All posts tagged: Goldman Global Arts

BSA Images Of The Week: 09.29.19

BSA Images Of The Week: 09.29.19

Gorgeous, tremulous days and nights in New York as we march with determination into fall – Tomokazu Matsuyama and his 12 assistants finished his epic contribution to the Houston Wall, a huge crowd overflowed the Bronx Museum to celebrate the photographer/filmmaker Henry Chalfant and his pivotal work that brought fame to graffiti writers, and Kehinde Wiley stunned Times Square with a new monument entitled “Rumors of War”, which the artist says “attempts to use the language of equestrian portraiture to both embrace and subsume the fetishization of state violence.”

Meanwhile, the highest office in the land lies in disgrace, under a cloud of increasing impeachment odds even as the state exports multiple wars and the Feds are quietly pumping 75 billion dollars into financial markets with more planned over multiple days to stave off the coming crash.

Here’s our weekly interview with the street, this time featuring Bunny M, Diana Garcia, Matzu, Muck Rock, RED, Sunflower Soulz, and WK Interact.

Matzu. Houston/Bowery Wall. Goldman Global Arts. (photo © Jaime Rojo)
Matzu. Houston/Bowery Wall. Goldman Global Arts. (photo © Jaime Rojo)
Matzu. Houston/Bowery Wall. Goldman Global Arts. (photo © Jaime Rojo)
Matzu. Houston/Bowery Wall. Goldman Global Arts. (photo © Jaime Rojo)
Sunflower Soulz (photo © Jaime Rojo)
Diana Garcia (photo © Jaime Rojo)
Diana Garcia (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Muck Rock (photo © Jaime Rojo)
Muck Rock (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
bunny M (photo © Jaime Rojo)
WK Interact for RED (photo © Jaime Rojo)
WK Interact for RED (photo © Jaime Rojo)
WK Interact for RED (photo © Jaime Rojo)
WK Interact for RED (photo © Jaime Rojo)
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BSA Images Of The Week: 06.16.19

BSA Images Of The Week: 06.16.19

Its an exciting time for art in the public sphere right now in NYC as Roger Gastman and his huge team are seriously preparing 100,000 sf of space in Williamsburg to completely blow away graffiti and Street Art fans alike this week with Beyond The Streets. Meanwhile the city is pumping full of at least 50 sanctioned and unsanctioned World Pride murals, Garrison Buxton pulled off the 9th Welling Court grassroots mural festival in Queens, Joe Ficalora brought Rick Ross and a host of Street Artists to Bushwick for a block party, MadC was in town hanging with Crash, Joe Caslin and Tatyana Fazlalizadeh were putting up new pieces with L.I.S.A. Project yesterday, Queen Andrea finished her commercial Houston Wall gig, and a lot of ad hoc illegal and legal graffiti and Street Art is in full effect in all five boroughs. When it comes to art in the streets, New York says ‘Bring it!’

yeliner, Jason Naylor, John Ahearn, JPO, MadC, MeresOne, Misshab, Outer Source, Queen Andrea, Ramiro Davaro-Comas, SacSix, Sonni, Tonk Hawaii and The Drif.

Adrian Wilson commemorates the struggle that was Tiananmen Square 30 years ago. (photo © Jaime Rojo)
Adrian Wilson (photo © Jaime Rojo)
Meres One. WorldPride Mural Project Initiative. The L.I.S.A. Project NYC. Brooklyn, NY (photo © Jaime Rojo)
Sonni for St. ART NOW. (photo © Jaime Rojo)
Jason Naylor (photo © Jaime Rojo)
Jason Naylor (photo © Jaime Rojo)
JPO. WorldPride Mural Project Initiative. The L.I.S.A. Project NYC. Brooklyn, NY (photo © Jaime Rojo)
Captain Eyeliner (photo © Jaime Rojo)
John Ahearn (photo © Jaime Rojo)
Sac Six (photo © Jaime Rojo)
Tonk Hawaii (photo © Jaime Rojo)
Tonk Hawaii (photo © Jaime Rojo)
Below Key . Ramiro Davaro-Comas . Outer Source (photo © Jaime Rojo)
Appleton Pictures (photo © Jaime Rojo)
Appleton Pictures (photo © Jaime Rojo)
The Drif . Miishab. WorldPride Mural Project Initiative. The L.I.S.A. Project NYC. Brooklyn, NY (photo © Jaime Rojo)
MadC (photo © Jaime Rojo)
Queen Andrea at the Houston/Bowery Wall for Goldman Global Arts (and a certain banking institution) (photo © Jaime Rojo)
Queen Andrea at the Houston/Bowery Wall for Goldman Global Arts (photo © Jaime Rojo)
Queen Andrea at the Houston/Bowery Wall for Goldman Global Arts (photo © Jaime Rojo)
Queen Andrea at the Houston/Bowery Wall for Goldman Global Arts (photo © Jaime Rojo)
Queen Andrea at the Houston/Bowery Wall for Goldman Global Arts (photo © Jaime Rojo)
Untitled. The Last Picture. NYC Subway. June 2019 (photo © Jaime Rojo)
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Tristan Eaton “Intermission” Video Debuts

Tristan Eaton “Intermission” Video Debuts

Tristan Eaton completed his turn at the famed Houston/Bowery Wall in Manhattan back in July…he wanted an Intermission from the noise, the bad news, the stress, the BS and the haters, he says.

So he regaled us and the city with a burst of color and old Hollywood nostalgia. We wrote about the mural HERE and now Zane from Chop ’em Down Films just sent us his video of his capture of the artist and mural. Since we are all mid-summer here in NYC  we’d like to take Tristan’s intermission further and give it some love once more…

Zane caught in the action. (photo © Jaime Rojo)

Zane catching the action with Tristan and Sheryo’s happy encounter and Martha Cooper doing what she was born to do… (photo © Jaime Rojo)

Tristan Eaton. Intermission. Houston Bowery Wall. (photo © Jaime Rojo)

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Tristan Eaton and Summer “Intermission” on the Bowery/Houston Wall

Tristan Eaton and Summer “Intermission” on the Bowery/Houston Wall

And now its time for a mid-year intermission to pause and reflect upon the events that have happened in the first act. We’ve had plenty of treachery, intrigue, jailbirds and back alley suspense. Clearly it is time for a serendipitous summer romance, with Tristan Eaton as director.

Tristan Eaton. Houston/Bowery Wall. Manhattan, NYC. June 2018. (photo © Jaime Rojo)

An historic reenactment of sorts, this scene is usually full of its own drama; the painting of the Houston Wall in Manhattan appears once again on this drive-by screen, crammed with special effects as multi-talent Tristan Eaton explodes for days with the coursing traffic roaring and halting and honking and rumbling behind him.

The action unfolds and cameras are ablaze as documentors are there to capture it, including the stalwart Martha Cooper, the in-flight Zane Meyer, and our own private-eye Jaime Rojo.

Tristan Eaton. Houston/Bowery Wall. Manhattan, NYC. June 2018. (photo © Jaime Rojo)

Tristan’s cunning recombinative practice of recalling images from pop, television, cinema, and advertising languages, selecting many of their most emotionally charged aspects in exquisite fullness is all leveled here with a tropical lushness almost never found in this forbidding city, safely encased behind a protective gloss.

It’s the nostalgic stuff of marquees and beige canvas directors chairs, patterned jacquard wall tapestry, crimson velvet curtains, butter soaked popcorn, sticky floors and a certain smokey Saturday matinee reefer madness. This all once reigned in cinematic and tawdry Manhattan; mixing showgirls and space scientists and dames with sex-workers and 25 cent peepholes. Of course, the glam and the grind are all still here in Gotham – they’ve just become uberized and swiped right.

Tristan Eaton. Houston/Bowery Wall. Manhattan, NYC. June 2018. (photo © Jaime Rojo)

Eaton’s influences from Sunset Boulevard and Detroit’s motor city grit translate well here in the thick of our own version of mid-summers’ insouciance. It’s all hustle, hormones, and a finely pulsating particulate matter that sticks to you; a humid cloud of complex desires clinging to your skin, now flickering in warm succulence as you ride by on your wheels.

Tristan Eaton. Houston/Bowery Wall. Manhattan, NYC. June 2018. (photo © Jaime Rojo)

Our guy on the street rolled past the one-man show many times over the past couple of weeks to check on progress and mingle with the ever-more-gilded gentry that frequent the sidewalks/runways here. Cuffed tonal highwaters, PVC wedges and fugly white dad sneakers aside, New Yorkers still walk the walk and have a certain respect for their Street Art, if only to pose before it for the 1,000th selfie.

The affable showman Eaton is not shy for the endlessly inquisitive fan, either – ready to layer on additional color and texture. For this particular intermission, our summer romance will continue long into autumn’s golden glow.

Tristan Eaton. Houston/Bowery Wall. Manhattan, NYC. June 2018. (photo © Jaime Rojo)

Tristan Eaton. Houston/Bowery Wall. Manhattan, NYC. June 2018. (photo © Jaime Rojo)

Tristan Eaton. Houston/Bowery Wall. Manhattan, NYC. June 2018. (photo © Jaime Rojo)

Tristan Eaton. Houston/Bowery Wall. Manhattan, NYC. June 2018. (photo © Jaime Rojo)

Tristan Eaton. Houston/Bowery Wall. Manhattan, NYC. June 2018. (photo © Jaime Rojo)

Tristan Eaton. Houston/Bowery Wall. Manhattan, NYC. June 2018. (photo © Jaime Rojo)

Tristan Eaton photo bombs Jessica Goldman, Sheryo and Martha Cooper. Houston/Bowery Wall. Manhattan, NYC. June 2018. (photo © Jaime Rojo)

Tristan Eaton. Houston/Bowery Wall. Manhattan, NYC. June 2018. (photo © Jaime Rojo)

Tristan Eaton. Houston/Bowery Wall. Manhattan, NYC. June 2018. (photo © Jaime Rojo)

Tristan Eaton. Houston/Bowery Wall. Manhattan, NYC. June 2018. (photo © Jaime Rojo)

Tristan Eaton. Houston/Bowery Wall. Manhattan, NYC. June 2018. (photo © Jaime Rojo)

 

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BSA Images Of The Week: 02.12.17

BSA Images Of The Week: 02.12.17

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“It’s surreal to be on the south side of the US border,” we said last week about being in Mexico. Sorry to report that it may be even more surreal on this side.

Trump and Co. suffered a setback on their Muslim travel ban via the courts but are reportedly breaking out the ICE and going after undocumented people inside US cities suddenly. Politicians are reportedly being flooded with phone calls, letters, postcards, and overflowing town halls from people riled by extreme actions of the new president, and protests pop up sort of everywhere right now about DAPL, Planned Parenthood, immigration….

Meanwhile he’s raging against the judiciary in ALL CAPS, still saying the murder rate is high when its actually low, bankers and corporate captains are sailing into positions in his cabinet, his manic spokes-spinners are attacking/being attacked rhetorically and/or selling his daughters’ fashion wares on live news, his National Security Advisor may have tipped off Russians about easing sanctions before the inauguration, and his top advisor appears to have a large Armageddon roast slathered with terror sauce for breakfast…  frankly there is too much fresh horror every day to re-count and we all have a giant pile of laundry to get caught up on. Jeez!

Meanwhile New York had an impressive snowstorm this week, BAST had his first show of new work in something like 4 years at Allouche Gallery, and Jilly Ballistic is cutting and slicing her way through subway billboard satire in a way that’s pretty funny!

Here’s our weekly interview with the streets, this week featuring: 1Up, Icy & Sot, Jilly Ballistic, Josef Foos, Karm, Michelle Angela Ortiz, Pichi & Avo, Sam Durant, Street-People, and Sebastien Waknine.

Top image: Icy & Sot (photo © Jaime Rojo)

Michelle Angela Ortiz for #artinadplaces. NYC phone booth ad takeover. (photo © Jaime Rojo)

“If my parents are deported, I will have to raise my sister.” Erick 13 years old

Jilly Ballistic. NYC Subway ad takeover. (photo © Jaime Rojo)

Jilly Ballistic. NYC Subway ad takeover. (photo © Jaime Rojo)

Sam Durant “End White Supremacy” sign outside Paula Cooper Gallery in Chelsea, NYC. (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Pichi & Avo. Houston Bowery Wall for Goldman Global Arts in Manhattan, NYC. (photo © Jaime Rojo)

Pichi & Avo. Detail. Houston Bowery Wall for Goldman Global Arts in Manhattan, NYC. (photo © Jaime Rojo)

143 ?? (photo © Jaime Rojo)

Street-People on the streets of Berlin. (photo © Jaime Rojo)

Street-People on the streets of Berlin. (photo © Jaime Rojo)

1UP and company. (photo © Jaime Rojo)

Unidentified Artist on the streets of Berlin. (photo © Jaime Rojo)

Josef Foos in Berlin. (photo © Jaime Rojo)

 

Unidentified Artist on the streets of Berlin. (photo © Jaime Rojo)

Karm on the streets of Berlin. (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

SebastienWaknine on the streets of Barcelona. (photo © Lluis Olive Bulbena)

 

SebastienWaknine on the streets of Barcelona. (photo © Lluis Olive Bulbena)

SebastienWaknine on the streets of Barcelona. (photo © Lluis Olive Bulbena)

Untitled. Buskers. NYC Subway. February 2017. (photo © Jaime Rojo)

 

 

 

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Miami Basel/Wynwood 2016 Wrap: Parade of Eye-Popping Beauty at a Portentous Time

Miami Basel/Wynwood 2016 Wrap: Parade of Eye-Popping Beauty at a Portentous Time

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An embarrassment of riches in so many ways, the Wynwood Street Art and mural scene is outrageously sexy, flashy, ugly, posey, pretty, proliferate and quizzically content-free. The annual outdoor urban art visual carnival that accompanies Art Basel in Miami is full of hi/low expectation and spectacle, and it confidently delivers on both.

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1010. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Long-limbed and shimmery sleek women are often working the sidewalks like runways, the men are carefully posing/not posing/posing with open shirts and genial braggadocio, and there are thousands, more likely millions of selfies taken in front of painted walls.

International art fans are mixing with skater kids and hip hop heads and egg-headed social scientists and teenage marching bands and they are all gawking and interacting with loquacious mamacitas and bearded lumbersexuals; this is not your average clambake.

Sometimes it is just weird; flourescence mixed with plaid, shot-callers and violins, strollers and stillettos, an undertone of aggression and sexual tension, salt-of-the-earth with self-admiring clubbers, perfect skin and aerosol painted hands, a whiff of weed and a sense of wonder waiting to be discovered.

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Audrey Kawasaki at The Hotel. Goldman Global Arts. South Beach. Art Basel Miami 2016. (photo © Jaime Rojo)

While there was a parade of 40 or so citizens and activists carrying signs and handing out flyers down the street to protest the oil pipelines taking sacred lands from native tribes and polluting natural water supplies, the thousands of art fans flooding the Wynwood neighborhood of Miami would have been hard pressed to find any Street Art talking about those topics.

Ironically the political shockwaves this year in Miami seemed to emanate from behind doors at the fair with Sam Durant’s “End White Supremacy” piece that many interpreted as a direct response to the election of a president whose followers include radical organizations that champion white supremacy. Alas, the piece was made in 2008, and although its hand-style emulates the hit and run scrawl of some graffiti on the street, it was a thoughtfully executed piece constructed as an illuminated sign.

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David Choe. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

With one very notable exception, the enormous and frightful mural featuring Donald Trump as Heath Ledger’s Joker wielding a knife at the neck of the Statue of Liberty with the screaming headline “Come On… What the Hell Do You Have to Lose?” by 12 artists for The Bushwick Collective/Mana Urban Arts Project, the professionalization of Street Artists and their murals may be steering the paintings in Wynwood away from in-your-face activism.

Granted, no one is thinking that commercially branded ventures that actually pay artists to paint will encourage the outright expression of social or political opinions – that may challenge or frighten potential customers and investors. Hotel lobbies need murals, sport cars need decorative painting, beer cans need labels. A number of liquor and lifestyle companies have invited artists here over the last few years and paid them to make their special events and products visually appealing, but little else.

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David Choe portrait of Martha Cooper and her cat Mélia. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

The newly refurbished Hard Rock stadium a few miles north of Miami features huge mural installations by international Street Artists that are curated by Goldman Global Arts, a division of Goldman Properties, the same real estate organization that has brought artists from around the world to the Wynwood Walls compound and featured their fine art canvasses in gallery expositions since the late 2000s. The pieces are opus works in an unusual setting and now sports fans are going to be up close and personal with some of the bigger names in Street Art right now.

It would be hypocritical for anyone to expect that these artists should accept commercial work and yet disrespect guidelines about the content. Similarly, expecting artists not to seek commercial opportunities for fear of “selling out” is arrogant and unrealistic and often the convenient provenance of privileged youth who dabble in “slumming” as a rebellious lifestyle. Later they are bankers.

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David Choe. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Even so, where’s the anger right now? Why didn’t you see a lot of furious diatribes, challenges to power, and mockery of small-minded thinking on the street in Wynwood – and what would it take for Street Art to embrace its power to affect social and political change?

Just posing the question here now, again – as the topics of impending fascism, the increasing acts of racism, anti-Semitism, homophobia, corruption, oligarchy, state-corporatism, and a systematic eroding of respect for our institutions – all came up in conversations at bars, art openings, panel discussions, and roof parties.

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Okuda. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

The murals you see here are often technically superb and their themes, while muted, may address some of the larger themes affecting society, but one wonders if there is an internalized censorship that we have accepted.

These images are admittedly of a modest percentage of the hundreds of legal murals and illegally dashed-off pieces we saw this week, but that’s only because we have edited for our individual aesthetics, not because of content. Also admittedly, as people in the arts, we are exhausted from the recent election and all it portends, and we were happy for some glorious eye candy to salve the psychic wounds – so maybe we were selectively seeing what we wanted to.

Probably not too much though.

For an art practice with some serious and proud roots in activism, the walls in Miami are curiously quiet. But they definitely look amazing.

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Pixel Pancho. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

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Findac. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

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Faith 47. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

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Felipe Pantone. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

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Martin Whatson. The Raw Project. Eneida M. Hartner Elementary School. Wynwood / Art Basel Miami 2016. (photo © Jaime Rojo)

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Mr. June. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

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INO. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

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INO. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © INO)

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Shepard Fairey. Mana Urban Arts Projects. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

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Vhils. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Pichi & Avo. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Pichi & Avo. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Tristan Eaton. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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The London Police. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Hueman. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Jen Stark. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Fintan Magee. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Fintan Magee. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Fintan Magee. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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AVAF. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Case Maclaim. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

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Bordalo II. Uninhibited Festival 2016. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

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Peeta. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

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Knarf. Work in progress. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)


 Our week’s coverage on BSA:

Wynwood Awakes: BSA x UN BERLIN ART BASEL 2016: Dispatch 1

Police Arrest in Miami: BSA x UN BERLIN ART BASEL 2016: Dispatch 2

You’ll Need Good Shoes: BSA x UN BERLIN ART BASEL 2016: Dispatch 3

Clubhouse Chemistry in a Warehouse : BSA x UN BERLIN ART BASEL 2016: Dispatch 4

Paint, Protest, Party : BSA x UN BERLIN ART BASEL 2016: Dispatch 5

Urban Contemporary Inside the Fair : BSA x UN BERLIN ART BASEL 2016: Dispatch 6


This article is the result of a collaborative partnership with BSA and Urban Nation (UN).


This article is also published on The Huffington Post.

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Paint, Protest, Party : BSA x UN BERLIN ART BASEL 2016: Dispatch 5

Paint, Protest, Party : BSA x UN BERLIN ART BASEL 2016: Dispatch 5

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Scope! The verb, not the art fair.

We will be hitting SCOPE shortly but in the interim we’ve been scoping for action or trouble; trolling around the streets of Wynwood and other selected odd locations to find Street Artists actively brush-painting, aerosol painting, markering, stenciling, wheat-pasting, even tying some wires and ribbons around fences. The walls and murals and the scene are all transforming in front of your eyes here, with photographers, videographers, and drones all flying around to capture the action as it progresses.

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Bob from The London Police working at their mural for the new Goldaman offices in Wynwood, Miami. Wynwood Walls 2016 /Art Basel. Miami. (photo © Jaime Rojo)

This neighborhood is an art fair, without the attitude. Well, maybe there is attitude occasionally on display as well.

Also, political speech was pushing through the carousing beer swilling, late-sipping, burrito chomping streets yesterday with a 50 person troop of protesters with home made signs addressing the massive oil pipeline that is routed through sacred land of Native Americans in North Dakota and a pipeline planned to go through Florida.

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Oil pipelines protest in Wynwood. (photo © Steven P. Harrington)

We followed them for a few blocks, listening to chants about water and hegemony and found that for many art/party fans it was a curiosity to see citizens demonstrating, and a few bystanders took the fluorescent green flyers offered and said thanks, while others took photos and naturally, selfies with the marchers.

Just one more element to add to your sense of cognitive dissonance.

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Pichi & Avo. Work in progress. Wynwood Walls 2016 / Art Basel. Miami. (photo © Jaime Rojo)

Night time in the Wynwood District is a chaotic grimy glittery mix of high and low and middle in the neighborhood as well – where you are as likely to catch a whiff of a models’ perfume as she sashays past you in a backless silver mini dress with her 3 leggy friends flipping their long hair over their shoulders as you are to catch a whiff of sweet ganga smoke from the joint of an open-shirted, low-waisted Romeo in dreadlocks or one the acrid whiff of the rumpled grayish clothing worn by the guy who is sitting on a chair against a mural and is ready to spend another night laying on the sidewalk after you stumble back to your hotel.

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Pichi & Avo. Detail. Wynwood Walls 2016 / Art Basel. Miami. (photo © Jaime Rojo)

An ongoing slothful and bloated and thumping network of car-minivan-limo-Escalade-motorcycle traffic is rolling into a mechanical Ambian lethargy, at times looking more like a parking lot or tailgating party, grid-locking and popping and actively cruising the options parading down the sidewalks, with windows open and music pumping.

With no police at intersections to ease the flow of this jamtastic scene, low-bubbling rage mixes with cologne and produces slick insults hurled at the guy whose car is blocking the traffic flow, or more importantly, your flow. The song of the night wafting through the air on one corner, perhaps because a bicycle would be a perfect solution here, is called Bicycleta.

Luckily for us, we are usually on foot and not afraid to walk to find the good stuff. That is the best way to experience the street and the various events and to catch artists at work. Enjoy a few scenes from the day and one from the evening in Wynwood in Miami.

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Ron English touching up his mural from a previous edition of Wynwood Walls. Wynwood Walls 2016 / Art Basel. Miami. (photo © Jaime Rojo)

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Ken Hiratsuka. Wynwood Walls 2016 / Art Basel. Miami. (photo © Jaime Rojo)

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Case Maclaim. Detail. Work in progress. Wynwood Walls 2016 / Art Basel. Miami. (photo © Jaime Rojo)

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Shepard Fairey. Work in progress for Mana Urban Arts Project. Wynwood / Art Basel. Miami. (photo © Jaime Rojo)

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Shepard Fairey. Work in progress for Mana Urban Arts Project. Wynwood / Art Basel. Miami. (photo © Jaime Rojo)

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Insa and Drew Merritt. Work in progress. This will be an augmented reality wall which the public will be able to appreciate on Saturday with an app. Wynwood / Art Basel. Miami. (photo © Jaime Rojo)

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Insa and Drew Merrit. Work in progress. This will be an augmented reality wall which the public will be able to appreciate on Saturday with an app. Wynwood / Art Basel. Miami. (photo © Jaime Rojo)

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Low Bros. Perfecting ones curtsy to the Queen comes in handy while painting on a wall. Wynwood / Art Basel. Miami. (photo © Jaime Rojo)

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Obey, people! Or not, its up to you. Wynwood / Art Basel. Miami. (photo © Jaime Rojo)

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Artist Talk at the new Goldman art gallery with Martha Cooper, Crash, Tristan Eaton, Faith47 and Pixel Pancho. Moderated by Steven P. Harrington of BSA. Wynwood Walls 2016 / Art Basel. Miami. (photo © Jaime Rojo)

Pichi & Avo at the Hard Rock Stadium for Goldman Global Arts


This article is the result of a collaborative partnership with BSA and Urban Nation (UN).

 

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