Welcome to Part I of II of our photo collection from the 14th Annual Bushwick Collective Block Party. This year’s edition, held on May 31, 2025, brought together a powerful fusion of beats, paint, and community spirit—just the kind of vibrant energy we at BSA love to celebrate.
The day’s star performer, hip-hop legend Rakim, set the stage alight with an electrifying set that fused old-school authenticity with Bushwick’s forward-thinking street culture – an intelligent merging of underground and old-school. Sharing the spotlight were dynamic artists Statik Selektah, Gorilla Nems, Termanology, and Evil Dee, among others.
On the mural front, the Block Party again transformed Troutman Street into a living gallery. This year’s visiting muralists included Sef1, Contrabandre, Huetek, Gigstar & Minus One, Tymon de Laat, Ashley Hodder, and Enzo a psychotropic summer stew that again sampled from acrss the graffiti and street art spectrum.
It was a weekend where paint met poetry, beats met brushstrokes, and each corner of Bushwick told a fresh story. We hope these images capture the creative dialogue that unfolded. Stay tuned for Part II, where we continue to explore more of this year’s murals and moments.
The streets of Bushwick, Brooklyn right now are one sprawling open-air studio—artists from around the world balanced on cherry pickers, ladders, and step stools, bending brushes, tilting rollers, and waving aerosol cans like conductors directing an urban symphony of color. Thick lines, fine mists, reflections, textures, letterforms in every handstyle—they’re building volume and vibe, layering stories and style one gesture at a time.
Since transforming this once Dutch “town in the woods” into a global destination for graffiti and street art over a decade ago, Joe Ficalora has brought hundreds—more likely thousands—of pieces to these Brooklyn walls. A working-class, heavily industrial neighborhood with a strong immigrant presence for the last century, the new neighbors may not always understand the street culture that this movement grew from – often arriving with a whiff of suburban sensibility, but let’s be honest—they wouldn’t be here if the Bushwick Collective hadn’t turned the place into a magnet.
Graffiti writers know how to thrive in hostile environments. It’s built into the DNA. Street artists, too, have evolved with ingenuity and hustle since this worldwide boom began hitting walls in the ’90s. Ficalora’s no different—he’s stayed the course, taken the hits, and kept the engine running.
As tradition now demands, the Collective kicks off summer with a Brooklyn-style block party this weekend—thousands pouring into the streets to celebrate the visual feast. Our photographer. Jaime Rojo has been out documenting the latest wave of mural-making, capturing the energy before the crowds flood in.
What’s always set this apart is Ficalora’s instinct to unify. He’s given room to both graffiti kings and street art innovators, encouraging them to work side by side—and sometimes shoulder to shoulder. The hard lines between the two have softened over the years anyway; many street artists still tag graffiti as their first love, and plenty of writers have flexed into new directions. Cross-pollination is the norm, not the exception.
Add DJs, food trucks, neighborhood vendors, and this thing becomes more than a party—it’s community. Fourteen years deep, and like Joe says, it’s the journey, not the destination.
Although if you’re into street culture, this weekend in Bushwick is your destination, without doubt.
Superhero or superfan, there is something here for everyone, and usually high quality. Street Art festivals worldwide have become dull and safe, perhaps because some are funded by tax dollars or their curators lack vision. The selections at the Bushwick Collective may not make a cohesive story, it’s true.
However, a sense of history, respect for graffiti’s roots, community, narrative, and free-wheeling organic creativity cuts a through-line that still feels fresh as a summer breeze in the shade of a tree. We have so many images of this year’s block party celebration that we had to split the collection into two parts.
On this Summer Solstice, we wish you strength and the wisdom to see the truth. The false will fall away.
Following the evolution of The Bushwick Collective and its annual block party in Brooklyn has been a captivating journey akin to an anthropological exploration into the growing embrace of street art and murals within the realms of graffiti and HipHop. Back in the day, as the neighborhood began transforming with the influx of gentrifiers, street art faced outright dismissal or was treated as a rare phenomenon, a curiosity.
Unaware of the previous codes that roughly governed the practices of graffiti writers on the street, art-students-cum-street-art-poets often obtusely stomped their way into public view to circumvent a gallery system and to express their right to self-expression in public; something HipHop culture had been encouraging for years but had perhaps not envisioned this way. The rivalry between graffiti aficionados and street artists/muralists was sometimes palpable, with throwies vandalizing fresh paint, the OGs asserting territorial dominance, and at times, even resorting to threats and insults in person and in online forums.
As the block party, now in its twelfth year, unfolded, its early editions predominantly featured international and some local street artists eagerly seeking out BC’s visionary leader, Joe Ficalora, for an opportunity to leave their mark on his neighborhood walls. Local street art forums found fault with Ficalora, masking a barely hidden contempt for a streetwise guy taking a leadership role and betraying their own classist privileged opinions about the right to curation. That has all melted appreciably; this year’s event evidenced the remarkable shift that has been underway. Graffiti writers took the stage alongside the muralists in prime spots, sometimes seamlessly collaborating to create art transcending boundaries, all while the electrifying sounds of live HipHop performances reverberated through the air and TikTokers danced in front of them.
Let’s raise a bottle to those who always believed in the possibility of this transformative phenomenon, and to those who championed inclusivity over exclusivity. It’s yet another reason why our hearts beat for this extraordinary international art movement, the embodiment of the people’s democratic spirit and the unlimited creative spirit that is in every person. And most importantly, it’s a reminder of why we hold you dear.
In other NYC news, do you ever feel like a slowly boiling frog? NYPD is talking about partnering with Amazon’s Ring network; the New York Times explains that all those 5G network towers going up on the streets around the city are really just upgraded cell phone equipment, the police will begin a “Drone Unit” to fight crime– “said to be equipped with night vision technology,” this article says, they “won’t be weaponized,” and the NYPD digi-dog program from Boston Dynamics has been discontinued for right now and drones patrolling streets soon, right? Also on Friday the New York Federal Reserve announced plans for a new Fed digital dollar – a CBDC (Central Bank Digital Currency) and the new UK Prime Minister Rishi Sunak is all in favor of completely digitized money. Meanwhile, it looks like NYC schools are going to be a lot safer with new initiatives to put biometric screening in them including maybe facial recognition. Nothing to worry about, right?
The city pays tributes to its heroes in different ways, and NYC street art loves Biggie Smalls more than anyone, along with folks like Spike Lee and Jean Michel Basquiat. This week we spotted a few new ones among the bevy of new street art beauties we discovered below.
Here’s our weekly interview with the street, this week featuring: Jason Naylor, Homesick, Savior El Mundo, King Baby, Mutz, Glare, Banksy Hates Me, Ashley Hodder, Raisa Nosova, Qzar, Spin, INU, Cheatz, Ultraboyz, Humble, Carlos RMK, and Yuzly Mathurin.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
