All posts tagged: Fio Silva

The Ecofeminist Voices of Graffitea 2025: Painting Care and Resistance

The Ecofeminist Voices of Graffitea 2025: Painting Care and Resistance

This year Graffitea 2025 marked its tenth anniversary in the small Valencian town of Cheste, about 30 kilometers west of Valencia, with a new edition that reaffirmed its role as one of Spain’s most significant public art projects. Over the course of a decade, the festival has transformed this municipality, with more than 160 murals now lining its streets. The project, featuring new works by artists from Spain and around the world, is promoted by the Department of Culture of the City Council of Cheste. In communication with the community, Graffitea is both a municipal initiative and a collaborative cultural endeavor, officially sustained by a belief that mural art enriches public space and social consciousness alike.

HERA-Herakut. Detail. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
HERA. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)

Under the artistic direction of Toni Espinar, who also oversees its on-the-ground organization, Graffitea aims to balance curatorial vision with community participation. The festival was originally initiated in 2016 by Mª Ángeles Llorente, councillor for culture at the time, what began as a small-town experiment in civic art has become a national reference point for how local governments can embrace urban creativity as a driver of education, tourism, and pride..

Btoy. Detail. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Btoy. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)

The 2025 edition of Graffitea is distinguished by an eco-feminist theme, featuring 13 women muralists including Btoy, Fio Silva, Roseta FS, Anna Repullo, Hera Herakut, Margot Margay, Maríadie, Raquel Coba, Ana Corazón, Hélène Planquelle, Daniela Guerreiro, Lluïsa Penella i Pons, and Alicia Jordá de Lucas. Their walls touch on themes of care, love, memory, and respect for nature. Alongside these, projects like Graffitea con Palestina — co-organized with UNRWA — underscore the festival’s international outlook and solidarity with human rights causes. Such collaborations expand the festival’s social scope beyond visual spectacle, anchoring it in sometimes difficult conversations about themes such as gender, ecology, war, and justice.

Daniela Guerreiro. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)

According to the Comunitat Valenciana’s official tourism portal, Graffitea’s annual program includes conferences, round tables, screenings, practical workshops, and guided routes — a format that seeks to connect artists with audiences. Over the years, related events have also included concerts, hip-hop performances, and mural scholarships, weaving together art, education, and local participation. After a decade and 160 murals, Graffitea flexes the power of contemporary urban art and the enduring capacity of communities to welcome artists as partners in shaping the public imagination.

Our thanks to photographer Louis Olive Bulbenna for sharing these recent photos that he took with BSA readers.

Fio Silva. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Margay Art, Roseta Fs. Detail. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Margay Art, Roseta Fs. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Margay Art, Roseta Fs. Detail. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Anna Repullo. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Helene Planquelle. Detail. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Helene Planquelle. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Ana Corazon. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Esmeralda Lopez. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Feminist Art. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Maria Die. Detail. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Maria Die. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
Lluisa Penella. Graffitea 2025. Cheste, Spain. (photo © Lluis Olive-Bulbena)
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In Fanzara After Censorship and Cuts, the People Bring MIAU Back to Life

In Fanzara After Censorship and Cuts, the People Bring MIAU Back to Life

Sometimes street art festivals run headlong into battles with local politics or corporate brands that believe murals should only be decorative—certainly not inclusive of certain communities or certain politics. To be clear: all art is political. If you like a mural, chances are it aligns with your worldview. Don’t make the mistake of believing otherwise.

Fio Silva. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)

Last year, MIAU Fanzara ran squarely into that truth. In early 2024 the local council introduced a “facades ordinance” demanding prior approval of sketches—an a priori filter on themes and imagery that organizers publicly rejected as censorship. With organizers refusing to comply, the 2024 edition was “paused.” Over the summer, it appears that the dispute widened, drawing criticism from cultural bodies and press coverage that framed the rule as a curb on artistic freedom. In September, the council rescinded the ordinance—but it also withdrew the long-standing €6,000 municipal subsidy, a small but symbolically vital line that had helped the festival function, according to new reports and locals.

Fio Silva. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)

This year, the money didn’t return—but the people did. In 2025, neighbors opened their walls, volunteers handled logistics, and artists worked without fees. MIAU’s ninth edition went ahead without public subsidies, sustained by community energy and a shared conviction that public space is for public voices. All of this sounds rather like the vox populi itself — unruly, creative, and unwilling to be managed by decree. The result wasn’t just a program; it was a popular mandate painted on stucco and brick.

Santa Gross. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)

What follows is a selection from this year’s walls: pieces that speak in bright, unvarnished tones about memory, ecology, migration, gender, and the everyday. Funding can be cut. A festival can be paused. But when the people choose color over silence, the paint somehow finds a way.

Thank you to photographer Lluis Olive for sharing new shots of MIAU 2025


To read more about the censorship battle at the Fanzara “MIAU Festival”:

Laura Merayo. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
  1. “Fanzara se queda sin festival de grafiti tras 10 años por la nueva norma municipal del PP”El País (July 6, 2024). A report on the 2024 cancellation after the facades ordinance imposed prior screening of murals. (El País)
  2. “Fin al bloqueo del MIAU de Fanzara nueve meses después: el Ayuntamiento aprueba por unanimidad retirar la Ordenanza municipal de fachadas”Cadena SER, Radio Castellón (September 7, 2024). On the council’s vote to withdraw the ordinance and the simultaneous end of municipal funding. (Cadena SER)
  3. “El festival de grafitis de Fanzara sobrevive al intento de censura previa con la solidaridad de vecinos y artistas”El País (July 5, 2025). Coverage of the 2025 edition returning without subsidies, powered by residents and volunteers. (El País)

(Additional context: El País summarized the ordinance’s withdrawal and loss of the €6,000 grant on Sept. 7, 2024; local outlets like Castellón Plaza and NMPNU documented the 2025 edition proceeding “a pecho descubierto,” without public funds. (El País))

Laura Merayo. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Lluisa Penella. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Lluisa Penella. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Lluisa Penella. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Iris Serrano. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Lluisa Penella. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Tony Gallo. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Tony Gallo. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
MurOne. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Digo Diego. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Digo Diego. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Costi AMC. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Costi AMC. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Bifido. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)

We wrote about Bifido’s contribution to MIAU 2025 back in July. Click HERE to read the article.

Maria Otal. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Reka One. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Marie Balbinot. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Marie Balbinot. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Deith. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Deith. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Hombre Lopez. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Hombre Lopez. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Hombre Lopez. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)
Hombre Lopez. Detail. MIAU Festival 2025. Fanzara, Spain. (photo © Lluis Olive-Bulbena)

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New “Uninhibited” Art Scene in Allapattah, Miami

New “Uninhibited” Art Scene in Allapattah, Miami

Clara Vanessa Avalo and her Uninhibited Urban Art Magazine mounted their own celebratory event full of artists and fans this year in Allapattah, a gritty neighborhood adjacent to the glaring spotlights of Wynwood during Art Basel Miami.

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Bordalo II . Detail. (photo © Jaime Rojo)

Celebrating the magazine’s first anniversary Ms. Vanessa Avalo’s project brought a number of artists to paint live at “The Collective” during Basel week and to meet new folks and art fans at their big party out back at the compound and gallery. A self-described Luxury Real Estate Broker, Ms. Vanessa Avalo has managed to parlay international travel and art-world relationships with her affection for urban artists and is growing a scene of her own with some well-known and newer names on the scene. Ms. Avalo is the curator, organizer and creator of Uninhibited Urban Art Magazine and Uninhibited Mural Festival Allaphatta.

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Bordalo II (photo © Jaime Rojo)

Loosely referred to by some as “The Collective Art Miami” this noisy front/quiet back block encompasses all the organic bohemian stuff that fuels a grassroots artists community and draws interest – a radio station (Jolt Radio), record store, live performances, small gallery shows, in-gallery yoga, design startups, production teams, dance, fashion.

With the exception of The London Police pieces all the murals featured here were created this year from November 21st. through December 2nd. These photos can give you a taste of the new grassroots scene growing out of, or perhaps in response to, the madness that is Wynwood.

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Miles Toland (photo © Jaime Rojo)

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Miles Toland (photo © Jaime Rojo)

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Miles Toland . Detail. (photo © Jaime Rojo)

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The London Police (photo © Jaime Rojo)

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The London Police (photo © Jaime Rojo)

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Mr. June (photo © Jaime Rojo)

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Fio Silva . Detail. (photo © Jaime Rojo)

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Fio Silva . Detail. (photo © Jaime Rojo)

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Fio Silva . Detail. (photo © Jaime Rojo)

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Galo (photo © Jaime Rojo)

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Aquarella (photo © Jaime Rojo)

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