At fifteen years old, the Bushwick Collective has become a temporary city-state of culture—where hip-hop veterans, international muralists, neighborhood residents, tourists, diplomats, photographers, and food vendors all occupy the same few blocks for a single day. It has a flavor you can only find in Brooklyn: equal parts grit, hustle, creativity, and collision.
For one weekend every year, a few gritty industrial blocks in Bushwick transform into something entirely their own — murals climbing walls, aerosol hanging in the air, music pouring from every corner, food vendors working overtime, photographers darting through crowds, old-school New Yorkers mixing with first-time visitors, artists arriving from around the world, and thousands of people wandering streets where immigrant histories, manufacturing roots, creative ambition, and contemporary city life coalesce in a semi-chaos you adore.
Fifteen years after its founding, the Bushwick Collective has become more than a mural event; it is a sprawling, improvised gathering where hip-hop, graffiti, public art, neighborhood culture, international exchange, and street-level energy all converge in the same place at the same moment.
The 2026 edition arrived with plenty of its trademark bravado — murals unveiled throughout the week, artists painting live, rooftop celebrations, packed sidewalks, chance meetings, artist talks, and a soundtrack that carried across the neighborhood from afternoon into evening. Equal parts exhibition, festival, reunion, and urban spectacle, it remains one of New York City’s most distinctive annual cultural gatherings.
We hosted the first Artist Talk, and we’ll tell you about that next week. For now, here is part 1 of 2 collections of murals from The Bushwick Collective 15th Anniversary.
A scintillating selection of images this week as we travel to a Jersey boardwalk and the erupting Brooklyn scene called Bushwick Collective. The trio of foxes by Bordalo is still rocking after a year, and the small flood of international and local talent has once again transformed walls in the formerly industrial, still gritty Brooklyn neighborhood that has welcomed about 400 artists to paint here since 2011.
We had the great honor of hosting a panel discussion with 5 Taiwanese street artists this Thursday as part of the first Artist Talk ever for Bushwick Collective’s 15th Anniversary. All week, those five plus one other OG from Taipei all painted walls here – ALLO, Vasstar, Candy Kuo, Colasa, Mr. OGay, and BLACK ZAO brought high technical skills and Taiwan flavor to the already international scene here. The long weekend events included roof parties, DJ sets, and a roiling, joyful open stage with hotly spit missives that pose and bear witness to life from some of our best rap and hip-hop artists who know the streets and rightly celebrate them. As usual, it’s so local, and so international here in Brooklyn.
Stylistically, the vertical rappellers have taken over NYC these last three years or so, and overnight Thursday, one of the highest focal points was taken over by a wildly striped crew of current visual kings with aesthetic and cultural currency – taking everyone by surprise with a rapid fire battle of styles side by side – see below.
Here’s our weekly interview with the streets, this week featuring Allo, Ashley Hodder, Black Zao, Bordallo II, Chris Haven, Dad Father Son, Dae Law, Degrupo, Dzel, EXR, H Kubed, Mad Vaillan, Mendoza, Nick Sweetman, Optimo, Psylent Mushroom, Robert Vargas, Shane, Smoe, Stuo Backup, Werds, and Zach Curtis.
Welcome to Part II of II of our photo collection from the 14th Annual Bushwick Collective Block Party. This year’s edition, held on May 31, 2025, brought together a powerful fusion of beats, paint, and community spirit—just the kind of vibrant energy we at BSA love to celebrate.
Everybody’s proud of their neighborhood, and even though Bushwick continues to change, become more unaffordable, a little suburban, and sometimes feels like it is erasing the hardworking community that made it great, it takes a block party like this to remind you about what Bushwick is. Shout out to Joe and his family and team for incorporating the graffiti heads into the mix and allowing street art and graffiti to coexist in a way many predicted would be impossible; a truly unique collection of artists, styles, disciplines, inspirations, and themes.
Welcome to Part I of II of our photo collection from the 14th Annual Bushwick Collective Block Party. This year’s edition, held on May 31, 2025, brought together a powerful fusion of beats, paint, and community spirit—just the kind of vibrant energy we at BSA love to celebrate.
The day’s star performer, hip-hop legend Rakim, set the stage alight with an electrifying set that fused old-school authenticity with Bushwick’s forward-thinking street culture – an intelligent merging of underground and old-school. Sharing the spotlight were dynamic artists Statik Selektah, Gorilla Nems, Termanology, and Evil Dee, among others.
On the mural front, the Block Party again transformed Troutman Street into a living gallery. This year’s visiting muralists included Sef1, Contrabandre, Huetek, Gigstar & Minus One, Tymon de Laat, Ashley Hodder, and Enzo a psychotropic summer stew that again sampled from acrss the graffiti and street art spectrum.
It was a weekend where paint met poetry, beats met brushstrokes, and each corner of Bushwick told a fresh story. We hope these images capture the creative dialogue that unfolded. Stay tuned for Part II, where we continue to explore more of this year’s murals and moments.
Welcome to BSA Images of the Week! Eid Mubarak to all observing today. Happy Puerto Rican Parade to todos nuestras hermanos y hermanas. We’re grateful to live in a city that celebrates many traditions with such heart. That’s why it’s always perplexing to see Ken and Barbie-types on the national stage vociferating about DEI as if it were a mold on the back wall of your refrigerator. Equality has always been the point.
Banksy’s recent mural in Marseille, France, continues the Bristol artist’s tradition of indirect yet emotionally charged communication. Painted on Rue Félix Frégier, the black-and-white stencil depicts a lighthouse, accompanied by the phrase “I want to be what you saw in me.” Cleverly integrated into its environment, the mural uses the shadow of a nearby street bollard to serve as the lighthouse’s beam—an understated but remarkable visual device.
Interpretations vary, but we’ll venture one: it reads as an oblique critique of nations or institutions once seen as guiding lights—sources of moral or cultural leadership—that now appear directionless or diminished. The lighthouse, in this reading, becomes a symbol of lost purpose. Aware that no one looks to it for guidance anymore, it expresses a quiet resignation, perhaps even grief. Poor lighthouse. The Smithsonian magazine says its just a straightforward plea for attention from the artist. The view may seem surprising, but more astonishing is that the Smithsonian weighed in at all.
Now it’s your turn to be the armchair psychologist or social analyst.
This week in break-up news, the U.S. President and the Twitter tycoon who would be king took their grievances public, trading jabs on social media in a battle to tarnish each other’s image. Each was presumably trying to damage the other’s perception in the public eye, although that hardly seemed necessary. As George Clooney’s Edward R. Murrow put it last night, live on Broadway and live broadcasted on network television: ‘Good night, and good luck.’ As ever, it’s more about control and good money than anything else. It makes you wonder if either one of these guys could be sworn in as president in January ’29. Has a certain ring to it, no?
And here’s our weekly interview with the street, this week featuring 2DX, Adam Fu, Atomiko, Below Key, Chris Haven, EXR, HEFS, Jason Haaf, Quaker Pirate, Scoote LaForge, Tom Bob, and Werds.
We were looking at the description and lineup of this new Punk exhibit and thinking about how it extends to the early and current mural/street art scene at play today… Opine, as one may, about the roots of this scene and our rigorous academic attempts at qualitative mastery, but the average street artists cares nary a whit what you think, for the most part. It isn’t just our anti-intellectual age; it may simply be antithetical to what street art was ever intended to be. There are those who construct gates to enclose a favored few to make pronouncements about what street art is or isn’t, but the artists who produce work on the streets may not bother climbing the fence to get in their club.
It’s the ironic, rebellious, spirit of D.I.Y. that makes street art and graffiti most attractive for us —not its ability to make money for some nor burnish the reputation of another but to draw us together. The open access to self-expression is so alluring, and it is a testament to how truly innovative artists know how to seize a moment, transform a space, begin a dialogue, or weigh in on one. Create camps? Attempt to consolidate power? It is a folly. Why reject a corrupted and unfair pecking order only to reconstruct one? As we see more anniversary shows heralding punk and its origins, we recall that it was the liberty promised that was so appealing and the destruction of corrupt institutions that was most needed. The aesthetics may have become commodified. It’s spirit, never.
Here is our weekly interview with the street, this week featuring Alice Pasquini, Homesick, Judith Supine, Mike King, WERC, Pussy Power, Kane, Kone, Chris Haven, 6147, SLASH FTR, Geraluz, Coes Sneakers, AIC, and Skribblz.
Superhero or superfan, there is something here for everyone, and usually high quality. Street Art festivals worldwide have become dull and safe, perhaps because some are funded by tax dollars or their curators lack vision. The selections at the Bushwick Collective may not make a cohesive story, it’s true.
However, a sense of history, respect for graffiti’s roots, community, narrative, and free-wheeling organic creativity cuts a through-line that still feels fresh as a summer breeze in the shade of a tree. We have so many images of this year’s block party celebration that we had to split the collection into two parts.
On this Summer Solstice, we wish you strength and the wisdom to see the truth. The false will fall away.
For decades, graffiti, street art, and contemporary art have spoken with one another, exchanging ideas, aesthetics, techniques, and attitudes along …Read More »
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
