All posts tagged: El Pez

Barcelona Dispatch : A Street Art Survey From a Fan

Barcelona Dispatch : A Street Art Survey From a Fan

By his own account Lluís Olivé has been shooting images in the city of Barcelona for about 50 years; street scenes, demonstrations, parades, architectural details, tiles, iron work, doors, doorknobs, windows, and of course, graffiti and Street Art. Calling himself an amateur, Señor Olivé nonetheless has captured a lot of Barcelona’s changing Street Art scene in the last decade and shares a handful of his favorites from the 2,500 or so street art images he has shot in the city.

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MAMM. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

“My experience shooting graffiti began in 2005 when I discovered an aerosol painting of the face of a girl and I was so impressed by it that I began to look for more,” he says, describing how he was first bitten by the bug. “I started to tour around different neighborhoods and even though I lived 150 kilometers from Barcelona at the time, I took trips there as often as I could to take pictures of the graffiti and Street Art.”

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ManuTwice. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

Since 2010 he has moved much closer to the city and thanks to the friendships he has formed  he says that artists have reached out to him to come and shoot their new work. He favors murals, portraits and faces, illustrations, photorealism and fantasy. Since he now lives closer to the art he has adopted an approach that is methodical. “I research on the internet, search certain hashtags, and check my email – I usually follow more or less known weekly ‘routes ‘,” he explains.

Unfortunately for Street Art fans like Olivé, the city has taken serious steps to limit organic street art in recent years. Areas of the city that once burst with thousands of murals, pieces, stencils, and wheatpastes had begun to attract tourists to an art scene that outshone many major cities but according to many artists the city and real estate industry saw new development opportunities and smothered a scene that had inspired books, websites, videos, galleries, and related cultural events.

 

 

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Penao. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

While the city’s clean-up efforts have spawned a criticism in certain quarters that the organic nature of the street art scene has been cynically expunged in favor of commercial retail stores and corporate dullness, municipal advocates respond that the city has also created “zones” for individual creativity to be expressed with little restriction.

Señor Olivé believes that both parties have a point. “Since I began taking photos in Barcelona I have seen a huge change from when I started – the amount of Street Art has decreased due to new municipal policies high penalties. But the city has also created 8 or 10 ‘approved’ zones for graffiti and the quality is often very good.”

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MAMM. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

One of his favorite sanctioned spots to shoot is in a park inaugurated in the 1990s where a light and power station once operated and where three tall chimneys from the previous century still tower as a reminder of the history of the city. “Jardines de las Tres Chimeneas” (Three Chimney Park) provides a number of paved skateboarding spots and walls specifically reserved for an ongoing graffiti exposition that is renewed weekly. The park has events including skateboard competions, electronic music performances and exhibitions of hip-hop and break dance.

He is retiring from his regular job this July and plans to take a trip to a number of cities in the US to celebrate with his wife, and to take photos.  He has a post-retirement photography plan already. “Starting this October I am planning a new project for myself to do a one-year weekly documentation of the ‘Tres Chimeneas’,” – perhaps to present in a gallery or some other formal venue.

And of course, there is still plenty of the unsanctioned stuff to shoot, it just may be a little harder to find…

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Millo. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

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P.Nitas. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

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Reuunit. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

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Roc BlacBlock. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

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Feo Flip . Roc BlacBlock. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

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Marino. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

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M2. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

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Enric Sant. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

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El Pez. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

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Cranio . El Pez. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

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PAM SR. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

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Aryz. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

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Chanoir . Xupet. Barcelona, Spain. (photo © Lluis Olive Bulbuena)

 

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This article is also published on The Huffington Post

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Bogotá : A Liberal Approach To Art Creates Exceptional Street Culture

Bogotá : A Liberal Approach To Art Creates Exceptional Street Culture

Thanks to a globalism of culture, many cities around the world have sprouted vibrant Street Art scenes – including today’s focus, Bogotá, Columbia. Far more open to expression than many cities, Bogotá has become a tolerant and welcoming place for artists on public walls, with the mayor actually agreeing and decreeing that graffiti and street art are a form of valued artistic expression, as long as you lay off the statues and City Hall. The government even gives grants for some painting, and political and social protest on walls goes a little further than you might expect. As part of a personal tour of Columbia in the last couple of months, occasional BSA contributor Yoav Litvin travelled to Bogotá and met a couple of artists who told him about the scene there.
 
 
by Yoav Litvin

We arrived at the Bogotá airport in the evening. For convenience sake, we took a cab from the airport to our accommodation in the heart of La Candelaria, an area of town known for its museums, beautiful architecture and street art. I knew Bogotá was going to be as special as far as its street art scene. I just did not know yet how incredible it was going to be.

My introduction to Bogotá street art and graffiti was the highway from the airport into town, aka Calle 26—it was completely BOMBED. When I say bombed I mean there was not a single space free of art on the walls or tunnels of the highway for miles on end. The beautiful graffiti and street art along with countless tags adorning the walls made me feel like a kid in a candy store. Immediately I knew Bogotá was going to be special, a heaven for street art and graffiti.

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Stink Fish. Bogota, Colombia. (photo © Yoav Litvin)

During my visit I was fortunate to meet two very active local artists: DJ LU (aka Juegasiempre), otherwise known as the “Bogotá Banksy” and CRISP, an Aussie transplant that has made the city his home. They were courteous and answered some of my questions.

Yoav Litvin: What makes the street art and graffiti scene so unique in Bogotá? Please discuss the political background in Bogotá in particular and Colombia in general and some policies (legality etc.) that influence the great diversity of work on the streets. What’s special here?
DJ LU: Bogotá’s treasure is its diversity, in every sense. It has very eclectic architecture, interesting places, and is extremely multiracial. Urban expressions are not the exception; here you can find murals, tagging, hip hop graffiti, paste ups, stickers, characters, lettering and stencil work among others. Bogotá is an ideal playground for public expression. First of all, its urban structure is patchy making it ideally suited as far as context; there are many residual spaces, remnants of highway constructions, parking lots and abandoned structures.

Second, the legislation is tolerant, so unless you are engaged in a very clear act of vandalism you won’t have a problem with the law. Residents are also becoming familiar with the practice so there is tolerance from the local population.

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Toxicomano . Unknown .  DJ LU .  Bogota, Colombia. (photo © Yoav Litvin)

CRISP: Bogotá is one of the most exciting, underrated and prolific urban art scenes on the planet. This is due to a combination of several factors, which have created a melting pot of creativity and expression. Firstly, there is a long history of civil unrest, inequality and injustices in Colombia that make street art and graffiti a potent form of expression and protest for the people.

It actually has the longest running civil war in the world, over half a century of bloodshed!

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Toxicomano . DJ LU . Lesivo . Bogota, Colombia. (photo © Yoav Litvin)

Secondly, it has a very tolerant legal approach to urban art compared to most other cities in the world. It’s not technically illegal but “prohibited”, which provides a unique situation where grafiteros can take their time and paint in broad daylight. That said, an artist still needs to be cautious of police depending on the type of street art you are doing and due to police history of brutality.

Thirdly, Colombia has a rich resource of inspiration: its people, music, food, indigenous cultures, animals and plants from the Pacific, Andes, Amazon and Caribbean! This complex mix of factors makes Bogotá’s urban art scene truly unique.

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DJ LU Bogota, Colombia. (photo © Yoav Litvin)

Yoav Litvin: What motivates you in your work? Please discuss how your work is an expression of your development within the scene in Bogota.
DJ LU: My work is motivated by reality. I’m interested in making people aware–through art–of lots of situations that affect us as a society. The first project I started with on the street is the Pictogram project. It is based on semiotics and sign language. As it proposes very simple designs it is intended to relay a message immediately. In this project I have designed more than 60 pictograms that I have put up all over Bogotá and many other cities around the world in stencil form, stickers and paste ups.

Afterwards came the Street Pride project in which I took photographs of anonymous people whose appearance I found aesthetically interesting and who were interacting with the public space and I used them as models for my work. I believe that advertisements and the media in general are fabricating idols for the people to follow and to speed up consumerism. I want to make the invisible visible, to bring attention to anonymous people who construct our street culture.

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 Crisp. Bogota, Colombia. (photo © Yoav Litvin)

CRISP: I’ve always expressed myself through art from a very young age. In terms of street art I was a late bloomer. Despite an interest and curiosity in urban art, It was only when I came to Bogota that I truly became a street artist! I met grafitero friends here who encouraged me to put my artwork up in the street. Street art has shown me that it’s important that our public spaces aren’t controlled and dictated solely by councils, corporations, marketing companies, and formal art institutes.

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Toxicomano. Bogota, Colombia. (photo © Yoav Litvin)

Yoav Litvin:  How do you see the future of street art and graffiti in Bogota?
DJ LU: I believe that the progress of street art and graffiti is determined by a lot of factors: legal issues, trends, politics and economics. Graffiti and street art are trendy now in Bogotá, and this will most likely decrease. At that point only the ones that are doing it for real will keep working outside.

CRISP: The huge changes I’ve witnessed since 2001 through 2008 until the present are phenomenal. Bogota’s urban art has exploded in terms of quality and quantity. Everywhere you look, walk and drive, you see some form of creativity and expression on nearly every block in the city!

Mostly it is grass roots, passion-driven and totally devoid of the more corporate, council and gallery-organized and funded “street art” you see in many other cities in the world. In the near future I see many talented Colombian artists finally getting the recognition, support and ability to share their work with a wider international audience they deserve. Ironically this point isn’t important to many grafiteros here.

It’s the way of life, the friends, the culture, pure expression, fun, connecting with the public and the happiness this connection with the street brings that’s most important! In the future Bogota will be known as an urban art mecca but for all the right reasons!

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Lesivo. Bogota, Colombia. (photo © Yoav Litvin)

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Guache. Bogota, Colombia. (photo © Yoav Litvin)

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Stinkfish. Bogota, Colombia. (photo © Yoav Litvin)

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APC . Stinkfish . FCO . Temor. Bogota, Colombia. (photo © Yoav Litvin)

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Praxis. Bogota, Colombia. (photo © Yoav Litvin)

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Frank Salvador . Sur Beat. Bogota, Colombia. (photo © Yoav Litvin)

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Bastardilla wheatpaste afloat beneath a handful of dripping tags. Bogota, Colombia. (photo © Yoav Litvin)

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Bastardilla. Detail. Bogota, Colombia. (photo © Yoav Litvin)

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El Pez. Bogota, Colombia. (photo © Yoav Litvin)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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