In his new solo exhibition, MONEY, at London’s BSMT Gallery, Brazilian artist Cranio uses his signature wit – sharpened like a ceremonial blade. Known for his blue-skinned Indigenous protagonist who wanders through this contemporary chaos, Cranio has built a practice over the last two decades that disarms – and provokes.

This time, he’s aiming squarely at the culture of consumerism — and some of the spiritual compromises that come with it. Curated by the gallery team and grounded in satire, MONEY is more critique: it’s a mirror held up to a society sadly tangled in symbols of wealth. He’s also attempting to put a spiritual, intellectual price tag on the price we pay for our enslavement.
Having seen Cranio’s work rise from the walls of São Paulo’s east side to global prominence, it’s clear that his characters are not just visual signatures — they are autobiographical echoes and social barometers. Born Fabio de Oliveira Parnaíba in 1982, Cranio began painting in 1998 as part of the Hip Hop and graffiti culture that shaped a generation of Brazilian artists.

His Indigenous figure is no twee caricature; it’s part avatar, part ancestor — navigating globalized landscapes that are layered with complexities of identity, displacement, and resistance. Not heavy on preaching, he presents the conundrum wrapped in its absurdity.
In MONEY, the blue characters wear gold chains, clutch designer bags, and participate in almost religious consumer rituals — not as villains, but as tragicomic stand-ins for all of us. They speak to the slow corrosion of values in a world where meaning is increasingly manufactured.




Join BSMT Gallery for the opening night of ‘MONEY’ on August 7th, 2025, from 6-9 pm. The show runs from August 8th to August 24th
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