And now Moniker 2018 beams out a new international signal to you from here, channeling that explosive Brooklyn DIY creative spirit up to the soaring ceilings of the Greenpoint Terminal Warehouse, effectively recreating the kind of immersive street carnival atmosphere that proved the ideal laboratory for Street Artists in BK like like Skewville, Dan Witz, Aiko, Mark Jenkins and countless others.

Now Moniker is introducing you to a dynamic crop of work by street practitioners on Brooklyn streets like Icy & Sot, Specter, and ASVP as well as the international high-profilers who have put work on the street here like Faith XLVII, FinDAC and Vermibus.

Vermibus (photo © Jaime Rojo)

As Urban Contemporary takes a solid hold in art world parlance it’s only right that a unique event like this challenges the rules for installations. All original new work from a handpicked highly curated group of 27 exhibitors, you will not have seen these installations and pieces previously. Judging by the hefty buzz leading up to Moniker 2018 in Brooklyn, you might not see them again.

Reminds me of Street Art.

FinDAC (photo © Jaime Rojo)

 

 

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Icy & Sot x Moniker x BSA

Icy & Sot x Moniker x BSA

In advance of Moniker in Brooklyn this May, we are interviewing some of the artists who are influenced both by street practice and fine art as the contemporary urban art category continues to evolve. Today, BSA is talking to Icy & Sot.

Human rights, ecological justice, and socio-political issues dominate the world news with regularity and brothers ICY & SOT have found an original dual voice to address them on the street in places like the US, Iran, Germany, China, Norway, even Tbilisi, Georgia.

Iranian born and bonifide Brooklyn peeps for the last four years, these twenty-something guys started out on skateboards in Tabriz and still take them from their apartment to their studio in Bushwick. They have also taken their stencil work, interventions, murals and video installations into the street, the gallery, the museum, and private collections.

Icy & Sot (photo © Jaime Rojo)

Grabbing and holding hard to tenants artistic freedom without censorship, their minimalist style of discourse hits directly without the scolding tone of some overtly political work on the street, allowing the simplicity of the situation to speak for itself.

BSA: How would you describe your work to someone who is seeing it for the first time?
ICY & SOT: We do different type of works, but if we wanna to describe something in general it is that it’s simple and has a message that is easy to understand.

BSA: What is your intersection with Brooklyn and it’s history of Street Art and graffiti?
ICY & SOT: We love Brooklyn because of its diversity and the energy in the city. We feel lucky to be living and working in a city with a rich history of graffiti and street at and art in general – and being part of it now.

Icy & Sot (photo © Jaime Rojo)

BSA: What’s most important to you?
ICY & SOT: Beers 🙂

BSA: Are graffiti and Street Art allowed to change, or should there be a strict definitions they adhere to?
ICY & SOT: Everything is allowed to change

BSA: Moniker says your work has been influential and/or fundamental to urban & contemporary art’s growth. Can you see their point?
ICY & SOT: Yes, maybe

BSA: Name one artist whose work you admire today.
ICY & SOT: John Fekner

Icy & Sot (photo © Jaime Rojo)

 


For more information please go to Moniker Art Fair HERE.

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BSA Images Of The Week: 04.15.18

BSA Images Of The Week: 04.15.18

BSA-Images-Week-Jan2015

Welcome to BSA Images of the Week. First we have a series of politically themed and powerfully timely images of ICY & SOT installations from their involvement with the third edition of the Crystal Ship Art Festival in Ostend, Belgium. With forced immigration caused by the war industry providing armaments to everyone including your cousin Judy, the even more disgusting flipside of all this is the xenophobic nationalism that is now spreading in various countries, treating refugees and immigrants like crap.

So Icy & Sot give us here the security fences that create prisons for people to keep them inside and out and, perhaps taking a page from Ai WeiWei, a floating vest installation in the local park – complete with the artists in a boat and daffodils on the grassy knolls. Right after that we have another life-vest themed piece, a mural by Gaia entitled “Requiem for Migrants, Requiem for the Liberal Order”.

Thanks to photographer Butterfly for her contributions here.

Here’s our weekly interview with the streets, this week featuring Adam Fujita, Barlo, Gaia, Icy & Sot, Not Art, Sidka Nubian, and the Reading Ninja

Top Image: The Reading Ninja (photo © Jaime Rojo)

Icy & Sot. The Crystal Ship Art Festival 2018. Ostend, Belgium.  (photo ©Butterfly)

Icy & Sot. The Crystal Ship Art Festival 2018. Ostend, Belgium. (photo ©Butterfly)

Icy & Sot. The Crystal Ship Art Festival 2018. Ostend, Belgium. (photo ©Butterfly)

Icy & Sot. The Crystal Ship Art Festival 2018. Leopold Park. Ostend, Belgium. (photo ©Butterfly)

Icy & Sot. The Crystal Ship Art Festival 2018. Leopold Park. Ostend, Belgium. (photo ©Butterfly)

Icy & Sot. The Crystal Ship Art Festival 2018. Leopold Park. Ostend, Belgium. (photo ©Butterfly)

Icy & Sot. The Crystal Ship Art Festival 2018. Leopold Park. Ostend, Belgium. (photo ©Butterfly)

Icy & Sot. The Crystal Ship Art Festival 2018. Leopold Park. Ostend, Belgium. (photo ©Butterfly)

Gaia. “Requiem for Migrants, Requiem for the Liberal Order”. The Crystal Ship Art Festival 2018. Ostend, Belgium. (photo ©Butterfly)

Gaia. “Requiem for Migrants, Requiem for the Liberal Order”. The Crystal Ship Art Festival 2018. Ostend, Belgium. (photo ©Butterfly)

Unidentified Artist (photo © Jaime Rojo)

Adam Fujita for The Bushwick Collective. (photo © Jaime Rojo)

Sidka Nubian (photo © Jaime Rojo)

NOT ART (photo © Jaime Rojo)

Barlo. “The Pet of the Archeologist” HK Walls 2018. Hong Kong.  (photo © Barlo)

Barlo. “The Pet of the Archeologist” HK Walls 2018. Hong Kong.  (photo © Barlo)

Untitled. Spring 2018. NYC (photo © Jaime Rojo)

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Berlin Wall Milestone : Down as Long as It Was Up

Berlin Wall Milestone : Down as Long as It Was Up

The Berlin Wall has now been down as long as it was up. 28 years, two months and 27 days passed in both cases, and we are still looking for sane global policy about the freewill of people to prevail.

Ronald Reagan, a Republican president lauded by the right, once intoned while standing in front of the wall,

“We welcome change and openness; for we believe that freedom and security go together, that the advance of human liberty can only strengthen the cause of world peace. There is one sign the Soviets can make that would be unmistakable, that would advance dramatically the cause of freedom and peace…Mr. Gorbachev, tear down this wall!”

Dimitry Vrubel mural “My God, Help Me to Survive This Deadly Love” first painted in 1990 and restored in 2009 is based on the iconic photograph by Régis Bossu of the Fraternal Kiss in 1979 between Soviet Leader Leonid Brezhnev and East German Leader Erich Honecker on the occasion of Brezhnev’s visit to East Germany. (photo © Jaime Rojo)

Also interestingly in that same speech Reagan referred to the graffiti on it;

“As I looked out a moment ago from the Reichstag, that embodiment of German unity, I noticed words crudely spray-painted upon the wall, perhaps by a young Berliner, ‘This wall will fall. Beliefs become reality.’ Yes, across Europe, this wall will fall. For it cannot withstand faith; it cannot withstand truth. The wall cannot withstand freedom.”

Chiseling the Berlin Wall (photo ©Owen Franken)

Mr. Reagan saw the hypocrisy of building walls, separating people, restricting freedom. Yet we today have another president so far to the right of Reagan that he has even threatened to shut down the government in order to secure funding to build a wall along the border with Mexico.

Fiodi Frede “Sons of Bitches. Stop Lying. We Learned Nothing.” (photo © Jaime Rojo)

Which brings us to a more recent sentiment on part of the remaining wall, written in Spanish;

“Hijos de puta dejen de mentir no aprendimos nada”, or “Sons of bitches stop lying we did not learn anything.”  No kidding.

As we mark this mathematical marker, we present a few images of that wall that once stood unbroken for 10,316 days

Gabriel Heimler (photo © Jaime Rojo)

Icy & Sot (photo © Jaime Rojo)

Andrej Scharow (photo © Jaime Rojo)

Michail Serebrjakow (photo © Jaime Rojo)

Jim Avignon (photo © Jaime Rojo)

Rhino (photo © Jaime Rojo)

Photo © Jaime Rojo

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BSA “Images Of The Year” for 2017 (VIDEO)

BSA “Images Of The Year” for 2017 (VIDEO)

Of the thousands of images he took this year in places like New York, Berlin, Scotland, Hong Kong, Sweden, French Polynesia, Barcelona, and Mexico City, photographer Jaime Rojo found that Street Art and graffiti are more alive than every before. From aerosol to brush to wheat-paste to sculpture and installations, the individual acts of art on the street can be uniquely powerful – even if you don’t personally know where or who it is coming from. As you look at the faces and expressions it is significant to see a sense of unrest, anger, fear. We also see hope and determination.

Every Sunday on BrooklynStreetArt.com, we present “Images Of The Week”, our weekly interview with the street. Primarily New York based, BSA interviewed, shot, and displayed images from Street Artists from more than 100 cities over the last year, making the site a truly global resource for artists, fans, collectors, gallerists, museums, curators, academics, and others in the creative ecosystem. We are proud of the help we have given and thankful to the community for what you give back to us and we hope you enjoy this collection – some of the best from 2017.

Brooklyn Street Art 2017 Images of the Year by Jaime Rojo includes the following artists;

Artists included in the video are: Suitswon, Curiot, Okuda, Astro, Sixe Paredes, Felipe Pantone, Hot Tea, Add Fuel, Hosh, Miss Van, Paola Delfin, Pantonio, Base23, R1, Jaune, Revok, Nick Walker, 1UP Crew, SotenOne, Phat1, Rime MSK, Martin Whatson, Alanis, Smells, UFO907, Kai, Tuts, Rambo, Martha Cooper, Lee Quinoes, Buster, Adam Fujita, Dirty Bandits, American Puppet, Disordered, Watchavato, Shepard Fairey, David Kramer, Yoko Ono, Dave The Chimp, Icy & Sot, Damien Mitchell, Molly Crabapple, Jerkface, Isaac Cordal, SacSix, Raf Urban, ATM Street Art, Stray Ones, Sony Sundancer, ROA, Telmo & Miel, Alexis Diaz, Space Invader, Nasca, BK Foxx, BordaloII, The Yok & Sheryo, Arty & Chikle, Daniel Buchsbaum, RIS Crew, Pichi & Avo, Lonac, Size Two, Cleon Peterson, Miquel Wert, Pyramid Oracle, Axe Colours, Swoon, Outings Project, Various & Gould, Alina Kiliwa, Tatiana Fazalalizadeh, Herakut, Jamal Shabaz, Seth, Vhils, KWets1, FinDac, Vinz Feel Free, Milamores & El Flaco, Alice Pasquini, Os Gemeos, Pixel Pancho, Kano Kid, Gutti Barrios, 3 x 3 x 3, Anonymouse, NeSpoon, Trashbird, M-city, ZoerOne, James Bullowgh, and 2501.

 

Cover image of Suits Won piece with Manhattan in the background, photo by Jaime Rojo.

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