All posts tagged: Blind Magazine

The Exodus From Ukraine: A Visual Diary by Peter Turnley

The Exodus From Ukraine: A Visual Diary by Peter Turnley

“When I make photographs, I often look into the eyes of the people I am witnessing,” says French-American photojournalist Peter Turnley, who recently published these images from his trip to Ukraine from Paris March 7-16. “Their eyes so often say all that I never could with words.”

Turnley spent his time, ten days, alongside Ukrainian refugees. He published his work, photos, and text in Blind Magazine. We wanted to share his diary and highlight his work with you.

Ukraine, March 2022. (photo © Peter Turnley)

March 7, 2022

“I flew today from Paris to Krakow, Poland, and then boarded a train to Przemyśl on the Polish / Ukrainian border. Already at the Krakow train station, I encountered many Ukrainian refugees that had fled the war in their homeland.

On the train from the airport in Cracow to the train station, I sat next to Liuba, 42, who fled from Zaporozhe, near the site of the Nuclear plant that had been bombed. She explained to me that she felt very guilty to leave her parents there. She is very proud of her husband who has stayed to fight.

Ukraine, March 2022. (photo © Peter Turnley)

At the train station, Vicka, 22, stood with Lidia, her 9-year-old daughter. Liliana and Sofia, from Dniepr, stood together as well. 

On the train, Andre, 30, sat across from me. He has been working in Poland and has a wife and a 5-year-old daughter. I asked him why he was returning to Ukraine, and he told me, “I am returning to throw Molotov cocktails to defend my country.”

On the train to the border, Julia, 5, held her pet hamster and rode with her mother Maria, 37. When I arrived in Przemyśl, as I descended from the train, I saw several thousand refugees that had just arrived from Ukraine, boarding a train that was going in the direction of Prague. I walked in the dark up and down the train track next to this departing train. I looked into the eyes of dozens of refugees looking out the train window, waiting to depart for a new world-leaving behind everything they have previously known in life.” 

Click HERE to read the complete diary and the photo essay.

Ukraine, March 2022. (photo © Peter Turnley)
Ukraine, March 2022. (photo © Peter Turnley)
Ukraine, March 2022. (photo © Peter Turnley)
Ukraine, March 2022. (photo © Peter Turnley)

Click HERE to read the complete diary and the photo essay.

Peter Turnley

Peter Turnley is renowned for his photography of the realities of the human condition. His photographs have been featured on the cover of Newsweek 43 times and are published frequently in many of the world’s most prestigious publications. He has worked in over 90 countries and has witnessed most major stories of international geopolitical and historic significance in the last 40 years. He has both American and French nationality.

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Documenting The Art Of Protest with Miss Rosen

Documenting The Art Of Protest with Miss Rosen

We’re honored to be interviewed by Miss Rosen in the photography magazine Blind. Here is the introduction of her article with a link to the full story.


By Miss Rosen for Blind Magazine.

“If graffiti changed anything, it would be illegal,” street artist Banksy said. Jaime Rojo and Steven Harrington of Brooklyn Street Art reflect on the relationship between street art, activism, and photography.

BLM. Manhattan, NYC. July 05, 2020. Photo © BSA/Jaime Rojo

Though we are surrounded by omens portending the future before it occurs, many refuse to read “the writing on the wall.” The confluence of graffiti and political action dates back to the Biblical story of Belshazzar’s feast when a disembodied hand scrawled words on the palace wall in a language no one could understand. According to the Book of Daniel, the young hero deciphered the message and warned the king the great empire of Babylon was going to fall. 

Raw Raffe. Brooklyn, NYC. November 13, 2020. Photo © BSA/Jaime Rojo

The parable, contained within the larger story of apocalypse, is uncannily timely given the resurgence of graffiti and street art, two of the most vital, viral forms of contemporary art. Long intertwined with photography and activism, today’s “writing on the wall” has become the medium of the proletariat in the fight against the oppressive power structures dominating everyday life around the globe.

Though we are surrounded by omens portending the future before it occurs, many refuse to read “the writing on the wall.”

Miss Rosen

Throughout history artists have taken to the streets to draw attention to the issues at stake in the hopes of radicalizing the populace. From the use of wheat-pasted posters in the 1910 Mexican Revolution and John Heartfield’s anti-Nazi and anti-Stalinist crusades of the 1930s to 1968 student uprisings in Paris and Mexico City, artists have long taken to the streets to expose the corruption of political institutions. Although their works are local and temporal, photography has played an integral role in preserving and distributing their messages far and wide. 

Unidentified Artist. Brooklyn, NYC. July 19, 2020. Photo © BSA/Jaime Rojo

“Humans have always had the urgency to leave their mark behind. Walls and rocks have been their canvases for millennia,” say photographer Jaime Rojo and editor Steven P. Harrington of Brooklyn Street Art. “By the 1980s, graffiti writers like Lee Quiñones routinely addressed social and political topics when using New York City subway trains as canvases. Likewise, street art in 2020 has referenced police brutality, structural racism, feelings of alienation, disgust with politicians and a vast economic chasm that is shredding the fabric of society.”

Click HERE to continue reading the full article in Blind Magazine…



Miss Rosen is a New York-based writer focusing on art, photography, and culture. Her work has been published in magazines and websites including Time, Vogue, Artsy, Aperture, Dazed, and Vice, as well as books by Janette Beckman, Joe Conzo, Jane Dickson, Arlene Gottfried, and Allan Tannenbaum. As publisher of Miss Rosen Editions, she has produced books including the legendary hip-hop epic Wild Style: The Sampler by Charlie Ahearn (2007), Do Not Give Way to Evil: Photographs of the South Bronx, 1979–1987 by Lisa Kahane (2008), and New York State of Mind by Martha Cooper (2007).

MissRosen.com



Blind is a magazine that invites you to take the time to see, read and understand the language of photographers. Photography reveals not just what our senses perceive, but also how our sensibility acts: what moves us, touches us, and binds us.


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