All posts tagged: Faith XLVII

BSA Film Friday: 01.11.19

BSA Film Friday: 01.11.19

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1.  Ella & Pitr “Heavy Sleepers”
2. Faith XLVII Astronomia Nova, Los Angeles
3. Sights, Sounds and a Recap of Juxtapoz Clubhouse 2018
4. “60 Minutes” and JR

bsa-film-friday-special-feature

BSA Special Feature: Ella & Pitr “Heavy Sleepers”

A culmination of five years of murals visible from planes, French duo Ella & Pitr nudge you awake on a sleepy Friday to say “Thank you  for being part of this story!” You didn’t even realize that you were a part of it, did you? In a way, you can see your own reflection somewhere here.

Their sleeping giants have appeared in cities around the world, often too big even for the massive rooftops they are crammed uncomfortably atop. With a true knack for childhood wonder and illustration, perhaps because they have a couple of them at home for inspiration, Ella & Pitr bring the petite rebel spirit to these characters; imperfect specimens with stylistic idiosyncrasies and sometimes ornery personalities. In the end, they were all “heavy sleepers” resting temporarily, as is often the case with (sub)urban interventions variously referred to as Street Art, public art, land art, pavement art…  Make sure you stay for the end of this video that comprised most of the giants.

Faith XLVII Astronomia Nova, Los Angeles

A moment of restive stirring tranquil wonder from artist Faith XLVII, who continues to expand her sphere of study and influence beyond the street. The 2nd installation of a hologram called “Astronomia Nova” in cooperation with artist Lyall Sprong is captured here by Cory Ring of Chopemdown Films. The Los Angeles Theatre installation in the fall was part of Summit LA 2018. The immersive site specific installation transforms the environment and becomes something new, astronomically familiar.

Sights, Sounds and a Recap of Juxtapoz Clubhouse 2018

Highlights from the Juxtapoz Clubhouse in Miami this year during the Basel art fairs, proving again the ethos of inclusivity that BSA has always been down with- and frankly that the D.I.Y. street culture demands from us.

“60 Minutes” goes behind the lens with French artist JR

Read more

BSA HOT LIST: Books For Your Gift Giving 2018

2018 has been a good year for Street Art books, and your interest in the ones we have highlighted continues to assure us that “Print” is not dead. There is no better way to document a moment in this evolving scene for posterity than with the bound volume, and sometimes there is no better way to appreciate an artists work than to sit by a lamp or window with a book on your lap.

We know that you appreciate our daily analysis and efforts to elucidate and illustrate a fluid global Street Art/ graffiti / urban art scene here in digital, but we’re thrilled to give you solid options in book form as well. If you’re looking for a good quality art book to give this year, consider one of these hits from 2018. Enjoy!


“Inti, Color, Carnaval y Resistencia”, INTI.

INTI Commands First Monograph : Color, Carnaval y Resistencia

From BSA:

“Certainties, simple explanations, last hopes, magic thoughts and fears. All of them confronted by what is evident.”

Thus describes the figure slung with bullets, holding a necklace with a cross and delicately balancing a small green apple on his index finger on a larger than life mural in Santiago, Chili. The visual language of this graffiti/Street Artist and muralist named Inti is his to wield, a cosmic folk expression that glows with celestial waves surrounding an other-worldly race of characters.

INTI. Éditions Albin Michel, 2017. Paris, France. Click HERE for more about this book.


Bordallo II: Bordallo II / 2011 –  2011

From BSA:

Such is the splendid stuff of dreams and discovery for Bordalo II, the Lisbon-based Street Artist and maker of garbage relief animal portraits in cities across the world.

These are the things that when arranged on shelves and placed in relation to a floor plan, within parameters and boundaries of our mundanity, will comprise a perfect environment of domesticity; full of memory, associative emotion, symmetry. Objects, materials melted and poured, carved and plain, screwed and snapped, polished and sprayed, emulsified, inset, extruded, coiled, soldiered, plated, woven. These dimensional collections of matter matter to us. Metal alloy. Plastic polymer. Blown glass. Rubber, copper, steel, bakelite, particle board, glue.

Disarrange. You create chaos, disruption, disunity, discontent. Arrange again and create a muskrat, a buck deer, a petulant parakeet, an undulant octopus.

Bordalo II 2011 – 2017. Editor & Publisher Bordalo II. In conjunction with ATTERO and exhibition by Bordalo II held in Lisbon. November, 2017. Lisbon, Portugal. Click HERE for more about this book.


Subvertising: The Piracy Of Outdoor Advertising

From BSA:

“The constant imposition of advertising in front of our eyes is an oppressive, dictatorial and violent act,” posits the artist, activist, and author Hogre in this new collection of works and words called Subvertising : The Piracy of Outdoor Advertising.

It sounds rather extreme when put this way, but perhaps that is the dulling power of advertising’s omnipresence in public space year after year. Each of us can certainly recall a time when there seemed like there was more open public space and fewer images and graphics and text telling us what to do, what to buy, who to hate, how to behave. Artists like Hogre are sounding the warning on our ability to recognize its power over our perceptions.

HOGRE. Subvertising: The Piracy Of Outdoor Advertising. Dog Section Press. London, 2017. Click HERE for more about this book.


“Add/Fuel -1- Monograph”, Diogo Machado AKA Add Fuel.

From BSA:

Add Fuel Reimagines Azulejo in His First Monograph

Via his own pop-culture interpretation of the interlocking curvilinear, geometric and graphic motifs, the Portuguese artist is firing new pieces daily in the kiln of his studio in Cascais. For a decade or so his interpretations of the tin-glazed ceramic tilework have been appearing on inordinate secondary city skins in the paths of pedestrians: visual illusions meant to appear as layers of urban bark peeling back from surfaces you take for granted to reveal heritage, history, artisanship.

While the interiors and exteriors of churches, palaces, schools and subway stations are covered with azulejos in Lisbon, thanks to Add Fuel (Diogo Machado) they have travelled to other cities and cultures as well. Each time he is attracted to the tile-making traditions locally, and he often incorporates his study of these new histories as well.

Add / Fuel – 1 – Monograph. Published by Diogo Machado. Portugal 2018. Click HERE for more about this book.


One Week With 1UP : Martha Cooper & Ninja K

From BSA:

A serendipitous meeting somewhere in Berlin set this project in motion, and the results unveil an adrenaline fueled ride that always pushes, often exceeds the boundaries of physical safety and social acceptance while simultaneously thrilling graffiti fans and pissing off some public officials and property owners.

A new book captures the nature of the actions and adds to our conversations about art, vandalism, branding, public/personal space and its radical visual disruption. It’s a story made all the more remarkable during an increasing level of surveillance in a city that has basically embraced the bohemian and rebellious types who have transformed large parts of its cityscape, making Berlin a de facto capital of subculture, especially among the young.

Martha Cooper & Ninja K. One Week With 1UP. (photo courtesy of the team) Click HERE for more about this book.


“Beyond The Streets” Exhibition : Gastman’s Train Pulls In to LA

From BSA:

A steel-wheeled graffiti train with Roger Gastman at the controls roars into LA’s Chinatown for a two-month stay at this station, a 40,000 square foot warehouse that houses “Beyond the Streets.” Originating at the streets and train yards of the 1960s and 70s, this express survey carries with it 100 or so artists and writers from across the last five decades as practitioners of graffiti, Street Art, and mural painting. Somehow, everyone gets represented.

Beyond The Streets. (photo © Martha Cooper) Click HERE for more about this book.


“Canvas” Anders Gjennestad.

From BSA:

Anders Gjennestad: A Door as “Canvas”

A door as canvas. A door as canvas.

It sounds the same on the street as it does in the gallery space, and for Norwegian Street Artist Anders Gjennestad the two appear nearly identical, aside from context.

Whether he is discovering the neglected urban factory door long after the spirit of industry has roared its last turbine and reaching toward his backpack for a spray can, or he is hoisting a piece out from the pile of collected iron-bound wooded slabs in his Berlin studio, functionally each of these doors is a canvas.

Every urban explorer sees the potential of walls that are long abandoned and spoiled with rot and piss and pushed open by weeds, worn away by rain. The world is a temporary place anyway. I am only here temporarily.

Anders Gjennestad. “Canvas”. Published by Galerie Friedmann – Hahn. Berlin 2018. Click HERE for more about this book.

“FKDL” Frank Duval.

From BSA:

FKDL and the Collage of a Street Artists’ Life in a Book

As you look through this new slim volume about the Street Artist/fine artist FKDL it may strike you how much autobiography is the determinant of an artist’s path as well. It’s the tale of a teenager finding himself, finding his vocation, and eventually finding his voice on the street. When you reach the end you see that it takes a number of years and a lot of experimentation, this journey.

FKDL. Galiote Prenant. Choisy-le-Roi, France. 2017. Click HERE for more about this book.


“Street To Studio”, Rafael Schacter.

From BSA:

Rafael Schacter Investigates “Street To Studio”

“These are artists who are thus not slavishly reproducing their exterior practice within an interior realm but who are, rather, taking the essence of graffiti – its visual principles, its spatial structures, its technical methods, its entrenched ethics – and reinterpreting them with the studio domain,” says author Rafael Schacter in his introductory exposition for his book Street to Studio where he offers a unique assessment derived from his 10 years of researching the foundational, conceptual, methodological, and ethical considerations that impact the original graffiti/Street Art scene as well as where it is going.

Rafael Schacter. Street To Studio. Lund Humphries Publishers. London, 2018. Click HERE for more about this book.


“Feather and Faces”, Adele Renault.

From BSA:

Adele Renault Takes Flight With a Message of “Feathers and Faces”

Street Artist/fine artist Adele Renault understands our interdependence with the birds and with each other perhaps better than many, and “Feathers and Faces” carries the message powerfully by delivering these works she has done on city streets and galleries in New York, Berlin, Amsterdam, San Francisco, Singapore, Burkina Faso, Helsinki, Moscow…

We share this city with pigeons. We look to the same environment to supply us with what we need, including food, water, shelter – depending on physical factors like as soil, air, a temperate climate, other organisms. Adele studies our feathered friends and brings them full force to the streets, and we know that here only the scrappiest survive and get to display their colors.

Feathers And Faces by Adele Renault was published in 2018 and is distributed in the United States and Canada by SCB Distributors. Click HERE for more about this book.


“Ex Animo”, Faith XLVII.

From BSA:

“Ex Animo”, Eight Years of Poetry by Faith Forty Seven

Worn workers, wild beasts, a bloom in the rubble.

Prayers of supplication and longing, racing teams of stallions and master felines of fury, the exhausted figure of a dream barely still illuminated, a wistful stage in the plundered urban landscape, or a plundered life.

This is what she does to you. As Faith IXVII leaves her stolen stanza, her massive mural in washed hues, her tributes to a moment lost in a city that would leave you to die if it had its way, she makes you make poetry.

Faith XLVII. “EX ANIMO’ THE WORK OF FAITH FORTY SEVEN/ 2010-2018. Drago Publishing. Rome, Italy, 2018. Click HERE for more about this book.


“Perception”, eL Seed.

From BSA:

El Seed Illuminates Ways to See Others with “Perception”

And el Seed is the first to tell you that in this deeply personal account of his art project across fifty buildings in Mashiyat Naser, a neighborhood of Cairo over two years ago. Born of his personal need to challenge himself and to add more to his career as a respected muralist, his original concept of working in this neighborhood of 70,000 recyclers was informed by his own assumptions, perhaps of helping a community known in the city as Zabbaleen, or “garbage people”.

Over the course of the project he and his team describe through interviews and with his own diary style how their own eyes were opened. It is an incremental revelatory experience that paralleled the quote that he stylized throughout the pattern of his piece, “Anyone who wants to see the sunlight clearly needs to wipe his eyes first,” from the writings of Saint Athanasius of Alexandria, a fourth century Coptic Bishop.

El Seed PERCEPTION Published by Point à la Ligne. Milan, Italy. 2018. Click HERE for more about this book.


“Invasion: Los Angeles”, Invader.

From BSA:

Invader: “Invasion Los Angeles” Book and “Into the White Cube” Exhibition

One thing that some Street Artists do when their work enters the white cube is drop the “street” from their official moniker, instead preferring to be known simply as an “artist”. The decision is possibly to rid themselves of any subtle class distinctions or otherwise negative connotations that a potential collector or curator may have with the “street artist” label.

Other artists formerly known as “Street Artists” feel limited by the title because it doesn’t include all of their new interests and their complete practice – or because the term itself has evolved in their mind and the mind of the public to mean something unfavorable that they do not like to be associated with.

When it comes to the internationally renowned Street Artist Invader, its not a consideration – the street is in his DNA. His cryptic tile-made street practice is so proliferate across the world and so much a part of the metropolis like in his hometown of Paris that his art is literally and psychically fused with the city.

Invasion Los Angeles 2.1 / Updated Edition 1999 – 2018. A Book By Invader. Published by Control P. Editions. France 2018. Click HERE for more about this book.


“Russian Urban Art: History and Conflicts”, Igor Ponosov.

From BSA:

Igor Ponosov Enlightens with “Russian Urban Art: History and Conflicts”

An academically sourced opinion-based essay in book form that looks to art, social, economic, and geopolitical movements during the start of the 20th century to better understand the evolution of Urban Art in post-Soviet Russia, Igor Ponosov delivers a welcome reconstruction of the timeline and movements that bring urban art to this day.

With the renewed interest in public art and muralism that has erupted over the last decade in many so-called Western cities it is good to learn how the public space in Russia has been catalyzed not-only by Hip Hop and new graffiti forms from Europe but also the history of Avant-garde art movements and Soviet Muralism in Russian Urban Art: History and Conflicts.

Igor Ponosov. Russian Urban Art: History And Conflicts. Moscow 2018. Published in collaboration with Street Art Museum, St Petersburg, Russia. Click HERE for more about this book.

Read more
“Ex Animo”,  Eight Years of Poetry by Faith Forty Seven

“Ex Animo”, Eight Years of Poetry by Faith Forty Seven

Worn workers, wild beasts, a bloom in the rubble.

Prayers of supplication and longing, racing teams of stallions and master felines of fury, the exhausted figure of a dream barely still illuminated, a wistful stage in the plundered urban landscape, or a plundered life.

This is what she does to you. As Faith IXVII leaves her stolen stanza, her massive mural in washed hues, her tributes to a moment lost in a city that would leave you to die if it had its way, she makes you make poetry.

“Artists are driven to leave a mark, something that will tell their story, or the story of their time,” writes Jacqueline Flint when speaking of the South African artists installation work. Whether stories she has found, constructed, or caught in the ether as they drift by, Faith has left many tales for you to unpack in cities from Wuhan, China to Chinatown in New York City to Goa, India and Portland, Washington.

In EX ANIMO you can see where she’s been waving to you from, even as you passed by, or beneath.

Published by Drago and edited by Roger Gastman, the handsome volume captures the opus works and gallery installations and hidden gems on temporary construction walls and pillars holding the highway, all part of the modern vocabulary of Street Artists who weave themselves into the fabric of the megapolis. But there is much more if you care to see it.

“Anyone can make art in the streets but a rare few create socially impactful content, and there is no denying that Faith’s work has transformed perspectives among her global audience,” writes Kristin Farr in her essay, and it is true that the width of a mind and heart can be pushed a little further with these hard won truths.

“A language of empathy borne in a scream of rage, hurled like a Molotov cocktail but given the wings of metaphor and the grace of allegory,” writes Carlo McCormick in the introduction,”Faith’s work on the streets commands all the monumentality of public art yet whispers its deepest secrets in the hushed tones of prisoners and stowaways, travelers whose journeys demark the limits and possibilities of no where else to go.”

Whether it is the rhythm of the lunar cycle or the steady, now racing, beating of blood through hearts and lungs, its a meditative measure of Faith that appears on our streets pointing to our folly and our burning fire within. Often it is a poem that rises inside.

Faith XLVII. “EX ANIMO’ THE WORK OF FAITH FORTY SEVEN/ 2010-2018. Drago Publishing. Rome, Italy, 2018

 

Read more
Faith XLVII and “The Sacred Feminine” in Moscow

Faith XLVII and “The Sacred Feminine” in Moscow

Hiding right out in the open is the spiritual journey that is FAITH XLVII playing an opus interlude in sepia across the Artrium in Moscow, Russia this month – just after completing her installation of overlapping electronic ideas with Lyall Strong for Artmossphere 2018.

Faith XLVII. Artrium Project. Moscow. September 2018. (photo © Vasiliy Kudryatsev)

This ‘Sacred Feminine’ mural pulled the spirit to the surface in stellar fashion surrounded by the rotation of the moon. It was completed over the course of “an exhausting, unforgettable week”, she says, and thanks the team who made it happen, including @esha_ega, @tylerbmurphy @the_spirit_boy.

Faith XLVII. Artrium Project. Moscow. September 2018. (photo © Vasiliy Kudryatsev)

Faith XLVII. Artrium Project. Moscow. September 2018. (photo © Vasiliy Kudryatsev)

Faith XLVII. Artrium Project. Moscow. September 2018. (photo © Vasiliy Kudryatsev)

Faith XLVII. Artrium Project. Moscow. September 2018. (photo © Vasiliy Kudryatsev)

Faith XLVII. Artrium Project. Moscow. September 2018. (photo © Vasiliy Kudryatsev)

Read more
BSA Images Of The Week 09.02.18 – Artmossphere Biennale 2018

BSA Images Of The Week 09.02.18 – Artmossphere Biennale 2018

BSA-Images-Week-Jan2015

It’s been a packed couple of weeks between traveling to Moscow for the Artmossphere Biennale 2018 and immediately hopping to Leipzig, Germany for the magnificent Monumenta opening. Our heads are full of stories and conversations and images in two distinctly different scenes that somehow are still completely connected. Can’t tell if its euphoria or relief or jetlag but this Sunday is a dizzying day of taking account and being really thankful to be involved with an astounding amount of talent and camaraderie in the Graffiti/Street Art/Urban Art community that is connecting people around the world.

Here are our images of the week this time around; some selections from the Thursday night Artmossphere Biennale 2018 in Moscow, featuring 108, 1UP, Adele Renault, Bill Posters, BLOT, Canemorto, CT, the DOMA Collective, Egs, Faith XLVII, Faust, Finsta, Hyland Mather, LOT, Lucy McLauchlan, Lyall Sprong, Martha Cooper, Pablo Harymbat, and Pink Power.

Canemorto. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Faust. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Faith XLVII . Lyall Sprong. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Finsta. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Finsta. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Martha Cooper . Adele Renault. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Martha Cooper . Adele Renault. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

1UP Crew. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

1UP Crew. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Pablo Harymbat. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Hyland Mather. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

108. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

CT . 108. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

DOMA Collective. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Lucy McLauchlan. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

EGS. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

BLOT. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Pink Power. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Bill Posters. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Sabina Chagina. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Read more
Faith XLVII Flies Her Flags “Unbound” in San Francisco

Faith XLVII Flies Her Flags “Unbound” in San Francisco

As an artist you can sometimes address, even resolve, emotional and intellectual conflicts with your creative practice, at least that it how it appears in this new “Unbound” campaign begun by Faith XLVII in San Francisco. A lifelong observer and analyst of socio-politico events and their greater implications, the South African graffiti/Street Artist tells us that today the state of many things cause her feelings of frustration.

Faith XLVII . Unbound. San Francisco, CA. July 2018. (photo courtesy of 2:32 AM Projects)


“Watching the disharmony, the dismantling of human rights and the continuous struggle for equality is exhausting,” she says.
“The only way I can keep going is if I can transform some of this into my work.”


Each flag here at the corner of Golden Gate Ave and Hyde Street in downtown San Francisco speaks to the root of many societal ills, a coded reference to a poem/manifest by Dion Fortune named “The Cosmic Doctrine.”

Faith XLVII . Unbound. San Francisco, CA. July 2018. (photo courtesy of 2:32 AM Projects)

Here in the heart of the Tenderloin district where the fallout of emotional and physical pain and abuse is played out on the streets openly by those seeking to dull the torment with drugs, the winsome and lithe artist talks about the power of the manifesto for her.

“It is not that I believe in an idealistic future, on the contrary I am at times overwhelmed with cynicism. But despite this, I do think that we have to push for the betterment of the future, for the sheer love of the planet and for each other.”

Faith XLVII . Unbound. San Francisco, CA. July 2018. (photo courtesy of 2:32 AM Projects)

And the flowing golden umber fabric at the tips of these poles? I spent time researching the symbolism of the white flag as well as the history of the Peace Manifesto,” she says, and talks about them taking many forms, “with voices spanning from the scientist who is protesting the use of the atom bomb, to Greenpeace and worker parties to Woman’s Rights associations.”

“The words speak of an existential search, for essentially, this is the root of our suffering and confusion.”

Avalon of the Heart
The Building of The Atom
The Beginnings of Consciousness
The Beginnings of Mind
The Creation of a Universe
Evolution Upon the Cosmic Planes
Influences Upon Humanity
The Natural Laws
The Law of Polarity
Influences Acting on Human Evolution
The Law of Action and Reaction
The Evolution of Form and Mind
The Evolution of Consciousness
The Evolution of a Solar System
Developing the Power to Communicate Thoughts
The Manifested Universe

Faith XLVII . Unbound. San Francisco, CA. July 2018. (photo courtesy of 2:32 AM Projects)

Faith XLVII . Unbound. San Francisco, CA. July 2018. (photo courtesy of 2:32 AM Projects)

Faith XLVII . Unbound. San Francisco, CA. July 2018. (photo courtesy of 2:32 AM Projects)

 


The “Unbound” Mural Project is for UC Hastings College of Law in San Francisco, California.

 

Read more
BSA Images Of The Week: 06.10.18  X ONO’U Tahiti Festival Special

BSA Images Of The Week: 06.10.18 X ONO’U Tahiti Festival Special

BSA-Images-Week-Jan2015


Hello from French Polynesia! All week we have been hopping around the islands from Papeete to Raiatea and now in Bora Bora. Celebrating its 5th anniversary/birthday last night at the huge community street party with founders Sarah Roopina and Jean Ozonder and with this years ONO’U festival artists slamming walls like crazy here  – you can see that hard work pays off sometimes.

Grassroots, not overly commercial, inclusive, responsive to the neighbors, high quality artworks – its a solid, even golden mix. Also Sarah’s parents are always happy to pitch in, whether it is pushing a broom or making lunch for everyone at home in their kitchen and bringing it to the work site to make sure that everyone eats. It is touches of warmth like this which reminds you that in many ways this scene that started in the street is as much about community as it is self expression.

For BSA readers who are just catching up with ONO’U we thought we’d use Images of the Week as an ONO’U Greatest Hits collection today. Most of these have never before published on BSA from the four previous editions. We took winding streets, back alleys, roundabouts, promenades, rooftops, abandoned lots and just about any place we could enter alongside Martha Cooper and had a blast for three days finding these walls again. Enjoy and Māuruuru roa!

DalEast. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)

Seth . HJT. ONO’U Tahiti 2015. Papeete. In 2016 this particular wall was chosen by the French Polynesia Postal Service as a stamp. We wrote about it HERE. (photo © Jaime Rojo)

Suiko. ONO’U Tahiti 2014 / Papeete. Roosters, hens and chicks run wild on the streets of many towns in French Polynesia. We haven’t figured out who feeds them, or how they survive, but they seem to roam free of owners and masters. One can hear the roosters making their distinctive call (here is what they sound like) every morning – sometimes before you are fully aware that the new day has begun. It is also not unusual to see a mother hen with her chicks crossing the roads at their leisure, sometimes stopping traffic. We of course stop for them. Always. Lore has it that there are big mean centipedes in the archipelagos and that the chickens eat them. See they earn their keep balancing the natural population of insects, besides being very effective alarms clocks. (photo © Jaime Rojo)

Leon Keer’s anamorphic Street Art, literally on the street, creates a mind-bending illusion with perspective. ONO’U Tahiti 2016 / Papeete. (photo © Jaime Rojo)

DalEast. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)

Mast’s tribute to the NYC Subway creates a new faux subway stop that is roughly 6,300 miles (10,103 km) from New York. ONO’U Tahiti 2016 / Papeete. (photo © Jaime Rojo)

INTI. ONO’U Tahiti 2014 / Papeete. (photo © Jaime Rojo)

MadC. ONO’U Tahiti 2014 / Papeete. (photo © Jaime Rojo)

FinDac. ONO’U Tahiti 2017 / Papeete. (photo © Jaime Rojo)

KOBRA. ONO’U Tahiti 2017 / Papeete. (photo © Jaime Rojo)

PEETA. ONO’U Tahiti 2016 / Papeete. (photo © Jaime Rojo)

Marko93. ONO’U Tahiti 2017 / Papeete. (photo © Jaime Rojo)

Besok. ONO’U Tahiti 2014 / Papeete. (photo © Jaime Rojo)

Charles & Janine Williams. The Ōma’o is a bird from the island of Hawaii is placed at the highest risk of extinction thus the “Critically Endangerd” or CR designation.  ONO’U Tahiti 2016 / Papeete. (photo © Jaime Rojo)

Abuz . HTJ . JUPS. ONO’U Tahiti 2016 / Papeete. (photo © Jaime Rojo)

ROA. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)

Askew . Sofles. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)

Inspired by the Polynesian legend of “The Coconut Tree” the mural has to do with an eel’s head, a forgetful young girl and the birth of the coconut tree:  

“The coconut tree is one of the most common trees in The Islands Of Tahiti. The Polynesians always tell a legend about its creation… The coconut tree legend…

A long time ago, a young girl called Hina was of real beauty due to her sun kissed skin and silky hair. She was meant to marry the prince of eels. Frightened by the physique of her suitor, who had a gigantic body and an enormous head, Hina ran away and took refuge in the house of the fishing God – Hiro.

The latter was dazzled by the beauty of Hina and touched by her history, so he took one of the young woman’s hairs and with it fished the approaching eel. Hiro cut up the prince of eels and wrapped his head in leaves. Before dying, the eel said to Hina: “of all the Men who hate me, including you Hina, you will one day kiss me to thank me. I will die, but my prediction is eternal.”.

Hiro entrusted the head of the eel to Hina and then advised her:

Hina, girl of beauty, you can return to your family and there, you will destroy this head. But throughout your journey do not put it on the ground because then the curse of the eel will come true.’

On her way back, the beautiful young woman and her followers who accompanied her, became tired and decided to take a bath in the river, forgetting the warning of the God Hiro. The eel’s head which had been put on the ground penetrated the earth, and from it a large tree was born, with a long trunk just like an immense eel, and with foliage similar to hair; the coconut tree had just been born.

Hina was then condemned by the Gods to remain close to this river because the tree had become taboo… Life went on until the day when a terrible dryness struck the lands and during which only the coconut resisted the sun. Thus, in spite of the God’s prohibition to touch this tree, men picked its fruit full of clear and nutritive water. Each fruit was marked with 3 dark spots laid out like two eyes and a mouth on which the men put their lips in order to drink the coconut water…. Hina did the same thing ….. And the prophecy of the prince of eels had just come true.”

Askew . Sofles. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)

Faith XLVII. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)

Dabs & Myla . Kems. ONO’U Tahiti 2014 / Papeete. (photo © Jaime Rojo)

Dabs & Myla . Pose. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)

Read more
“Beyond The Streets” Exhibition : Gastman’s Train Pulls In to LA

“Beyond The Streets” Exhibition : Gastman’s Train Pulls In to LA

A steel-wheeled graffiti train with Roger Gastman at the controls roars into LA’s Chinatown for a two-month stay at this station, a 40,000 square foot warehouse that houses “Beyond the Streets.” Originating at the streets and train yards of the 1960s and 70s, this express survey carries with it 100 or so artists and writers from across the last five decades as practitioners of graffiti, Street Art, and mural painting. Somehow, everyone gets represented.

Beyond The Streets. (photo © Martha Cooper)

Opening night featured many of the names associated with its earliest beginnings of the New York /Philadelphia graffiti scene like Cornbread, Taki183, Futura, Lady Pink, filmmaker Charlie Ahearn, among many others, including photographer Martha Cooper, who in addition to being an artist in the show, shares these photos with BSA readers. She also extensively shares her photos for the accompanying show catalog,  providing documentation from the scene that exist nowhere else.

Retna. Beyond The Streets. (photo © Martha Cooper)

A diverse and almost overwhelming series of displays present the works in a way that can only hint at the thousands of artists who built this story, necessarily viewed through a wide lens: sculpture, photography, installations, and multi-media all join the canvasses and ephemera and Gastman’s collection of vintage paint cans. Smartly planned for the selfie generation, large pieces are presented almost as backdrop ready to be Instagrammed; a direction coming from the “Photos Encouraged” sign that is next to the wall covered with Retna’s original alphabet near the entrance.

Beyond The Streets. (photo © Martha Cooper)

Somewhat of a rejoinder to Art in the Streets, the eponymous graffiti and Street Art exhibition in 2011 at LA MoCA, Beyond the Streets takes a focused look at the multitudinous peoples’ art movement from the perspective of one of that first shows’ original curators, Roger Gastman. When arranging the two month exhibition that closes July 6th, Gastman says that his focus was to celebrate those with street cred, in terms of individual practice, and to combine that requirement with a respectable semblance of a studio practice.

Ultimately he looked for artists who have used their particular approach to expand the definition of art in the streets in some way. That definition by now has become quite wide and it’s also a tall order for any curator to find the common themes here and present them in a cohesive manner.

Beyond The Streets, compiled by Roger Gastman.

Both the accompanying catalog and exhibition take a welcome stance toward educating the audience in many ways, helping the viewer to decode this freewheeling graffiti and mark-making history with basic vocabulary terms, historical events, pop culture inflexion points and examination of tools of the trade all adding context. Catalog essays and interviews are incisive and enlightening, including wit, sarcasm and even the occasional admonishment – notably in the essay by author, filmmaker, and curator Sacha Jenkins, who has been documenting the graffiti scene for a least a couple of decades.

Studying the move of some artists from street practice to commercial gallery that began in earnest with early NYC train writers transitioning to canvasses in the early 1980s, Jenkins upbraids a disgruntled faction among old-school graffiti writers who he characterizes as perhaps intransigent in their stylistic evolution and unwilling to adapt with the game. Later in his essay he lambasts the overtly pleasant and narcissistic cultural newcomers who he sees as milk-toasting the scene with their adoration of pretty murals and shallow sentiments, obtusely ushering in gentrification and “leading up to hearing about how my mother’s building is going to get bulldozed for a hip residential building that has a hot tub in every apartment.” He also may be the only writer here so openly addressing race and class distinctions present during the evolution of the scene and now.

Beyond The Streets. (photo © Martha Cooper)

The selection of artists and writers in the book and exhibition, many of them friends and colleagues with whom Gastman has worked with in the past, offers a rewarding and accessible panoply of styles and views. With some study the visitor understands connections in a widely dispersed multi-player subculture that coalesced and continuously changed its shape and character. But even if they don’t, they still get an amazing amount of eye candy.

The catalog offers extensive sections like those devoted to The History of Spraypaint and Graffiti in Galleries, and offers petite exegesis on influencing factors and benchmarks that shaped the art form’s route like Mobile DJs, The ’77 NYC Blackout, the European graffiti scene and graffiti’s role in gang culture, hip-hop and hardcore music. The compilation aids and supports the fullness of a story that frankly requires many voices to tell it. Gastman even gives forum and exhibition space to activist and defiant guerilla gardener Ron Finley and the holistic urban horticultural oases that he creates in South Central LA, calling it his form of graffiti in empty lots of the city.

Martha Cooper with Taki 183. Beyond The Streets. (photo courtesy of Martha Cooper)

With insightful interviews of artists in the exhibition from talented writers like Caleb Neelon, Caroline Ryder, John Lewis, Alec Banks, Evan Pricco, John Albert, Shelly Leopold, and Gastman himself, there are enough colorful anecdotes and decisive signposts en route to help tell the stories of the artists and their individual approaches to the street.

“The artists do not share a singular style, since they are primarily united by a common element of their personal biographies – the fact that they once made their art in the streets,” says self-described novice to the Street Art / graffiti world, Adam Lerner, the Director and Chief Animator at the Museum of Contemporary Art Denver. “There are, however some threads that run through the works.”

Beyond the Streets will help visitors find some of those threads for themselves and undoubtedly they will forge their own interpretation of art in the streets.

Faile. Beyond The Streets. (photo © Martha Cooper)

Invader. Beyond The Streets. (photo © Martha Cooper)

Slick. Beyond The Streets. (photo © Martha Cooper)

Takashi Murakami with Madsaki, Snipel, Tenga One and Onesker. Beyond The Streets. (photo © Martha Cooper)

Lady Pink. Beyond The Streets. (photo © Martha Cooper)

Charlie Ahearn . Futura . Lady Pink. Crash. Beyond The Streets. (photo © Martha Cooper)

Mr. Cartoon. Beyond The Streets. (photo © Martha Cooper)

Futura. Beyond The Streets. (photo © Martha Cooper)

Futura takes a photo of Haze’s art work. Beyond The Streets. (photo © Martha Cooper)

Niels Shoe Meulman. Beyond The Streets. (photo © Martha Cooper)

Ron Finley’s Gansta Gardener installation. Beyond The Streets. (photo © Martha Cooper)

Corn Bread. Beyond The Streets. (photo © Martha Cooper)

Corn Bread. Beyond The Streets. (photo © Martha Cooper)

 

Crash . Daze. Beyond The Streets. (photo © Martha Cooper)

Katsu. Beyond The Streets. (photo © Martha Cooper)

Bill Barminski. Beyond The Streets. (photo © Martha Cooper)

Faith XLVII. Beyond The Streets. (photo © Martha Cooper)

Shepard Fairey. Beyond The Streets. (photo © Martha Cooper)

Jenny Holzer, Flashlight (In Collaboration With A-One). Beyond The Streets. (photo © Martha Cooper)

Blade. Beyond The Streets. (photo © Martha Cooper)

Aiko. Beyond The Streets. (photo © Martha Cooper)

Al Diaz. Beyond The Streets. (photo © Martha Cooper)

Barry Magee. Beyond The Streets. (photo and video below © Martha Cooper)

 

Beyond The Streets. (photo © Martha Cooper)


For more information please visit https://www.beyondthestreets.com/

Read more
BSA Film Friday: 05.25.18

BSA Film Friday: 05.25.18

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Street Vendors in Abidjan with YZ Yseult Digan
2. The Yok & Sheryo: Public Silo Trail. Albany, Australia
3. “Chile Estyle.” Trailer
4. Faith XLVII Talks About Her Installation for “Beyond The Streets”

bsa-film-friday-special-feature

BSA Special Feature: Street Vendors in Abidjan. YZ Yseult Digan

“I pay attention to the intensity of the gaze and the posture, so the passerby is challenged and seeks to question the project.”

A sociological experiment and intervention on the streets by the French Street Artist YZ takes place in Abidjan and camera work in the crowds allows you to appreciate the action on the street. A city of 4.7 million people and the economic capital of Côte d’Ivoire, the city has a lively culture of street vending that is unregulated and often populated by children.

YZ speaks with the folks she meets who are vending, who she refers to as “girls” although many are women. Her goal is to better understand them, she says, and to create a Street Art campaign of their portraits.

“I realized that their situation was very different from the men. So I wanted to know more about them. So I started the project ‘Street Vendors’,” she says.

 

The Yok & Sheryo: Public Silo Trail. Albany, Australia

The Yok & Sheryo brought a clever creature across an enormous four tower wall in Albany, Australia as part of a public art program funded by private interests like BHP, the Anglo-Australian multinational mining, metals and petroleum company. The Public Silo Trail is bringing artists like HENSE from the US and Phlegm from the UK to paint Artworks on grain silos, transformer boxes and all sorts of unexpected infrastructure to connect a series of regional towns.

 

“Chile Estyle.” Trailer

“Every social movement creates a cultural response,” says an organizer from the late 1960s who helps us trace the origins of Chilean Street Art and graffiti to the murals that became a crucial part of public discourse here. “We painted all of Chile for the Allende election campaign.” The trailer for the upcoming movie now in post production features a highlight of  INTI and many open discussions of the evolution of graffiti and muralism simultaneously, eventually leading to the fascination for murals that currently reigns.

 

Faith XLVII Talks About Her Installation for  “Beyond The Streets”

Faith leads you to the abandoned spaces and investigations of lives and stories that she often conducts when looking for the ideal places to make her art. “There is almost a holy, sacred feeling in that silence,” she says as she traverses places and stories and brings them together for an alter of sorts in the new exhibition now in Los Angeles called “Beyond the Streets.”

With special thanks to Chop ’em Down Films.

 

Read more
BSA Images Of The Week: 05.06.18

BSA Images Of The Week: 05.06.18

BSA-Images-Week-Jan2015

Here’s our weekly interview with the streets, this week featuring Alo, BustArt, Dmirworld, Egle Zvirblyte, Faith XLVII, Herakut, Jose Mendez, Kai, Myth, and Skewville.

Top Image: Faith XLVII “Ashes Moon” in China Town – the first of a 12 part series. Done in conjunction with The L.I.S.A Project NYC. (photo © Jaime Rojo)

Skewville for Moniker Art Fair. Greenpoint, Brooklyn. TRAP on top. (photo © Jaime Rojo)

Skewville taking a phone call from his manager… (photo © Jaime Rojo)

Herakut for Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Egle Zvirblyte. A project curated by BSA with the production assistance and wall access from Joe Franquinha / Crest Hardware and paint donated by Montana Cans. (photo © Jaime Rojo)

Egle Zvirblyte. A project curated by BSA with the production assistance and wall access from Joe Franquinha / Crest Hardware and paint donated by Montana Cans. (photo © Jaime Rojo)

Egle Zvirblyte. A project curated by BSA with the production assistance and wall access from Joe Franquinha / Crest Hardware and paint donated by Montana Cans. (photo © Jaime Rojo)

Egle Zvirblyte. A project curated by BSA with the production assistance and wall access from Joe Franquinha / Crest Hardware and paint donated by Montana Cans. (photo © Jaime Rojo)

Egle Zvirblyte. A project curated by BSA with the production assistance and wall access from Joe Franquinha / Crest Hardware and paint donated by Montana Cans. (photo © Jaime Rojo)

Unidentifed artist (photo © Jaime Rojo)

Myth (photo © Jaime Rojo)

BustArt…Cool Bus in the background. (photo © Jaime Rojo)

Kai (photo © Jaime Rojo)

Kai. Detail. (photo © Jaime Rojo)

Kai (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Lunge Box (photo © Jaime Rojo)

Jose Mendez for Moniker Art Fair in collaboration with The L.I.S.A Project NYC. (photo © Jaime Rojo)

Jose Mendez for Moniker Art Fair in collaboration with The L.I.S.A Project NYC. (photo © Jaime Rojo)

ALO (photo © Jaime Rojo)

Dmirworld (photo © Jaime Rojo)

 

Untitled. Williamsburg, Brooklyn. May 2018. (photo © Jaime Rojo)

Read more
Faith XLVII: Wishes And Hopes For 2018

Faith XLVII: Wishes And Hopes For 2018

As we draw closer to the new year we’ve asked a very special guest every day to take a moment to reflect on 2017 and to tell us about one photograph that best captures the year for them. It’s an assortment of treats to surprise you with every day – to enjoy and contemplate as we all reflect on the year that has passed and conjure our hopes and wishes for 2018. This is our way of sharing the sweetness of the season and of saying ‘Thank You’ to each of you for inspiring us throughout the year.

*******

South African graffiti writer-turned-international-Street Artist Faith XVLII continues to evolve her mural and fine art practices as she grapples with global politics and personal emotion. This year her directorial role in a pop-up multi-media and live performance in Berlin with Inka Kendzia and Manthe Ribane exposed viewers to a full immersion of her deeper convictions about hedonism, race, militarism, and the war industry. As we witness the evolution of an artist born in the urban art scene, Faith XVII reminds us to keep expectations hopeful and wide open – especially if society is going to be able to meet our coming challenges. Today she shares with us her observations on the state of things right now and offers insight about how we might a gain greater understanding of it.


FAITH XLVII 

Recent events in world politics have been very disheartening, setting us back on much important work that has been done in the past to secure woman’s rights, workers rights and movement towards a more equal society.

The human condition seems to perpetually damage itself. The more I meditate on it the more I realize how its the simplest and most fundamental wisdoms that are out of sync. Our alienation is a root cause of our dis-ease. I believe rebuilding our connection to nature, to animals, to other cultures and ultimately to the eco-systems on this planet are an essential part of the healing process.

There is a dire need for new perspectives and new sustainable methods of living on the planet.

This installation with Lyall Sprong in Sweden was a part of this search, an ode to the timekeeper, the ancient Lunar force that silently watches over us.

The image is ultimately a call to a greater connection. A wish and intention of sorts, for a deeper understanding of the unseen forces that effect us.

 

Faith XLVII. Astronmia Nova installation in forests of Sweden. 2017. (photo © Cory Ring of Chop’em Down Films)

 

Faith XLVII

 

Read more
Top 15 Videos on BSA Film Friday From 2017

Top 15 Videos on BSA Film Friday From 2017

Every Friday we invite you to stop by and take a look at new videos that have been submitted or recommended or that we tripped over walking by the railroad tracks. This year we showed you about 250 of them.

We call it BSA Film Friday and it travels with us to cities around the world now when we do it LIVE with you and other audience members in theaters and lecture halls and museums. The beauty of the video/film form is you can get a full story quickly, and you are often surprised by how transformative it can be. You can also see how many people are affected by urban and street culture through these films – we see people’s eyes light up when they realize that they too can create in public space, that the world is not simply a product but is a piece of art that many of their peers are now jumping in to co-create.

As a collection, these 15 are illuminating, elevating, riveting, strange, soaring, and achingly beautifully normal. From looking at the Separation Wall and Banksy to a travelling crew of graffiti writers on farms in Polish pig country to the amazing dance troupe who interpreted the 5 floors of art installations in a downtown Berlin former bank, you have before you a massive buffet of a visual feast.

The final desert is hand-held phone video caught in the moment last month in Mexico City. We didn’t know Keith Haring was coming down the tracks to surprise us, and we didn’t know that this unpolished jewel would garner thousands of viewers and commenters – effectively placing this little piece of video at number 1 for its popularity. Maybe the fact that it is so raw is what people relate to – along with an ongoing adulation for Haring.

We hope you can take some time to enjoy some of the best Street Art videos from around the world and on BSA this year.


No. 15
Faith XLVII / Aqua Regalia Hong Kong

From BSA Film Friday 05.19.17

“Distant universes delicately tangled,” says the near-whispering narration as you are gazing upon scenes from Hong Kong – those interstitial moments that carry you between the more remarkable ones. Faith XLVII gives us a quiet look at these inside a the dencse cacophony called “Aqua Regalia”, looking at the parts of a culture that a visitor is sensitive to because they are not taken for granted. With this ability to see, one takes a quick course of a city, a society. Invariably you end up with more questions.

“We speak of death and birth in terms of celebration and mourning.” Faith XLVII is in search of more universal truths, the timeless ones, since we understand them so poorly. Herein are glimpses, romantic and unvarnished.

“This is one of the first videos I’ve co-directed, alongside filmmaker Dane Dodds,” Faith tells us. “Its a project that is close to my heart.”

No. 14
Gonzalo Borondo / Cenere

From BSA Film Friday 08.11.17

Borondo keeps it open for you. He provides the stage, the staging area, the proscenium, the altar, the emanating light, the associations and memories you have with your belief system, or lack of one. During his artist residency with Pubblica, curated by Carlo Vignapiano and Elena Nicolini in May, the Street Artist (among other things) creates a journey as much as a destination in this intimate chapel. The video by Gerdi Petanaj captures this and perhaps a little more.

 

No. 13
The Haus / Lunatix Dance

From BSA Film Friday 04.07.17

From the moment it opened on April 1st, the Haus was a hit! BSA was very lucky to be there in February for a full tour while still in development in Berlin, nearly dancing ourselves through all five floors of this former bank with full scale installations in places that once held offices, conference rooms, employee coffee lounges.

By inviting Creative Director/dancer Serdar Bogatin and the film crew “Shuto Crew” into the space with members of the Lunatix Dance Production troupe, these spaces and art environments come completely alive, invoking stories and dramas – clearly making the spaces into elaborate set-design pieces.

 

No. 12
Ella & Pitr / Frappés PinPins

From BSA Film Friday 05.05.17

The French duo Ella + Pitr here revel in the simplicity of the gestural act of a full-body full-bucket splash of black paint.

Carnal, visceral, overlaid with psychographical information, the motion of splashing inky pigment across a white quadrilateral is an act of defiance and a release of the inner chaos – instantly recognizable as chaos elsewhere in the world.

The uncontrollable quality, especially when purveyed within an atmosphere of prim control, provokes amplified emotions in some. Fear, liberation, rage, release. Which ones will you experience?

 

No. 11
Indecline/ Rail Beast

From BSA Film Friday 10.20.17

“This reminds why I hate vandals! All this does is create more unnecessary work for the guys at the paint shop,” says a commenter on the Vimeo page where INDECLINE has posted this locomotive takeover.

You see kids, this is why we can’t have nice things. I just mopped this floor and you come running in here with your muddy boots! For Pete’s sake.

Truthfully, this decidedly unpolitical piece is a surprise coming from INDECLINE. Guess they were taking the day off from railing against hypocrisy and injustice with this animated train that recalls Saturday morning cartoons like Bugs Bunny and the Road Runner.

 

No. 10
Olek / In the Blink of an Eye

From BSA Film Friday 01.13.17

“It is one thing to read about the events in those parts of the world, but it is something totally different to actually look in the eyes of the women who lost everything while running from the war,” says artist Olek about how her world view changed when crocheting the project featured this week.

While gathering and producing materials for her installation with Verket Museum in Avesta, Sweden, the Brooklyn based Street Artist was holding informal crochet workshops with volunteers who would be producing the decorative yarn skin that covered every single item inside and outside of the house with their handmade crochet stitches.

Some invited guests were refugees who had escaped war in Syria and Ukraine and the artist and local folks shared stories and crocheted, sewed, and prepared the art materials together over the course of a number of days. It was during these exchanges of personal stories that, “a conversation started that has changed me forever,” she says – and she immediately needed to reflect it in her project with the museum.

 

No. 09
Sebastian Purfürst – Soniconoclasm / Broken Motor

From BSA Film Friday 06.02.17

In Berlin recently we met a photographer/media artist/musician who showed us a music video he just made of regular people whom you might meet on the city streets at night. This spring he asked more than 25 of them to recite phrases and “cut-up of army radio slang phrases” and by splicing them together with his band mate’s recitation of the lyrics synched to their lips, the rawness and rage and disconnected connectedness of people whom you can meet on the street rang true. “

This unvarnished quality bypasses the styled self-awareness of a lot of commercial media, and the anger actually comes across as fear. Perhaps you’ll think its too dark in demeanor – but then suddenly the melding together of the faces into one common entity makes it magic, even transcendent – revealing a simple sameness of everyone.

“This suspenseful individuality of the people is almost completely dissolved in the chorus,” says Sebastian Purfürst of his video with bandmate Markus F.C.Buhl.

Together they are called SONICONOCLASM.

 

No. 08
Pixel Pancho/ UN – Berlin

From BSA Film Friday 09.22.17

Pixel’s original installation was nixed by the city at the last moment but that didn’t prevent the Italian Street Artist from rallying to find another solution!

This new installation in the back courtyard was conceived of, designed, and constructed over a period of 4 days last week and became the secret surprise behind the museum for those who wandered there. Using landscaping techniques and botanical knowledge that come naturally from his farm in Italy, the artist create a mise en scène of epic impact with his robotic folk-futurist sculptures. Night time lighting took it to another world, but you can see the details better here in this short video Jaime Rojo shot on site.

 

No. 07
FifthWall TV / Occupied in Bethlehem – A visit to BANKSY’s “Walled Off Hotel”

From BSA Film Friday 06.16.17

“It’s almost become a playground for people to come to,” says your host Doug Gille as he looks at the section of the Separation Wall that the Banksy “Walled Off” Hotel is installed upon. “I think it is so crucial for people not to just come to see the wall or to paint on the wall,” he says.

“50 years under military control makes it the longest occupation in history,” is a quote that Gillen brandishes across the screen from the United Nations. The fact that Banksy is using his art star power to keep this on the front burner says a lot about the man.

“I think a lot of these people feel like we are forgetting about them and we have to remind them that we’re not,” says Gillen as he soul searches next to the Dead Sea.

 

No. 06
Various & Gould / City Skins – Marx und Engels

From BSA Film Friday 07.14.17

Conceptual Street Artists often perform interventions without explanation, satisfied with their own observations of the outcome. For Berlians Various & Gould the process has more often included the participation of the public – a way for more to take ownership and inspire dialogue. Sometimes many dialogues.

You may have seen our piece on their most recent public project called “City Skins”: Marx and Engels Statues Re-Skinned & Re-Located : Various & Gould.  Here is a mini-documentary that shows you the artists, the process, and the thinking behind the process.

 

No. 05
Rurales

From BSA Film Friday 01.27.17

Now to the Polish pig farms! Another Street Art/Mural road trip movie, this time across Poland with JAYPOP, Seikon, Krik KONG and filmmaker Cuba Goździewicz. See the discoveries, the relationships, the reactions to the work from a warm and considered human perspective.

The beauty of randomness and the randomness of beauty. These guys are fully engaged with their surroundings, the opportunity, the myriad people they befriend or portend to make allies. It’s an uncharted trip where permissions are sought and often refused, but they never stop painting somehow.

 

No. 04
Swoon/ Fearless

From BSA Film Friday 10.13.17

Using existing and new footage of Street Artist Swoon and selected interviews with people in her orbit, director Fredric King presents and hour long documentary that looks over two decades of art making. The stories told and the insights that Calendonia Curry aka Swoon presents while en route to her next adventure illustrate the fluidity with which she pursues the creative spirit, whether on the street, on a vessel down a river, or installing in a museum. An integrated explorer, Swoon brings you into the fold to go on this journey that always feels like its just begun.

No. 03
Fin DAC/ Rooftop in San Francisco

From BSA Film Friday 08.25.17

On an expansive rooftop in rainy/sunny/rainy San Francisco, Street Artist Fin Dac brings to life ‘Shukumei’, an ebullient and mysterious muse. The film is largely a stop motion record of the work set to music, but did you notice how much dexterity and effort goes into this precision play when you are working at this angle, basically painting the floor? The remarkable integration of the glowing skylight orb, dramatically revealed, imparts the figure a mystical dimension as well.

Video editing by Tonic Media, Soundtrack by Mombassa/Lovechild, and shout out to Ian and Danielle at Rocha Art and Missy Marisa, model.

 

No. 02
Niels Shoe Meulman In Magic City / The Art Of The Street

From BSA Film Friday 12.01.17

Niels Shoe Meulman spent some nights in a Munich jail thirty years ago for mucking about on the walls. This year he was paid to do it in Munich for Magic City, the travelling morphing exhibition (now in Stockholm) where Street Art is celebrated along with all its tributaries – including a film program and a number of photographs by your friends here at BSA.

Born, raised and based in Amsterdam, The Netherlands, Shoe shares here his new improvisational piece and some of his reflections on his process and his evolution from being in advertising as an art/creative director and reclaiming his soul as a graffiti/Street Art/fine artist. As ever, Martha is in the frame, putting him in the frame.

No. 01
Keith Haring- Rough Cut / Mexico City Metro

This rough cut lil’ video reached more than 300K individuals and had 100K views with thousands of shares on FB and on Instagram with dozens of comments and high engagement was easily propelled to the #1 spot.

From BSA Film Friday 12.01.17

It all took us by surprise last week in Mexico City when suddenly a whole train covered on both sides with Keith Haring’s work approached while we were waiting at the platform to catch the Linea 2 of the Metro. He made his name in part by illegally doing drawings like these in NYC subways and here now they are crushing a whole train. The name of the project is “Ser Humano. Ser Urbano” or “Being Human. Being Urban” and it aims to promote human values and human rights. The pattern you see is from “Sin Titulo (Tokyo Fabric Design)” – now stretched across these whole cars, if you will.

The train itself is inexplicably having brake troubles, so we get some jerky spur-of-the-moment footage but all week on Instagram and Facebook we’ve received tons of comments from people reacting to this little bit of Keith video by Jaime Rojo on BSA.

 

Read more