All posts tagged: Ash

Magda Danysz Brings “Art From The Streets” to Singapore Art Science Museum

Magda Danysz Brings “Art From The Streets” to Singapore Art Science Museum

“Art From the Streets”, an exhibition at the Art Science Museum in Singapore opened this weekend to coordinate with Singapore Art Week that runs from tomorrow until the end of the month with fairs, festivals and art exhibitions. Commercial art dealer and writer Magda Danysz curated the show with names she represents and whom you will be familiar with – Banksy, Shepard Fairey, Faile, and Futura, for example.

Two versions of the catalogue, one by Felipe Pantone, the other by Futura, are available on the Magda Danysz website .

But she also brings an eclectic mix of others on her roster and possibly lent from some private collections. Collectively they span many of the high profile, the saleable and known over the past 5 decades from various disciplines and philosophical practices; In the case of Jacques Villeglé, whose practice of lacerating posters in the 1960s predates Failes’ by 4 decades, a lineage can be drawn. Other connections are not as easy.

Ultimately the collection gives a sense of the vast number of personalities and techniques that have characterized the street practice in Europe and North America primarily without focusing on any one specialty too greatly. Here are the revered names along with mid-career folks and current darlings who are sure to leave a mark. There is also a small inclusion of more regional favorites like Eko Nugroho from Indonesia, and Singapore’s Speak Cryptic, who each were on hand this weekend with many of the artists for the opening.

Giving tours with microphone in hand during the opening days, the energetic Ms. Danysz educates new fans and potential buyers about an organic artists scene that grew from the streets and is now more frequently being offered for sale in places such as her three gallery locations in London, Paris, and Shanghai. Today it is slowly appearing more often in museums as well.

“Conscious that promotion of the emerging scene is necessary, Magda Danysz took part in many fairs,” says a press release, “such as for example Art Brussels, Arte Fiera in Bologna, Artissima in Torino, Fiac in Paris or Pulse in New York, and is one of the four galleries at the origin of the Show Off Paris art fair.”

This weekend’s activities included short presentations panel discussions and a screen of Wild Style.

Art from the Streets tickets are $17.00 on the Marina Bay Sands website.

A complete list of artists varies online with artists listed on the museum website including:

Banksy, Tarek Benaoum, Stéphane Bisseuil, Blade, Crash, Speak Cryptic, D*face, Fab 5 Freddy, FAILE, Shepard Fairey (aka Obey), Futura, Invader, JR, L’Atlas, Ludo, M-City, Nasty, Eko Nugroho, Nunca, Felipe Pantone, Quik, Lee Quinones, Blek le Rat, Rero, Remi Rough, André Saraiva, Seen, Seth, Sten Lex, Tanc, Hua Tunan, Yok & Sheryo, YZ, Zevs “and many more“.

Elsewhere online the roster is said to include 2Koa, Jef Aérosol, Ash, André, A-One, Aplickone, Banksy, Benjamin Duquenne, Tarek Benaoum, Stephane Bisseuil, Blek Le Rat, Boulaone, C215, Crash, Dface, Dondi, Dran, Eror729, Shepard Fairey, Faile, Futura, Keith Haring, Isham, Jayone, Jonone, Jr, Katre, Kaws, L’atlas, Lem, Ludo, Barry Mc Gee, Mikostic, Miss.Tic, Mode 2, Steve More, Nasty, Nord, Yoshi Omori, Os Gemeos, Psyckoze, Quik, Rammellzee, Recidivism, Rero, Remi Rough, Seen, Seth, Skki, Sore, Space Invader, Spazm, Spécio, Swoon, Tanc, Toxick, Vhils, Jacques Villeglé, Nick Walker, West, Yz, Zevs, Zhang Dali, Zlotykamien and Zuba.


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BSA Film Friday: 07.26.13

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening: Bomb It 2 by Jon Reiss launches and Sampo Graffiti: Ignoto from Brazil. 

BSA Special Feature: Bomb It 2
by director Jon Reiss

About to debut in August and through the fall, the sequel to the global graffiti documentary Bomb It travels to a number of far-flung cities you are vaguely aware of, much less imagine as locations of a graffiti or Street Art scene. In fact, one of the strengths of this movie is the subtle and not-so-subtle imparting of  the realities of daily life elsewhere that are revealed while in the course of tracking graffiti and Street Art. Yes, Street Art makes a much heavier impression in this tale than one might expect from a movie called Bomb It 2, but don’t let terminology blind you from seeing the people behind the paint.

Using a tiny camera that jumps to the beat of the always-gyrating soundtrack, Reiss takes you to the Palestinian refugee camps on the West Bank and you can feel the utterly constrictive hand around your neck while people nervously paint at night under guard. A short time later you learn the details of the brutal punishment called caning as it applies to graffiti writers in Singapore. Next you are in Thailand where painting on a wall almost feels like a spiritual practice. As much as graff writers like to generalize about the “rules” of graffiti in your city, the Bomb It movies tell you that they don’t apply universally.

Painting under cover of night in Bomb It 2 (screenshot © Jon Reiss for Bomb It 2)

Of course it doesn’t pretend to interview every single writer and Street Artist in every single city on the globe (as will be a critique no doubt), but that would require a movie that is 400 hours long. However you will witness the intensity of feelings that bombing/painting/pasting evokes in people and see the fierce devotion that some writers have, learn how it can be an art practice or an act of pure defiance, and hear at least one writer say unequivocally that graffiti saved his life.

With scenes from previously unexplored areas of the Middle East, Europe, Asia, the United States and Australia – Bomb it 2 represents a wide range of cultures, styles and beliefs and includes interviews with Klone, Know Hope, Great Bates, Twoone, Darbotz, Killer Gerbil and Zero, Bon, Alex Face, Sloke, Husk Mit Navn, Ash, Phibs, Stormie Mills, Beejoir, Zero Cents, Vexta, MIC, and Xeme, and many more.

Here is a small trailer for you, but for the full show you still have a few days to wait.


A new installment from a series that focuses on graffiti artists in São Paulo, here is a relaxed installation from Ignoto. The laidback style of his whole approach tells you he’s chilled and the action on the street is unusual because steps away from him are a handful of kids flying kites while he does his work. Click on the CC at the bottom to see a translation of Ignoto’s thoughts on graffiti and art in general.

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“Whole in the Wall” interview with the Co-Curators

“Whole in the Wall” interview with the Co-Curators


That’s a grand claim, and the Helenbeck sisters are going to try to back it up in June. The curators of this show are planning to pair New York writers from the 70’s and 80’s with European street art stars of the 00’s and present them in Louis XIV drawing rooms furnished with genuine articles from the period.

The show’s  numbers are grand too; 150+ pieces, 25,000 square feet of exhibition space, 40 years of art.  Promising to shake collectors and historians awake to the relevance of graff and street art in the continuum of fine art, it remains largely unknown what impact this show can have on the street. At the very least, it’s a bold courageous approach to further the ongoing conversation about Street Art’s relevance to the art world.

In the midst of installation, the co-curators of the show, Brigitte & Chantal Helenbeck, give us some insight about their approach and what they hope people will get from the “Whole in the Wall”;

Brooklyn Street Art: Why does this show juxtapose theses genuine antiquities, originally created for the upper classes, with an art form more frequently associated with the working class?

Brigette & Chantal: We think that Street Art has become a real part of the contemporary art scene.  By juxtaposing these Street Art pieces with antiquities we would like to underline the entrance of contemporary street art in the history of art.

Brooklyn Street Art: Can you pick one particular pairing of an artwork and an interiors setting in this show that made you laugh with glee?

Brigette & Chantal: We never really laughed, but were often amazed and surprised to notice how two genuine and high quality works of art create a balance and a force between them, no matter which time they belong to.  The audience always finds the pairing interesting.

Brooklyn Street Art: As you know, New York (particularly Brooklyn) is currently experiencing an explosion of new street art.  Are there any particular street artists of the new crop whose work excites you?

Brigette & Chantal: We are in New York also to discover this new crop, which one day we can maybe bring to Europe so that people can discover their works in future exhibitions.  We cannot put out a name, but the spirit of our gallery, which has been an experimental territory for young or acclaimed artists, has definitely been thrilled by the extreme creativity of young artists here in New York.

Brooklyn Street Art: As co-curators and twins, have you had the same vision for this show, or do your tastes differ a great deal?

Brigette & Chantal: We are alike and very different at the same time, but we function as a team and all our final decisions are a mix of our sensitivities and tastes. We find a way to agree at the end, and what people see is a jigsaw version of the two of us.

Brooklyn Street Art: A show of this vast scope must take a huge amount of planning, logistics, and effort.  What has been the most surprising part of the process for you?

Brigette & Chantal: To discover New York in a different way, definitely. We learn from people here every day and this turns out to be an extremely interesting experience. This is the logical direction of our professional path, and also part of a journey that we’ll continue in the future.

Brooklyn Street Art: Popular perception of graff and street art continues to evolve.  When people walk away from the show, what you like them to be thinking?

Brigette & Chantal: We would like them to see that these artists and their works have their place in the contemporary art field and they are part of the future history of art.  We are satisfied when people enjoy our exhibitions and discover new forms of art and new talents. This exhibition in particular is very alive, full of movement, colorful, like the Americans are, and like this city remains despite this difficult economic crisis worldwide.


Whole in the Wall: 1970 to Now

Friday, May 29 to Saturday, June 27
Open 10:30 a.m. to 6:30 p.m.; Tuesdays through Saturdays
529-535 W. 35th St. @ 11th Ave. (former Splashlight Studio)

Helenbeck Gallery

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