All posts tagged: Biancoshock

“Magic City” Premieres in Dresden : Seno and McCormick as Alchemists

“Magic City” Premieres in Dresden : Seno and McCormick as Alchemists

40 Artists Up Along Main Street, 12 More in the BSA Film Program

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Curators Ethel Seno and Carlo McCormick in front of a new mural by German duo Herakut announcing the premiere of Magic City in Dresden. (photo © Rainer Christian Kurzeder)


 

“Nature is a petrified magic city.” – Novalis

Curator Carlo McCormick quotes Novalis by way of describing this new exhibit of an eclectic blend of terrific troublemakers, pop-culture hijackers, and show-stopping crowd pleasers drawn from cities all around the Street Art/ graffiti /urban art scene today – and forty years ago. This is a welcoming walk of unexpected intersections that only McCormick and co-curator Ethel Seno could imagine – and pull together as a panoply of street wizardry that acknowledges activism, artistry, anarchy, and aesthetics with a sincere respect for all. It will be interesting to see how this show is viewed by people who follow the chaotic street scene today in the context of its evolution and how they read the street signs in this city.

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Curator Ethel Seno with Managing Director Dieter Semmelmann and exhibition Designer Tobias Kunz cutting the ribbon at the premiere of Magic City in Dresden, Germany. (photo © Rainer Christian Kurzeder)

McCormick, in his customary self-effacing humor, expects there to be some shit flying – as anyone who is involved in this scene expects from the hard-scrabble rebellious margins and subcultures that this art-making interventionist practice rises from. There also are a growing and coalescing mini-legion of scholars and academics who are currently grappling with the nature and characteristics of this self-directed art-making practice rooted often in discontent – now organized inside an exhibition that is ticketed and sold as a family friendly show.

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Street Artist and pop mashup painter Tristan Eaton in front of his new mural wall at the premiere of Magic City in Dresden, Germany. (photo © Rainer Christian Kurzeder)

In his descriptions of the public sphere, the writer, historian, author, and cultural critic McCormick often refers to graffiti and street artists messing with “contested space”. It’s an apt description whether we are talking about the public space in high-density gleaming metropolises or the bombed-out grid-less and polluted quagmires of human fallibility and urban un-planning that dot our globe; all public space its nature is contested.

Here is a place used by many artists to protest, agitate, advocate, or deliver critique – and many of the artists in this exhibition have done exactly this in their street practice, often pushing limits and defining new ones. Dig a little into many of the individual story lines at play here and you’ll see that the vibrant roots of social revolution are pushing up from the streets through the clouds of propaganda and advertising, often mocking them and revealing them in the process.

Ultimately, this Magic City experience is an elixir for contemplating the lifelong romance we have with our cities and with these artists who cavort with us within them. “Our Magic City is a place and a non-place,” McCormick says in a position statement on the exhibit. “It is not the physical city of brick and mortar but rather the urban space of internalized meanings. It is the city as subject and canvas, neither theme park nor stage set, but an exhibition showcasing some of the most original and celebrated artists working on and in the city today.”

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Mixed media Street Artist Asbestos from Dublin, graffiti master/ painter Chris “Daze” Ellis from NYC, and Tristan Eaton from Los Angeles at the premiere of Magic City in Dresden, Germany. (photo © Rainer Christian Kurzeder)

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Curator Carlo McCormick with New York billboard/culture jammer and artist Ron English in front of his new wall mural at premiere of Magic City in Dresden, Germany. (photo © Rainer Christian Kurzeder)

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Dutch anamorphic art master Leon Keer with Polish crochet transformer/Street Artist Olek at the premiere of Magic City in Dresden, Germany. (photo © Rainer Christian Kurzeder)

BSA curated the film program for Magic City with a dynamic array of some of the best Street Art related films today presented together in a relaxed environment. In this video hosted by Andreas Schanzenbach you get a taste of the works that are showing that we draw from our weekly surveys on BSA Film Friday. Over the last few years we have had the honor of presenting live in-person to students and scholars and fans an ever-evolving collection of videos that speak to the spirit experimentation, discovery and culture-jamming outrageousness of urban interventions, graffiti and Street Art.  The BSA Film Program at Magic City presents a survey of some of the very best that we have seen recently.

Magic City artists include:
Akrylonumerik, Andy K, Asbestos, Ben Heine, Benuz, Biancoshock, Bordalo II, Brad, Downey, Dan Witz, Daze, Ernest Zacharevic, Ganzeer, Henry Chalfant, HERAKUT, Icy & Sot, Isaac Cordal, Jaime Rojo, Jens Besser, Juandres Vera, Lady Aiko, Leon Keer, Loomit, MAD C, Mark Bode, Martha Cooper, Oakoak, Odeith, Olek, Ori Carin / Benjamin Armas, Qi Xinghua, Replete, ROA, Ron English, Shepard Fairey, Skewville, SpY, Tristan Eaton, Truly, WENU Crew, Yok & Sheryo

The BSA Film Program for Magic City includes the following artists:
Borondo, Brad Downey & Akay, Ella + Pitr, Faile, Farewell, Maxwell Rushton, Narcelio Grud, Plotbot Ken, Sofles, Vegan Flava, Vermibus

Some behind the scenes shots days before the Premiere

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Popagandist Ron English preparing his Temper Tot at Magic City in Dresden, Germany. (photo © Rainer Christian Kurzeder)

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Popagandist Ron English preparing his Temper Tot at Magic City in Dresden, Germany. (photo © Rainer Christian Kurzeder)

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DAZE reviewing his work at Magic City in Dresden, Germany. (photo © Rainer Christian Kurzeder)

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Urban naturalist ROA at Magic City in Dresden, Germany. (photo © Rainer Christian Kurzeder)

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Sheryo strikes a pose while the guys build the installation she did with The Yok at Magic City in Dresden, Germany. (photo © Rainer Christian Kurzeder)

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Biancoshock Switches Colors of Graff Pieces: Conceptual Project on Others Work

Biancoshock Switches Colors of Graff Pieces: Conceptual Project on Others Work

In his latest theoretical and conceptual performance project with the graffiti tags of others, Biancoshock (formerly Fra. Biancoshock) switches the color palettes of two pieces that are located near one another to “demonstrate that interchanging the colors doesn’t change the result.

Over the last two years the artist has done 3 of these “actions”, as he refers to them. “I’ve interchanged the colors of the graffiti without modifying the outline of the pieces,” he says, explaining that he took special pains to research and find “the exact color tone in order to substitute the color of each piece.”

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Joke and Kream original work. Italy. (photo © Biancoshock)

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Biancoshock “Commutative” intervention on the original pieces. (photo © Biancoshock)

In Biancoshock’s view the resulting pieces are the equivalent of a provocation to the original writers. “The act is minimal but very strong because in the graffiti world this could be perceived as an act of blasphemy; almost like writing “TOY” on someone else’s graffiti. Possibly it’s even worse because is like a sacrilege to alter a graffiti done by another.”

But he says that evoking the ire of various writers by making these color switches without permission is not the aim of the project. “I’ve done this to demonstrate that even if the order of the colors is changed, the result doesn’t change. Biancoshock sites his own interpretation of the commutative property in arithmetic.

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Biancoshock at work on Joke and Kream works. (photo © Biancoshock)

And truthfully, we could agree with him until he made that statement, then the argument falls apart for us. “Graffiti are graffiti- they have a presence in the urban context, they have a story, a message, are signs of a passage – all independently of their more technical aspects, such as coloring or style,” he says,

“I believe that if I showed to the author of these graffiti pieces after many years these ‘modified’ pieces, they probably would not remember the color, but they certainly remember to have done that piece, because graffiti are for writers a little piece of their life, of personal history.”

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Spid and Fish original work. Italy. (photo © Biancoshock)

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Biancoshock “Commutative” intervention on the original pieces. (photo © Biancoshock)

It is an interesting project and it would be interesting to hear what the original author of these changed works would think.

But with all due respect, to say that the results are the same is to be color blind and insensitive to the characteristics which cultures and traditions have historically assigned to colors. Red may infer urgent danger to one person, but good luck to another. White calls to mind a funeral in some cultures, a wedding in others. For years baby showers featured a predominance of pink items for a new girl and blue clothes and toys for boys.

Also, need we mention that many artists have favorite colors or palettes, and it is doubtful that colors here are completely arbitrary and lacking in meaning to their original creators. He mentions piece are a little piece of the writers life and personal history, which is precisely the reason why colors will be important to them ultimately.

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Biancoshock at work on Spid and Fish works. (photo © Biancoshock)

In math a binary operation is commutative if changing the order of the operands does not change the result, but in this case the result has changed as well. We are not sure we can agree with the artist that the outcome is the same using different colors.

But congratulations to Biancoshock for this visually and intellectually stimulating project and our sincere thanks for sharing these exclusive images with BSA readers. Biancoshock also asked if we would post his statement as follows: “I apologize to Fish, Spid, Kream, Joke, Draco and Pant for this action, I hope they understand my purpose.”

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Draco and Pant original work. Italy. (photo © Biancoshock)

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Biancoshock “Commutative” intervention on the original pieces. (photo © Biancoshock)

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Biancoshock at work on Draco and Pant works. (photo © Biancoshock)

 

 

 

 

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