All posts tagged: Aryz

BSA Images Of The Week: 03.10.19

BSA Images Of The Week: 03.10.19

A paper published last autumn by HEC Paris and Columbia Business School finds that artists are more likely to be professionally successful if they network widely – and that their innate talent as an artist may have less to do with commercial success than many thought.

Unearthed by Artsy this week, the paper is ricocheting across social media with shock and dismay uttered by some artists who lament the hollowness of the modern graffiti/ Street Art/ Urban Art world, purporting to be distinct and above it all, yet posing in countless photos on their social pages with myriad peers and professionals and potential clients cheek-to-cheek.

It may be time that some hardcore Graffiti and Street Artists can shed some of the charades about how the globe turns, even if you are a graduate of the “School of Hard Knocks”. This movement we are witnessing toward self-promotion and marketing has always been true: This research paper doesn’t even use modern artists as a model for study – the subjects were part of the 20th Century abstract art movement and most died years ago.

You’ll recall that a central tenant of graffiti is that writers spread their names on every wall in different neighborhoods and cities to get “Fame”. As the authors of the paper Banerjee Mitali and Paul L. Ingram say, “CEOs, activists, scientists and innovators all benefit from fame. Meanwhile, the struggle for fame is becoming ever more intense and complex in a digital economy.” Download the paper here.

Yes, networking helps your career. In other breaking news, puppies are cute, the Pope is Catholic, and boys like short skirts.

This week our Images of the Week are coming to you directly from our latest visits to Madrid, Bilbao, and Bayonne. We’re excited to share what we found with BSA readers.

So here’s our weekly interview with the street, this time featuring Anna Taratiel, Artez, Aryz, C215, Dan Witz, Eltono, Invader, Monkeybird, MSW, Stinkfish, and Suso33.

Anna Taratiel. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Anna Taratiel. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Invader. Bilbao, Spain. (photo © Jaime Rojo)
Aryz. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Aryz. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Dan Witz. Madrid, Spain. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
Artez for Urvanity Arts. Madrid, Spain. (photo © Jaime Rojo)
SUSO33. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
SUSO33. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Eltono. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Stinkfish. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
MSW. Beyonne, France. (photo © Jaime Rojo)
Monkeybird. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Untitled. Sunset. Madrid, Spain. March 2019. (photo © Jaime Rojo)
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No Callarem: Street Artists Paint As Protest in La Modelo Prison, Barcelona

No Callarem: Street Artists Paint As Protest in La Modelo Prison, Barcelona

A new sharply political campaign championing the freedom of expression has caught fire in Spain in the last few weeks under the hashtag #NoCallaremos, and Street Artists are now adding their talents to the protest. Rather shockingly for a modern European nation, a rapper’s prison sentence for offensive lyrics was upheld in Spanish Supreme Court in February (Billboard) and that decision along with other recent events has sparked a number of creative protests across the art world in cities across the country. Today BSA contributing Street Art photographer Fer Alcalá shares his opinions and new images of the murals in progress with BSA readers.


THE NO CALLAREM PLATFORM

~ by Fer Alcalá

…or how some of Spanish top artists react against censorship and repression of the freedom of speech from the central government…

Enric Sant at work. La Modelo, Barcelona. (photo © Fer Alcalá)

It’s now known worldwide: the Spanish government is imprisoning hip hop artists like Valtonyc and Pablo Hasel because of their sharp and truthful lyrics as well as sentencing people like you and me because of their critical posts on social media.

As a reaction to these acts against the freedom of speech that are more in tune with a well established dictatorship than with 40 years of democracy, some projects like the No Callarem (we won’t shut up) platform have raised their voices.

Reskate . Enric Sant . Txemy. La Modelo, Barcelona. (photo © Fer Alcalá)

One of the direct actions organized by the platform for fighting against Partido Popular’s civil rights oppression was to film a video clip featuring some of the most renowned lyricists on the scene as Frank T, Elphomega, Los Chikos del Maíz, La Ira, Rapsusklei, and César Strawberry, among others, at the old La Modelo prison. The location is an accurate metaphorical scenario when you are seeing that your liberty is being cut off thanks to laws like ‘Ley Mordaza’.

The song ‘Los Borbones son unos ladrones’, which alludes directly to the Spanish monarchy, includes some excerpts from some of the songs created by rappers serving a prison sentence. The video clip for the song, which you can watch at the end of this article, has become viral and almost all media outlets in the country are speaking about this big shout-out in the name of freedom.

The patio with Enric Sant in the background at work. La Modelo, Barcelona. (photo © Fer Alcalá)

I was invited to witness the filming  and painting session by local artist Javier de Riba, from Reskate Studio, who invited some fellow artists to paint at La Modelo walls as a part of the whole process. Franco Fasoli JAZ, Twee Muizen, Txemy, Joan Tarragò, Enric Sant, Milvietnams, Werens and Fullet gave a new voice to the walls surrounding that backyard, providing 2D images that perfectly matched the spirit behind the beats and the rhymes.

Javier De Riba at work. La Modelo, Barcelona. (photo © Fer Alcalá)

This is what Javi has to say about his collaboration with the project:

“Our involvement with No Callarem happened thanks to the Catalan rap artist Pau Llonch. He lit the spark for recording a clip against the Valtonyc and Hasel sentences. They wanted to do it at La Modelo no matter what and the No Callarem platform supported the action. We helped to spread the word for putting together a team with different languages together to visually enhance the video clip.

At the beginning, was what meant to be an ‘atrezzo action’ turned into a bunch of pieces that can be visited in the backyard of Gallery 4. In fact that backyard is not open to the public, but you can see it from the watch guard pit. We think that, from a conceptual point of view, it’s very powerful to keep those pieces locked – especially when thinking about how things are going in Spain regarding freedom of speech.”

Javier De Riba at work. La Modelo, Barcelona. (photo © Fer Alcalá)

Additionally it’s worth mentioning Reskate’s initiative about shouting against the suffocating atmosphere that we are experiencing here for some time: ‘Our idea is that every artist post one piece / illustration / painting / picture (old or new) supporting our initiative promoting freedom of speech in order to criticize the lack of democracy within the Spanish government.

Some of the hashtags that we will use are #NoCallarem #EzGaraIsilduko #NonCalaremos #NunVamosCallar #NonCararam,#NoCallaremos being the main one.

Visual artists from Madrid, Zaragoza, Almería, Oviedo, Valencia, Vila-real, Barcelona, Bilbao, Valladolid, Tenerife…are supporting this initiative. Some of them are: Malakkai, Escif, Paula Bonet, Aryz, Ricardo Cavolo, Enric Sant, Twee Muizen, Franco Fasoli, Hyuro, Javier Jaén, Boa Mistura, Conrad Roset, Jordi Borràs, Danjer, Cinta Vidal, David de las Heras, Juan Díaz-Faes, Chamo San, and Marina Capdevila, among others.

Fullet at work. La Modelo, Barcelona. (photo © Fer Alcalá)

La Semana por la Libertad de Expresión (Freedom of Speech Week) is happening now, with different activities taking place all over the country. The funds raised from these activities will go to a resistance fund for the platform in order to defend all those people chased and brought to justice because of censorship and repression. You can check the whole program of the week HERE.

So, yes: we have a fight going on. Comedians, actors and actresses, musicians, journalists, visual artists, the guy / girl next door who is active in social media… It’s kind of a Russian Roulette game where, if you are critical with the established system and you are using 3rd grade humor as a weapon, you can end in jail. And all of it is happening in a country whose government is accused of being the most corrupt on the whole continent.

Werens at work. La Modelo, Barcelona. (photo © Fer Alcalá)

I have a very well informed friend who has been kind of disappointed with the absence of critical vision and combative behaviors from most of the big names in the local street art / graffiti scene. Thanks to initiatives such as No Callarem and the impulse of people like Javi de Riba, she is reconciling herself with this small, but powerful little world whose images have the strength for making important things happen.

Finally, I’d like to recommend that you check the publications under the hashtag #nocallaremos that are out, as there will be some fine and unique art being produced for the occasion in the upcoming days.

As it’s being said in Los Borbones son unos Ladrones:

– rap music is not a crime
– we need scratches, we need paintings
– I don’t dream about Versace, I dream about barricades
– …because of the poetry that still sleeps in the ditches…

Big props to Javi de Riba, Xavier Urbano and all the artists behind the No Callarem movement.

#nocallarem

Fullet, Werens and Javier De Riba at work. La Modelo, Barcelona. (photo © Fer Alcalá)

Milvietnams at work. La Modelo, Barcelona. (photo © Fer Alcalá)

Franco Fasoli AKA JAZ at work. La Modelo, Barcelona. (photo © Fer Alcalá)

Franco Fasoli AKA JAZ at work. La Modelo, Barcelona. (photo © Fer Alcalá)

Twee Muizen at work. La Modelo, Barcelona. (photo © Fer Alcalá)

Enric Sant. La Modelo, Barcelona. (photo © Fer Alcalá)

Reskate . Enric Sant . Txemy. La Modelo, Barcelona. (photo © Fer Alcalá)

Reskate. La Modelo, Barcelona. (photo © Fer Alcalá)

Txemy . Joan Tarragó . Twee Muizen . Franco Fasoli AKA Jaz. La Modelo, Barcelona. (photo © Fer Alcalá)

Joan Tarragó. La Modelo, Barcelona. (photo © Fer Alcalá)

Twee Muizen. La Modelo, Barcelona. (photo © Fer Alcalá)

Franco Fasoli AKA JAZ. La Modelo, Barcelona. (photo © Fer Alcalá)

Fullet . Werens . Javier De Riba . Milvietnams . Reskate. La Modelo, Barcelona. (photo © Fer Alcalá)

Fullet . Werens. La Modelo, Barcelona. (photo © Fer Alcalá)

Javier De Riba. La Modelo, Barcelona. (photo © Fer Alcalá)

Overview. La Modelo, Barcelona. (photo © Fer Alcalá)

La Modelo, Barcelona. (photo © Fer Alcalá)

La Modelo, Barcelona. (photo © Fer Alcalá)

Los Borbones Son Unos Ladrones. feat, FrankT, Sara Hebe, Elphomega, Rapsusklei…


The guys behind Delabrave @delabrave have filmed a parallel clip about the creative process of these pieces.

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ESCIF, BLU, SAM3, More Join “SenseMurs” as Activists Protecting “La Punta”

ESCIF, BLU, SAM3, More Join “SenseMurs” as Activists Protecting “La Punta”

AYÚDANOS A DEFENDER LA HUERTA Y PARAR LA ZAL – Help Us to Defend the Garden and Stop the ZAL.


Street Artists in Valencia, Spain are using their work to reclaim land for a people’s agenda.

BLU. Detail. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Street Artist Escif organized with other artists to fight the commercial development of seaside land in Valencia last month. With the help of other socially responsible artists including Aryz, BLU, Borondo, Escif, Anaïs Florin, Hyuro, Luzinterruptus, Daniel Muñoz “SAN”, Sam3 and Elías Taño, Escif and local organizers are publicly pushing a message that shows the local council what it means when citizens are engaged.

According to the organizers La Punta is a hamlet of orchards and gardens located in the south of the city of Valencia where more than 15 years ago the “Logistics Activities Zone” (ZAL) project of the Port of Valencia decided to chase hundreds of people out of this land to give to developers as a new port initiative.

BLU. Detail. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Well, that failed spectacularly, probably because funding fell through due to the global financial crisis, and 15 years later development has not happened. The land has begun to evolve and return to its more natural state and a local farm economy has sprouted up. Meanwhile city planners are hoping they can conjure up another way to use these public lands for private profit.

But grassroots organizers say they want the public/private predatory folks to step back and let citizens decide what to do with this area. Thanks to this new “SenseMurs” public art initiative that is drawing a lot of critical eyes to the matter, more citizens may actually get a seat at the table. Well organized and great communicators, on March 10 and 11 the artists and activists gave tours of the murals of SenseMurs, called a press conference, threw a concert, and opened the doors to other citizens for their participation in the process.

BLU. Detail. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

“Within this context, neighbors and associations are trying to bring attention to this reality in order to negotiate with the Administration and start a public participation process,” says the art collective Luzinterruptus in an email, “where it will be decided how these lands will be used and to mend the injustices committed against the neighbors so another chance is given to the deported families to return and work the lands of l’Horta de la Punta.”

Enjoy these shots of the installations from Martha Cooper and two from Juanmi Ponce, starting off with the one and only BLU.

BLU. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Escif. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Escif. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Because there are lettuces!

From Escif’s Instagram:

A: ¿ Porqué HAY LECHUGAS ?
B: Pues porqué alguien plantó semillas en esta tierra fértil, les puso agua y dejó que el sol hiciese su trabajo. Imágino que es un ciclo natural. La tierra es generosa y muy prospera. A poco que la cuides, te regala lechugas como estas.
A: No me refiero a eso. Mi pregunta es porque escribes la frase HAY LECHUGAS.
B: Ah! …pues porque hay lechugas!

Hyuro. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Borondo. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Borondo. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Aryz. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Aryz. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Sam3. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

SAN. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

SAN. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Luzinterruptus. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Juanmi Ponce)

Luzinterruptus. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Juanmi Ponce)

Elías Taño. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

 


SenseMurs participating artists: Blu, Luzinterruptus, Aryz, Hyuro, SAN, LIQEN, Anaisflorin, Eliastano, Sam3, Escif


To learn more about the project please go to RECUPEREM LA PUNTA / Valencia, Spain
Recuperem La Punta, aturem la ZAL and La Punta.

 


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The Weeknd: Fer Alcala in Cardedeu, Granollers and Baladona, Catalunya, Spain.

The Weeknd: Fer Alcala in Cardedeu, Granollers and Baladona, Catalunya, Spain.

Today we take a random walk around some of the most interesting street art in the metropolitan area of Barcelona with photographer and fervent observer of the scene, Fer Alcala, who shares with BSA readers about his own participation in the scene as a documentarian and vibrant part of the street ecosystem. An insatiable chaser of Street Art and murals, Fer doesn’t let a recent back operation keep him down for long and soon you are off discovering more in Granollers, Cardedeu, and who knows where else!


– by Fer Alcala

2017 was a weird year for me. It’s been more than 6 months that I’m trying to learn how to live in pain as I have a problem in my backbone which is healing as a Work In Process (WIP). At the same time, I’ve had the chance of collaborating with lots of artists, taking part in very interesting projects and shooting tons of photos. However it has not always been easy for me to find the motivation and the energy to go out there and hit the streets.

Roc Blackblock. Granollers, Spain. December 2017. (photo © Fer Alcalá)

Apart from all this, you know how it works; There’s that spark, that unavoidable feeling that pushes you to do what you love to do despite everything else. So, this is what happened to me some weeks ago while being alone at home: I HAD to go for a walk, yes or yes. So, I did.

I had the need to go to Badalona and check some of the latest pieces of Spogo out. Spogo’s work is familiar to the BSA readers:  One of the finest abstract artists in the country, Spogo opens walls in his hometown and gives the chance to other artists to paint in his playground, developing a homeland legacy that is appreciated by neighbors, pedestrians and fellow artists. In these times when street art and gentrification are becoming almost synonymous, Spogo’s personal effort contributes to beautify the city through collabs with Elbi Elem, Tayone, Ángel Toren, Lost Optics, Kazzius or Nico Barrios & Toni Cuatrero.

Aryz . Gurtel. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

In the meanwhile, it’s nice to find a big wall by H101 by chance, almost feeling it as a tribute to the defunct Sixe wall in the opposite side of the highway which was replaced by some useless gardening ad. It was also a great pleasure to find ‘Inocente II’, the great mural by Mohamed Lghacham and Iván Floro, two friends that hadn’t painted together in 6 years and whose figurative skills are reaching mastership levels.

So, in order to keep on feeding my hunger for art, I decided to visit the always interesting city of Granollers with about 60,000 inhabitants which is 40 minutes away from Barcelona by train, after seeing online what Velvet and Zoer had created for ‘Murs que parlen (Walls that speak)’. Murs que parlen is a project promoted by Granollers’ town hall, a project which they say is seeking to give life and color to some medium and large scale walls of the city. The result of the work of the French artistic duo, who were advised by Aryz on the occasion, is one of my personal faves in Catalunya this year.

Aryz . San . Zoer. Granollers, Spain. December 2017. (photo © Fer Alcalá)

I love how Zoer has explained the whole process in his IG account:

‘One month ago, Velvet and me started painting this mural in Granollers / Catalunya. Relating an artistic action to its close environment and context is a big question as: Does the mural/ public space/ art have to make a clear connection with its time or to a special meaning? The population of Catalunya expressed recently its will of autonomy and most generally the possibility of reorganizing the society around a strong regional and cultural defense. As foreigners, we can only watch and interpret the information from a certain distance.

The Can Bassa district in Granollers is a very quiet district, let’s say mostly Castillan, or inhabited by people from all of the country. We were invited to take a look at the academic system here, by giving a class to young art students and by visiting the primary school though the high school. The focus is set on the personal development and awakening in creative fields, developing an atmosphere of exchange and curiosity.

Aryz . San . Zoer. Granollers, Spain. December 2017. (photo © Fer Alcalá)

In a dance class, where children were training, we found dozens of drum sticks in a blue plastic basin. Besides that we had the chance to meet Toni Cumella and to visit his splendid ceramic factory. Their ceramics are designed for architecture mainly, where a million single pieces can shape an ensemble, become a pattern, a second skin to a concrete structure.

Well known for having designed this sophisticated ceiling ceramic map for the Santa Caterina market in Barcelona, they worked as well with Renzo Piano on the Centro Botin, creating a sensational floating pattern from thousands of ceramic disks modeling the facade and reflecting the light. During the inauguration, musicians were playing percussion using the ceramic facade as a giant drum with thousands of pads’.

Aryz . San . Zoer. Granollers, Spain. December 2017. (photo © Fer Alcalá)

It’s great to see how interacting with the locals and taking into account the neighbors’ participation is becoming so important and giving meaning to the artist’s work, even becoming a norm in several projects all over the world.

My next stop was another Murs que parlen wall. It’s strange because almost no one out there has taken pics of this colossal Sixe Paredes piece. I tried to shoot it from the courtyard of the school, but the place was closed and nobody was working that day. To know more about this beautiful work, please check this nice documentary that a local TV filmed for the occasion.

Sixe Paredes. Granollers, Spain. December 2017. (photo © Fer Alcalá)

It has been approximately four years since I had the chance to visit Roca Umbert. This cultural facility keeps some almost hidden gems by Aryz, Zoer, and Daniel Muñoz ‘SAN’ and Roc Blackblock, among others. Born as a tribute to Ferrer i Guardia and the modern school, with 250 students taking part in the process, this is what Roc said about it on his FB page at that time: ‘We arrived to the conclusion that education, knowledge and wisdom are the real superpowers that allow us to face all the challenges with success’.

One of the things that I love about Granollers is that it has everything: big walls, random ones all over the city, abandoned factories…and the ditch. Home of a superb, but now buffed old smoking bird by Aryz, this never ending urban canvas offers tons of great art by some of the biggest and more interesting names in da house: Aryz, Rostro, Cinta Vidal and Peeta, Japon, Treze … this list could go on forever, so here you have an small selection of what you can find down there. And, please, be careful if you decide to cross the river.

Velvet. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

As I was on fire, I decided to take the train and go to Cardedeu. This almost 13 km2 village is a creative gold mine. Aryz’s and Cinta Vidal’s homeplace, Cardedeu’s outskirts gives shelter to one of the most admired abandoned factories in the biz: Ofidirect. I’ve been here several times with lots of different friends, artists and colleagues and everybody loves the place.

It was the first time that I was there alone and I have to say that I was almost overwhelmed by the silence and the majesty of this concrete and brick space. Being some kind of a private playground for the MixedMedia Crew and other artists and graffiti writers, Ofidirect is still alive preserving its urban decay beauty and charm. It was funny for me to see how Zoer, Velvet and Aryz had got some fun in there apart from the big Wall in Granollers.

Zoer. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

After a 40 minutes walk to go back to Cardedeu, some beer, and a train and back to Barcelona, I was at home editing pics and speaking with friend artist @elbielem. She asks me about an Aryz mural in Cardedeu. ??? I had no clue about what she was talking and Aryz painting in his hometown on kind of a big wall? He’s one of my favorite artists and I had been there for hours and I haven’t got any f*cking idea about it? Well: sh*t happens. Best street art hunter (hate this title…) ever.

I went back to Cardedeu the next day very soon in the morning, but that, my friends, is a different story

Velvet . Aryz . Gurtel . Zoer. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Treze. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Los Ratos. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Sergi Marqués. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

KIKX. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Aryz. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Japon VLOK. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Aryz. Granollers, Spain. December 2017. (photo © Fer Alcalá)

Rostro. Granollers, Spain. December 2017. (photo © Fer Alcalá)

Aryz . Rostro. Granollers, Spain. December 2017. (photo © Fer Alcalá)

Cinta Vidal . Peeta. Granollers, Spain. December 2017. (photo © Fer Alcalá)

Mohamed Lghacham . Iván Floro. “Inocente II” Baladona, Spain. December 2017. (photo © Fer Alcalá)

‘This wall is the second part of another one that I painted two years ago about the same issue,” says artist Mohamed Lghacham who painted this wall with assistance of Iván Floro.

“Its main character is a friend of mine who was born on December 28th which is the ‘Santos Inocentes’ day in Spain (note: this is the equivalent of the April’s fool day in the States). Basically, it consists on playing little jokes on your friends and relatives. When my friend was a little kid and it was his birthday his classmates didn’t trust him, thinking that he was just kidding. There’s not a big concept behind the piece: it’s just something anecdotal that seems funny to me.

The idea about painting that mural came from Badiu Jove Badalona as one of the activities of Conect’Art which is an art fair for young creators that takes place in the city.” Lghacham says he would like to thank his assistant Floro.  “Everything went great and I guess that we will work together often in the near future.”

Spogo . Nico Barrios . Tony Cuatreros. Baladona, Spain. December 2017. (photo © Fer Alcalá)

Spogo . Elbi Elem. Baladona, Spain. December 2017. (photo © Fer Alcalá)

H101. Baladona, Spain. December 2017. (photo © Fer Alcalá)


Instagram handles:

Sixe @sixeparedes, Spogo @spogo15, Elbi Elem @elbielem , Tayone @tayone.abz , Ángel Toren @angeltoren , Lost Optics @lostoptics, Kazzius @kaz.zius or Nico Barrios @mrnobodysmind ,Toni Cuatrero @tonicuatrero, H101 @h1_01, Mohamed Lghacham @oiterone, Iván Floro @van_vuu, Velvet @velvetcsx, Zoer @zoerism, Aryz @mr_aryz, Daniel Muñoz ‘SAN’ @danielmunoz_san, Rostro @rostrovalseca , Cinta Vidal @cinta_vidal & Peeta @peeta_ead , Japon @japonvlok , Treze @acidcollapse, Peeta @peeta_ead , Japon @japonvlok , Treze @acidcollapse

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Aryz Says ‘Adios’ to 2017 in his Hometown of Cardedeu, Spain.

Aryz Says ‘Adios’ to 2017 in his Hometown of Cardedeu, Spain.

Today on BSA we have the photographer Fer Alcala to share his experiences and photos as he was capturing the newest mural from Aryz in his hometown in Spain at the very end of the year.


– by Fer Alcala

La cultura, by Aryz

– or, “How I almost missed the chance of shooting part of the creative process of this wall by one of the top names in the business 40 minutes away from my home.”

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

So, yes: this is how stupid I can get. After spending a big part of the day in the Cardedeu (the hometown of the artist Aryz) area, I had to find out after returning to my home. It was thanks to a friend, the artist Elbi Elem, who told me that Aryz was painting his, let’s say, ‘1st official large scale mural’ in his village, 10 minutes away from the place I had had lunch at that day. This is what happens when you are a digital dummy and the obsolescence of the iOS on your shitty mobile phone doesn’t allow you to see the Stories and Moments on Instagram.

I felt so embarrassed that I decided to go there the next day in order to calm my feelings of guilt down. First time in the morning. Maybe I’m exaggerating a little bit for dramatic purposes, but trust me: I felt like a complete dumb ass.

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

Anyone who shows a minimum of interest about street art or, as the main character of these lines prefers, about contemporary muralism, knows who Aryz is. So, I’m not here to write a deep essay about his prolific and outstanding work all over the world. I prefer to share with whoever will be reading this my personal experience with the artist throughout these last years.

I have to say that, although I admire Aryz’ work, we aren’t friends or anything. I think that maybe we have met personally 4 or 5 times in our whole lives and this was the first time that I had the chance of taking some shots of him at work. Once said that, I’ve been lucky enough to visit his studio twice, due to 2 principal reasons: the mediation duties of common friend Anna Cammany (aka @troballola), and Aryz’ hospitality. One of these occasions was really special for me as we were accompanied by Martha Cooper and Jay ‘Terror161’ Edlin, two legends of the photography and the graffiti world, who were in town as lecturers for the Openwalls Conferences 2015 edition.

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

Not being a mitoman, I’ve asked for only 2 autographs in my whole life: to Danish pro skater Nicky Guerrero when I was fourteen and to Martha Cooper, after I was already a grown man. So, yes: maybe that moment was kind of unforgettable for me. And, what can I say? You don’t everyday have the chance to be shooting in an abandoned factory in the middle of nowhere with friends and with artists who you have admired since years ago.

Plus I enjoyed witnessing the nice meeting between Martha, Jay & Aryz at his wonderful cabinet of curiosities in the presence of the artist’s mum. I have pics of this day that won’t be ever published as I think this was a private moment that should remain just in the attendants’ hearts and memories. And I got a couple of good stories in my pocket from that day too.

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

One of the reasons why I’m explaining all this, it’s that I want to emphasize the fact that we are speaking not only about a great artist, but also about a great human being who trusted me and was super generous with me even when he almost didn’t know me at all. And, excuse me: you can be the greatest artist on earth, but if you suck as a person, my interest is gone. Well, as I’ve said, this isn’t the case.

Going back to my visit to Cardedeu, it was easy to find the wall after some searching on the Internet. What I wasn’t expecting was that Aryz was already there giving the last touches to the piece. Yes: both of us are early risers. So, after saying ‘hi’ and some small talk, I started to shoot from the ground. I liked the location of the wall, but speaking from a ‘photography’ point of view, it was a pain in the ass for taking pics because of the fences, the signs, the lights… At least, there were no shadows.

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

I asked a neighbor from the building in front of the piece if she had a good angle of the mural from her balcony. The answer was negative, but she kindly offered to me the keys of the rooftop. This was like pure gold for me. Gracias Eulalia.

As it always is, it was nice being up there. The view was great and I had a nice perspective of Cardedeu’s landscape. You could see how Aryz’ color selection was harmoniously matching the surroundings, creating a beautiful composition. A pedestrian asked the artist about the meaning of the piece. Aryz answered that his work is not about that. He almost demanded that the viewer make a personal effort about thinking and getting his own conclusions.

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

And I agree with that. As he has said in the past, his dialogue is not with the citizens: it’s with the wall, the building, the architecture, and the city… We are just spectators of his artwork, but he is not working for us. Although there can be a deep meaning and sense behind his most important works, maybe we should get involved. And this is challenging and enjoyable.

There’s this very well known saying here in Spain that says: ‘Nadie es profeta en su tierra’ (ed. note; roughly, ‘no man is a profit in his own land’). Well, when Jesus Christ supposedly said that, I’m pretty sure he wasn’t thinking about Aryz.

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

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Asalto 2016 In Zaragoza

Asalto 2016 In Zaragoza

For the 11th annual Asalto Festival in northern Spain’s Zaragoza the public art portion of cultural celebration is anything but assaulting in its content and style. In fact, the works can be compelling, and agreeable.

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Borondo. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

The juried selection from a large number of applicants is carefully chosen and more integrated in the architecture and the city’s environment than most “Street Art” themed festivals. The murals are often designed to be site specific, appear far removed from the concepts of activism or protest and from accounts in local media, make people very happy.

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Borondo. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

For example the remarkable mural by Aryz and SAN (Daniel Muñoz) on a historic chapel transforms its appearance while carefully staying within the bricked perimeters of other framing aspects of the original design, Elian’s conversion of steps into colorful abstract shapes is very decorative and agreeable, and Erica con C. Asalto’s “Rhinos in Love” piece is gently cute and completed with a heart.

Borondo’s multi-framed poolside piece really opens the conversation and imagination of viewers and invites you to imagine what he is seeing through those open doors.

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Borondo. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Borondo. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Erica con C. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Elian. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Elian. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Elian. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Aryz . San. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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San. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Aryz. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Aryz. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Aryz. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

 

We thank photographer Lluis Olive Bulbena for sharing these recent photos from Lluis Olive Bulbena for BSA readers.

For more on the Asalto Festival see http://www.festivalasalto.com/

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BSA Images Of The Week: 09.25.16

BSA Images Of The Week: 09.25.16

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We spent one whole week in Detroit, Michigan as guests of the good people who present the Murals In The Market , 1xRUN and the Inner State Gallery. We scratched the surface.

Our selections for this week’s edition of BSA Images Of The Week are harvested from Detroit streets and rooftops and hidden little spots – the murals painted for this year’s edition of  Murals In The Market, those are coming later on. Enjoy.

So, here’s our weekly interview with the street, this week featuring 907 Crew, Aryz, Avoid, Birdo, Dark Clouds, Droid, Ghostbeard, How & Nosm, Jarus, Kuma, Miss Van, NGC, Ouizi, Patch Whisky, Shepard Fairey, Smells, UFO, Vhils.

Our top image: Droid 907 with their original hybrid of fire extinguisher and outlining. Detroit, Michigan. (photo © Jaime Rojo)

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Vhils for Libray Street Collective. Detroit, Michigan. (photo © Jaime Rojo)

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Miss Van for Murals In The Market 2015. Detroit, Michigan. (photo © Jaime Rojo)

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Ouizi for Murals In The Market 2015. Detroit, Michigan. (photo © Jaime Rojo)

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Shepard Fairey. Detail. Library Street Collective. Detroit, Michigan. (photo © Jaime Rojo)

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Shepard Fairey and How & Nosm. Library Street Collective. Detroit, Michigan. (photo © Jaime Rojo)

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ARYZ. Library Street Collective. Detroit, Michigan. (photo © Jaime Rojo)

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KUMA. Detroit, Michigan. (photo © Jaime Rojo)

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KUMA. Detroit, Michigan. (photo © Jaime Rojo)

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A typical graffiti smorgasbord in an abandoned building in Detroit, Michigan. Multiply this snapshot by 5,000. (photo © Jaime Rojo)

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Jarus. Murals In The Market 2015. Detroit, Michigan. (photo © Jaime Rojo)

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Birdo. Murals In The Market 2015. Detroit, Michigan. (photo © Jaime Rojo)

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Patch Whisky . Ghostbeard. Murals In The Market 2015. Detroit, Michigan. (photo © Jaime Rojo)

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AVOID NGC. Detroit, Michigan. (photo © Jaime Rojo)

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Smells . UFO 907. Detroit, Michigan. (photo © Jaime Rojo)

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Dark Clouds. Detroit, Michigan. (photo © Jaime Rojo)

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Artist Uknown. Detroit, Michigan. (photo © Jaime Rojo)

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Untitled. Detroit, Michigan. September 2016 (photo © Jaime Rojo)

 

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

 

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Rose Béton Festival in Toulouse, France in Year 2

Rose Béton Festival in Toulouse, France in Year 2

Concrete Rose. Sounds like the name of a jailhouse jezebel with a beauty mark on her cheek and feathers and pearls in her hair. Translate it to French and you get the second edition of Rose Béton, a street art and graffiti festival in the “Pink City” of Toulouse, which has more than its share of pink paint and terra cotta brick.

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Hendrik Beikirch AKA ECB.  Rose Béton Festival. Toulouse, France. June 2016. (photo © ECB)

Organized around murals, graffiti jams, workshops, talks, and exhibits, Rose Béton had a New York centered theme this year, including an evening entitled “Hello Brooklyn” although the majority of artists painting were not from NYC aside from the ever youthful and sage Futura – so maybe the “Brooklyn” branding was more an inspiration derived from hip-hop music and the love of Jay-Z.

It also had a few large murals, including ones by Ben Eine, ARYZ and this beauty above by ECB, who painted a portrait of a Moroccan man on a building inhabited by many North African immigrants and a stunning view was captured here by the artist of prayer mats spread out next the building – especially significant during this month of Ramadan.

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Hendrik Beikirch AKA ECB.  Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

Two actual New Yorkers Martha Cooper and Henry Chalfant were there to exhibit their photographic works in one of oldest places dedicated to photography in the world, the Château d’Eau, an old nineteenth century water tower near to the cours Dillon. Along with their seminal New York graff-centered photographs were the work of a young photographer named Sylvain Largot whose specialty is illegal graff.

Martha tells us that the Toulouse event was all male except for one female from Bogota named Ledania and ironically here work received the most “likes” and attention on Martha’s Instagram account. She had come with a crew of mostly Columbians artists for a program called “Latino Graff” which held a show and soiree at Espace Allegria and Galerie Zunzun.

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ARYZ.  Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

The “Hello Brooklyn” graff jam was held at a spacious former factory called Le 50Cinq, which has been renovated by artists and turned into artists’ spaces, studios, and commercial event rental venue.

A round table was held with Toulouse native TILT, who spoke with Bernard Baudron who founded the Toulouse graffiti shop “South Painters,” and Jordi Rubio Rocabert, who started Montana Colors.

Nearby at Musée Des Abattoirs there was an exhibit of graff and street artists including Delta, Krink, Mist, Futura and Boris Tellegen. As Martha shared with us, Toulouse has a long history of graffiti, and the range and passion of the events at Rose Béton this month again confirm that Toulouse is still at the top of its game.

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ARYZ.  Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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ARYZ.  Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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Ben Eine.  Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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Ben Eine.  Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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Ben Eine.  Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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Ben Eine.  Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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Futura. Musée Des Abattoirs. Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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Futura. Musée Des Abattoirs. Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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Futura. Musée Des Abattoirs. Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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Futura. Musée Des Abattoirs. Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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Martha Cooper in the center flanked by Sylvain Largot on the left and Henry Chalfant on the right at Galerie Le Chateau D’Eau for their show “EPOXY”. Rose Béton Festival. Toulouse, France. June 2016. (photo courtesy of Martha Cooper)

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Poster for “Open Summer” graff jam was called “Hello Brooklyn”.  Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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Bomin82. “Open Summer” graff -jam.  Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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Bomin82. “Open Summer” graff -jam.  Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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Ledania. “Open Summer” graff -jam.  Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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Ever and ECB happy encounter at the “Open Summer” graff -jam.  Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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Remeio. Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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Krink. Work in progress. Musée Des Abattoirs. Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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Delta. Work in progress. Musée Des Abattoirs. Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

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From let to right: Tilt, Jordi Rubio Rocabert and Bernard Baudron. Rose Béton Festival. Toulouse, France. June 2016. (photo © Martha Cooper)

Thank you to Ms. Cooper and Mr. Beikirch for sharing their photos with us.

To learn more about Rose Béton Festival click HERE

To learn more about Musée Des Abattoirs and their hours of operation, exhibitions etc…click HERE

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La Catedral: Part II. Barcelona Hand Style in a Factory

La Catedral: Part II. Barcelona Hand Style in a Factory

We’re back with more from La Cathedral, an abandoned factory in Barcelona that manufactures some mighty fine pieces woven by local aerosol hands, ready here for  foreign import. Photographer and BSA contributor Lluis Olive Bulbena has taken us there before but this time you can really see some examples of what might be called the Barcelona hand style. You decide.

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Treze. Detail. (photo © Lluis Olive Bulbena)

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Treze (photo © Lluis Olive Bulbena)

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ARYZ  and the Mixed Media Collective (ARYZ – GRITO – KIKX – POSEYDON – ROSTRO – RGTD) are going strong. (photo © Lluis Olive Bulbena)

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ARYZ. Detail. (photo © Lluis Olive Bulbena)

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Mixed Media (photo © Lluis Olive Bulbena)

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Mixed Media (photo © Lluis Olive Bulbena)

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SRC (photo © Lluis Olive Bulbena)

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JBCB (photo © Lluis Olive Bulbena)

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VMD (photo © Lluis Olive Bulbena)

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VLOK . Otavio & Gustavo (photo © Lluis Olive Bulbena)

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HDA (photo © Lluis Olive Bulbena)

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NAZKA (photo © Lluis Olive Bulbena)

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Unidentified Artist (photo © Lluis Olive Bulbena)

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BSA Film Friday: 02.12.16

BSA Film Friday: 02.12.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Madrid’s Finest: Alber, Snack, and Ysen
2. 10 Spots to Experience Street Art and Graffiti in NYC
3. Aryz In Detroit
4. David Zayas Installation Timelapse for “Muralismo” Exhibition in Puerto Rico

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BSA Special Feature: Madrid’s Finest

A fresh new video with Alber, Snack, and Ysen piecing the be-jesus out of a wall in Spain and giving you pure eye candy for Film Friday this week. Each a member of a different crew, the collaborative effort is a demonstration of “unity is strength”. In their case, it is a lot of style as well.

10 Spots to Experience Street Art and Graffiti in NYC

A visitor from London took his tips about NY Street Art and Graffiti from Time Out magazine, as many tourists do. Hitting all the spots by car and shot entirely on an iPhone in January, it’s a surface survey, a current snapchat of a complex scene that quickly changes.

 

Aryz In Detroit

Aryz did this wall with help from Library Street Collective and it is a good look at his process of building an image, shot by Mike Mojica.

 

David Zayas Installation Timelapse for “Muralismo” Exhibition in Puerto Rico

A surprising video that captures the 44 day installation period artist David Zayas had to transform a space for his exhibition considering the contemporary mural as an historical and modern practice and a vehicle for communication at the Lugar Museo Las Americas.

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BSA Film Friday 01.15.16

BSA Film Friday 01.15.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. A time lapse of sunny skies and weaves: Damian Fulton
2. The Perfect Day in Cambodia
3. PUN18 1985-2016 In Memoriam
4. Zheani X Shida Collaborate

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BSA Special Feature: Damian Fulton

A time lapse of sunny skies and weaves — “It’s such a righteous image that once you see it you go “YES!” Got it!” “I want that,” says Greg Escalonte, co-founder of Juxtapoz. He’s speaking to the gut reaction that California surf culture folks have when they see the new piece by Damian Fulton. Also, there’s a dream sequence!

 

 

The Perfect Day in Cambodia

This looks like a trailer for a larger piece:

Artist David Choe writes “This trip to Cambodia was not a news trip, we were there strictly to spread the message of love, light, beauty, joy, free expression and creativity. I didn’t realize how many millions of musicians, artists, writers and creative people had been murdered in the Cambodian genocide, so I wanted to bring the best artists in the world to Cambodia, a country that has virtually no murals or street art. Our goal, working through the #IglooHong Foundation, was simple: to spread some light, joy and beauty to a country with such a dark past.”

 

PUN18 1985-2016 In Memoriam

A small collection of video pieces from the recently passed psychadelic graffiti writer/ Street Artist Pun18 from Puerto Rico by his friends at TostFilms.

“Every moment that passes is one of learning and value all that we have, so Pun18: Today is a day to celebrate your life and all the moments I shared with you. Thanks for including me and count on me for all the inventions had. With great respect and love I dedicate this short video of some of those moments we shared . I will miss you very much and continue forward like you taught me well . I love you like a brother. Rest in peace.”

 

Zheani X Shida Collaborate

Berliner Shida is experimenting with some digital op art in this little promo video for his collaboration with Zheani Sparkes. It’s interesting to see how his street work is also reflected in this interpretation in video

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A “Cathedral” of Characters in Northern Spain

A “Cathedral” of Characters in Northern Spain

It’s a cathedral of characters, this abandoned furniture factory forty kilometers outside of Barcelona. Cartoons, illustrations, portraits are everywhere; a curious collection of aerosol spray pieces that highlights the popularity of the animated and exaggerated personalities among graffiti and Street Artists in this region of the world.

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Aryz . Rostro Spain. (photo © Lluis Olive Bulbena)

The character may be a salty with a haggard stare, or reference a topic with a bit of satire. The scene may be serious, comical, ridiculous or purely sci-fi and horror. You discover the stories and allegories as you walk through the empty manufacturing rooms now flooded with natural light and dust. Expressions and situations here are full of drama that may trigger your empathy, startle your attention, elicit a shiver, or creepily fondle your funny bone.

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Aryz. Spain. (photo © Lluis Olive Bulbena)

Traveling Spanish urban photographer Lluis Olive Bulbena tells us that the economic crash of 2008 killed many factories like this in Spain and high youth unemployment drove many artists to adorn them with paintings like these. Because of the calm, serene environment of this particular ex-factory where artists roam freely and take long hours to complete these figures in the open air, the colorful forms may call to mind stained glass windows you see in more hallowed houses. Perhaps that is why Bulbena feels so moved that he’s christened this place “La Catedral” (The Cathedral).

We thank him for sharing these images from his latest pilgrimage with BSA readers.

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Aryz. Spain. (photo © Lluis Olive Bulbena)

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Simon Vazquez. Spain. (photo © Lluis Olive Bulbena)

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Aryz . Vino .GR170. Spain. (photo © Lluis Olive Bulbena)

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GR170. Spain. (photo © Lluis Olive Bulbena)

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GR170. Spain. (photo © Lluis Olive Bulbena)

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Enric Sant. Spain. (photo © Lluis Olive Bulbena)

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Enric Sant. Spain. (photo © Lluis Olive Bulbena)

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Julien. Spain. (photo © Lluis Olive Bulbena)

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Anja Mila. Spain. (photo © Lluis Olive Bulbena)

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S. Waknine. Spain. (photo © Lluis Olive Bulbena)

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RIM. Spain. (photo © Lluis Olive Bulbena)

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RIM. Spain. (photo © Lluis Olive Bulbena)

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Manu Manu. Spain. (photo © Lluis Olive Bulbena)

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Lons Dops. Spain. (photo © Lluis Olive Bulbena)

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Kram. Spain. (photo © Lluis Olive Bulbena)

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Baldick. Spain. (photo © Lluis Olive Bulbena)

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Cisco. Spain. (photo © Lluis Olive Bulbena)

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Enric Font. Spain. (photo © Lluis Olive Bulbena)

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Sawe. Spain. (photo © Lluis Olive Bulbena)

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Iagazzo. Spain. (photo © Lluis Olive Bulbena)

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Iagazzo. Spain. (photo © Lluis Olive Bulbena)

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La Catedral. Spain. (photo © Lluis Olive Bulbena)

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La Catedral. Spain. (photo © Lluis Olive Bulbena)

 

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This article is also published on The Huffington Post.

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