Now that the orange man has been censored by social media he’ll have much more time to pack his boxes and do some deep vacuuming of the living room furniture.
All tolled, this week was perhaps the most effective public demonstration of white privilege on parade for everyone to see – and one that was beamed across the world, including into the countries who once looked to the US for leadership and promise. BLM could not have made a more powerful and impactful statement about the systemic inequality that is baked into American society. Did you see all those video split screens of how police treated the different crowds?
Trump is on his way out, but as the author Thomas Frank likes to say, Trumpism is here to stay.
Ahhhh, but the future is unwritten. Where’s you marker?
Here’s our weekly interview with the streets, this week featuring Adrian Wilson, Bastard Bot, De Grupo, Ethan Minsker, Gane, Glare, HeartsNY, Lunge Box, Timothy Goodman, Wane, Winston Tseng, and You Are Loved. Yes, you are loved.
Street art in the last five years has been lit on fire with politically themed illustrations, installations, slogans, opinions, and insights that implore passersby to take action and to be engaged in the direction that society is leading.
The once-consolidated TV-print media system has had many challengers in social media and websites, though those now too are being censored, demonetized, and throttled by the corporations and certain state actors who have infiltrated and hampered the free-flow of opinions and political discourse under various “honorable” guises.
Because major political machines and the corporate media don’t typically use the streets as a communication platform in US cities, aside from the occasional poster campaign for a candidate, the rather unfiltered collection of views and voices come through.
The inheritor of the historically revered “soapbox”, a physical and metaphorical location in a public square where people put forward their opinions, beliefs, philosophies, and ideologies in an impassioned voice, street art currently thrills, perplexes, informs, and annoys. It reaches the tech-savvy and the greater majority of our neighbors who are not on social media.
Given that these opinions could be easily buffed or blighted by any passerby yet are permitted to stay, there is an argument that art on the street is the present Vox Populi, a truer representation of the voice of the people.
In the city that knew him first, Donald Trump is given special scrutiny and particular invective for his actions, inactions, behaviors in the role he has occupied as president of the country since 2016. His official opponent in the race is a career politician, an historically right-wing version of a left-wing party, is somehow positioned as a better alternative for an electorate who is desperate for something, anything better than what they have.
By night’s end (or week end, or year end) we will know who is the winner of today’s election; Trump or Anti-Trump. No matter who prevails, street art will undoubtedly weigh in with its opinion.