All posts tagged: Brooklyn Street Art

The Dusty Rebel: “Resistance Is Queer” Phone Booth Campaign in NYC

The Dusty Rebel: “Resistance Is Queer” Phone Booth Campaign in NYC

Who writes your history? Who would gladly suppress it?


By reviving and celebrating those who the mainstream historically underplays, undercuts, neatly overlooks, and otherwise de facto silences, a new takeover campaign on NY streets helps write the history of LGBTQ struggle, and keeps it just as relevant as this moment.

Photographer and journalist The Dusty Rebel now curates the same streets he documents and shares with BSA readers today his determined campaign to revive, preserve, propel forward the significant players and events that have fought in their myriad ways, with the admonishment to keep fighting. With “Resistance is Queer” he uses his images and his respect for LGBTQ history to ensure that the full spectrum of people are recognized for their contributions to this civil rights struggle for equality.

We’re grateful that he has taken the time to explain in detail the people behind the images and their significance to him personally as well as their role in a people’s history.


RESISTANCE IS QUEER


by The Dusty Rebel

The Dusty Rebel. Miss Colombia. In collaboration with #KeepFighting (photo © Jaime Rojo)

Ms Colombia (aka Oswaldo Gomez)


This Resistance Is Queer poster features a photograph I took of the beloved Ms Colombia at the 2015 Easter Parade, who sadly passed away in 2018. This excerpt from The New York Times summarizes many of my thoughts on Ms Colombia:

“Daniel Albanese, a street photographer who often shot her, said that Gómez was loved because she resisted classification, refusing to soften her queerness, her personality or her aesthetic, even as the reputation and culture of the city mellowed out. ‘For me, Ms. Colombia was the embodiment of liberation,” he said. “She showed us how to thrive in the unique environment that is New York and proved this city is still a place where those who feel marginalized can flourish and be celebrated.’” — Ms. Colombia Refused to Soften Her Queerness. She Paraded It, The New York Times Magazine, 12/28/2018

The Dusty Rebel. Sister Lotti Da. In collaboration with #KeepFighting (photo © Jaime Rojo)

Sister Lotti Da


As I said last year at our MoMA PS1 talk, “Every expression of queer existence is a revolutionary act.” That’s why this #ResistanceIsQueer poster features activist Sister Lotti Da, The Merry Sodomite, of the Missionary Order of Sisters of Perpetual Indulgence. This photograph was taken during the casting of the circle at the 2018 NYC Drag March, which reminds me how beautiful it is when queer people take space and celebrate our lives.

The Dusty Rebel. I Like Dick. I Like Taters. Not Dictators. In collaboration with #KeepFighting (photo © Jaime Rojo)

I Like Dick. I Like Taters. Not Dictators.


This Resistance Is Queer poster features a photograph I took at the LGBT Solidarity Rally outside the Stonewall Inn on February 4, 2017. Thousands gathered for the demonstration to stand with “every immigrant, asylum seeker, refugee and every person impacted by Donald Trump’s illegal, immoral, unconstitutional and un-American executive orders.”

The Dusty Rebel. Dick Leitsch. In collaboration with #KeepFighting (photo © Jaime Rojo)

Dick Leitsch


This Resistance Is Queer poster features a photograph I took of Dick Leitsch at the 52nd anniversary of the historic “Sip-In” at Julius’ Bar in the West Village. Leitsch—president of gay rights group the Mattachine Society in the 1960s—was one of the four homosexuals who led a pioneering act of civil disobedience to secure the right of gay patrons to be served in a licensed bar, helping to clear the way for gay bars to operate openly in New York State. Dick Leitsch passed away in 2018, at the age of 83.

The Dusty Rebel. Hope Will Never Be Silent. In collaboration with #KeepFighting (photo © Jaime Rojo)

“Hope Will Never Be Silent”


An encore of my first Resistance Is Queer poster, which features a photograph I took at the 2016 NYC Drag March. Tattooed on his back is a quote—“Hope Will Never Be Silent”—is from Harvey Milk, the first openly gay person to be elected to public office in California. Milk was assassinated just under 11 months in office.


Read more
BSA Images Of The Week: 06.23.19

BSA Images Of The Week: 06.23.19

Two things come to mind simultaneously as we publish this collection of Street Art and graffiti.
1. All the Rainbow Flag waving means nothing if you are not willing to help protect the dignity of immigrants who are being dragged from their homes and thrown in jail-detention centers in the US, and
2. All white people are immigrants and descendants of immigrants.

We’ve all seen this movie before. Or our parents did. Or our grandparents did. You’re next, baby!

It was great to see/hear/feel Faile and Swizz Beats doing a quick summer dance party this week in Manhattan – flourescent madness ya’ll. Also, it was astounding to see so many graffiti heads and other notables at Beyond the Streets this week – It was a cultural event that blew our minds. Seriously, Corn Bread was actually selling t-shirts on a table at the entrance – and that started the litany. You can see our review published yesterday.

And finally, can we call a moratorium on rain for a few days? The grass and trees are green already.

So here’s our weekly interview with the street (or boardwalk), this time featuring AME 72, Bisco Smith, Emma Apicelli, Feminists in Struggle, IXNAY, Joe Caslin, Katsu, Part Time Artist, Royce Bannon, and Tonk Hawaii.

Joe Caslin. WorldPride Mural Project Initiative. The L.I.S.A. Project NYC. Manhattan, NY (photo © Jaime Rojo)
Royce Bannon (photo © Jaime Rojo)
Katsu (photo © Jaime Rojo)
Bisco Smith (photo © Jaime Rojo)
Part Time Artist (photo © Jaime Rojo)
AME 72 (photo © Jaime Rojo)
AME 72 (photo © Jaime Rojo)
Feminists In Struggle (photo © Jaime Rojo)
Emma Apicelli (photo © Jaime Rojo)
Jaye Moon. Calle Me By Your Name. WorldPride Mural Project Initiative. The L.I.S.A. Project NYC. Manhattan, NY (photo © Jaime Rojo)

Ms. Moon made this installation using Legos with a message in Braille. The words in the message was taken from the script of the movie “Call Me By Your Name.”

Jaye Moon. Call Me By Your Name. WorldPride Mural Project Initiative. The L.I.S.A. Project NYC. Manhattan, NY (photo © Jaime Rojo)
Jaye Moon. Call Me By Your Name. WorldPride Mural Project Initiative. The L.I.S.A. Project NYC. Manhattan, NY (photo © Jaime Rojo)
Street protester (photo © Jaime Rojo)
Novy (photo © Jaime Rojo)
Novy (photo © Jaime Rojo)
Novy (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Tonk Hawaii (photo © Jaime Rojo)
IXNAY (photo © Jaime Rojo)
Untitled. The Last Picture. Brooklyn, NY. June 2019. (photo © Jaime Rojo)
Read more
Mr. Sis Paints #SoloUnBeso in Barcelona

Mr. Sis Paints #SoloUnBeso in Barcelona

They don’t call it World Pride for nothing, and many artists are creating new public artworks this month to commemorate the 5oth anniversary of the modern rights movement for LBGTQ+ people in many cities.

Mr. Sis. “Solo Un Beso”. Contorno Urbano Foundation / 12+1 Project. Barcelona. June 2019. (photo © Clara Anton)

Artist Mr. Sis is in Barcelona painting this pair of full figured females going in for the kiss on this billboard for Contorno Urbano. The community powered initiative invites all manner of artists to participate and this illustrator who also is formally trained in dance and theater is gratified to have the opportunity to create a public painting. He calls this “Sol Un Beso” or “Just a Kiss”.

As we recognize that not everyone around the world has the freedom to love who they want, in fact face violence and threats from state and civil entities, Mr. Sis says he would really love it if people use his new hashtag #SoloUnBeso.

Post a kiss and tag it! Your image may go a long way.

Mr. Sis. “Solo Un Beso”. Contorno Urbano Foundation / 12+1 Project. Barcelona. June 2019. (photo © Clara Anton)
Mr. Sis. “Solo Un Beso”. Contorno Urbano Foundation / 12+1 Project. Barcelona. June 2019. (photo © Clara Anton)
Mr. Sis. “Solo Un Beso”. Contorno Urbano Foundation / 12+1 Project. Barcelona. June 2019. (photo © Clara Anton)
Read more
Abe Lincoln Jr. Keeps Fighting & He Isn’t Alone

Abe Lincoln Jr. Keeps Fighting & He Isn’t Alone

What is #keepfighting?

Street Artist and activist Abe Lincoln Jr. is one of the growing ranks of subvertising executives on the streets today who are flipping the script on public messaging. Phone booths on city streets were meant as a public accommodation but eventually they were commandeered for private advertising and endless campaigns of commercial speech.

Jilly Ballistic. #keepfighting (photo © Jaime Rojo)

With his new #keepfighting ad takeover campaign of art by himself and other artists, the self proclaimed agitator says we should continue fighting for what we believe in. What do you want to raise awareness about? That is up to you.

Icon Brad. #keepfighting (photo © Jaime Rojo)
Mahaala Saker. #keepfighting (photo © Jaime Rojo)
Captain Eyeliner. #keepfighting (photo © Jaime Rojo)

Head over to @keepfightingnyc on Instagram to keep up with the campaing

Read more
Sneak Peek of “Beyond The Streets” Now Mounting in Brooklyn

Sneak Peek of “Beyond The Streets” Now Mounting in Brooklyn

Hammering the display walls, sanding off the plaster bumps, the whirring and popping of construction drills: Two assistants are helping 1970s NYC subway writer Lee Quinones lay out a #2 train-car-length canvas on the floor while you are distracted by the Empire State building puncturing the Manhattan cityscape across the East River, a sweeping vista through the glass walls of this new high-rise in Williamsburg.

“Hello?” Martha Cooper takes a phone call at Bill Barminski’s fantasy installation in progress where each object has been crafted from paper and cardboard. Beyond The Streets, Brooklyn. (photo © Jaime Rojo)

Nearby Cornbread’s notebook hangs next to his signature, a potent visual reverberation across five decades from graffiti’s Philly roots.

Elsewhere there are the sounds of woodsaws and metal clanging accompany the one-line drawings of freight-writer buZ blurr as historian Bill Daniel is completing his comprehensive mini-exhibition within this massive exhibition. With trains and photos and modern relics of American rail lore on display, this crucial antecedent of modern-day aerosol “writing” emerges and blows its chimes as well. This is a particular slice of the graffiti story that Mr. Daniel may describe, as he does in The Secret History of Hobo Graffiti, as “the dogged pursuit of the impossibly convoluted story of the heretofore untold history of the century-old folkloric practice of hobo and railworker graffiti.”

Vintage anti-graffiti posters from a private collection. Beyond The Streets Brooklyn. (photo © Jaime Rojo)

It’s an apt descriptor for Beyond The Streets as well. This multi-artist graffiti/Street Art-influenced exhibition directed by the discerning shepherd and seer Roger Gastman that is now mounting over two floors and 100,000 square feet in North Brooklyn tackles an endlessly convoluted evolutionary path. He says the size and composition of the exhibition has slightly changed since its first mounting last year in Los Angeles, and he is acutely aware that its location is in the city that claims a huge part of the graffiti genesis story, carrying perhaps a steep level of expectations.

Not that he has reason to worry: there are more hits here than a blowout at Yankee Stadium.

Lady Pink. Detail. (photo © Jaime Rojo)

Like the blast of colors and pieces at a sunny Saturday afternoon Meeting of Styles jam, this show of many writers, photographers, documenters, collectors, painters, vandals, and attitudes won’t disappoint. You can see and construct your own version of a celebratory story that illustrates and reveals surprising ways that the street subculture has left its mark indelibly on the mainstream, yet often stayed separate.

From the Beastie Boys wigs worn in the “Sabotage” music video to the camera Joe Conzo used to shoot the Cold Crush Brothers, to the MDF and cardboard pay phone by pop sculptor Bill Barminski, and Dash Snow’s hi-low societal slumming photographs depicting sex, drugs, rhyming and stealing, visitors easily will have a flood of images and histories to author their own convoluted version of the graffiti and Street Art tale.

John Ahearn with a detail of Swoon’s wallpaper. (photo © Jaime Rojo)
Swoon. Detail. (photo © Jaime Rojo)
Al Diaz (photo © Jaime Rojo)
Dabs of DabsMyla at work on their installation in progress. (photo © Jaime Rojo)
Martha Cooper discussing the options to hang her photos with a production assistant. (photo © Jaime Rojo)
Lady Aiko. Detail. (photo © Jaime Rojo)
Detail. (photo © Jaime Rojo)
Mr. Cartoon installation in progress. (photo © Jaime Rojo)
Beastie Boys…there’s more here…much more… (photo © Jaime Rojo)
Detail of Shepard Fairey’s 30th Anniversary retrospective installation. (photo © Jaime Rojo)
Read more
SEPE Paints in Szczecin for OD/BLOKOWANIE

SEPE Paints in Szczecin for OD/BLOKOWANIE

Sometimes an enterprising artist creates their own initiative in a city and invites friends to come and paint walls that they secure – a small campaign or informal “festival, if you will.

SEPE. OD/BLOKOWANIE 2.0. Szczecin, Poland, June 2019. (photo courtesy of the artist)

“I invited 3 artists to the project ‘OD/BLOKOWANIE’,” says the billboard hi-jacker/adbuster named Lump here in Szczecin, Poland. The lineup includes the Polish Sepe, the Greek graffiti writer/wheat-paster/painter Dimitris Taxis, and the Spanish painter/Street Artist Zësar Bahamonte.

SEPE. OD/BLOKOWANIE 2.0. Szczecin, Poland, June 2019. (photo courtesy of the artist)

With a title like OD/BLOKOWANIE that translates roughly to “unblocking”, you may imagine that Sepe is opening up a part of the city with his wall.

“I focused on melting the work into colors and forms of surrounding – warm greens and browns similar to the trees around,” says Sepe. “Also I used the walls’s natural plaster to make the work appear light and not so visually oppressive.” He calls the work, “There’s No Sea…”

SEPE. OD/BLOKOWANIE 2.0. Szczecin, Poland, June 2019. (photo courtesy of the artist)
SEPE. OD/BLOKOWANIE 2.0. Szczecin, Poland, June 2019. (photo courtesy of the artist)
Read more
BSA Images Of The Week: 06.16.19

BSA Images Of The Week: 06.16.19

Its an exciting time for art in the public sphere right now in NYC as Roger Gastman and his huge team are seriously preparing 100,000 sf of space in Williamsburg to completely blow away graffiti and Street Art fans alike this week with Beyond The Streets. Meanwhile the city is pumping full of at least 50 sanctioned and unsanctioned World Pride murals, Garrison Buxton pulled off the 9th Welling Court grassroots mural festival in Queens, Joe Ficalora brought Rick Ross and a host of Street Artists to Bushwick for a block party, MadC was in town hanging with Crash, Joe Caslin and Tatyana Fazlalizadeh were putting up new pieces with L.I.S.A. Project yesterday, Queen Andrea finished her commercial Houston Wall gig, and a lot of ad hoc illegal and legal graffiti and Street Art is in full effect in all five boroughs. When it comes to art in the streets, New York says ‘Bring it!’

yeliner, Jason Naylor, John Ahearn, JPO, MadC, MeresOne, Misshab, Outer Source, Queen Andrea, Ramiro Davaro-Comas, SacSix, Sonni, Tonk Hawaii and The Drif.

Adrian Wilson commemorates the struggle that was Tiananmen Square 30 years ago. (photo © Jaime Rojo)
Adrian Wilson (photo © Jaime Rojo)
Meres One. WorldPride Mural Project Initiative. The L.I.S.A. Project NYC. Brooklyn, NY (photo © Jaime Rojo)
Sonni for St. ART NOW. (photo © Jaime Rojo)
Jason Naylor (photo © Jaime Rojo)
Jason Naylor (photo © Jaime Rojo)
JPO. WorldPride Mural Project Initiative. The L.I.S.A. Project NYC. Brooklyn, NY (photo © Jaime Rojo)
Captain Eyeliner (photo © Jaime Rojo)
John Ahearn (photo © Jaime Rojo)
Sac Six (photo © Jaime Rojo)
Tonk Hawaii (photo © Jaime Rojo)
Tonk Hawaii (photo © Jaime Rojo)
Below Key . Ramiro Davaro-Comas . Outer Source (photo © Jaime Rojo)
Appleton Pictures (photo © Jaime Rojo)
Appleton Pictures (photo © Jaime Rojo)
The Drif . Miishab. WorldPride Mural Project Initiative. The L.I.S.A. Project NYC. Brooklyn, NY (photo © Jaime Rojo)
MadC (photo © Jaime Rojo)
Queen Andrea at the Houston/Bowery Wall for Goldman Global Arts (and a certain banking institution) (photo © Jaime Rojo)
Queen Andrea at the Houston/Bowery Wall for Goldman Global Arts (photo © Jaime Rojo)
Queen Andrea at the Houston/Bowery Wall for Goldman Global Arts (photo © Jaime Rojo)
Queen Andrea at the Houston/Bowery Wall for Goldman Global Arts (photo © Jaime Rojo)
Queen Andrea at the Houston/Bowery Wall for Goldman Global Arts (photo © Jaime Rojo)
Untitled. The Last Picture. NYC Subway. June 2019 (photo © Jaime Rojo)
Read more
Meres One Says “Love Is Love”

Meres One Says “Love Is Love”

When a real graffiti head hits you in the heart, you know it’s going to burn brightly.

NYC writer Jonathan “Meres One” Cohen has been getting up on the streets for 3+ decades with his distinctive color-drenched style and “bright idea” icon and he has exhibited in venues as varied as Meeting of Styles, the Parish Art Museum, and the French Institute of Art.

This month he has contributed his talent, name and heart to protecting the rights of LGBTQ+ people to celebrate the 5oth Anniversary of the Stonewall Riots that sparked a civil rights movement that burns today.  We were lucky enough to catch it and grab a fast shot last week – and very lucky to ask him about it in an email conversation here where he shares his personal take on the topic “Love is Love”.

Meres One. WorldPride Mural Project Initiative. The L.I.S.A. Project NYC. Brooklyn, NY (photo © Jaime Rojo)

BSA: Besides the straight forward message of the campaign, some people may not see the connection and will wonder what’s your relevance to the LGBT community. How would you address that?
MERES ONE: I am always puzzled by the “relevance” question.  I marched and did hundreds of signs for “Black Lives Matter” and my intent or connection was not questioned.  The mural is about love, about acceptance, about respecting boundaries and others’ choices and rights to love. As I have said before love and falling in love is a powerful uncontrollable feeling and no one should dictate the premises of such feelings. I obviously have friends living in a same-sex relationship, including Taylor and Lauren whom See TF painted next to this mural. My cousin is a lesbian rabbi – does that even matter? I think you answered that question for me perfectly at the wall when you said ‘sometimes it takes a majority to stand up for the rights of the minority.’ So maybe that is it. I am standing up and doing what I love for my friends and for strangers alike.

BSA: Why do you think some people have a hard time understanding that loving or love is one of the most personal acts and they try to dictate and control who we choose to love and partner with?
MERES ONE: Actually very often I am asked why I think graffiti is misunderstood or represented vs. street art. I always answer that people tend to fear or dislike what they cannot understand. The segregation and judgment experienced by the LGBTQ+ community is mostly based on fear and misconception. It is unfortunately carried and supported by many clergymen and women, and it is supported by our own president and many elected officials. So again if we all became a spokesperson for love, if we all stood up for that right, we could make a difference. I feel that this initiative curated by the Lisa Project is gifting our city with 50 beautiful murals, but it is also opening dialogue. Sometimes maybe it will force dialogue and that’s amazing and a step forward. 

BSA: The style of the message and the mural itself is reminiscent of a postcard. It exudes nostalgia. Do you think people are longing for simpler, kinder times?
MERES ONE: It is for sure echoing a postcard, a time when people actually wrote and committed to their words. I hope and would love to know that the audience would use the wall as a backdrop to send a message of acceptance and love to whoever they want. I for one am, and I think many are, longing for some of the old New York, for kinder and more people-focused time. We are living in a very difficult era and it seems that so many basic rights which were fought for are being reversed by our current administration. So yes I think a lot of us are left with an uneasy feeling and worries.

BSA: What was your experience with the passersby as you were painting? What were some of their reactions?
MERES ONE: So many – mostly positive I will add. I try to give my attention to everyone as long as I am not all the way up on the lift. I heard funny comments, some passersby the first day were worried this was going to be a Colossal ad. I guess the lift and organization looked very professional and they were relieved to hear about the project and the birthing of new art on the block. Once my light bulbs were visible there was a lot of honking and shout outs from people driving by. I was surprised by the amount of genuine ‘thank you’s that came from people.

I love the fact that people read out loud “love is love” and kept on walking. The local businesses – from the owner of 3 Dollar Bill cheering us on, to the Wells bringing us cold water, to Saints coffee roaster thanking us, they all seemed really happy about this installation on their block. We managed to create a story thanks to the trust of the people at Lisa Project and people get to see a true narrative by me, See TF, JPO and David Puck. I feel people are relating to the wall and owning it in their personal way, and that was the goal here, so I am super pleased and humbled to have been part of it.


With our thanks to Wayne and Rey at The LISA Project for organizing the artists for this event.


This installation is part of the World Pride Mural Project Initiative. For more information please click here.

Read more
Highlights From The Bushwick Collective: Edition 2019

Highlights From The Bushwick Collective: Edition 2019

Hyperrealism, Pop portraiture, cartoons, wildstyle, Big ears (Sipros) and of course Biggie, it’s the wake of the Bushwick Block Party!

Urban Ruben (photo © Jaime Rojo)

No matter which year it is, Biggie always seems to make the list and his newest portrait is by Ruben Ubiera from Dominican Republic and its just in time for New York’s naming a street after him. The street Biggie grew up on, Fulton Street and St. James Place in Clinton Hill has just been renamed to “Christopher ‘Notorious B.I.G.’ Wallace Way”.

Rosk Loste (photo © Jaime Rojo)

Enjoy these shots of some of the newest pieces and murals from around the hood spreading love, the Brooklyn way.

Rosk Loste (photo © Jaime Rojo)
Surface Of Beauty (photo © Jaime Rojo)
Urban Ruben (photo © Jaime Rojo)
Michel Velt (photo © Jaime Rojo)
Mico (photo © Jaime Rojo)
Lexi Bella (photo © Jaime Rojo)
RIS Crew. Detail. (photo © Jaime Rojo)
Mr. Hydde (photo © Jaime Rojo)
FKDL (photo © Jaime Rojo)
Sipros (photo © Jaime Rojo)
Sipros (photo © Jaime Rojo)
Pure TFP . DET_RIS (photo © Jaime Rojo)
Chris Soria (photo © Jaime Rojo)
Keops . Atomiko (photo © Jaime Rojo)
Ghostbeard . Patch Whisky (photo © Jaime Rojo)
Read more
NeSpoon at Rethink:Sisak in Croatia

NeSpoon at Rethink:Sisak in Croatia

It’s a good practice to rethink your city – especially when you imagine it to be something more than it is. Beginning in 2016 the picturesque city of Sisak in Croatia (pop 48,000) invoked the practice with Re:Think Sisak to look again at public space and imagine artistic interventions.  Running during the first half of June, it began with regional artists and has extended the list further afield each year.

NeSpoon. Re:Think Sisak. Sisak, Croatia. June 2019. (photo © NeSpoon)

Polish Street Artist Nespoon brought her lace motifs to the side of a building, with the help of the local fire department. A first time experience for her to have such assistance, she tells us “the officers were extremely nice and helpful- they operated the lift, and didn’t seem to mind sitting in the full sun for 10 hours.”

As she has in recent years, Nespoon also installed one of her fired ceramic pieces on the street, furthering her practice to another discipline.

NeSpoon. Re:Think Sisak. Sisak, Croatia. June 2019. (photo © NeSpoon)
NeSpoon. Re:Think Sisak. Sisak, Croatia. June 2019. (photo © NeSpoon)
NeSpoon. Re:Think Sisak. Sisak, Croatia. June 2019. (photo © NeSpoon)
NeSpoon. Re:Think Sisak. Sisak, Croatia. June 2019. (photo © NeSpoon)
NeSpoon. Re:Think Sisak. Sisak, Croatia. June 2019. (photo © NeSpoon)
NeSpoon. Sisak, Croatia. June 2019. (photo © NeSpoon)
NeSpoon. Sisak, Croatia. June 2019. (photo © NeSpoon)
Read more
MRKA Gives High Marks to “Utility Writers” in Unique Street Tome

MRKA Gives High Marks to “Utility Writers” in Unique Street Tome

When academics and post-modern esoteric poets plunge into descriptions of graffiti sometimes they proffer colorful didactics and clever terminology like “mark-making” and “gestural” to describe the tagging practice. Conceptualist, graffiti writer, and multimedia artist MRKA takes a step toward the mundane and discovers a new kind of poetry with his “Utility Writers”.

Utility Writers by MRKA. Wallplay. NYC

Paying homage to the physical expression as well as the visual one, MRKA re-frames the fluorescent utility symbols that construction crews communicate with and rely upon. Here he helps you see it as art and communication in his uniquely bright look at mark-making. In interviews with professionals who he features spraying the streets, you also learn that there is a certain pride of creation that overlaps the braggadocio of graffiti writers who hit up walls across cities.

A limited edition book that was released to commemorate the solo exhibition that he procured in Manhattan last fall, “Utility Writers” also presents the MRKA’s own crafted alphabet derived from the directional urban hieroglyphics that we see and are blind to on our daily trip through the city.

Perhaps it is their individual flair and sense of expression to which he is most drawn; It’s “the endless possible interpretations of these symbols, and ultimately the individuals involved, who write,” he says when describing his experience capturing the collection of works on New York City asphalt and its sidewalks between 2016 and 2018.

“No matter where humans are or go, there is a good chance you may find a mark or story being told,” says Brazilian pixação writer and billboard crusher Sabio in an essay in which he tells us this need to leave something in public space is universal.

“The human hand can hold things, but more importantly it can mark a surface. For thousands of years we have left the writing on the wall, or in many cases, the ground. Look around you and find secret messages calculated and hidden everywhere. We live in big cities and a performance of shapes exist right beneath our feet.”

Study the method, study the panache, study the complete alphabets he has distilled, and you can understand the intensity of dedication MRKA employs to help draw the parallels.

“…As the book shows, both construction workers and graffiti writers share a bent toward creative expression through letter forms,” says filmmaker Selina Miles here. “I think this book suggests that if these two seemingly disparate groups have so much in common, maybe the compulsion to write your name on shit is just one of the basics of human nature.”

Utility Writers. Designed and edited by MRKA. Cover Spray by Lebron718. NYC.

Read more
BSA Images Of The Week: 06.09.19

BSA Images Of The Week: 06.09.19

Jeez, that only took 50 years. Stonewall Riot Apology: Police Actions Were ‘Wrong,’ Commissioner Admits”, cooed the New York Times this week. Of course the NYT headline at the time focused on how the helmeted, armed police were affected, rather than the couple of hundred citizens who they harrassed, intimidated and beat up for being many shades of LGBTQ – “Four Policeman Hurt in Village Raid”. Thankfully Macy’s and HSBC bank and all the corporations ran to the rescue of those folks in 1969 and throughout the 1970s and 1980s, 90s, right?

Aside from the multiple lessons we all continue to learn in the fights for people’s equality across society and in our institutions, one lesson comes through loudly and clearly: real, meaningful change almost never comes from the top down. Social, political, and economic justice comes from the grassroots, rank-and-file, everyday people fighting day after day, year after year.

That’s why we keep our eyes on graffiti, Street Art and all manner of expression on the street – its proven to be a reliable source for the vox populi.

So here’s our weekly interview with the street, this time featuring CANO, Carl Paoli, Dain, David Puck, El Ergo, FKDL, Infynite, Isabelle Ewing, Justin T. Russo, Little Ricky, Meres One, Ramiro Davaro-Comas, Sara Lynne Leo, Screwtape, SeeTF, Skewville, Solus, and Stray Ones.

seeTF portrait of Taylor & Lauren with Meres One’s heart shaped rainbow. WorldPride Mural Project Initiative. The L.I.S.A. Project NYC. Manhattan, NY (photo © Jaime Rojo)
Homo Riot (photo © Jaime Rojo)
Justin T Russo. WorldPride Mural Project Initiative. The L.I.S.A. Project NYC. Manhattan, NY (photo © Jaime Rojo)
Jason Naylor (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Dain (photo © Jaime Rojo)
David Puck. WorldPride Mural Project Initiative. The L.I.S.A. Project NYC. Manhattan, NY (photo © Jaime Rojo)
FKDL (photo © Jaime Rojo)
Solus (photo © Jaime Rojo)
Little Ricky (photo © Jaime Rojo)
Little Ricky (photo © Jaime Rojo)
Ramiro Davaro-Comas (photo © Jaime Rojo)
Skewville (photo © Jaime Rojo)
Stray Ones (photo © Jaime Rojo)
Stray Ones (photo © Jaime Rojo)
Isabelle Ewing (photo © Jaime Rojo)
El Ergo (photo © Jaime Rojo)
Sara Lynne Leo (photo © Jaime Rojo)
Infynite (photo © Jaime Rojo)
Carl Paoli (photo © Jaime Rojo)
Unidentified artist Justin T Russo. WorldPride Mural Project Initiative. The L.I.S.A. Project NYC. Manhattan, NY (photo © Jaime Rojo)(photo © Jaime Rojo)
Cano (photo © Jaime Rojo)
Untitled. The Last Picture. East River, NYC. June 2019 (photo © Jaime Rojo)
Read more