All posts tagged: ALEXIS ROSS

“Beyond The Streets” Comes To Brooklyn in June

“Beyond The Streets” Comes To Brooklyn in June

Gastman’s Massive Graffiti and Street Art Show Arrives at Epicenter.

“I’m really excited to bring this show to New York,” says curator, graffiti historian and urban anthropologist Roger Gastman, “because the city plays such a pivotal role in the origin and evolution of the culture. The iconic images of covered subway cars made graffiti famous worldwide.”

Style Wars Car by NOC 167 with Door Open, Man Reading Newspaper, 96th Street Station, New York, NY, 1981. (photo © Martha Cooper)

He’s talking of course about “Beyond The Streets” the hybrid exhibition that he mounted in LA last year featuring the work of 150 who have proved to be pivotal to the evolution of a fifty year global people’s art movement that includes graffiti, street art, and urban contemporary art. Filling over 100,000 square feet of new space in Brooklyn, this two-floor cross-section survey will feature artworks by many of the same vandals, graffiti writers, Street Artists, and art activists who hit NYC streets, created dialogue with passersby, and were sometimes chased by the authorities. To see them showcased here is to recognize that there is not just one route to take – in fact there are many.

Guerrilla Girls at Abrons Art Center, New York, 2015. (photo © Andrew Hindrake)

“We have an incredible roster of artists for New York,” Gastman tells us, “and a brand new space in Williamsburg that has a stunning view of the Manhattan skyline as our backdrop.” Notably the lineup includes artists whose work BSA has documented on the streets in this very same neighborhood over the past two decades, including Shepard Fairey, Faile, Swoon, Bast, Invader, Aiko, and others. Ironically the appearance of free-range Street Art in the neighborhood has been seriously diminished since that time.

The exhibition is one more verification that a significant portion of the scene is being widely recognized for its cultural contribution and value in the contemporary art canon – a significantly fluid scene fueled by discontent and a desire to short-circuit the established routes to audience appreciation. Like large survey shows elsewhere, the takeaway is the significant impact street culture and its tangential subcultures continues to have on the culture at large.

Lil’ Crazy Legs during shoot for Wild Style, Riverside Park, NY, 1983. (photo © Martha Cooper)

Gastman says the New York version of “Beyond The Streets” will take an additional interest at the role of music and art activism on the street, along with immersive installations, a tattoo parlor, a special Beastie Boys installation with artifacts and ephemera, a new 30th Anniversary Shepard Fairey project “Facing The Giant: 3 Decades of Dissent,” and large scale works by Gorilla Girls, Futura, Cleon Peterson, and Takashi Murakami. 

More news coming on programming and events, but the important opening date to know right now is June 21st.

“All in all, it will make for a really special show this Summer,” says Gastman.


BEYOND THE STREETS TEAM

Curator: Roger Gastman

Co-Curators: Sacha Jenkins SHR, Evan Pricco, David CHINO Villorente

Producer: Ian Mazie & Pressure Point Creative


Tickets and hours of operation can be found at: BEYONDTHESTREETS.COM


FEATURED ARTISTS INCLUDE:

A-ONE, AIKO, Al Diaz, Alexis Ross, Alicia McCarthy, André ​Saraiva, Barry McGee, BAST, Beastie Boys, Bert Krak, Bill Barminski, Bill Daniel, BLADE, Broken Fingaz, Buddy Esquire, buZ blurr, Carlos Mare, Carl Weston, Cey Adams, C.R. Stecyk III, Charlie Ahearn, Chaz Bojórquez, Claudia Gold, Cleon Peterson, COCO 144, Conor Harrington, Corita Kent, Craig Costello, CRASH, DABSMYLA, Dan Witz, Dash Snow, DAZE, DEFER, Dennis Hopper, Dondi White, Doze Green, EARSNOT, Estevan Oriol, Fab 5 Freddy, FAILE, Faith XLVII, Felipe Pantone, FREEDOM, FUTURA 2000, Gajin Fujita, Glen E. Friedman, Gordon Matta-Clark, Guerrilla Girls, HAZE, Henry Chalfant, Herb Migdoll, Husk Mit Navn, INVADER, Jane Dickson, Jason REVOK, Jean-Michel Basquiat, Jenny Holzer, Jim Prigoff, John Ahearn, John Fekner, John Tsombikos, Joe Conzo, José Parlá, KATS, KC Ortiz, Keith Haring, Kenny Scharf, Kilroy Was Here, LADY PINK, LAZAR, LEE Quiñones, Lisa Kahane, MADSAKI, Maripol, Mark Gonzales, Mark Mothersbaugh, Martha Cooper, Matt Weber, Maya Hayuk, Michael Lawrence, MIKE 171, MISS 17, Mister CARTOON, Nina Chanel Abney, NOC 167, Pat Riot, Patrick Martinez, Paul Insect, POSE, PRAY, Rammellzee, Randall Harrington, RETNA, Richard Colman, Richard Hambleton, RIME, RISK, Ron English, Ruby Neri, SABER, Sam Friedman, SANESMITH, Sayre Gomez, Shepard Fairey, SJK 171, SLICK, SNAKE 1, SNIPE1, STAY HIGH 149, Stephen Powers, SWOON, Takashi Murakami, TAKI 183, TATS CRU, TENGAone, Tim Conlon, Timothy Curtis, Todd James, Trash Records, UGA, VHILS, and ZESER

The show is developed in partnership with Adidas and Perrier. Additional support provided by Modernica, Montana Colors, NPR, NTWRK, Twenty Five Kent and WNYC.

Please follow and like us:
Read more
Coney Island Dreaming: Following the Signs to Stephen Powers

Coney Island Dreaming: Following the Signs to Stephen Powers

Stephen Powers: Coney Island Is Still Dreamland (To A Seagull) is one of 3 new exhibits inspired by the historic attractions of Brooklyn’s seaside

Graffiti artist-turned-sign painter Stephen Powers is dreaming of Coney Island and he is bringing a colorful collection of found and freshly produced signage that evokes a forgotten era to climb the columns of a Brooklyn Museum gallery.

Given the boisterous parade of brands and logos into museums that is happening as part of the institutional funding and programming mix, its fun to see the ninth episodic installation of this traveling ICY SIGNS shop here; its simplicity and guile recalling amusing persuasive techniques from the mid-century American advertising lexicon. Simultaneously, for those who have been lucky enough to sicken themselves on cotton candy and The Wonder Wheel, the new show imparts a rather reassuring and seedy nostalgia for Coney Island, complete with an inexplicable hankering for a thick beef hot dog.

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-5

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

Just as warm weather recedes and late autumn’s chill darkens that historic city seaside amusement park, the popsicles and sand and titillating oddities are all rushing inside for the winter at Brooklyn Museum. Here and in adjacent galleries, the stage-directing showfolks at BKM are offering conjoined triplets for you to gawk at: Stephen Powers: Coney Island Is Still Dreamland (To a Seagull), Coney Island: Visions of An American Dreamland, 1861-2008 and Forever Coney: Photographs from the Brooklyn Museum Collection.

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-3

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

In tandem with his merry band of mostly reformed graffiti writers-turned-sign painters, Powers’ installation pops up and outward chaotically like nighttime fireworks seen from the boardwalk on the 4th. The fast talking Philadelphia-born Powers is a natural carnival barker, showman, and punny word player, and this textual chorus of messages invites you to consider the tantalizing language of the pitch as well.

While you tumble layer upon layer, feel free to revel in the clever permutations of implorative doublespeak delivered with non-linear panache, a cluster of colorful visual cues here cut from their tether and flying above your head. Rather than actually selling you something, however, it’s the method of delivery that Powers is celebrating. It’s a joyride of icons that trumpets the juxtaposition of the graphic, the selection of the symbol, the wink of an eye, the turn of the word, the jocular joust.

Just like any rollercoaster or peeping attraction, its a thrill best enjoyed by holding on tight, alternately letting go completely, blurring your eyes and drinking in the candied, fried, salty sweetness. And just like any tourist attraction that helps those yearning for a closer view, a classic binocular tower viewer is sited center stage for you to gaze further than the human eye.

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-18

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

In a city that is quickly stamping out the last remaining handmade signage that was once ubiquitous on bodegas, candy shops, record stores, laundromats, restaurants, bars, pizza joints, and hot dog stands, it is ironic that these new signs recalling that communication vernacular are being brought into the museum. If any of these signs remain in public space today, they are faded glories overlooked, often called “ghost signs”. Powers brings the language back to life, inverting the expected, cleverly blending in his own sense of Coney Island romance, heavily salted and smothered in ketchup.

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-24

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

Anne Pasternak, the new director of this encyclopedic institution, saw the value in preserving this particular character of New York when she was President and Artistic Director of Creative Time and the organization collaborated with Powers for the first time in 2004 and 2005 on The Dreamland Artists Club in Coney Island. Those first two projects were the genesis of their collaboration in Coney Island again in 2008 with The Waterboard Thrill Ride. Emblazoned by Powers’ hand painted wit the darkly satirical project was sited in a Coney Island peeing booth/grindhouse that stirred controversy for its animatronic depiction of torture.

More often Powers’ installations in a dozen or more cities are affectionately referred to as Love Letters, including massive text-based projects that cover walls and neighborhoods in Philadelphia, Baltimore, Syracuse and 2011’s Love Letter to Brooklyn, which wrapped a building with city inspired phrases of 250 or so words in downtown BK.

Here at the museum you are best served to get in close and go full bore into the jumbled chaos of words always at play in Power’s work and mind. The installation features the twisted phraseology of a country baked in advertising jingles, slogans, and blustery bromides and each of the artists (Justin Green, Matt Wright, Mike Levy, Dan Murphy, Mike Lee, Mimi Gross, Alexis Ross, Sean Barton, Eric Davis, and Tim Curtis) bring their own handstyles and witticism to these conversations, a playful and sarcastic examination that bubbles and splashes like waterfalls of words beneath the rotunda.

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-2

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

As Powers and team completed their installation this week for Friday’s opening we spoke with curator Sharon Matt Atkins, Vice Director of Exhibitions and Collections Management, to see if the newest iteration of ICY SIGNS has been the fun house that it appears to be.

Brooklyn Street Art: Can you talk about the intersection of the three exhibits here as expressed in the signage of Powers?
Sharon Matt Atkins: Our three Coney Island exhibitions capture the spirit of the seaside community and give a feeling for how the place has inspired generations of artists. Powers’ installation in particular brings the visual language of Coney Island to the Museum by recalling the great tradition of hand-painted signs.

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-1

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

Brooklyn Street Art: How much of the exhibit is specific to this installation and how much is heritage pieces from its pre-iterations?
Sharon Matt Atkins: This installation combines found signs alongside those created by Powers and ICY SIGNS. The works by Powers and ICY SIGNS include both earlier work as well as new signs and paintings created for this exhibition.

Brooklyn Street Art: Brooklyn Museum is once again embracing the language of Brooklyn streets and public space, bringing it into a gallery and presenting it as vital and worthy of consideration. How does this one compare to the shows you organized for Swoon and Faile?
Sharon Matt Atkins: I have loved seeing the Cantor Gallery transformed with each artist’s installation, and also with recent exhibitions like Kehinde Wiley: A New Republic and Crossing Brooklyn. It’s a beautiful space that lends itself to different kinds of experiences.

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-6

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

Brooklyn Street Art: How does the space lend to or present a challenge for the displaying of the multiple signs?
Sharon Matt Atkins:
Powers and team really wanted to respond to the architecture, much in keeping with how signage becomes layered in cities and places like Coney Island. Working with the piers of the Museum’s Cantor Gallery, they built layers and stretched upward about 40 feet, creating these soaring towers of signs that are anchored by sign benches at their bases. Providing a lively and educational element to the exhibition, we will also have sign painters at work here on Thursday evenings, and afternoons on Fridays, Saturdays, and Sundays.

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-7

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-10

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-13

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-11

Stephen Powers . ICY SIGNS “Shameak” “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-12

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-8

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-16

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-19

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-20

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-21

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-22

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-23

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-25

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-17

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

brooklyn-street-art-steve-espo-powers-jaime-rojo-brooklyn-museum-11-15-web-26

Steve Powers “Coney Island Is Still Dreamland (To A Seagull)” Brooklyn Museum. November 2015 (photo © Jaime Rojo)

Steve Powers’ site specific installation “Stephen Powers: Coney Island Is Still Dreamland (To a Seagull)” is presented in conjunction with “Coney Island: Visions of An American Dreamland, 1861-2008”. Both exhibitions will open to the public this Friday, November 20th and will run until March 13, 2016. Click HERE for more details.

 

<<>>><><<>BSA<<>>><<<>><><<>>><><<>BSA<<>>><<<>><><<>>><><<>BSA<<>>><<<>><>

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><<>>><><<>BSA<<>>><<<>><><<>>><><<>BSA<<>>><<<>><>

This article is also published on The Huffington Post

Brooklyn-Street-Art-Stephen-Powers-740-Screen-Shot-2015-11-18-at-12.04.19-PM

Please follow and like us:
Read more

BSA Film Friday: 05.31.13

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening: Las Calles Hablan : Street Art in Barcelona, RONZO Goes pre-historic with Skatersaurus, SAMO© by Aaron Rose and Thomas McMahan.

BSA Special Feature:
Las Calles Hablan : Street Art in Barcelona

“Las Calles Hablan is a story about discovering a hidden world, an extraordinary subculture and the struggle between an artistic community painting for freedom of expression and an increasingly restrictive dogmatic government,” says Justin Donlon as he speaks about this hour long documentary he made with Silvia Vidal Muratori and Katrine Knauer.

An educational and unpretentious study of the spectrum of Street Artists and techniques currently at play in Barcelona, the team traces  the scene through personal observations and their network of local and international artists, local gallerists, and their connections globally via the Internet.


The film traces the trajectory from the Street Art/graffiti’s emergence at the end of the 70s following the Franco dictatorship and the rise of international hip-hop culture through the 90s into a sort of freewheeling golden era in the early 2000s. It also explains the current unease with the city, the professionalizing of the artists through a growing gallery practice, and the collaborative initiatives of some community leaders with artists.

Taking a straightforward documentary approach, the motivations and inspirations of current artists on the scene are presented without much of the exaggerated myth-making that more commercial hype vehicles often contain. Included in the examination are how community and local citizens and authorities have taken a constructive role in facilitating space and opportunities for some artists here and elsewhere, while the definition and appetite for illegal work ebbs and flows.

Featured artists:Zosen, Mina Hamada, Kenor, Kram, El Xupet Negre, Debens, Fert, Dase, SM172, Ogoch, Kafre, Aleix Gordo, Meibol, Eledu, C215, H101, Miss Van, Btoy, El Arte Es Basura, Konair, Gola, Vinz.

(Image above a screenshot of Vinz © Las Calles Hablan)

RONZO Goes pre-historic with Skatersaurus

A quickie with RONZO, who quickly demos how his latest charactor, the Skatersaurus, is created and installed.

SAMO© – Jean-Michel Basquiat
By Aaron Rose and Thomas McMahan

An electric train switch clicking and collaged short of distressed city clips paying homage to the free floating and cryptic phraseology of Basquiat as his street writing alter ego SAMO© . This new video directed by Aaron Rose and Thomas McMahan is a thrill cut to a New York graffiti era ever more cast in amber, a choppy popping scratching archival image soaked indictment/celebration of conformist chaotic consumerist culture and the struggle to pay the bills, backed by a mechanical nihlist beat you can pop and lock to while name-dropping like Fab Five Freddy.  Don’t push me cause I’m close to the Vogue.

Music by N.A.S.A. featuring Kool Kojak, Money Mark and Fab Five Freddy
Animations by Maya Erdelyi and Alexis Ross

 

 

 

Please follow and like us:
Read more

Red Hot and Street: “Art in the Streets” Brings Fire to MOCA

brooklyn-street-art-banksy-jaime-rojo-moca-art-in-the-streets-huffpost-04-11-web-15Banksy’s Reliquary (photo © Jaime Rojo)

Yes, Banksy is here. The giant “Art in the Streets” show opening this weekend at the Museum of Contemporary Art in Los Angeles gives a patch of real estate to the international man of mystery who has contributed greatly to the worldwide profile of this soon to be, maybe already, mainstream phenomenon known as street art. A smattering of his pranksterism is an absolute must for any show staking claim to the mantle of comprehensive survey and an excellent way to garner attention. But “Streets” gets it’s momentum by presenting a multi-torch colorful and explosive people’s history that began way before Banksy was born and likely will continue for a while after.

brooklyn-street-art-os-gemeos-moca-jaime-rojo-art-in-the-streets-04-11-web

Os Gemeos Untitled. Detail  (photo © Jaime Rojo)

To continue reading about this exhibition go to The Huffington Post ARTS by clicking on the link after the image below.

Brooklyn-Street-Art-WEB-MOCA-Streets-Huffpost-Arts-Banner

Direct link to article on HuffPost Arts

Please follow and like us:
Read more