All posts tagged: Carolina Falkholt

Layer Cake’s Versus: IV – A Revolutionary Collision of Art and Tradition at Subliminal in LA

Layer Cake’s Versus: IV – A Revolutionary Collision of Art and Tradition at Subliminal in LA

The vibrant margins of cities around the globe have long echoed with the silent yet visually boisterous language of graffiti. For artists and graffiti writers, these urban practices and canvases are sacred, bound by several unspoken codes that regulate the street, and may vary somewhat from country to country, city to city. One that is universal: you do not “go over” or paint atop another’s work unless you intend a deliberate provocation.

Layer Cake vs. Shepard Fairey & Chaz Bojórquez. Layer Cake: The Versus Project IV. Subliminal Projects, Los Angeles. (photo © Jaime Rojo)

Yet, Munich-based graffiti veterans Patrick Hartl and Christian “C100” Hundertmark, known collectively as Layer Cake, dare to challenge this rule in a groundbreaking collaborative project titled “Versus”. Presenting the fourth iteration of this show at the Subliminal Projects Gallery in Los Angeles, the “Versus IV” exhibition features a brand new roster of collaborations. It is a testament to the boundless possibilities when artists embrace challenge, change, and true collaboration.

Layer Cake vs. Various & Gould. Layer Cake: The Versus Project IV. Subliminal Projects, Los Angeles. (photo © Jaime Rojo)

Layer Cake’s audacious process commenced in their Munich studio during the last decade or so. They initiated canvases, leaving them deliberately unfinished before shipping them to various artists worldwide. These artists, in an act of trust and faith and an urge to collaborate, completed the paintings without prior discussion of details with Layer Cake. In some instances, this exchange occurred multiple times, spanning up to two years. The artworks emerged as stunning mosaics or hand style and eclectic modernism, a synthesis of diverse visual languages, methodologies, and ideas – a reflection of the artists’ non-verbal dialogues with one another as well as their introspections on personal boundaries.

The Versus project gathers a mosaic of artists, from Hera to MadC to Rocco and His Brothers to “Chaz” Bojórquez and Shepard Fairey, united by a fervent passion for style writing, street art, and graffiti. Each artist brings their distinct style to the canvas and in doing so, contributes to a diverse spectrum that blurs the lines between individual contribution and collective creation. These works aren’t just paintings; they’re conversations, layered dialogues that traverse geographical and artistic divides, embodying a unique intersection of graffiti and contemporary art.

Layer Cake vs. Carolina Falkholt. Layer Cake: The Versus Project IV. Subliminal Projects, Los Angeles. (photo © Jaime Rojo)

Hartl and Hundertmark, despite being rooted in the world of graffiti, have constantly evolved their artistic expressions. Their collaborative moniker, “Layer Cake,” perfectly encapsulates their artistic ethos. Like a lush multi-tiered confection, theirs is a collection of artworks that is infused with depth – from Patrick’s writing elements juxtaposed against Christian’s hard-edged abstract forms. This joint effort, as they remark, challenges artists to confront an existing work rather than the pristine white of a blank canvas, pushing them out of their comfort zones and into new horizons.

Layer Cake vs. Nawer, Flying Förtress, MadC . Layer Cake: The Versus Project IV. Subliminal Projects, Los Angeles. (photo © Jaime Rojo)

For the uninitiated and the aficionados alike, “Versus: IV” at Subliminal Projects is more than an exhibition; It’s an invitation into a realm where graffiti’s age-old traditions meet the revolutionary ethos of contemporary art. It re-defines visual and psychological spaces where boundaries, both inner and outer, are tested and where creativity resists limits. Layer Cake’s initiative doesn’t just question the norms of the graffiti world; it celebrates the transformative power of collaboration in art.

Layer Cake vs. Cryptik. Layer Cake: The Versus Project IV. Subliminal Projects, Los Angeles. (photo © Jaime Rojo)

BSA/Urban Nation’s Steven P. Harrington and Jaime Rojo saw the new works going up at Subliminal Projects yesterday, with Layer Cake leading the way. Please join us all Saturday night with artist and host Shepard Fairey and graffiti godfather “Chaz” Bojórquez for a panel discussion and a grand opening for Layer Cake: Versus IV.

Patrick Hartl and Christian Hundertmark (C100) and Patrick Hartl AKA Layer Cake discuss their process and the subtleties of being “visible” and being “present” on the canvases as they collaborate with other artists for their Versus Project. Layer Cake: The Versus Project IV. Subliminal Projects, Los Angeles. (photo © Jaime Rojo)

Join us Saturday, September 16th, 6-7 PM for the Opening Reception. To kick off the reception, the gallery will host a special Artist Talk at 6:15 PM with Layer Cake, featuring contributing artists Shepard Fairey (@obeygiant) and Chaz Bojórquez (@chaz_bojorquez), moderated by Steven P. Harrington co-founder of Brooklyn Street Art (@bkstreetart). RSVP to rsvp@subliminalprojects.com to attend. This exhibition is made possible with support from OBEY GIANT ART & URBAN NATION MUSEUM 

CONTRIBUTING ARTISTS

AKTE ONE, Bond Truluv, Carolina Falkholt, Chaz Bojórquez, Cren, CRYPTIK, Dave The Chimp, Flying Förtress, Formula76, HERA, HNRX, Layer Cake, MadC, MAMBO (Flavien Demarigny), Matthias Edlinger, Łukasz Habiera Nawer, Peter “Paid” Levine, Rocco & His Brothers, Shepard Fairey, Various and Gould, and Zepha (Vincent Abadie Hafez).

Click HERE for more information about this exhibition and Art Talk.

Subliminal Projects:

1331 W Sunset Blvd
Los Angeles CA 90026

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Sweden Starts “No Limit” Mural Festival in Borås

Sweden Starts “No Limit” Mural Festival in Borås

It isn’t just Nuart any more.

Scandinavia is taking their mural festivals seriously thanks to buoyant economies, arts programming support, and a growing global appreciation for art in the streets in general. Included in the list of recent festivals are Denmark’s Galore (Copenhagen) and We Aart (Aalborg) and Sweden’s Artscape (Malmö) as well as the more graffiti-inflected Örebro, Helsinki’s Arabia and of course the one-kilometer long graffiti/Street Art slaughter that accompanies the mammoth music festival Roskilde.

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ECB. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

This month humbly began No Limit in the small city of Borås, Sweden, and artist / curator Shai Dahan hopes to enliven the daily views for this population of 66,000 with his curated collection of international artists from street / graffiti / fine art backgrounds.

An artist and entrepreneur who moved here from New York three and a half years ago, Dahan has been rallying local building owners and government institutions to aid in his idea of mounting a show on walls in the city that emulates the success of such festivals elsewhere.

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Isaac Cordal. The small scale installations by the Spanish artist provide a welcome answer to the ever more massive tendencies of wall installations in mural programs. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

“I’ve been on quite a journey and accomplishing this project has been something I have been working on personally for over a year,” he says. With participation and funding from the city of Borås, No Limit this month invited and hosted artists from countries such as The Netherlands, Brasil, France, Italy, Germany, Poland, Spain and Sweden and included artists like Natalia Rak, ETAM Cru, Peeta, ECB, The London Police, Kobra, Ollio, Ekta, Carolina Falkholt, Issac Cordal and one of the earliest Street Art stencilists, Blek le Rat.

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Isaac Cordal. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

“And best of all, we had no bad weather. The day Natalia landed (she was the first to arrive) the sun came out, and it stayed out until the very last day,” says Dahan of the festival that he deemed “phenomenal” and included guided tours for over 200 people at a time.

“After everyone left, it began raining, ” he smiles.

For countries that have a so-called “zero tolerance” for illegal art or any kind like Sweden, mural festivals like these effectively circumvent the rigid approval process that typically characterizes public art projects and many make inroads into engaging public space with art in a new way that is emblematic of a vibrant global movement. It may be a tenuous line to walk, but more cities seem willing to embrace this swing of the pendulum with art in the streets.

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The Brazillian Street Artist named Kobra created a portrait of Alfred Nobel, the Swedish chemist, engineer, industrialist, and inventor of dynamite. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Kobra. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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The London Police began stripping because of the hot sun and of course, Jane Fonda. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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The London Police. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Natalia Rak. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Natalia Rak. Detail. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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The graffiti writing artist from Venice named Peeta basically killed his wall with a signature three dimensional tag that floats off of the wall. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Simple. No Limit Borås, Sweden. September 2014. (photo © Simple)

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Ollio. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Carolina Falkholt. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Ekta. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

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Etam Cru. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

 

Click HERE to learn more about No Limit Borås.

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