All posts tagged: Fer Alcalá

Vermibus: Ad Busting In Barcelona. Catalonia’s Desire to Secede from Spain

Vermibus: Ad Busting In Barcelona. Catalonia’s Desire to Secede from Spain

As the October 1st  referendum deadline looms ever closer, the tensions over Catalonia’s attempts to secede from Spain have dramatically taken to the streets – and Vermibus is adding his voice to the raucous dialogue in the Catalunya area of Barcelona. Using an interventionist technique that has become more popular in the last decade but dates back at least to the 1960s, the Spanish born Street Artist is taking over an advertising space to promote artful civic discourse rather than flogging shampoo that makes your hair shiny.

Vermibus. Barcelona Spain. September 21st. (photo © Fer Alcalá)

In news reports everywhere you learn that the central Spanish government and its supporters are accused of extraordinary efforts to quash the democratic efforts of the Catalan parliament to push for the divorce. Recent letters from MPs, more than a hundred academics, and other secessionists accuse the government of anti-democratic measures such as, “taking to court 700 Catalan mayors for allowing preparations for the vote to go ahead, seizing campaign material and ballot papers, threatening to cut off power to polling stations, arresting and charging a newspaper editor accused of aiding the preparations for the referendum and banning a public meeting called in Madrid to discuss the issue,” reports The Guardian.

Vermibus. Barcelona Spain. September 21st. (photo © Fer Alcalá)

For Vermibus, the issue is simpler: The government is hiding from the obvious, choosing not to see the truth and hoping it will go away. Similarly you may look at this image of a person putting their hands over their eyes and interpret it that seeing what is happening is painful and shocking.

As citizens who may look at the events from a patriachal/matriarchal perspective, you can also imagine average people hiding their eyes from witnessing their parents yelling and fighting with each other. As painful as it gets, hiding your eyes doesn’t make it disappear.

“Spain is facing the most complex identity issue of its short democracy,” says the ad-busting Vermibus. “The unity of this country is obviously broken and this problem has to be addressed urgently. The attitude from the central power is one of trying to solve the problem by ignoring it,” he says, “and with that the tensions between Catalonia and Spain are growing exponentially.”

For Fernando Alcalá Losa, the photographer who shares these photos with BSA readers today, the demonstrations and fighting in Barcelona streets right now looked like a perfect opportunity to work with Vermibus, who was in town to give a talk.

Vermibus. Barcelona Spain. September 21st. (photo © Fer Alcalá)

“I had met the Berlin-based Vermibus personally at the 1st edition of Urvanity Contemporary art fair this year. Everything went very fast. I contacted him when I found out that he was giving a lecture in the city, got some tools and tried to make this happen,” Fer says. “We almost failed because of several reasons, but, after some hesitation and logistical issues, the adbusting happened while tons of people were flooding the heart of the city and cops were everywhere. And let me say, it felt good.”

It’s a simple act, this claiming of commercial space for public commentary, but worth the risk for those who increasingly take over bus stops and myriad kiosks that take over the public sphere. For Alcalá Losa, times of civil discontent require civic involvement and this is a tumultuous period for the culture.

“For me it was the fact that the ‘Guardia Civil’, the police branch of the Spanish army, arrested several Catalonian politicians in different cities of the region, leading to a massive and peaceful response by the citizens taking to the streets protesting, demonstrating and claiming for freedom and the right to choose and being independent from Spain,” he says.

“All this political confrontation is not about independence anymore. It’s about freedom of choice, the right to vote and the right of having the chance of saying yes or not. Period.”

Vermibus. Barcelona Spain. September 21st. (photo © Fer Alcalá)

For his part, Vermibus says the problem is a self-imposed blindness and he hopes his small intervention is a reflection of it. “What happened recently in Catalonia is not a problem of identity anymore, or at least is not how I personally feel it. It is an attempt at democracy, and by not wanting to see it the problem won’t get solved on its own.”

Vermibus. Barcelona Spain. September 21st. (photo © Fer Alcalá)


This article is also published on The Huffington Post.

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“The Intimacy Project” Gets Close to the Artist with Fer Alcala

“The Intimacy Project” Gets Close to the Artist with Fer Alcala

“…the real heroes are the people noticing things, paying attention.”

~ John Green, The Fault in Our Stars

Twee Muizen. Nau Bostik, Barcelona. (photo © Fer Alcalá. OlympusE510)

Somewhere between celebrity and anonymity sits the Street Artist, depending on their wishes and fortune. We always feel lucky to see the artwork first anonymously on the street, because it needs to stand for itself, free of the passerby’s association with their knowledge of its author. Later, when you are in the presence of the artist with their work, the relationship you have with it is permanently altered. If you have established some trust, you also can learn so much about an artists relationship with the physicality of their process of art-making; the posture, the breathing, the gesture, the distance.

Photographer Fernando Alcalá Losa has made it a focus of his own art practice to notice the small and the great aspects of the artist’s process and captures important details that allow the viewer to understand the dynamics and relationship between an artist and their creation. In December on BSA he wrote,

“It’s about being there, right there, feeling the energy of creation. It’s about intimacy, about detail, about the personal connection with the artist, because you were able to be that close. And not everyone can be that close, that’s for sure…

I’m grateful for having the chance of living these moments of proximity, knowing that those artists that you’re shooting at trust you and allow you to be there, right there.”

Ulises Mendicutty. Us Festival 2016. Barcelona. (photo © Fer Alcalá. OlympusE510)

Today on BSA we’re pleased to present a very rare collection of Fernando’s images that tell just these stories, these primary relationships that are in alignment with the life of a creator; a struggle, a dance, a wandering journey of discovery, a spirited production, an execution of plan. All of these aspects and more can be seen, and sometimes captured by the artist behind the lens.


“The Intimacy Project”

Fernando Alcalá Losa

Some weeks ago, I read a post from someone on Facebook saying that the figure of the artist wasn’t important, saying that the piece was the only relevant thing in fact.

It sounded funny to me because there’s no artwork without the artist, but I understand what was meant, although I disagree from a photographic point of view. “The Intimacy Project” is an idea that has been in my head for some time and it has been developing in parallel with my evolution as a Street Art photographer.

Yoshi Sislay. Us Festival 2016. Barcelona. (photo © Fer Alcalá. OlympusE510)

When I started to interact with artists, I was kind of obsessed about keeping the distance, physically speaking, and about not disturbing the artist. As time went by, I began getting closer to everything; not only to the wall, but also to the person who paints the wall. I became more confident, always trying to be respectful and operating from my best intentions – and I continue doing this today.

“The Intimacy Project” is about the person behind the artist, about the human side of the creative process and about what happens from a close up view while a piece of art is being produced.

It’s about gestures, expressions, obsessions and techniques. Because the artwork, the final result, is important, but the human being who creates it is also important for me…indeed…

Margalef. Us Festival 2016. Barcelona. (photo © Fer Alcalá. OlympusE510)

Irene Lopez. Us Festival 2016. Barcelona. (photo © Fer Alcalá. OlympusE510)

Nuno Gomes. Us Festival 2016. Barcelona. (photo © Fer Alcalá. OlympusE510)

Roc Blackblock. Madrid, 2017 (photo © Fer Alcalá, FujifilmXT10)

Conse. Barcelona, 2017 (photo © Fer Alcalá, FujifilmXT10)

Smates. Barcelona, 2017 (photo © Fer Alcalá, FujifilmXT10)

Roc Blackblock. Madrid, 2017 (photo © Fer Alcalá, FujifilmXT10)

Roc Blackblock. Madrid, 2017 (photo © Fer Alcalá, FujifilmXT10)

Smates. Barcelona, 2017 (photo © Fer Alcalá, FujifilmXT10)

Berol. Barcelona, 2017 (photo © Fer Alcalá, FujifilmXT10)

Berol. Barcelona, 2017 (photo © Fer Alcalá, FujifilmXT10)

SAV45. Lloret Del Mar, 2017 (photo © Fer Alcalá, FujifilmXT10)

Elbi Elem. Contorno Urbano 2017. L’Hospitalet De Llobregat (photo © Fer Alcalá, FujifilmXT10)

Elbi Elem. Contorno Urbano 2017. L’Hospitalet De Llobregat (photo © Fer Alcalá, FujifilmXT10)

Shana. ContornoUrbano 2017. L’Hospitalet De Llobregat (photo © Fer Alcalá, FujifilmXT10)

Shana. ContornoUrbano 2017. L’Hospitalet De Llobregat (photo © Fer Alcalá, FujifilmXT10)

 

Ivana Flores. Base Elements Gallery. Barcelona. (photo © Fer Alcalá OlympusE510)

Miss Van. Fem Rimes, Fem Graff-2016. Barcelona. (photo © Fer Alcalá iPhone 6)

Cinta Vidal. Contorno Urbano 2016. L’Hospitalet De Llobregat (photo © Fer Alcalá, OlympusE510)

Cinta Vidal. Contorno Urbano 2016. L’Hospitalet De Llobregat (photo © Fer Alcalá, OlympusE510)

Reskate Studio. Contorno Urbano 2016. L’Hospitalet De Llobregat (photo © Fer Alcalá, OlympusE510)

Fasim. Open Walls Conference 2016. Barcelona. (photo © Fer Alcalá OlympusE510)

She One. Open Walls Conference 2016. Barcelona. (photo © Fer Alcalá OlympusE510)


“The Intimacy Project”

  • Took place over the course of one year

  • Three different tools used: Iphone, OlympusE510, FujifilmXT10

  • Scenarios: Openwalls Conference 2016, Ús Festival 2016, Contorno Urbano 2016 / 2017, La Arnau Gallery, Fem Rimes, Fem Graff 2016, Nau Bostik, Wallspot


 

 

 

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