All posts tagged: Fifth Wall TV

“Change” A Short Film By Doug Gillen in Kosovo

“Change” A Short Film By Doug Gillen in Kosovo

“This is a celebration of them directly,” artist Helen Bur says as she describes her new six-story high painting in Ferizaj, Kosovo. Warm and idiosyncratic, it is a candid photo of local youth whom she paints in this once war-torn area. Even today, about 20 years after the end of hostilities and with the enormous “peace-keeping” US Camp Bondsteel nearby, a mixture of Albanians, Serbs, and Roma all are rebuilding a common life in the shadow of not-so-past events.

Axel Void and Helen Bur. Mural Fest Kosovo/Void Projects. Ferizaj/Kosovo. (photo © Besart Bega)

Given such taut social politics that govern the memories and leave their mark on the daily lives of residents, Scottish film maker Doug Gillen jumped in to record the observations and experiences of artists and local creators who were there for a mural festival. One current fashion for murals created for these public art events is to be “responsive” to the community. Undoubtedly you can see that many of these are reflecting the environment – including more literally the botanicals of the region.

Local Musician. Mural Fest Kosovo/Void Projects. Ferizaj/Kosovo. (photo © Doug Gillen)

Elsewhere Gillen captures the stories of locals, including one resident who recalls being ‘usurped’ by a ‘hooligan’ who took over her attic and who brought sex workers there during the conflict. You can sense the relief she feels to finally tell her story in a public way. These singular stories provide clarity and can be rather jewel-like.

Muralist Ampparito touches on the denial that is also in play as he describes his mural which addresses the ultimate non-controversial topic bound to engage a respectable constituency: weather.

Aruallan and Axel Void. Mural Fest Kosovo/Void Projects. Ferizaj/Kosovo. (photo © Aruallan)

“When you arrive at a place that you don’t know and you want to talk about serious stuff” the artist explains with a smile, “I think you have to be careful.” For both the sensitive and the coarse, it is a given; whether its political or personal self-censorship, it will enter the life of an artist at one point. “It’s like when you don’t talk about something, sometimes you say more than if you don’t talk about it.”

You can see how the commitment to acknowledging and participating with community is realized by a talented collection of artists – like the aforementioned Ampparito, Aruallan, Micheal Beitz, Helen Bur, Emilio Cerezo, Doa Oa, Alba Fabre, Ivan Floro, Maria Jose Gallardo, Retry One, Zane Prater, Vlada Trocka and Axel Void.

A local on Ferizaj. Mural Fest Kosovo/Void Projects. Ferizaj/Kosovo. (photo © Doug Gillen)

Artist and organizer Axel Void may embody similar contradictions as he describes goals of the pro-artist organization named after himself. “In a way it’s a similar idea to every, like, Void Projects – which is pretty much trying to cut out the middle man and trying to have a more direct interaction between the artist and the people.” That being said, the annual mural festival relies on private and institutional partners, staff, professionals, and the efforts of volunteers to mount it as well as a biosphere of media professionals and amateurs and private platforms to help Void and the artists get the word out about their creations around the globe.

Executive producer Lebibe Topalli rests her finger carefully upon the local pulse, and she parses words gently when describing the challenges of mounting this event today as she thinks of Kosovo of two decades ago. To even have considerations regarding the ‘art world’ at an earlier time “would have been a luxury,” she says. 

“The difference is best recognized by the people who have experienced it.” As the debate in the street art world continues about the elusive ideal mix of factors for the perfect mural festival, filmmaker Gillen helps capture those who struggle as well with their sense of responsibility to the community.

Produced by Fifth Wall TV in collaboration with the Kosovo Mural Festival and Void Projects

Film Executive Producer Charlotte Pyatt

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BSA Film Friday: 01.15.21

BSA Film Friday: 01.15.21

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Escif: Greenpeace, For a Sustainable City.
2. Street Art in 2020
3. Mathieu Libman: The Moon’s Is Not That Great

BSA Special Feature: Escif: Greenpeace, For a Sustainable City.

Street Art in 2020

Doug Gillen of FifthWall TV reflects on the world of street art in the year of 2020.

Mathieu Libman: The Moon’s Is Not That Great

After an astronaut returns from her lunar mission to find that the public lost all interest in the moon, the stories of the astronaut, a film director, and a bear intersect.

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BSA Film Friday: 09.25.20

BSA Film Friday: 09.25.20

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Doug Gillen/Fifth Wall TV: Is New Brighton a future model for the British Sea Side Town?
2. Lidia Cao. Tribute to Dolores Medio. Parees Fest 2020
3. INDECLINE: On Second Thought. A reflection on gun violence in collaboration with artist David Fay.

BSA Special Feature: Visit a Sea Side Town with Doug Gillen

You can’t really send out a gilded invitation to your cousin Gentrification to come visit and be surprised when his emotionally draining wife and video-game playing snot-nosed kids are in the car with him.  When you use words like “platform” to describe art-washing of a town, and your organization has a “brand director”, there won’t be much surprise when the moneyed professionals complain that music at the curated-bar across the street is keeping their new baby awake at night.

Doug at Fifth Wall is more surreptitiously stealthy than ever, gradually upping his stealthy-stealthitude as he lets this story basically tell itself while posing as a merely curious art-fan.

The story is literally everywhere you look right now, and apolitical, non-confrontational Street Art and murals are almost always intercedent. A small town is sucked dry after decades of neo-liberal economics and back-room political deals, leaving a godless lot feeling listless and depressed without prospects for the future. Broad strokes, but you’ve undoubtedly heard the concept proffered by real estate investors that comes next.

“Yes there’s a commercial side to it but there is also very much a community element to what we’ve been doing,” says one male voice as the camera scans some run-down architecture with good bones and historical character. They’ve been buying up properties and “introducing a new independent concept into them”.

You predict what comes in this chapter; small portions of fussy food, art galleries, street art, vinyl!, kooky cafes with drip coffee and cold brew, clever grandma-anti-fashion fashion, artisanal cheeses, greater police presence and the occasional night-time social cleansing of hardscrabble types pushed into other neighborhoods.

Next step, edgy lifestyle brands will need some quirky space to set up shop.

“We’re trying to keep the big boys out of our little part of town.”  

“2020 is a year calling out for change,” says Doug in his wrap-up, but he knows this particular model is not at all new. It’s still a reaction to the devastation, and we all seem to be trapped in it. Even so, this can be a kind of rejuvenation that many small towns would ache for and there is reason to think that the formula can be configured to be more just to those who will get displaced – if you’re dedicated to it.

And your cousin Gentrification could be cool to hang out with, even if his very classy wife gently insults your wife and the décor of your home and the food you eat and the music you listen to.

Doug Gillen/Fifth Wall TV: Is New Brighton a future model for the British Sea Side Town?

Lidia Cao. Tribute to Dolores Medio. Parees Fest 2020

Lidia Cao paints a portrait of Dolores Medio, the Spanish writer, teacher, and journalist for the Parees Festival in Spain in this short video by Titi Muñoz.

INDECLINE: On Second Thought. A reflection on gun violence in collaboration with artist David Fay.

600 decommissioned weapons were combed over and refashioned by Las Vegas based artist David Fay into this semi-kinectic sculpture that recalls Rodin’s “The Thinker”. In an America that is fascinated by weapons, at least in movies and television, this sculpture may make people think, or not.

Produced by the amorphous art-activist group INDECLINE, the work had 58 bullets embedded in the shoulders as a somber reminder of the mass shooting in Mandalay Bay three years ago in Las Vegas.

From their press release: “The piece stands just over 6 feet tall and weighs approximately 250 pounds. It took David Fay 4 months and over 750 man-hours to complete the piece.”

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TOward TOmorrow: Artists Instagram Competition with 10K Cash Prize / Dispatch From Isolation # 51

TOward TOmorrow: Artists Instagram Competition with 10K Cash Prize / Dispatch From Isolation # 51

ARTIST COMPETITION NOW OPEN – Ends JUNE 5

The United Nations has 17 Sustainable Development Goals (SDG).

If you pick one of those goals and create a piece of art about it you may win 10,000 pounds – which is roughly the same amount of weight the average apartment dweller has gained in Brooklyn since the beginning of March.

This art-centered program named TOward TOmorrow 2030 has its sights set on 2030 and is working hard to get us close to achieving those 17 goals in a program they started last year with many mural artists.

BSA supports artists and we support this project because we know some of the folks behind it.

Submissions close 5th June 2020 so check out the rules from the coffee company that is sponsoring this competition HERE. Also look them up on #TOwardTomorrow

The 17 sustainable development goals (SDGs) of the United Nations by 2030

GOAL 1: No Poverty
GOAL 2: Zero Hunger
GOAL 3: Good Health and Well-being
GOAL 4: Quality Education
GOAL 5: Gender Equality
GOAL 6: Clean Water and Sanitation
GOAL 7: Affordable and Clean Energy
GOAL 8: Decent Work and Economic Growth
GOAL 9: Industry, Innovation and Infrastructure
GOAL 10: Reduced Inequality
GOAL 11: Sustainable Cities and Communities
GOAL 12: Responsible Consumption and Production
GOAL 13: Climate Action
GOAL 14: Life Below Water
GOAL 15: Life on Land
GOAL 16: Peace and Justice Strong Institutions
GOAL 17: Partnerships to achieve the Goal

Shout-outs to @charlotte_pyatt @juxtapozmag @sdgaction. Cool video by @fifthwallTV

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Axel Void’s “Homeless” Project Comes “Home” in Miami

Axel Void’s “Homeless” Project Comes “Home” in Miami

Doug Gillen’s New Video Captures “Homeless”

Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)

“The aim is to create quality shows outside of the conventional art scene, cutting the middlemen, galleries or institutions,” says Axel Void’s mission statement for “Homeless.”

When his Instagram following gets big enough, will he add art websites and magazines to that list of superfluous middlemen/women?

Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)

In the meantime, here’s London based filmmaker/vlogger and Radio Juxtapoz co-host Doug Gillen with his take on the “residency” that Void (Alejandro Dorda) hosted this year in Miami during Art Basel. As his craft evolves, more of his subjects are emerging; his languorous takes are fulsome, his pacing creating space.

It’s a meditation on what “home” means for 15 or so artists who are in Void’s house “to eat, sleep and create together”. The construction of that phrase suddenly makes this residency sound a LOT more interesting.

Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)

For Axel Voids’ project, the location is North Miami and the temperature is 75 degrees Fahrenheit and the architectural era in the 1920s. From the looks on the face of this crew of international painters, “home” has a lovely barefoot-in-the-grass quality, a sun-drenched smokey Arkestra of soul and silliness. 

When you look at these paintings and these people and think of this environment you may ask yourself, “What is home?”

Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo © Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo © Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo © Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)
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BSA Film Friday: 10.04.19

BSA Film Friday: 10.04.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Gross Domestic Product – Banksy
2. New Stop Animation Project from Caledonia Curry AKA Swoon.
3. Henry Chalfant “Art vs Transit 1977-1987” Bronx Museum of the Arts
4. Street Art Summer Round-Up – 2019 from Fifth Wall TV / Doug Gillen

BSA Special Feature: Gross Domestic Product – Banksy

The doublespeak of Banksy very effectively demanded a whirlwind of media attention in the art/Street Art world once again this week. The anti-capitalist launched a full street-side exhibition while his personal/anonymous brand benefitted by the new record auction price of 9.9 million pounds with fees for one of his works depicting a “Devolved Parliament” full of apes – precisely during the height of inpending Brexit hysteria.

Gross Domestic Product / Banksy Installation. Video Courtesy Ash Versus


New Stop Animation Project from Caledonia Curry AKA Swoon.

Street Artist Swoon (Caledonia Curry) has been pushing her creative limits in a medium she is not known for, and the results are exhilarating.

Facing a backlog of fears and eager to go out of her comfort zones of that include linotype printing and wheat-pasting on the street – and the many projects building community – her last two years of study in stop animation are ready to be seen. Present her narrative practice and character in a surprising new way, Swoon takes chances bravely, and is ready to share her new work.

Her new exhibition with Jeffery Deitch is coming up in New York – but today we offer a sneak peek of what the deep diving Swoon has discovered.

Henry Chalfant “Art vs Transit 1977-1987” Bronx Museum of the Arts

Its here and the reviews have been glowing. One of the originals in documenting and providing platforms to artists and participants of art on the streets and trains, Henry Chalfant is please to present an impressive retrospective through next spring at Bronx Museum of the Arts.

Street Art Summer Round-Up – 2019 from Fifth Wall TV / Doug Gillen

Hop into the Doug soup of insight, mangled pronunciation and zealous fannery for projects and Street/public art concepts he wants you to remember from this summer.

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BSA Film Friday: 07.19.19

BSA Film Friday: 07.19.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. WK Interact in NYC by Fifth Wall
2. Rub Kandy & Biancoshock: “All the Lights”
3. Not Rented To Humans: Grip Face
4. Elrow’art: Kaos Garden with Okuda San Miguel and Paco Osuna

BSA Special Feature: WK Interact in NYC by Fifth Wall

“It was some sort of freedom,” says WK in this retrospective of NYC locations that he tries to recall with original photo in hand overlaying the original city spot. For some of us, the memories of all of these spots are sufficient, as the city was different then – perhaps more wild and dirty. For WK, the stories and the memories continue to evolve.

Well shot and edited, its a mature way to let the artist speak and evocative of his current manner.

Rub Kandy & Biancoshock: “All the Lights”

In the face of sexy new machine-learning and Artificial Intelligence – and the auxiliary tales related to art-making, perhaps this video is a way of preserving the authentic feeling of human discovery in its unglamorous basicness. Not to overplay this, but this conceptual piece is a meditation on the underwhelming mechanized aspects of industry, a blatant taunt of banality in the midst of high gloss unrealness.

Ladies and gentlemen, the conceptual mundanity of the Italian urban artists Rub Kandy and Biancoshock, who here demonstrate how to create electricity with a generator in an abandoned industrial space. It’s a marvelously underwhelming demonstration of the means of production. To “jazz” things up they throw in intermittent blasts of pop-star banality as well, sprinkled with blinky graphics.

…Turn up the lights in here baby
Extra bright, I want y’all to see this
Turn up the lights in here, baby
You know what I need
Want you to see everything

Not Rented To Humans: Grip Face

First, they look like run down sheds, these new wooden structures in high weeds – possibly stopped mid-construction, perhaps during the last economic downturn. Here the missed opportunity of housing, suddenly coupled with the found opportunity of art exhibition!

“There’s something both bizarre and magical in abandoned places,” writes Grip Face in the description of this video. “The course of time invades them, colonizes them, makes it into its own. The invisible imprints impregnate the walls and the experiential trace of past inhabitants slips through the cracks like winter would through a badly insulated window.”

Elrow’art: Kaos Garden with Okuda San Miguel and Paco Osuna

A warmup video for multi-disciplinary artist Okuda San Miguel and dj/producer Paco Osuna and their creative intermingling of avant-garde aesthetics with electronic music to create their vision of ‘The Garden of Delights’. The premiere of the artistic partnership of Ink and Movement and elrow will be on September 28 at Amnesia Ibiza. Here’s a taste of things to come! 

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Icy & Sot: Giving Plants and New Life to Refugees in Greece

Icy & Sot: Giving Plants and New Life to Refugees in Greece

Street Art brothers Icy and Sot once again lead by example with their latest act of artivism at a refugee camp in Greece.

Icy & Sot. Giving Flowers. Lesbos Greece. June 2019. (photo © Icy & Sot)

People chased from their homes by wars in places like Syria, Iraq and Afghanistan are now part of a larger conversation in Europe as countries struggle to accept the massive numbers of refugees in the last decade. On the Greek island of Lesbos, the overcrowding of a camp named Moria has produced Olive Grove, a temporary place full of tents, but little nature.

Icy & Sot. Giving Flowers. Lesbos Greece. June 2019. (photo © Icy & Sot)

With a goal of softening the hardship for people living here, Icy and Sot raised money through a print sale online and with the proceeds purchased fresh flowering plants to give away. “It was wonderful to see that actually put a smile on peoples’ faces for a moment,” they say in a press release.

Icy & Sot. Giving Flowers. Lesbos Greece. June 2019. (photo © Icy & Sot)

While they have traveled around many international cities in the last five years creating site-specific interventions that contemplate issues of immigration, environmental degradation, and endangered species, the artists felt that the gravity of this place merited something more than just an art installation.

Working with a group called Movement on the Ground and with Doug Gillen of Fifth Wall TV in tow, the two helped build raised gardens and planted vegetables, in addition to handing out many potted plants. Today we have images of persons in the camp from Icy & Sot along with the new video, one of Doug’s best.

Icy & Sot. Giving Flowers. Lesbos Greece. June 2019. (photo © Icy & Sot)

It’s a simple act full of symbolism and invokes the power of the natural world in healing our many wounds. “We know this project didn’t really change anything for those people,” the say, “They come to Europe to be far from the dangers of war, far from hearing bomb explosions, for a better future for their kids. They have had an exhausting journey and they deserve better. They deserve our support.”

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BSA Film Friday: 02.22.19

BSA Film Friday: 02.22.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Escif: Magic Piano
2. Adele Renault: St+Art India. Lodhi Art Festival 2019
3. Jeff Koons at the Ashmolean Museum
4. OS Gemeos: Flying Steps at Hamburger Bahnhof in Berlin

BSA Special Feature: Escif: Magic Piano

Spanish Street Artist Escif creates a museum installation that uses irony, sarcasm, and deep truths that we’re not always ready to see.

By hi-jacking some of the current interactive nomenclature enabled by augmented/mixed realities and the normalizing of tablet use, he alerts viewers to the connection of age-old mineral mining that is just as contemporary as the hi-tech gadgetry many have embraced.

Since you can use the device to contemplate human suffering and make music, it is an indictment of modern attitudes that dehumanize and turn real stories into a video game.

From the artist:

“Coltan is a mineral, found specially in eastern Congo, used to make cells and computer chips. Violent rebel groups are exploiting coltan mining to help finance a bloody civil war which is now in its 12th year.

The link between the bloodshed and coltan is causing alarm among high-tec manufacturers slowly they are beginning to realise that their products may contain the tainted fruits of civil war. Since the outbreak of fighting in august 1998: an estimated 5.4 million people have died; 45.000 continue to die each month; Children account for 47% of these deaths.

Magic Piano is a music installation. With the help of a tablet (that obviously contains coltan) you will be able to play the piano. Use the device to navigate on the wall. When you pass on the screen over a charater, a sound will be activated. If you push the character with your finger a sound loop will be activated. You will also activate the animation of each character.”

Adele Renault: St+Art India. Lodhi Art Festival 2019

A couple of weeks ago we shared with you new photos by Adele’s mom of the Street Artist painting this wall for St+Art India in New Delhi. Today we share a video made of her installation.

📺Lodhi Art Festival 2019 || Adele RenaultAdele's imprints are visible in the winged beauties that now adorn the walls at Lodhi. Laying on a main arterial road know the colony, her birds now peek through the trees and woo passersby.Watch the film to get a closer look into her creative process! 📽 Pranav Gohill & Jay NuEdited by Filterkaypee Festival supported by Asian Paints.#artforall #startindia #startdelhi #startdelhi2019 #asianpaints #lodhiartdistrict #lodhiartfestival2019

Posted by St+art India on Wednesday, February 20, 2019

Jeff Koons at the Ashmolean Museum

“It lacks all the give and the breath of fresh art,” the bespectacled art critic intones with all the weight of a final damnation.

“We need haters out there. They are affirmations that we’re doing something right,” says the streetwise pop star with clever sunnies and sans big hat.

Taking a break from the Banksy beat, Doug appears to put forth that supposition that Jeff Koons is proving once again that as long as you are a white guy and you reference European art history you are 80% on your way as an artist whose work will be collected and exhibited.

OS Gemeos: Flying Steps at Hamburger Bahnhof in Berlin

A splendid hybrid that sends heartbeats racing, even involuntarily, here is a trailer for Flying Steps and Os Gemeos as they interpret Mussorgsky’s “Pictures at an Exhibition”, the famous piano composition that has become a showpiece for virtuoso pianists. Good to see museums of contemporary art truly stretching, redefining the street and Street Art.


Another interpretation by ELP from December 1970.

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BSA Film Friday: 01.25.19

BSA Film Friday: 01.25.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. 10 Year Challenge : Doug Gillen Takes It
2. Tavar Zawacki: Mixing Colors In A Parking Garage in Wynwood.
3. NUART 2018 / RE-CAP: Space is The Place

BSA Special Feature: Doug Gillen of FWTV takes the 10 Year Challenge:

Inspired by a meme (what else could be more 2019) Doug Gillen decides to to an inexact comparison of where selected Street Artists have changed and remained the same since 10 years ago. The big ones apparently are staying ahead by going bigger and perhaps developing entire marketing divisions, possibly in danger of being bloated. Elsewhere we see true evolution.

Tavar Zawacki: Mixing Colors In A Parking Garage in Wynwood. Video by Chop ’em Down Films.

Perhaps in a continued effort to bare it all, Tavar Zawacki (formerly Above) takes off his shirt in Miami and tells us about the importance of color to him.

NUART 2018 / RE-CAP: Space is The Place

“You can view it in a museum and it still feels like Street Art, but is the place of the museum the same as the space of the street,” Professor Alison Young from the University of Melbourne poses the question on the docks of Stavanger, Norway. In face, says Nuart, space is the place that determines the ultimate impact an artistic intervention can have.

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BSA Film Friday: 09.14.17

BSA Film Friday: 09.14.17

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. “GIGANTES CERVECEROS” by Miquel Wert
2. Shepard Fairey and Johnny Cash on 50th Anniversary of “Folsom”
3. PasteUp Festival in Berlin
4. Yemeni Street Artist Murad Subay on Fifth Wall
5. Rocco And His Brothers Crash the the Party at The Police Station

bsa-film-friday-special-feature

BSA Special Feature: “GIGANTES CERVECEROS” by Miquel Wert

A year ago we were watching artist Miquel Wert balancing awkward family dynamics in Barcelona and today he’s painting about beer.

We enjoy watching the progression of the portraiture across these vertical fermentation tanks over about 375 square meters of space. Part of a private gig with the client, the artist chose four tradespeople involved in the production of beer to adorn these tanks in Zaragoza, Spain.

Shepard Fairey and Johnny Cash go big in Sacramento, California.

“When I was just a baby, my Mama told me, ‘Son, always be a good boy, don’t ever play with guns.’ But I shot a man in Reno just to watch him die.” Johnny Cash sings with some bravado in Folsom Prison Blues on an album released 50 years ago this year. Street Artist Shepard Fairey honors the album and here in Sacramento, California to raise consciousness about the outrageously high rate of incarceration here. “The United States has 5% of the world’s population but 25% of it’s prisoners,” he says, making you question the system in the Land of the Free.

PasteUp Festival in Berlin

“PasteUp Festival” Brings 130 Voices to Berlin Walls is the article we wrote a few days ago about this streetside exhibition of international paste-up street art. Here is a full walk-by so you can see it all.

 

Yemeni Street Artist Murad Subay on Fifth Wall

Doug Gillen takes us to Yemen where Street Art takes on the politics of the region and the war-torn life that has been foisted upon its citizenry. A brief overview of geopolitics followed by an Internet interview with Murad Subay is accompanied by examples of his work and Mr. Subay’s own recounting of his experiences creating work on the public sphere – even while bombs are dropping.

 

Rocco And His Brothers Crash the the Party at The Police Station at Monumenta, Leipzig 2018

One of the installations in the new Monumenta exhibition in an old factory in Leipzig creates a car crash into a local precinct. The graffiti crew Rocco and His Brothers have mounted the scene and we were happy to capture it at the precise time that the building security alarms happened to go off – adding an additional audio track to the troubled scene.

 

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BSA Film Friday 07.27.18

BSA Film Friday 07.27.18

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Yok & Sheryo: Mumbai “Varuna Vessel”
2. Mr. June Paints in June
3. Concreto #4 , Fortaleza, Brazil
4. Doug Gillen takes on Email Art Scams

bsa-film-friday-special-feature

BSA Special Feature: Yok & Sheryo: Mumbai “Varuna Vessel”

The Street Art duo of Sheryo and Yok plumb the depths of the urban environment in their travels, getting to know a culture and the people there – a full immersion practice that helps them conceptualize and fashion street murals, gallery shows and exhibitions that utilize the traditions, lore, language, and even the skills of local tradespeople.

This week we have a travelogue to the Sassoon docks in Mumbai where they collaborate with fisherman and women friends, fabricators and textile designers in the street, on a boat, and ultimately in an exhibition called “Varuna Vessel”. Extra points awarded here for the soundtrack, dropped on you in typical S&Y style like a needle on a record, no fade, all funk.

Mr. June Paints in June

Last month Mr. June was in Greensboro, North Carolina to paint a 45 meter diameter water tank roof. In the southern heat for 13 days painting? Give it up for Mr. June, who calls this job for a water resources facility his ode to the beauty of water.

 

Concreto #4 , Fortaleza, Brazil

Before the 5th Concreto Festival kicks into motion this November it’s good to look at the final video they made from the last one.

The brainchild of artist and organizer Narcélio Grud, the festival is in partnership with an urban art school that provides students with a theoretical background and support for intellectual experimentation with this kind of art in the streets that melts barriers.

 

Doug Gillen takes on Email Art Scams

As if it isn’t already challenging enough to be an artist – for the 99% without who are decidedly stressed for time, money, and a publicist. No matter, there are still lowlifes who will try to scam you bro/sis. Occasionally right through your inbox!

Public Security Officer Gillen introduces this underworld of squirrelly types who will try to persuade you into giving over your money to them for massaging your ego. We know that may sound appealing to some of you but in this case the only stripper involved is you, sexy.

 

 

 

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