All posts tagged: Brooklyn Street Art

“Titanes” at Work; New Murals and Social Inclusion in Don Quixote’s Land

“Titanes” at Work; New Murals and Social Inclusion in Don Quixote’s Land


“Every man is the son of his own works” ~ Miguel de Cervantes.


The greatest writer in the Spanish language was inspired by the character of this region and its arid but fertile elevated plateau when creating his greatest work Don Quixote, a true titan of historical literature and one of the world’s most translated books after the Bible.

His central character is a delusional would-be knight who calls himself The Ingenious Gentleman Don Quixote of La Mancha. His absurdist but imaginative self-regard is echoed in the sheer scale of the grand new Titanes (Titan) mural project. Given the camaraderie among artists and organizers here you may say that the heart of Titanes is more likely aligned with the earthy wit of his sidekick Sancho Panza.

Okuda. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

Naturally when these characters are intermingled by an imaginative multi-disciplinary artist like Okuda San Miguel you are not surprised to see the image of movie director Pedro Almodovar co-starring along with Quixote; Okuda’s silo is seated in the filmmaker’s town of Calzada de Calatrava and Almodovar’s richly drawn characters have captured a generation of Spaniards happily. As a rainbow splits the storm clouded sky behind him, it’s precisely this painters intuitive alchemy of reality and fiction that may shake a viewers’ conscience while entertaining them, revealing Titanes as an enormous vehicle of communication.

Okuda. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

“The past and present are seen through my geometric and surrealist filters,” says Okuda, who is a principle architect of this audacious public mural project in La Mancha. In an era of perplexing social, political, and economic upheavals, it is comforting to see modern artists take on the messages of the classics, reinterpreting and re-presenting them.

Okuda. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

15 or so more murals on silos are on the way here from top talents before the year is complete. The societal outreach is ground-breaking in its own way with an uncommon integration and engagement with the neighboring communities.

“It’s an interesting story,” says photographer Martha Cooper, who shares her images with BSA readers today. “Okuda is working with organizations who help people with disabilities like autism and Down Syndrome. The part of the mural at the base of each one of the silos was painted by a number of these participants,” she says. “And they all seemed to be having a great time.”

Okuda. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Okuda. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

Startlingly original and indelibly context-specific, Titanes is a mural/public art project that resides at the intersection of social responsibility and community participation. Organizers say that the goal is not only to bring a roster of well-respected artists here to paint but to be completely inclusive of societal members who aren’t typically thought of as artists.

Okuda. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

From now until October, a number of artists from the urban art scene will be transforming silos into art all across this region, including Bicicleta sem Freio, Daniel Muñoz, Demsky J., Equipo Plástico (comprised of Eltono, Nuria Mora, Nano4814 and Sixe Paredes), Fintan Magee, Hell’O, Smithe, Nychos, Ricardo Cavolo and Spok Brillor. In an unprecedented program of social inclusion through public art, 450 members of the Laborvalía association will also be working alongside the artists on various creative activities.

Okuda. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

Already the program has proven life-changing in many ways, say participants, as perspectives and relationships are evolving during the initial painting program. “Okuda worked with one boy with autism while painting his mural,” Martha tells us. “He began to speak and interact after starting to paint – much to his parents’ delight. This part of the project gave it more weight than just the usual “artists-painting-walls” event.”

Organizers say that they hope Titanes will be an epic project that will go down in history as one of the world’s biggest events to promote social inclusion. At its core are Okuda’s own multi-faceted art agency called Ink and Movement, the Laborvalía organization, the Provincial Government of Ciudad Real, and a number of other municipalities and civic and tourism-related fields who are supporting the art and its message throughout society.

Laborvalía says in its mission statement that its principal goal is to promote the integration of people with disabilities in society and the workplace.

Titanes looks like it is the perfect project to make a big impression.

Hell’O, Okuda collaborates with Hell’O and a client from Laborvalía organization helps the artists with the mural. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

Hell’O Our idea was to mix abstract shapes and figurative elements in a colorful environment. We enjoy playing with the balance between different shapes and finding a homogeneous composition. We wanted to give it an optimistic, pop, fresh touch, something that speaks to everyone

Hell’O and Okuda. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Hell’O. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Hell’O. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Hell’O. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Hell’O. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

Bicicleta sem Freio “Os Gigantes de la Mancha” (The Giants of La Mancha) represents the power of creativity and imagination and its indispensable role in the ability of human beings to make sense of the world and others, especially among children and people with disabilities.

Bicicleta sem Freio. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Bicicleta sem Freio and clients from Laborvalía organization help the artist with the mural. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Bicicleta sem Freio and clients from Laborvalía organization help the artist with the mural. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Bicicleta sem Freio. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Bicicleta sem Freio. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Bicicleta sem Freio. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

Daniel Muñoz & Spok Brillor:

There are a number of concepts behind our intervention. First, it represents 15 years of working together as artists and friends: each medal symbolizes a story from some of the projects we’ve worked on in recent years.

It also reaffirms the building from an architectural standpoint: “decoration” in the sense of an award or honor and not just ornamentation. For us, it’s important to reaffirm the object in itself and not its political history. Finally, there’s an irony in the use of gold and its contrast with bread, a basic product produced by the silo and one that, in reality, was always represented as luminary and powerful in the imaginary of the 20th century.

Daniel Munoz & Spok Brillor. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Daniel Munoz & Spok Brillor. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Daniel Munoz & Spok Brillor. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Daniel Munoz & Spok Brillor. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Daniel Munoz & Spok Brillor. (Equipo Plastico on the right) “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

Equipo Plástico (Eltono, Nuria Mora, Nano4818 and Sixe Paredes)

“Meseta” (Plateau) is a homage to the countryside, to the intractable space surrounding these silos. The tones and patterns of the surrounding areas, their textures and shades, cover every centimetre of the wall like a blanket, giving the building a round, almost sculpted look. Ignoring the limits of the building and symbolically camouflaging it in its environment accentuates its current invisibility after years of neglect and helps lighten the weight of its history.

Equipo Plastico (Eltono, Nuria Mora, Nano4818 and Sixe Paredes). “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Equipo Plastico (Eltono, Nuria Mora, Nano4818 and Sixe Paredes). “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Equipo Plastico (Eltono, Nuria Mora, Nano4818 and Sixe Paredes). “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Equipo Plastico (Eltono, Nuria Mora, Nano4818 and Sixe Paredes). “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Equipo Plastico (Eltono, Nuria Mora, Nano4818 and Sixe Paredes). “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

Demsky & Smithe

In “Parábolas del Pensamiento” (Parabolas of Thought), we have unified our style, based on the phases of the brain for creation and thinking: preparation, incubation, illumination and verification.

Demsky & Smithe. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Demsky & Smithe. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Demsky & Smithe. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Demsky & Smithe. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Windmills at Campo de Criptana. Ciudad Real, Spain. April 2019. It is at the windmills that Quixote’s famous adventures begin, starting with his attack on the windmills, because he believes that they are ferocious giants. (photo © Martha Cooper)
An artist’s interpretation of Don Quixote & Sancho Panza. Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Okuda presented Ms. Cooper with a portrait of her.
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Fresh Writer’s Block in Bushwick Thanks to 15+ New Pieces

Fresh Writer’s Block in Bushwick Thanks to 15+ New Pieces

An impromptu mid-sized style meeting of talented graffiti writers hit up an industrial block in Bushwick last week and we’re lucky to have these fresh pieces for you today.

Soten (photo © Jaime Rojo)

Locals, out-of-towners, and international visitors brought letterstyles full of spring energy, adding classic and fresh new licks together for a proper BK jam. It’s always good to see talents like these getting together to write on walls, paying tribute to their peers and catching up with old friends.

Tiws (photo © Jaime Rojo)
Sear (photo © Jaime Rojo)
Such (photo © Jaime Rojo)
Drain (photo © Jaime Rojo)
Nimek + Renks feeling blue in Bushwick (photo © Jaime Rojo)
Naimo (photo © Jaime Rojo)
Sewk (photo © Jaime Rojo)
Hoacs (photo © Jaime Rojo)
Lora (photo © Jaime Rojo)
Nerr (photo © Jaime Rojo)
Roachi (photo © Jaime Rojo)
Egore (photo © Jaime Rojo)
Fours (photo © Jaime Rojo)
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BSA Images Of The Week: 05.05.19

BSA Images Of The Week: 05.05.19

The eyes have it.

Have you noticed the number of faces and eyes that are pasted, painted, drawn on the Streets right now? Maybe they are an indicator that many more of us are truly paying attention and that we see how close the danger is, even if we don’t know exactly what to do.

The first step of course, is to pay attention. Turning off the corporate controlled media helps.

What do you see?

So here’s our weekly interview with the street, this time featuring Arkane, CP Won, Dylan Egon, Eyebrows, Greta Thunberg, Himbad, Hiss, Little Rickey, LMNOPI, Lungebox, SacSix, Sara Lynne Leo, Soten, The Postman Art, and Who is Dirk.

Top image: Little Ricky imagines three icons through the eyes of a ewe – Madonna, George Washington, and John Lennon (photo © Jaime Rojo)

Arkane (photo © Jaime Rojo)
Arkane (photo © Jaime Rojo)
Soten (photo © Jaime Rojo)
CP Won. Portrait of a friend and Brooklyn resident. (photo © Jaime Rojo)
CP Won. Portrait of a friend and Brooklyn resident. (photo © Jaime Rojo)
CP Won. Portrait of George C. Parker. (photo © Jaime Rojo)
SacSix (photo © Jaime Rojo)
The Postman Art (photo © Jaime Rojo)
Little Ricky (photo © Jaime Rojo)
Still Life with Lungebox. (photo © Jaime Rojo)
Who Is Dirk (photo © Jaime Rojo)
Who Is Dirk (photo © Jaime Rojo)
Hiss (photo © Jaime Rojo)
Himbad (photo © Jaime Rojo)
Dylan Egon (photo © Jaime Rojo)
Sara Lynne Leo (photo © Jaime Rojo)
Eyebrows (photo © Jaime Rojo)
LMNOPI (photo © Jaime Rojo)
LMNOPI (photo © Jaime Rojo)
LMNOPI (photo © Jaime Rojo)
Untitled. Perseus with Medusa’s head. Metropolitan Museum of Art. NYC. May 2019. (photo © Jaime Rojo)
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“Castleman Tour” Leaves the Station, Hitting Madrid, Barcelona, Valencia, more

“Castleman Tour” Leaves the Station, Hitting Madrid, Barcelona, Valencia, more

Official kick-of for release of the book “Get up again: Forty years later” by Craig Castleman


Nearly Forty years after his seminal book “Getting Up: Subway Graffiti In New York” was released, Craig Castleman is touring Spain to talk about a huge update to the story. Originally published by MIT press, it became a cult book for the graffiti/street art subculture and a bibliographic reference in the academic field.

Craig Castleman. Writers Bench. (photo © Craig Castleman)

”When the city designed the subway system they made some bad choices on colors. … If the subways were painted nice, it would make a lot of people very happy,” graffiti writer LEE is quoted from this book in the New York Times review of this 1982 release by the teacher, who had been at the High School of Art and Design, presumably with many of the young artists he researches.

An early academic record of the lively and controversial New York graffiti scene that thrilled and flummoxed the city during the previous decade, Castleman featured interviews and observations by important foundational names like Bama, Tracy 168, Phase 2, Futura 2000, and Iz the Wiz at a time when few valued their opinions.

This month, as a result of a joint initiative by INDAGE, the Spanish Association of researchers and disseminators of graffiti and urban art, and Contorno Urbano Foundation, Castleman’s visionary study is going on tour for a series of lectures and round tables in cities including Hospitalet, Barcelona, ​​Valencia, Malaga, Granada and Madrid.

The events focus on the important contributions of the author and academic to the canon of early graffiti history. In addition he’ll be promoting an expanded volume that builds on that highly valued original book entitled “Get up again: Forty years later”. It features 160 previously unpublished photographs from the golden age of New York graffiti, a phenomenon many say Castleman first helped define and globalize.

Craig Castleman. Graffiti 1979. (photo © Craig Castleman)

The tour is now underway, and if you would like to support it (maybe it can travel further through Europe or the US), please check out the Kickstarter HERE .

Craig Castleman. Blade. Writers Bench (photo © Craig Castleman)
Craig Castleman. (photo courtesy Craig Castleman)
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BSA Film Friday 05.03.19

BSA Film Friday 05.03.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Subvertisers in London 2019
2. Cristina Lina / Contorno Urbano Foundation / 12+1 Project / Barcelona
3. Keith Haring: 4 Minute Mini Documentary.

BSA Special Feature: “Subvertisers in London 2019”

Sorry, nothing to sell here. Not what it’s about.

Few have demonstrated or practiced subvertising/culture jamming with such endurance as the folks profiled in this new mini-doc. The ever more popular street art activist practice of reclaiming public space from commercial interests is built on the premise that a consumer mindset is blind to the necessary fundamentals of civic life, or life.  When you hear these nuanced discussions of legal and moral aspects of hi-jacking commercial signage you admit that it sadly reductivist to turn everything, including art, into merely a product for buying and selling.

“I always felt it as an aggression, as a violence. The fact that it is a visual violence does not make it less of a violence, because it imposes a certain idea of reality which I don’t feel is my own. When I realized that we could make something of our own, it gave me an idea of liberation” says a commentator as the video presents a blinking series of billboards, signs, and bus stops all around the city in constant succession.

Advertising itself is not the issue – everyone agrees that it has its place. The issue is when it wants to be in every place, public and private. At all times. More threatening, and more contemporary, is the consolidation of media/news companies, the re-writing of regulations, and the blunt force of capital that now uses these commandeered public spaces to “educate” the populace about policy – a thoroughly different form of “selling”. Do we all see where we are going with this?

Subvertisers in London 2019

Cristina Lina / Contorno Urbano Foundation / 12+1 Project / Barcelona

“This Spanish cat named Tommy looks like he could have belonged to Matisse, due to the overlapping abstract collage method, but British artist Christina Lina says he was her grandmother’s cat – so we guessed wrong,” we said the day we featured this new public mural she did with Contorno Urbano in Barcelona.

Read more at Cristina Lina: “Tommy” Cat and the Kids at Ferran Sunyer School .

Keith Haring: 4 Minute Mini Documentary.

Giving a concise history that nonetheless mispronounces the name of the town the subject was born in, the narration has an affected sage tone that shoots for earnest profundity but settles for deadpan vocal fry. Delivery aside, it’s a quick primer of the career climb and cultural significance of the Street Artist Keith Haring that firmly addresses the significance of his role as an openly gay man and AIDS activist – especially at time when even most graffiti/Street Art peers and would-be fans were still homophobic and AIDS hysteria was at its peak .

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“Learn & Skate” in Mongolia Fundraises: Classic MC Skater Print circa NYC 1970

“Learn & Skate” in Mongolia Fundraises: Classic MC Skater Print circa NYC 1970

Shopping at an art fair this week? Why not buy something that directly benefits the culture that street art and graffiti came from?

In Mongolia.

Martha Cooper in collaboration with Learn & Skate. (photo courtesy of Learn & Skate)

Actually the photographic print is a shot from New York City in late 1970 of a skater jumping 3 barrels at a high speed. Ahead of her trip shortly to Mongolia photographer Martha Cooper is donating 55 copies of this print to a non-profit there in Oulan Bator (also Ulaanbaatar) which supports a burgeoning skater scene and provides a safe space to learn skillz. 

Toulouse-based skater, organizer, DJ, and entrepreneur Jean Claude Geraud tells us, “Sales of this classic shot by Ms. Cooper will help to build a new cultural center and skate park in a poor area of the city.” 

Martha Cooper in collaboration with Learn & Skate. (photo courtesy of Learn & Skate)

So far he and partners have constructed a wonderland of ramps at Roule petit Ougandais, which hopes to open this month. Last month “Learn and Skate joined force with the museum of Les Abattoirs in Toulouse for a skate exhibition,” says Montana Cans blog.


With your help the whole team will be ready to open soon – and you’ll score a real piece of New York skater history.

Martha Cooper in collaboration with Learn & Skate. (photo courtesy of Learn & Skate)

Sérigraphie photographique / photography print
Couleur / Color : Noir et Blanc / Black and White
Taille / Size : 36 x 28 cm / 11 x 14 inches
Tirage limité / limited proof : 55 tirages / 55 proof
Signé par la main de l’artiste / signed by the hand of the artist
Année / Year : fin 1970 / Late 1970

https://learnandskate.bigcartel.com/product/martha-cooper

Click HERE to purchase the print.

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“XXL” with Skunkdog, POES, and Mohamed Said Chair at Montresso Foundation

“XXL” with Skunkdog, POES, and Mohamed Said Chair at Montresso Foundation

Montresso Foundation at Jardin Rouge introduces a trio exhibition in its still-fresh exhibition space here just outside Marrakesh.  The three French speakers (two from France, one from Morocco) have a certain taste for fooling with modern cultural touchstones, each bended or blending original meanings to reflect the chaotic modern age often seen in street culture.

XXL. Montresso* Foundation. Marrakech, Morocco. April 2019. (photo © Cyril Boixel)

A haven for a be-jewelled collection of old-school graffiti writers and street artists and those simply absorbed with a family of “urban” aesthetics, Jardin Rouge has often mentored many of these self-taught artists in the professional practices of a modern artist. With the exhibition XXL they take these loosely related three in a direction toward museum exhibition and perhaps institutional recognition in the future.

Tangier-born Moroccan Mohamed Said Chair hasn’t hit 30 but has already jumped from a career in finance to a career in art like a superhero. With gallery exhibitions to organizing group shows, he’s managing the professional side as well as the technical and aesthetic.  

Mohamed Said Chair. XXL. Montresso* Foundation. Marrakech, Morocco. April 2019. (photo © Cyril Boixel)

Here his realistic folding of chiascuro technique with overbloated superheroes turns comic. A critique perhaps of Millenial star worship, here his anonymous consumers and porcine figures lie haplessly in costume, but not in reverie.

Globetrotter POES was born in Paris and lives in Lyon, a product of hiphop, the simplicity of 80s-90s cartoons, and his own explorations of Mesopotamian/ Sumerian, Greek, Roman traditions.  Here his mythologies freely borrow from historical works and contemporary pop to create stinging rebukes of the arms industry and various forms of political skullduggery.

Mohamed Said Chair. XXL. Montresso* Foundation. Marrakech, Morocco. April 2019. (photo © Cyril Boixel)

An abstract expressionist with punk roots and a doodlers aesthetic, Skunkdog prizes the piling up of paint and sculptural materials to make canvasses appear tactile and 3-D.  Each thought collides in a colorful hazard, sometimes resulting in unfettered madness, other times a low-fi feral and effervescent folk mud.  Anti-symmetric, the energy comes from the alchemy.

Poes. XXL. Montresso* Foundation. Marrakech, Morocco. April 2019. (photo © Cyril Boixel)
Poes. XXL. Montresso* Foundation. Marrakech, Morocco. April 2019. (photo © Cyril Boixel)
Poes. XXL. Montresso* Foundation. Marrakech, Morocco. April 2019. (photo © Cyril Boixel)
Sukunkdog. XXL. Montresso* Foundation. Marrakech, Morocco. April 2019. (photo © Cyril Boixel)
Skunkdog. XXL. Montresso* Foundation. Marrakech, Morocco. April 2019. (photo © Cyril Boixel)
Skunkdog. XXL. Montresso* Foundation. Marrakech, Morocco. April 2019. (photo © Cyril Boixel)

XXL

MOHAMED SAÏD CHAIR, POES and SKUNKDOG

Montresso* Art Space Marrakech, Morocco

From April 20 to June 30, 2019

Visits by appointment on Fridays and Saturdays at info@montresso.com

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NeSpoon: Before & After

NeSpoon: Before & After

Favara is a town located in south central Sicily, in Italy. Known for its Medival castle, Favara’s main trade is in agricultural products and mining. Until recently, Favara was in danger of suffering the same fate that has afflicted many of the small towns and villages throughout Italy; The exodus of its young population to larger, metropolitan areas, due to unemployment where they are able to find better opportunities and entertainment. With this exodus comes the lack in tax revenue and the subsequent abandonment of priceless architecture and the neglect of the old part of the town to decay and the ravages of time and weather.

NeSpoon. Before. Farm Cultural Park. Favara, Sicily. (photo © NeSpoon)

Then came Andrea Bartoli and his wife Florinda Saieva. In 2010 they purchased several buildings that were neglected in the old city center and renovated them completely. Once the renovations were done they set up to create a cultural center that involved outdoor art exhibitions, shops, cultural events, screenings and the hosting of international artists to come and create art outdoors. They call it Farm Cultural Park. With this initiative Andrea and Florinda have created the renaissance of their historic city center and have put Favara back on the map. Favara as they happily exclaim is “A Place That Makes You Happy”.

NeSpoon. After. Farm Cultural Park. Favara, Sicily. (photo © NeSpoon)

Polish Artist, NeSpoon was invited to participate in this year’s edition of Farm Cultural Park and what an apt visual reference her contribution is to the concept of revival and the before & after.

NeSpoon. Farm Cultural Park. Favara, Sicily. (photo © NeSpoon)
NeSpoon. Farm Cultural Park. Favara, Sicily. (photo © NeSpoon)

NeSpoon is known for her exquisite, lattice-like paintings and sculptures that take inspiration from old crocheted patterns. Here, visitors will be able to have a “sight for sore eyes” moment as they turn the corner and are regaled by the vision of a wall transformed from decay into a monochrome pattern very familiar with all of us.

NeSpoon. Farm Cultural Park. Favara, Sicily. (photo © NeSpoon)
NeSpoon. Farm Cultural Park. Favara, Sicily. (photo © NeSpoon)

Her use of monochrome helps the building retain its ancient character while at the same time it elevates it to a piece of art.

NeSpoon. Farm Cultural Park. Favara, Sicily. (photo © NeSpoon)
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“Post-Posters” Puncture Public Discourse in Strasbourg, France

“Post-Posters” Puncture Public Discourse in Strasbourg, France

Post-Posters in the city of Strasbourg, France From March through May 2019


“Actions Speak Louder Than Ass Ads,” says a new stencil-style printed poster by New York’s epic, if sometimes cryptic, street commentator of four decades, John Fekner. Anyway, who will argue with that?

John Fekner . Carole Douillard. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)

Post-posters is a cooperative proposition about public billposting,” says French conceptual street anarchist Matthew Tremblin about his new project with hit-and-run situationist street posterer Antonio Gallego. Together they reclaim space with individually produced posters and they invite artists from around the world to do the same.

Over a two month period the creative placemakers are facilitating an  international crew of artists to post posters on the occasion of the double exhibition by Banlieue-Banlieue group* (°1982, Poissy) taking place in Strasbourg, at both AEDAEN and the Syndicat Potentiel.

Icy & Sot. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)

The simple plotter printing and limited color palette give the collection of sentiments and sneaky statements a pre-Internet flavor, now delivered in the streets with post-Internet zeal. As advertisers begin to take more public space and mind space with screens of all sorts on the streets, these simple posters actually can appear to be more powerful.

Given that the streets of Strasbourg are regularly ringed by smoke bombs and the air is full of chants from the raging Yellow Vest protests, this campaign may also strike you as a Situationist protest against predatory capitalism now metastasizing into corporate fascism in so-called Western societies.

Or it may simply seem like a lot of curious posters.

Émilie Akli. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)

Post-posters features worldwide artists including: Céline Ahond & Valérie Tortolero, Émilie Akli, Liliana Amundaraín, Groupe Banlieue-Banlieue (Alain Campos, Antonio Gallego, José Maria Gonzalez), La galerie des locataires présente André Cadere, Mathieu Boisadan, Lénie Blue, Hervé Bréhier & Laura Morsch-Kihn, Émilie Brout & Maxime Marion, Raphaël Charpentié, Vincent Chevillon, Emma Cozzani, Minerva Cuevas, Alain Declercq, Michel Dector, Justin Delareux, Caroline Delieutraz, Carole Douillard, Michel Dupuy, Souad El Maysour, Encastrable, Escif, John Fekner, Sebastian Freytag, Antonio Gallego, Jakob Gautel, Roland Görgen, Anahita Hekmat, David Horvitz, Icy & Sot, Rafael Gray, Ann Guillaume & Tom Bücher, Antoine Hoffmann, Rodolphe Huguet, Jason Karaïndros, Jiem L’Hostis & Mary Limonade, Laurent Lacotte, Thomas Lasbouygues, Lise Lerichomme, Richard Louvet, Jean-Claude Luttmann, Gabrielle Manglou, Laurent Marissal, Roberto Martinez, Cynthia Montier & Myriam Suchet, Tania Mouraud, Aurélie Noury, Myriam Omar Awadi, Leila Payet, Patrick Pinon, Igor Ponosov, Arthur Poutignat, Arzhel Prioul alias Mardinoir, Jacques Sy, Mathieu Tremblin, Marianne Villière, Addie Wagenknecht, Éric Watier.

Groupe Banlieue-Banlieue (Alain Campos, Antonio Gallego, José Maria Gonzalez) Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Émilie Akli . Groupe Banlieue-Banlieue (Alain Campos, Antonio Gallego, José Maria Gonzalez) Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Éric Watier . Émilie Akli . Groupe Banlieue-Banlieue (Alain Campos, Antonio Gallego, José Maria Gonzalez) Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Emma Cozzani . Jakob Gautel . Michel Dupuy . Vincent Chevillon . Lise Lerichomme . Myriam Omar Awadi . Michel Dector . Addie Wagenknecht. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Vincent Chevillon . Lise Lerichomme . Myriam Omar Awadi. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Myriam Omar Awadi . Michel Dector . Addie Wagenknecht. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Emma Cozzani . Jakob Gautel. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Richard Louvet . Souad El Maysour. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Richard Louvet . Souad El Maysour . Arthur Poutignat. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Tania Mouraud. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Lénie Blue. Jason Karaïndros . Laurent Lacotte . Gabrielle Manglou . Anonyme. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Escif . Justin Delareux . Richard Louvet . Mathieu Tremblin . Thomas Lasbouygues . David Horvitz. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Céline Ahond & Valérie Tortolero. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Lénie Blue. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Minerva Cuevas . Liliana Amundaraín. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Roberto Martinez . Raphaël Charpentié . Antoine Hoffmann. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Marianne Villière . Jiem L’Hostis & Mary Limonade . Roberto Martinez. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Arzhel Prioul alias Mardinoir (background) . Émilie Brout & Maxime Marion (foregorund). Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Arzhel Prioul alias Mardinoir (background) . Émilie Brout & Maxime Marion (foreground). Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Leila Payet. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Justin Delareux. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Rafael Gray (top) .Sebastian Freytag (bottom). Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Rapid fire postering for the Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Céline Ahond & Valérie Tortolero . Caroline Delieutraz . Lénie Blue . Patrick Pinon . Escif . Antonio Gallego & Mathieu Tremblin . Mathieu Tremblin. Promotional posters. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Hervé Bréhier & Laura Morsch-Kihn (top) . Gabrielle Manglou (bottom). Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
Alain Declercq . Caroline Delieutraz. Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)
From top left and clockwise: Cynthia Montier & Myriam Suchet . Rodolphe Huguet .
Roland Görgen . Encastrable . Mathieu Boisadan . Laurent Marissal . Anahita Hekmat . Jacques Sy . Jean-Claude Luttmann . Aurélie Noury (center poster). Post-Posters Project. Strasbourg, France. April 2019. (photo courtesy of Syndicat Potentiel)

CREDITS: Production by Syndicat Potentiel, Strasbourg (FR). Installations by Antonio Gallego, Laurent Lacotte, Mathieu Tremblin. Fly posting and documentation in Strasbourg by Liliana Amundaraín, Antonio Gallego, Laurent Lacotte, Thomas Lasbouygues, Antoine Lejolivet, Arthur Poutignat, Mathieu Tremblin. Printing by Orgacompte (Nîmes). Thanks to Laurent Bourderon (Immédiats, Arles).

For more information about Syndicat Potentiel, Post Posters Project AND to download or buy a poster click HERE

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BSA Images Of The Week: 04.28.19

BSA Images Of The Week: 04.28.19

New York is in bloom still, Jay-Z just re-opened Webster Hall, artist Ross Bleckner is having his first exhibition since gallerist Mary Boone went to the slammer, Jose Parla (don’t call him a Street Artist) opened a new show at Bryce Wolkowitz, Martha Cooper’s documentary opened at Tribeca Thursday, and MANA is opening on a new Rammellzee exhibit this week. In short, New York is poppin’. So are the streets!

So here’s our weekly interview with the street, this time featuring Brujo, Captain Eyeliner, Cash4, Combo-CK, Dain, M*Code, Mike Lee, New Worx City, Phetus, Raf Urban, Reka, Sinned, and Zimer.

Top image: a Conchero altar in Queretero Mexico offers a meditative place full of symbols, metaphors and meanings. (photo © Jaime Rojo)

Unidentified Artist. Money buy politicians. Money has corrupted our democracy. (photo © Jaime Rojo)buys
Raf Urban (photo © Jaime Rojo)
Dain is back on the streets with reissued imagery printed and pasted rather than custom crafted. (photo © Jaime Rojo)
Dain (photo © Jaime Rojo)
Zimer (photo © Jaime Rojo)
Sinned (photo © Jaime Rojo)
Phetus (photo © Jaime Rojo)
Captain Eyeliner (photo © Jaime Rojo)
Combo CK (photo © Jaime Rojo)
Brujo (photo © Jaime Rojo)
Get It Girl (photo © Jaime Rojo)
M*Code (photo © Jaime Rojo)
New Worx (photo © Jaime Rojo)
Spotted on a park bench…poet unknown. (photo © Jaime Rojo)
Mike Lee. Detail. (photo © Jaime Rojo)
Mike Lee. Detail. (photo © Jaime Rojo)
Cash4 (photo © Jaime Rojo)
Reka (photo © Jaime Rojo)
Shoe installation by an unidentified artist. (photo © Jaime Rojo)
Untitled. Death and rebirth. Brooklyn, NYC. April 2019. (photo © Jaime Rojo)
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MARTHA: A Picture Story. Shots from the Premiere and Movie Review

MARTHA: A Picture Story. Shots from the Premiere and Movie Review

First things first – Full disclosure; we are featured in the movie and we are close friends with both the subject of the doc and the director and we first suggested to the director that she was the perfect candidate to make a film about Martha Cooper. Now that we have that out of the way here are a number of shots from the premiere and our review of the movie:

Martha Cooper. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

Martha: A Picture Story had its world premiere at the Tribeca Film Festival this Thursday to an enthusiastic crowd that included big graffiti, Street Art, international press and film industry names, to see the highly anticipated documentary about the venerable photographer Martha Cooper by the Sydney director Selina Miles.

Selina Miles & Martha Cooper. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

Included in the crowd were old-skool New Yorkers and a large international contingent of folks like Henry Chalfant, Doze Green, Skeme, Lee Quinones, Soten1, Carlos Mare 139, Terror 161, Kane, Dink (Baltimore), Okuda San Miguel (Spain), Faith47 (Los Angeles), Mantra (France), 1UP Crew (Germany), Nika Kramer (Germany), Roger Gastman, Lars Pederson (Denmark), Ian Cox (UK), Dean Moses… and many more. Those who didn’t attend this screening are having the opportunity to see it at three more sold-out evenings over the course of the festival.

Steven P. Harrington, Martha Cooper, and Jaime Rojo. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

The electricity was in the air as Director Miles and producer Daniel Joyce along with the just-arrived Australian members of the “Martha” crew looked for their seats in the Village East Cinema. After a brief introduction by Miles, who told the audience that the film had been a great pleasure to make, the curtain went up to reveal the mother of the superstar art twins Os Gemeos on the big screen. She is sitting at her kitchen table in São Paulo remarking how her boys used to draw on everything, including fruit, and how Cooper and Chalfant’s 1984 book “Subway Art” changed their lives forever. With their story as a backbone for the film, the theme of personal transformation is repeated in a hundred large and small ways for the next hour and twenty minutes.

Martha Cooper with Faith47. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

Spanning nearly all of Ms. Cooper’s 75 years, including a photo at age 3 with a camera in hand from her father Ben and uncle Harry’s Baltimore camera store, “Martha” successfully identifies the underlying driving forces, the unique personality and intellectual traits, and the milestones that propelled the photographer across scenes, subcultures, cities, and continents.

While Cooper is most often identified as a crucial documentarian of the 1970s and early 1980s graffiti-writing scene in New York, with “Subway Art” considered a global holy book of preservation that inspired thousands of artists worldwide, the film is judiciously clear that the photographer has had an anthropologists’ zeal for documenting much more over her multi-decade career.

Okuda San Miguel being interviewed by Susanne Lingemann for German TV ZDF. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

During and after the film you don’t know who you are most impressed with – the director, Martha, the communities touched, the history and stories that are preserved with such care and respect.

“Martha” captures important and character-molding biographical events  – like her work in the Peace Corps in Thailand, a subsequent motorcycle trip from there to the UK, her investigations of tattoo techniques in Tokyo, and her work as the first “girl” photographer at the New York Post. During the film’s nearly magical depiction of Cooper’s first meeting with New York graffiti king Dondi, those in the audience who knew this story broke out into spontaneous applause.

The film isn’t shy about the low points and struggles of Cooper, like her repeated attempts to work at National Geographic, the continuous rejections of “Subway Art” by publishers, her loss of money by its initial disappointing sales, and the high-sniffing artworld classism of a clueless gallerist who unsuccessfully tries to dash her hopes of being recognized for her truest and most human work.

Jaime Rojo being interviewed by Susanne Lingemann for German TV ZDF. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

You are gently led to take that journey with great interest as well, finally arriving at the mid-2000s European promotional tour for her book Hip Hop Files where Cooper suddenly realizes the impact that “Subway Art” has had on graffiti artists worldwide. Building on that enthusiastic response from new-found fans of her work she jumps back into street photography just as the Street Art scene is exploding.

Despite such a complex story Miles is able to coax out many significant truths in character development along with their infinite shadings, facts and nuances of the story.

Susanne Lingemann from German TV ZDF with Martha Cooper. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

With interviews, testimonials, unseen home footage from Cooper’s ex-husband and excerpts from soft-news TV stories of the 1980s, viewers may gain a greater understanding of the sacrifice, dogged determination, and her sixth sense for capturing images that the subject exhibits. Keeping a quick pace aided by a smart soundtrack, pertinent graphic elements, and sharp editing, Miles finds ingenious ways to educate us about the various milieu Cooper worked with and the vicissitudes she had to overcome.

The additional layers of visual language infuse so many aspects of the story – a collaging of words, music, precise editing, intuitive pairings and lyrical, witty storytelling that lands in a pitch-perfect way.

Featured subject in the film, former New York Post and National Geographic photo editor Susan Welchman displaying her ticket. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

In the end you realize Coopers’ underlying credo of taking pictures is about shedding light on people, their lives, their amazing ingenuity in the face of difficulty, their ability to rise above their environment as well as the artists techniques of art-making.

Careful observers will also be struck by the scenes of quiet moments that remain still for a few seconds to reveal deeper feeling – a remarkable glimpse of the filmmaker’s intuitive grasp of the life path and its trials. It’s those in-between places of luminosity that are revelatory, and the human gestures she lets the camera linger upon allow the viewer to write small essays inside their head, bearing witness.

Susan Welchman, Martha Cooper, and Kathryn Mikesell at the after-party. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

With gratitude and respect to Director Miles and her whole film crew whom have worked thousands of hours over the past 2 and half years, we know that the graffiti/Street Art/photography scenes have been given a huge gift; almost as big a gift as Martha herself.

Martha Cooper stands up to take a cell phone shot of Director Selina Miles as she introduces the premiere film about Cooper. MARTHA: A Picture Story. A film by Selina Miles. (photo © Steven P. Harrington)
Kathryn Mikesell, Martha Cooper and Jaime Rojo. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)
DJ Jazzy Jay at the after-party performs in front a 1982 photo Ms. Cooper took of him with his audience. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)
Steven P. Harrington, Youri Mantra, Martha Cooper, and Jay Edlin (Terror 161) at the after-party. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)
Martha…where are you going next? MARTHA: A Picture Story. A film by Selina Miles. (photo © Jaime Rojo)
Selina Miles and producer Daniel Joyce with the film’s crew along with artists, friends featured in the film. Red carpet photo call. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)
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BSA Film Friday 04.26.19

BSA Film Friday 04.26.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. “A Message From the Future” Narrated by Alexandria Ocasio-Cortez and Illustrated by Molly Crabapple
2. Good Guy Boris – Viral Vandals Music Video
3. TITANES: Six Silos. Eight international artists in La Mancha, Spain.
4. The Story of Us and Them – Conor Harrington

BSA Special Feature: “A Message From the Future” Narrated by Alexandria Ocasio-Cortez and Illustrated by Molly Crabapple

What if we actually pulled off a Green New Deal? – Of course the corporate Democrats like Pelosi and Schumer are as likely to let that happen as Medicare for All – But its fun to imagine with the help of this seven-minute film narrated by congresswoman Alexandria Ocasio-Cortez. Not to mention that the whole video is illustrated by public/street/studio artist Molly Crabapple – who really takes the stage here.

A project from The Intercept and Naomi Kleinit imagines that somehow the oligarchy is going to let go of its addiction to fossil fuels and the aspirations of the citizens will prevail. Enjoy!


A Message From the Future

Good Guy Boris – Viral Vandals Music Video

Good Guy (bad guy?) Boris is back with his own version of Gypsy trap to entice and thrill you to do a big ass tag. A graffiti renaissance man who continues to plow his own path forward, the hijinx are hilarious and the song isn’t so bad either. Maybe it is a little better than those graffiti vandal road trip movies he was doing, but maybe we just have a short attention span these days.

TITANES: Six Silos. Eight international artists in La Mancha, Spain.

“People who normally lived in a very specific way and nobody had bothered to see whether they had talent or not,” explains Alfonso Gutierrez about the genesis of this project encouraging 450 students from around Spain to participate in a public mural campaign.

An inspirational message, and a welcome sign in this march of humans.

The Story of Us and Them – Conor Harrington

A short film that looks at the creative process on by the sincerely absorbed Irish Street Artist/fine artist Conor Harrington as he talks about his work and promotes his new show ‘The Story of Us and Them’ at Heni Gallery in London.

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