All posts tagged: 1UP Crew

BSA’s 15 Most Popular Murals Of 2017 – A “Social” Survey

BSA’s 15 Most Popular Murals Of 2017 – A “Social” Survey

How do you measure the success of a street piece? Foot traffic? How long it runs before being dissed?

The Internet revolutionized our lives and our definition of community and along with that we extend the experience of art on the street to the conversations and sharing that takes place in the digital “social” realm. BSA lives in both spheres daily, capturing stuff on the street and then telling its story to a global audience online. The truth is, we never really know what people will like.

Actually we do know some things will always be a hit as time moves forward – pop culture references. Banksy and Shepard and D*Face and their generation could always count on Sid Vicious, Marilyn, Mickey, Her Majesty QE2 and the ironic turn of pop parlance to drive a humorous, campy, sarcastic point home. Today we can count on 90s rapper Biggie Smalls and Star Wars Storm Troopers in any iteration to send the image volleying through our Facebook, Instagram, Twitter referrals, comments, feeds. In fact, both Biggie and the Trooper made it into the top 15 mural collection this year and last year – made by different artists.

In fact, these 15 images are not all murals but they resonate with larger numbers than others we published this year; a visual conversation that includes legal, illegal, small, anonymous, massive, deliberately confounding, tossed off scrawling, handmade and mass produced stickers, tags, poetry, diatribes, culture jamming, ad takeovers, sculpture, installations. Every week we aim to present a varied selection of expressions currently represented on the street, and then it is your turn to respond.

During 2017 BSA readers responded to images via our website, Instagram, Twitter, Tumbr, and Facebook pages. In a thoroughly unscientific survey that calculates “likes” and “clicks” and “re-Tweets” and “impressions”, we tallied up which murals (or images) got the most interest from you. Care to interpret the results?


15 – Lonac.

Here is his multi-story mural of an artist friend painting a wall for “No Limit” Borås. Borås, Sweden. September, 2017. (photo © Jaime Rojo)


14 – Add Fuel.

His mural of traditional Scottish tile patterning in Nuart Aberdeen captivated many readers. Aberdeen, Scotland. April, 2017. (photo © Jaime Rojo)


13 – Daniel Buchsbaum.

Converting this water heater in a room of the Antique Toy Museum. Mexico City. November, 2017. (photo © Jaime Rojo)


12 – Axe Colours.

For the second year in a row, but in different cities by different artists, the 1990s Brooklyn rapper Biggie Smalls appears on the top 15 list. This time he is in Barcelona, Spain. November, 2017. (photo © Jaime Rojo)


11 – Miss Van.

Ever more surreal, this is an instant classic by Miss Van is in Barcelona, Spain. November, 2017. (photo © Jaime Rojo)


10- Dave The Chimp.

The simplicity of Dave The Chimps’ characters can be a bit deceiving, considering how he manages to put them everywhere in so many situations. This one taps into our societal fears and the realization that our public (and private) moves are being recorded and scrutinized all the time, ready or not. Berlin, Germany. February, 2017.  (photo © Jaime Rojo)


9 – ATM Street Art.

Dude, the bird-admiring contingent online took this one and flew with it. It’s a Red-faced Warbler for Audubon Birds of Broadway. Manhattan, NYC. January, 2017.  (photo © Jaime Rojo)


8 – Suits.

A prize-winning use of existing conditions in furtherance of his message, Suits used this damaged wall very effectively. It helped to have Manhattan as a backdrop. Brooklyn, NYC. June, 2017  (photo © Jaime Rojo)


7 – BK Foxx.

Directly borrowed from a scene with Robert Dinero in the movie Taxi Driver, Street Artist BK Foxx uses the background to reference the never-ending scenes of violence that are in the news in the US. Brooklyn, NYC. November, 2017. (photo © Jaime Rojo)


6 – Tatiana Fazlalizadeh.

This garden of the mind grows in Manhattan at public school PS92. Manhattan, NYC. January, 2017. (photo © Jaime Rojo)


5 – The Outings Project.

Created during Nuart Aberdeen by Julien de Casabianca of the Outings Project, this reproduction of a painting was perfectly placed in a part of the city once known for the selling of people as slaves. An uncomfortable bit of beauty maximizes the possibilities with perfect placement. Aberdeen, Scotland. April, 2017. (photo © Jaime Rojo)


4 – 1UP Crew…and other vandals.

An iconic and isolated Brooklyn rooftop scene in the winter is made forbidding and welcoming by the snow storm and picnic tables.  Brooklyn, NYC. February, 2017. (photo © Jaime Rojo)

 


3 – Pyramid Oracle.

Ascending the subway stairs to see the grand wizened man with a third eye, this black and white image was somehow inspirational to many of our fans. Manhattan, NYC. April 2017.  (photo © Jaime Rojo)


2 – Raf Urban.

A mid-sized wheat-pasted stencil piece claims the number 2 spot with the former President and First Lady, along with the message “Diversity is Hope.” Brooklyn, NYC. April, 2017. (photo © Jaime Rojo)


1 – Jerkface.

Guy Fawkes is a folk hero for the Occupy generation, here surrounded by the encroaching anonymous armature of the police state, represented by Storm Troopers. You can read many messages into this and like most good art, you’d would be right. Manhattan, NYC. March, 2017. (photo © Jaime Rojo)

Read more
BSA Images Of The Week: 11.19.17 : Barcelona Special

BSA Images Of The Week: 11.19.17 : Barcelona Special

BSA-Images-Week-Jan2015

Barcelona this week was a tale of many opinions, passionately expressed, even hammered home. Geographically at the epicenter of a fight for/against the secession of Catalonia this fall, the conversations about everything from futbol to Guaudi to tourists can take on great enthusiasm.  Although, no one argues about tapas. Tapas are just always good.

The organic Street Art scene in the city that was famous during the early 2000s has been calmed as a result of a crackdown on illegal works, but some still exists in pockets of stencils and stickers and one-off paintings. The legal stuff, or ‘permissioned’ murals, are more likely what you will find in the central city, with a little more illegal stuff as you move away from the center to Sant Feliu de Llobregat or L’Hospitalet de Llobregat,

In general the Barcelona scene feels alive, vibrant, varied; and the quality of execution can be quite high. There is also an elusive feeling of magic and history infused within the integrated street scene and a healthy amount of socio-political critique – a swirling mix of illegal murals, commissioned murals, and controlled chaos in the artist compounds. Our sincere thanks to our hosts on the streets this week, especially Fernando and Esteban.

Here’s our weekly interview with the streets, this week featuring 1Up, Axe Colours, Escif, Hosh, Kenor1, Kwets1, Mina Hamada, Pantonio, Rice, and Zosen.

Miss Van at La Escocesa from 2012. Barcelona. (photo © Jaime Rojo)

Miss Van at La Escocesa from 2012. Barcelona. (photo © Jaime Rojo)

Miss Van at La Escocesa from 2012. Barcelona. (photo © Jaime Rojo)

Escif at La Escocesa. Barcelona. (photo © Jaime Rojo)

Axe Colours. Barcelona. (photo © Jaime Rojo)

Pantonio at The Hangar. Barcelona. (photo © Jaime Rojo)

Pantonio at The Hangar. Barcelona. (photo © Jaime Rojo)

Rice. Barcelona. (photo © Jaime Rojo)

Rice. Barcelona. (photo © Jaime Rojo)

Rice. Barcelona. (photo © Jaime Rojo)

Zosen and Mina Hamada. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Hosh. Contorno Urbano.12 + 1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Kenor1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

1UP Crew. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Bombers. Sant Feliu de Llobregat. Barcelona. (photo © Jaime Rojo)

Kwets1 . Kaligrafics. Sant Feliu de Llobregat. Barcelona. (photo © Jaime Rojo)

Kwets1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Street Artist and muralist Kwets1 spent three months working on two monumental murals on two tunnel walls right across from each other in the immigrants friendly, working class town of Hospitalet de Llobregat in Barcelona. The obvious theme of the mural is nature, conservation and climate change. The underpass is located right next to a river that attracts a plethora of exotic birds that use as a sanctuary and a rest stop as they migrate south during the winter season. We were actually witness to several large parrots flying from tree to tree while we were there.

The artist says that he took his inspiration directly from the nature story, and the human one of immigration here as well.

The other source was the human immigrant stories in this town. In the late 60’s and 70’s the immigration to the town was from several regions of rural Spain, with agrarian families who left farmlands and came to Barcelona seeking job opportunities in the large manufacturing companies that had established themselves in Barcelona. Many of those original immigrants eventually left the town to retire within Spain or to other European countries – leaving room for a new wave of immigration coming from several parts of Africa and Central and South America.

Presently Hospitalet is a vibrant community of old and new residents, and these murals capture the feeling of colorful, tumultuous, exiting and difficult change.

Kwets1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Kwets1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Kwets1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Kwets1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Untitled. Mine is bigger than yours. Barcelona, Spain. (photo © Jaime Rojo)

Read more
1UP, Martha Cooper, Jaime Rojo: The Print Pops

1UP, Martha Cooper, Jaime Rojo: The Print Pops

1UP . Graffiti Prints. (photo © Jaime Rojo)

It was May, there were birds singing in the trees, the smell of aerosol spray in the air, and steady traffic on the Bülowstrasse as we walked past the Urban Nation production offices up to the soon-to-be museum. We had heard that one of Berlin’s best known graffiti crews had come in the night and hit the construction walls outside the museum and hoped to get a shot of the new 1UP piece.

Infamous for their exploits and appreciated for their aesthetics, this was a chance to see fresh paint. As we crossed the street to get closer to the large new moniker we saw the masked men first, then the small crowd, then Martha.

1UP . Graffiti Prints. (photo © Jaime Rojo)

They had hit the spot the night before but now were back to tighten up the presentation. And man they nailed it. A month later Giancarlo Petrucci of Graffiti Prints asked our editor of photography Jaime Rojo if GP could use his photo of the 1UP piece to make a limited run print with the crew. Jaime said yes and this gorgeous thing resulted; a 12 color screen print on jet black plike paper with spot varnish on the 1UP. Even in these shots you can see how it pops right off the paper.

Ephemeral in nature as that moment was in time, this special print will help us remember that day at the UN with 1UP and Martha Cooper and Jaime, and we’re thankful.

1UP . Graffiti Prints. (photo © Jaime Rojo)

1UP . Graffiti Prints. (photo © Jaime Rojo)

1UP . Graffiti Prints. (photo © Jaime Rojo)

1UP Crew Hits Front of Urban Nation in Berlin

Read more
BSA Images of the Week 09.17.17 Urban Nation (UN) Special

BSA Images of the Week 09.17.17 Urban Nation (UN) Special

 

BSA-Images-Week-Jan2015

Welcome to Sunday! This week we have a special edition of BSA Images of the Week; Dedicated to stuff on the street for last nights opening of Urban Nation Museum of Urban Contemporary Art (UN).

Readers of BSA will know that we are on the curatorial board of the new museum and have worked with 8 other curators along with Director Yasha Young to bring the inaugural show that happened last night to fruition. A block buster with thousands of people coursing through the perspective-bending walkways to see the GRAFT designed interiors, it was gratifying to see the 150 pieces admired by such interest, such avid curiosity.

As part of our mission, we want to foster an ongoing dialogue between the art in the streets and the art inside the museum. As UN’s first programmatic approach to this goal, the Art Mile invites the public to see installations that are made by many of the artists/collaborators which UN has had for projects in the city and around the world during the last few years of building the museum and reaching out to the community.

So with gratitude to you and to all the creatives and their supporters who rock our world, here’s our weekly interview with the streets, this week featuring 1UP Crew, 2501, Anthony Lister, Berlin Kidz, Blek Le Rat, David De La Mano, Faith XLVII, Franco “Jaz” Fasoli, Hot Tea, Icy & Sot, Inka Kendzia, Isaac Cordal, James Bullough, Louis Masai, Mademoiselle Maurice, Manthe Ribane, Seth Globepainter, Tankpetrol, Zezao, and Zio Ziegler.

Top image: 8 a.m. the morning after. Space Invader’s new plate unveiled last night to commemorate the opening of Urban Nation Museum For Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

Berlin Kidz . 1UP Crew. James Bullough . 2501 . Zio Ziegler. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Anthony Lister. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Franco JAZ Fasoli. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Mademoiselle Maurice . Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Zezao. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Blek Le Rat. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Blek Le Rat. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Blek Le Rat. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

David De La Mano. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Tankpetrol. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

“AURUAM” Manthe Ribane, Inka Kendzia, and Faith XLVII. Art Mile. Urban Nation Museum For Urban Contemporary Art. (Photo © Jaime Rojo)

Icy & Sot. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Icy & Sot. Detail. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Louis Masai. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Seth Globepainter. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Hot Tea. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Read more
1UP Crew Hits Front of Urban Nation in Berlin

1UP Crew Hits Front of Urban Nation in Berlin

There are two things we never expect to see in our lives here on the streets when looking for new Street Art and graffiti. One is a live unicorn walking down the street twirling a hula hoop on its horn and farting glitter. The other is the 1UP crew hitting up a wall wild style in broad daylight, wearing those mystical Tron-Kabuki masks – on the front wall of the nascent Urban Nation Museum (UN).

1UP Crew. Urban Nation Museum For Urban Contemporay Art. PM/12 – We Broke Night.  Berlin, May 19, 2017. (photo © Jaime Rojo)

As the double barrelled aerosol assault was happening we could hear the sound of heads exploding when the news of this ubiquitous graffiti crew hitting up this location would hit various constituencies. We could also hear the sound of the guys yelling over the Bülowstraße street traffic to each other through their masks – asking for one to throw a particular can or to question whether to do a specific fill or line. “We don’t usually work during the day,” said one of them to us as he gazed up at the blue fire glow that frames the 1UP name. “With so many people around with cameras these days, we can’t take many chances.”

1UP Crew. Urban Nation Museum For Urban Contemporay Art. PM/12 – We Broke Night.  Berlin, May 19, 2017. (photo © Jaime Rojo)

In this historically graffiti-loving city you have to work really hard for people to notice your work, and crews like 1UP and Berlin Kidz are revered for their aerosol prowess – and the chances they take. Not sure what the German term would be but in English the word “crushed” may have a picture of 1UP next to it in the dictionary. Equally impressive is their ability to stay completely anonymous – and with more members than the annual Menudo reunion BBQ.

1UP Crew. Urban Nation Museum For Urban Contemporay Art. PM/12 – We Broke Night.  Berlin, May 19, 2017. (photo © Jaime Rojo)

Compound the occasion with celebrated graffiti and Street Art photographer Martha Cooper pacing back and forth on the pavement and capturing every angle of the action. She’s crouching low and climbing higher for the right show while normal every day dudes like Shepard Fairey walk up to the small group of assembled observers to see what the matter is.

Shepard and his crew have just finished a large building side mural a block from here, as well as an expansive piece inside the museum space, where he’s DJing tonight. He seems to like the 1UP work and he also mentions how he digs Berlin Kidz and their style of rappelling down walls – and then talk turns to Brazillian pichação writers.

1UP Crew. Urban Nation Museum For Urban Contemporay Art. PM/12 – We Broke Night.  Berlin, May 19, 2017. (photo © Jaime Rojo)

When a red-faced teenaged girl approaches one of the masked markers, he takes a minute to answer her inquiries, can in hand, ready to hit the wall but happy to respond to her multiple follow-up questions. Then he darts back up the ladder to spray a few small white starbursts while she aims her smartphone up at the action and he starts to looks for a red can to spray Martha’s name. Seeing Martha’s name up there seems appropriate, considering the first Martha Cooper Library will open here in four months.

So that’s it, nothing special happened today here in Berlin, only that 1UP knocked out a large piece on the outside of UN. Nothing more to see here.

Keep your eyes open for unicorns.

1UP Crew. Urban Nation Museum For Urban Contemporay Art. PM/12 – We Broke Night.  Berlin, May 19, 2017. (photo © Jaime Rojo)

1UP Crew. Urban Nation Museum For Urban Contemporay Art. PM/12 – We Broke Night.  Berlin, May 19, 2017. (photo © Jaime Rojo)

 

1UP Crew. Urban Nation Museum For Urban Contemporay Art. PM/12 – We Broke Night.  Berlin, May 19, 2017. (photo © Jaime Rojo)

1UP Crew. Urban Nation Museum For Urban Contemporay Art. PM/12 – We Broke Night.  Berlin, May 19, 2017. (photo © Jaime Rojo)

1UP Crew. Urban Nation Museum For Urban Contemporay Art. PM/12 – We Broke Night.  Berlin, May 19, 2017. (photo © Jaime Rojo)

1UP Crew. Urban Nation Museum For Urban Contemporay Art. PM/12 – We Broke Night.  Berlin, May 19, 2017. (photo © Jaime Rojo)

1UP Crew. Urban Nation Museum For Urban Contemporay Art. PM/12 – We Broke Night.  Berlin, May 19, 2017. (photo © Jaime Rojo)

1UP Crew. Urban Nation Museum For Urban Contemporay Art. PM/12 – We Broke Night.  Berlin, May 19, 2017. (photo © Jaime Rojo)

1UP Crew. Urban Nation Museum For Urban Contemporay Art. PM/12 – We Broke Night.  Berlin, May 19, 2017. (photo © Jaime Rojo)

1UP Crew. Urban Nation Museum For Urban Contemporay Art. PM/12 – We Broke Night.  Berlin, May 19, 2017. (photo © Jaime Rojo)

 

Read more
Rocking “THE HAUS” : A 5-Floor Berlin Bank is Transformed by Artists

Rocking “THE HAUS” : A 5-Floor Berlin Bank is Transformed by Artists

“Normally we paint advertising – hand-painted advertising, mostly with cans. So we work all over Germany, with a lot of crews, “ says Kimo, a bearded, bald energetic and sharp witted guy who is lighting up a cigarette in this tattered, beige ex-conference room.  That explanation doesn’t prepare you for what you will see in the rooms upstairs.

Size Two. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

The floors are piled with unopened paint buckets and brushes and cans and the walls in this organizing office are covered with scotch-taped project timelines, to-do lists, and floor plans of the old bank. Each former office space is plainly labled with names of German Street Artists or graffiti  crews, some you recognize, others you don’t. More recent Street Art names are next to classic Graff heads, installation  artists mix freely with Optic Artists, photographers, sculptors, even a live moss installation.

Case Maclaim is right next door to Turbokultur with Stohead out in the hall on floor 1.  El Bocho and Emess are in small rooms to either side of 1UP on the 3rd. Herakut in a corner room numbered 506 is right next to Nick Platt and Paul Punk in 505.

1UP Crew. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

What are all these artists, more than 175 of them and almost entirely German, all doing throughout a five-floor bank building in central Berlin on the Kudamm?

You’ll find out in April when the doors open to thousands of graffiti/Street Art/contemporary art fans to tour through THE HAUS, an enthusiastic life-affirming  joyful and pissed-off D.I.Y.-flavored fun-haus of fully realized installations, painting, projections, exhibits, and interventions.

You’ve been to (or at least read about) these last-hurrah urban art installations before – celebrations of artists’ visions that inhabit a building destined to be demolished soon. Possibly because of their ephemeral nature or a lack of serious interest in art-making, often the artworks and their execution are a bit slap-dash and loosely committed.

Not at THE HAUS. You’ll likely be surprised by the conceptual sophistication at times and wowed by technical dexterity, stagecraft, attention to details, and genuinely mind-challenging immersive environments.

Super Bad Boys. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

But this is Berlin after all, an urban art capital where graffiti crews are known for getting way up on impossible walls with foolhardy and militarily precise plans – sometimes implemented with rehearsal and execution under cover of night.

The logistical planning of Street Art and graffiti interventions here often centers around devising a slick and ingeniously resourceful roll-out of the aesthetic attack- some times given as much attention as executing the artwork.

Innerfields. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

“We do not curate any of the room concepts,” explains Kimo as he leads you from room to room, sometime removing protective tape over doorways and turning on lights to allow a guest to see inside. “There is no over all concept. It has to be really really nice, but that’s it.”

Okay, there are some challenging themes around violence, graphic sexuality, and the horror of human trafficking. More often they are driven by character, text, and slaughtering with paint and pattern. As with most creative ventures of this size, it is impossible for organizers to know when or if to draw the line on content.

 

Herakut. Process Shot. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

There is also a darkened and completely life-sized realistic portion of a train-yard with a capped train over head, rails below, and cables and ground stones. A companion “white box” installation is said to be somewhere right now inside an underground Berlin train station. It is evident that weeks of preparation went into many of these dioramas and scenes.

“We just called around 50 artists to invite them here to take a look at the building and we told them, ‘If you know guys who have skills like you, just tell them.’ We’re looking for more artists,” Kimo says.

With more than three times that number coming and installing in the HAUS building over the last four months, there are still more artists who are clamoring to get in. “Now we have 100 artists on the waiting list”.

Case Maclaim. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

The existence of this list would sound like bragadoccio coming from another organizer of an event like this, but when you see the calendars, lists of names, video scheduling, website design schedule, team responsibilities, art materials, contracts, even marketing plans printed and thumb-tacked on the walls of the Orga, you know that these three partners have created a supportive art-making environment with a sense of purpose.

“Bolle and Jörni  have been painting for 25 years,” says Kimo of his two partners. The three are members of their own crew called DIE DIXONS. Kimo says he cannot paint. “I tried but I can’t, I don’t have the patience to paint”. Instead he says he has great organizational abilities and love for the art  subculture and the graffiti/Street Art game.

 

Kaleido. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Together the DIE DIXONS also own the professional sign-painting company Xi-Design who originated THE HAUS project, and it is their multiple contacts with real estate, construction, lifestyle brands, paint suppliers, and highly-skilled commercial painters that makes this endeavor a POWER HAUS like few you’ll find.

This show is planned to be destroyed in a few months along with the building for a new project with condos and retail, but the quality here in many cases actually rivals art fairs we have seen in the last few years. Based on the buzz it has it safe to say that by the time the doors open in April, it will already have been declared a success.

Ostap. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Please note: Under the agreement with the organizers we agreed to publish only details of the pieces, so the surprise is not ruined. Some of these are installations in progress along with completed installations.

Tape That. Process Shot. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Tomislav Topic . Thomas Granseuer. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

Dr. Molrok. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Steffen Seeger. Process shot. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

Base23. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Vidam. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Telmo & Miel. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Paulo Consentino. Process shot. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

Anne Bengard. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Arsek . Erase. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Amanda Arrou-Tea. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Go Go Plata. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Honsar. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Insane51. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Popay. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Daniela Uhlig. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

Felix Rodewaldt. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

DeerBLN. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

Klebebande. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Mario Mankey. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

One Truth. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Koikate. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Rotkäppchen . Goliath. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Señor Schnu. Process Shot. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

Urzula Amen. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

 

We wish to express our sincere thanks to Kimo, Bolle, Jörni and their team for all the time and assistance provided to us for the production of this article. Thank you to Katrin for helping with the artists IDs, and to Lisa Schmidt for her help with information as well.

 

Read more
BSA Top Stories 2016 – As Picked by You

BSA Top Stories 2016 – As Picked by You

brooklyn-street-art-15-top-stories-2016-740

Museums, Festivals, and Activism – three of the themes that garnered the most traffic on our published stories on BSA and The Huffington Post this year.

From a scholarly Street Art related exhibition in St. Petersburg to the opening of the Mima Museum in Belgium to the Anti-Banksy exhibition with the Blu controversy in Bologna and the “Magic City” exhibition in Dresden, BSA readers were astutely studying the slow but steady move of Street Art from the street to the museum and the academic canons.

But you also liked the huge multi-player outside exhibitions as well – with stories from Sicily and Northern Spain to Northern Mexico, BSA readers were interested this year in seeing how eclectic locally-organized Street Art festivals and projects are done, and who is doing them.

Finally activism played a big role in what you were re-Tweeting and “liking” and sending to your friends – From Icy & Sot installing anti-radiation work in the Native American desert and then talking about oceans polluted with plastic, to a United Nations food program with kids and artists in El Salvador, to highlighting Indigenous peoples rights with Jetsonorama, to a US cross-country tour to save endangered species by one artist and a Greenpeace show in Barcelona addressing the same issue with 35 artists, it looks like BSA readers are engaged and concerned about socio-politico-environmental issues left and right.

On a side note, we were honored that our El Salvador article was picked up and published in spanish on the UN World Food program website – HERE.

Of course it was good to see that you liked the feature on the notorious graffiti crew 1UP and seeing Nychos slay New York as well. Tasty!

These are the TOP 15 articles on BSA for 2016 from the more than 365 postings we did this year – meaning they all beat at least 350 articles to get here. Congratulations to us all.


No. 15
Borders and Boundaries : A Multi-Disciplinary Exhibit at St. Petersburg’s Street Art Museum

brooklyn-street-art-spy-rafael-schacter-st-petersburg-russia-07-16-web-2

SpY. Street Art Museum (SAM). St. Petersburg, Russia. May 2016. (photo © Evgeniy Belikov)

Rafael Schacter Takes a More Nuanced Approach to the Migration Crisis

Commerce and technology have been eroding traditional constructs of the borders and boundaries, especially in the age of the Internet, satellites, transnational banking and trade agreements that create governing bodies that openly dismiss national sovereignty, integrity, identity, aspirations. Borders and boundaries are contested, guarded, or disregarded at will; open to international capital, porous to immigration, hardened by armies.

Daily they are in the headlines: Trump’s plans to build a wall along the US-Mexican border, Syrian war refugees immigrating across European borders, Israel and Palestine’s ongoing land and settlement disputes, even maritime territorial claims of China and the Phillipines in the South China Sea that were ruled upon yesterday  – all reveal clues to our historically complicated relationships and geo-political perspectives.

Art to the rescue! continue reading here


No. 14
Icy & Sot Stencil An Enormous Blue Whale in LA

brooklyn-street-art-icy-sot-Endangered-Species-Mural-Project-los-angeles-Jess-X-Chen-01-16-web-6

Icy & Sot. Endangered Species Mural Project. Los Angeles, CA. January 2016 (photo © Jess X. Chen)

“The brothers spent two solid days hand cutting the multi-layer stencil here on Melrose Avenue. How many pieces? “19 pieces,” says Icy. “Its not that big but it has a lot of details” The composite image features an enormous whale emerging from the sea in full view of a coastline packed with industrial forms which presumably are dumping contaminants directly into the waters.

As ever, the brothers crash into each others sentences while talking to us. “Whatever happens in the ocean… it comes back to us,” says Sot. “Whether is trash or plastics or oil..”

Icy jumps in, “The fish eat them and then we eat the animals and we have the plastics inside of us.”

“Yeah, It’s a cycle. We are all making a lot of trash – we are affecting the world. Then it all comes back to us,” says Sot… Continue reading here


No. 13
MIMA Museum: City Lights with Swoon, MOMO, Hayuk, Faile

brooklyn-street-art-MAYA-HAYUK_THEPICKLES-MIMAMUSEUM.EU_2016-web

Maya Hayuk. MIMA Museum. Brussels, Belgium. April 2016. (photo © The Pickles – MIMA Museum)

What is it about Brooklyn Street Art that is so appealing that one would curate the opening exhibition of a museum with it?

Four pillars of the New York Street Art scene are welcoming the first guests of the new Millennium Iconoclast Museum of Art (MIMA), which opened days ago in Brussels. Attacking the cherished institutions that relegate grassroots people’s art movements into the margins, MIMA intends to elevate them all and let them play together. Graphic design, illustration, comic design, tattoo design, graffiti, street art, plastic arts, wheat pasting, sculpture, text, advertising, pop, story-telling, aerosol, brushwork, and naturally, dripping paint.

Obviously street culture has been mixing these influences together in a never-ending lust for experimentation; punk with hip-hop, skateboarding with tattoo, performance art with graffiti – for the past four decades at least. The folk tradition of cutting and pasting predates all our  modern shape-shifting by centuries, but institutional/organizational curating often often has a preference for sorting street culture disciplines into separate piles.

With the inaugural exhibition “City Lights” MOMO, Swoon, Faile, and Maya Hayuk each bring what made their street practice unique, but with an added dimension of maturity and development. Without exception each of these artists have benefitted from the Internet and its ability to find audiences who respond strongly to the work with physical location a secondary consideration. Now as world travelers these four have evolved and refined their practice and MIMA gives them room to expand comfortably…Continue reading here


No. 12
San Salvador, Street Artists, Food Insecurity and “Conect-Arte”

brooklyn-street-art-conect-art-vexta-san-salvado-04-16-web-4

Vexta.Workshop. Conect-Arte. San Salvador. April 2016. (photo © Yvette Vexta)

“Six street artists took their social engagement a step further in El Salvador last month and taught youth some serious skillz from the street.

Coming from Brazil, Australia, Ecuador, Mexico, New York, and New Jersey, this international crew took the time to share and teach about painting, art, and how community can be built. The program Conect-Arte is a newly launched initiative by the United Nations World Food Programme, which as the name suggests, also is in the city to address a more core need to battle food insecurity. With Conect-Arte the goal is to also meet youth in some communities and help with positive role models an options with an eye on transforming lives through developing art and related creative skills that can provide income and channel energy in ways productive to community.

Together the artists worked on projects with 45 teens and younger kids over the course of the a week-long workshop in San Salvador, teaching street art techniques like stencil, lettering, mural painting, sculpture, even hot air balloon making. The goals are huge, like reducing violence, food insecurity, increasing access to economic opportunity. The tools here are art, the creative spirit, and strengthening relationships.

We bring you some images of the works that were made by the visiting artists and some of their observations and experiences during the Conect-Arte program…Continue reading here


No. 11
Discovering a “Magic City” in Dresden, Germany

brooklyn-street-art-artist-unkonwn-jaime-rojo-dresden-07-2016-web-1

Unidentified Artist (photo © Jaime Rojo)

“A couple of weeks ago BSA was in Dresden, Germany to help lay plans for a new Street Art show opening there this fall called “Magic City” and naturally we hit the streets with bicycles three days in a row to see the city’s graffiti, Street Art, and murals whenever time would permit. The first day we had the honor of getting a tour from Jens Besser, an artist, author, lecturer, and producer of mural festivals in the city who sped ahead of us through a labyrinth of streets to show us a number of the impressive murals he and partners have brought to the city in the last decade or so…Continue reading here


No. 10

Louis Masai: “The Art Of Beeing” Tour Kicks Off in NYC to Save Endangered Species

brooklyn-street-art-louis-masai-jaime-rojo-10-2016-web-15

Louis Masai: The Art of Beeing USA Tour. Bog Turtle. Endangered. The Bushwick Collective, Brooklyn. NYC. October  2016. (photo © Jaime Rojo)

“Activism and Street Art go hand in hand and some artists are skilled at activating public space for hearts and brains to spark and cogitate. During the last 15 years we’ve documented a number of seriously affecting artworks on the street that use text and/or imagery to address political, social, environmental, and economic issues and opinions by artists as varied as Shepard Fairey, Banksy, John Fekner, Ganzeer, LMNOPI, Myth, Gilf!, Gaia, LNY, Jetsonorama, and any number of one-shot authors. In this election year there are too many Trumps to count, and a few Hillary pieces as well.

Undaunted by commercial interests and able to deliver directly to the passerby, Street Artists know that their visual message isn’t guaranteed acceptance but they take a chance anyway. The ones that reflect the sentiments on the street tend to last longer, aesthetics count, and so does spelling, at least that is our inductive observation.

One London artist who seriously raises awareness about the Earths’ endangered species is Louis Masai, a painter, sculptor, illustrator and Street Artist. Starting this week in New York Masai is beginning a 20 mural tour across the United States to talk about the hard working, honey-making, pretty pollinating bee – and a number of our animals that are in danger of dying off completely…Continue reading here


No. 9
1UP in Berlin : “ ‘All City’ Doesn’t Even Begin to Cover It ”

brooklyn-street-art-1up-jaime-rojo-berlin-08-2016-web-3

1UP. Berlin 2016. (photo © Jaime Rojo)

“An amorphous shape-shifting consortium of Berlin-based aerosol hooligans named 1UP is one of those graffiti crews who eventually make the entry into graffiti street lore because of the scope and daring of their travails.

Primarily Berlin based, you’ll find their almost-commercial sounding name on roofs, walls, abandoned factories, and in tunnels in many cities around the globe. Without a clear idea of the exact number in their association nor precise membership these daredevils are most often described as white men in their twenties and early thirties reveling in the athleticism and sport of graffiti, in addition to style. The tag itself appears to be rather “open source” at times, with only insiders able to keep track of the distinct hand styles forming the ubiquitous name on thousands of surfaces…continue reading here


No. 8
A “Cathedral” of Characters in Northern Spain

brookln-street-at-rim-lluis-olive-bulbena-barcelona-01-16-web-1

RIM. Spain. (photo © Lluis Olive Bulbena)

“It’s a cathedral of characters, this abandoned furniture factory forty kilometers outside of Barcelona. Cartoons, illustrations, portraits are everywhere; a curious collection of aerosol spray pieces that highlights the popularity of the animated and exaggerated personalities among graffiti and Street Artists in this region of the world.

The character may be a salty with a haggard stare, or reference a topic with a bit of satire. The scene may be serious, comical, ridiculous or purely sci-fi and horror. You discover the stories and allegories as you walk through the empty manufacturing rooms now flooded with natural light and dust. Expressions and situations here are full of drama that may trigger your empathy, startle your attention, elicit a shiver, or creepily fondle your funny bone…Continue reading here


No. 7
“Art Silos” Rise in the Harbor of Catania, Sicily

brooklyn-street-art-interesni-kazki-vlady-catania-italy-2015-web-1

Interesni Kazki. Detail. (photo © VladyArt)

“They’ve been here since the 1950s, these silos for wheat and corn on the harbor of Catania on the east coast of the island of Sicily at the foot of Mount Etna. 28 meters tall and facing the Ionian Sea, they are now some of the largest canvasses in Italy by a small group of international and local Street Artists.

The “Art Silos” project includes works completed during an eight month installation begun in June 2015 as part of Festival “I-ART” organized by “Emergence”, thanks to Angelo Bacchelli, curated by Giuseppe Stagnitta. The artists taking part in the project were Okuda (Spain), ROSH333 (Spain), Microbo (Italy), BO130 (Italy), VladyArt (Italy), Danilo Bucchi (Italy) and the duo Interesni Kaxki (Ukraine), mostly all from the graffiti/Street Art world. A separately organized but related project on the harbor-facing row of eight silos was completed by one artist alone, the Lisbon-based Vhils…continue reading here


No. 6
BLU Allies : A Counter Exhibition to “Banksy & Co.” Launched in Bologna

brooklyn-street-art-tadlock-around730-bologna-rusco-03-16-web

Tadlock (photo © @around730)

“An anti-Banksy & Co. Street Art show opened in Bologna Italy the same night as its controversial bank-backed cousin with brand new works by 50 or so Italian and international Street Artists and open admission to their outdoor ‘museum’.

 “It is free and spontaneous, as Street Art should be,” says an organizer and participant named About Ponny as he describes the exuberant and sometimes saucy toned exhibition on the grounds of the sprawling former headquarters of Zincaturificio Bolognese which is destined for future demolition.

“The message we want to convey is that true street art is found where it was born, in the street and not in the paid exhibits,” says Bibbito, who along with two other out-of-town street artists named Jamesboy and Enter/Exit found food and couches during their installations thanks to an association of artists called L’Associazione Serendippo. Together, these artists say, they and other organizers want to send a “strong signal” by creating “one of the largest museums of ephemeral street art ever made”. The new coalition named this project “R.U.S.Co” (Recupero Urbano Spazi Comuni) or (Urban Renewal Common spaces).

The new 16,000 m2 open-air art show may appear as a rather curious development because its method of protest runs completely counter to that of the shows’ most vocal and high-profile critic, BLU, who last week protested the same show by defiantly destroying 20 years of his own public paintings, rather than making new ones…Continue reading here


No. 5
Raising Yellowcake in Grand Canyon: Icy & Sot, Jetsonorama in Arizona

brooklyn-street-art-icy-sot-navajo-nation-06-16-web-3

Icy & Sot. “Nuclear Plant” Navajo Nation. Arizona. June 2017. (photo © Icy & Sot)

“Yellow Cake: A simple sweet dessert confection that gets its signature color from 8 egg yolks and a cup of butter, and is great with either vanilla or chocolate icing.

Yellowcake: A type of uranium concentrate powder obtained from leach solutions, in an intermediate step in the processing of uranium ores. Also, its radioactive. Also, Colin Powell showed off a vial of it at the United Nations to sell the Iraq invasion in 2003 to that body and the world.

Being more knowledgeable about the dessert variety of yellow cake than the desert variety of uranium contamination, we turn to Street Artists Jetsonorama and Icy & Sot to educate us about the active uranium mines that are at the North Rim of The Grand Canyon. The three worked jointly in June to create new public works addressing the topic and we have each of them here for you to see.

“The issue of uranium contamination and nuclear waste is timely as there is an active uranium mine at the North Rim of the Grand Canyon presently and a proposal to start mining at the South Rim,” explains Jetsonorama (Chip Thomas), who is a local artist, a practicing doctor, and a social activist advocating for the people who live on the reservation and the natural environment in general…Continue reading here


No. 4
Nychos Slays in New York : IKONS Revealed as Never Before

brooklyn-street-art-nychos-jaime-rojo-06-2016-web-13

Nychos. “Dissection of Sigmund Freud”. Vienna Therapy. Manhattan, NY. June 2016. (photo © Jaime Rojo)

“Scientists, psychologists, surgeons…in the end we’re all driven by a similar curiosity.”

This month has been a whirlwind in New York for Austrian Street Artist /fine artist /illustrator named Nychos and he’s made quite the iconic impression. Anchored by a show that opened last weekend of canvasses and illustrations at Jonathan Levine Gallery in Chelsea named “IKON” and assisted by a co-branded sculptural event with the Vienna Tourist Board, the surreal dissectionist didn’t rest there.

In the weeks leading up to and after these events he also managed to hit a number of walls in Coney Island, Bushwick, and Jersey City…oh and he knocked out a box truck as well.

In addition to pulling out an astounding sculpture of Sigmund Freud looming over a couch that drew a crowd to the foot of the (also iconic) Flatiron Building at 23rd and 6th, the afterparty and reception featured Dominic Freud, the great grandson of the founder of psychoanalysis, who surmised that if he were alive today he would definitely have wanted to put Nychos on his couch…Continue reading here


No 3
35 Artists in Barcelona Trying To Save The Arctic with Greenpeace

brooklyn-street-art-la-castillo-lluis-olive-bulbena-04-16-web

La Castillo. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

“Yesterday our posting was about artists in London creating works about endangered species and today we go to Barcelona where 35 artists joined with Greenpeace and a local group named RebobinArt on April 9th to create works centered on environmental issues, especially the quickly disappearing polar ice cap.

Only three days later scientists announced that the Greenland “Melt” has happened one month earlier than usual this year, smashing records and causing scientists to reexamine their measuring instruments to make sure they were working correctly.

The art-platform model of RebobinArt is interesting because they are a community organization that manages spaces and issues permits for painting for competitions, festivals, exhibitions, educational programs, and cause-based events like this one.

Under the guidance of Director Marc Garcia, RobobinArt promotes and facilitates a different sort of public painting that is not strictly commercial and yet it is clearly not the freewheeling graffiti/street art based stuff that made Barcelona such a magnet for artists in the early-mid 2000s…Continue reading here


No. 2
Chip Thomas’ New Mural, Indigenous People, and #NoDAPL

brooklyn-street-art-chip-thomas-durango-colorado-10-2016-web-3

Chip Thomas. The original photograph of JC Morningstar holding her dog on a swing. Indigenous People’s Day at Fort Lewis College. Durango, CO. (photo © Chip Thomas)

“Street Artist and activist Jetsonorama (Chip Thomas) saw his work pull together a number of people in Durango, Colorado on October 10th as the city and the college celebrated their first ever “Indigenous People’s Day”. His photograph of an indigenous youth named JC Morningstar swinging and kissing her dog was chosen by a group of students from Fort Lewis College, where 24% of the population is indigenous.

The unveiling ceremony for the mural began with a traditional pow wow prayer by a drum circle and Chip says “the highlight of the day for me was having JC, her dog and her family travel 4 hours to Durango to attend the unveiling before going to the Tribe Called Red show that evening.”…Continue reading here


No 1
Chihuahua, a Mexican Desert City with a Few “Street Art” Blooms

brooklyn-street-art-paola-delfin-jaime-rojo-chihuahua-01-16-web-1

Paola Delfin. Chihuahua, Mexico. Centropolis Art Festival 2014. (photo © Jaime Rojo)

“Chihuahua is like one big ranch,” says a local reporter who guides you around this desert city known for beef, cheese, sotol, cowboy boots… and a growing middle class – thanks to the hundred plus multinational maquiladoras operating here with a focus on aerospace, medical equipment, and automobile manufacturing.

The “ranch” metaphor is meant to be welcoming, but it also lets you know that this city of nearly a million can still feel like a small town. This is the capital of Mexico’s largest state, which goes by the same name. And yes, the diminutive and scrappy dog originated here – as did Pancho Villa, and you can visit his homestead if you like.

It’s not the typical city where you might expect to find Street Art, yet only a few blocks from the government palace downtown that holds two stories of wall paintings by Mexican muralist Aarón Piña Mora, you will find new paintings in the dusty side streets that indicate a more international flavor is present…Continue reading here

Read more
Feel Free at Urban Spree: Berlin

Feel Free at Urban Spree: Berlin

Long live Urban Spree!

This hippie/punk/skater/poets/artists haven of graffiti, street, urban and postmodern all splayed across a complex of buildings that are seemingly abandoned but teaming with life, food, music, and free thought. Also, a sense of community.

brooklyn-street-art-bordallo-1up-crew-urban-spree-berlin-jaime-rojo-09-2016-web

Bordalo II, Two One and 1UP Crew at Urban Spree Berlin. (photo © Jaime Rojo)

There are opportunities for rock climbing, biergartening, dancing, tattoo shops, outdoor mix sessions, a furniture restoration shop, a mini- beach, the famed outstanding art gallery with a solid array of graffiti and urban art books, and if you know where the switch is, you can blow 6 foot torches of fire into the night sky from atop a tiki bar.

brooklyn-street-art-icy-sot-urban-spree-berlin-jaime-rojo-09-2016-web

Icy & Sot. Urban Spree Berlin. (photo © Jaime Rojo)

On the day we were there recently there was even a wedding party in one of the secreted outdoor spaces with two spinning turntables, a basement bar, a bonfire, and, naturally, cake.

Also, naturally, you can go and paint, wheatpaste, slap stickers, spray a stencil, or in the case of Bordalo II, collect together enough local garbage to create a sculptural installation of a long-billed aviary friend.

Scenes like these are always transitory so visit Berlin-Friedrichshain and Urban Spree before the moment passes.

brooklyn-street-art-two-one-urban-spree-berlin-jaime-rojo-09-2016-web

Two One. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-low-bros-urban-spree-berlin-jaime-rojo-09-2016-web-1

Low Bros. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-low-bros-mr-penfold-urban-spree-berlin-jaime-rojo-09-2016-web-2

Low Bros . Mr. Penfold. Iggy . Billy . Berlin Bandits. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-1up-urban-spree-berlin-jaime-rojo-09-2016-web

1UP Crew. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-viva-la-resolucion-1upcrew-urban-spree-berlin-jaime-rojo-09-2016-web

1UP Crew . Viva La Resolucion. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-zero-cents-urban-spree-berlin-jaime-rojo-09-2016-web

Zero Cents. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-zola-urban-spree-berlin-jaime-rojo-09-2016-web

ZOLA. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-cane-morto-urban-spree-berlin-jaime-rojo-09-2016-web

Rallitox. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-artist-unknown-urban-spree-berlin-jaime-rojo-09-2016-web-4

Unidentified Artist. Bader . Blate, Maoro, Komt. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-artist-unknown-urban-spree-berlin-jaime-rojo-09-2016-web-1

Unidentified Artist. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-artist-unknown-urban-spree-berlin-jaime-rojo-09-2016-web-2

Unidentified Artist. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-obey-urban-spree-berlin-jaime-rojo-09-2016-web

OBEY. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-artist-unknown-urban-spree-berlin-jaime-rojo-09-2016-web-3

Unidentified Artist. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-cranio-urban-spree-berlin-jaime-rojo-09-2016-web

Cranio. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-artist-unknown-urban-spree-berlin-jaime-rojo-09-2016-web-5

Unidentified Artist. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-iron-chola-urban-spree-berlin-jaime-rojo-09-2016-web

Iron Chola. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-christiaan-nagel-urban-spree-berlin-jaime-rojo-09-2016-web

Christiaan Nagel. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-e-urban-spree-berlin-jaime-rojo-09-2016-web-2

E. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-ka_urban-spree-berlin-jaime-rojo-09-2016-web

KA feeling a certain kind of blue. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-e-urban-spree-berlin-jaime-rojo-09-2016-web-1

E. Urban Spree Berlin. (photo © Jaime Rojo)

brooklyn-street-art-aloha-urban-spree-berlin-jaime-rojo-09-2016-web

Aloha. Urban Spree Berlin. (photo © Jaime Rojo)

Read more
1UP in Berlin : “ ‘All City’ Doesn’t Even Begin to Cover It ”

1UP in Berlin : “ ‘All City’ Doesn’t Even Begin to Cover It ”

An amorphous shape-shifting consortium of Berlin-based aerosol hooligans named 1UP is one of those graffiti crews who eventually make the entry into graffiti street lore because of the scope and daring of their travails.

Primarily Berlin based, you’ll find their almost-commercial sounding name on roofs, walls, abandoned factories, and in tunnels in many cities around the globe. Without a clear idea of the exact number in their association nor precise membership these daredevils are most often described as white men in their twenties and early thirties reveling in the athleticism and sport of graffiti, in addition to style. The tag itself appears to be rather “open source” at times, with only insiders able to keep track of the distinct hand styles forming the ubiquitous name on thousands of surfaces.

brooklyn-street-art-1up-jaime-rojo-berlin-08-2016-web-3

1UP. Berlin 2016. (photo © Jaime Rojo)

We spent a few days in Berlin recently and easily collected a handful of images here to share, but it the actual number one could capture would fill a bulky tome.

“1Up Crew…? ‘All City’ doesn’t even begin to cover it, these guys smash walls like sledgehammers,” says Roland Henry, managing editor and a journalist for VNA (Very Nearly Almost), the UK-based independent magazine that has featured interviews with some of the world’s top artists, illustrators and photographers from the urban art scene over the last 10 years. Living in Berlin this spring and summer after calling London home for many years, Mr. Henry says he still hasn’t stopped seeing new 1UP’s.

In a city famously permissive, even celebratory, toward graffiti culture like Berlin, once you notice one 1UP tag on a wall you can’t stop seeing them – like the time your brother started dating that Mexican girl in high school and suddenly you realized that there were hot tamales everywhere! – In the hallways, at the laundromat, in the park, at the corner grocery.

brooklyn-street-art-1up-jaime-rojo-berlin-08-2016-web-4

1UP in progress. Berlin 2016. (photo © Jaime Rojo)

“Spend any time in Berlin and one thing is immediately glaringly obvious: 1UP have their hometown on lockdown,” says photographer and graffiti expert Luna Park, whose forthcoming New York contemporary graffiti book (UN)Sanctioned will be released on Carpet Bombing Culture books in October.

“Take the time and dedication that your average all city bomber expends in getting their name out – now multiply that by 20. Maybe you’ll come close to grasping 1UP’s prodigious output. If there were an Olympic sport for team graffiti, surely 1UP would be gold medal contenders. Not only do they excel at all graffiti disciplines, they take what it means to push a crew to the most logical extreme.”

brooklyn-street-art-1up-jaime-rojo-berlin-08-2016-web-1

1UP. Berlin 2016. (photo © Jaime Rojo)

Park’s point about disciplines is well taken, as not one discernible specific style or medium is used by this one united power – throwies, bubble tags, wildstyle, rollers, juicy markers, sculptures, extinguisher tags.

But it is working as an organized crew covering multiple cars on trains that they are perhaps most well known for – covering cars top to bottom, end to end – in a few short minutes.

“Look up their legendary and brazen daytime whole-car missions on YouTube and you’ll begin to understand this is a crew that seriously rolls deep,” says Ms. Park. “Better yet, get your hands on their “One United Power” film and prepare to be inspired by their global exploits.”

brooklyn-street-art-1up-jaime-rojo-berlin-08-2016-web-5

1UP. Berlin 2016. (photo © Jaime Rojo)

Now in their 13th year, at this point 1UP is a brand (sort of like its older cousin 7UP) – and it probably shows up on scatter charts in PowerPoint slides in advertising and marketing conference rooms – desired psychographics and demographics analyzed, sought after, targeted.

But keep the numbers in perspective – they can’t rival the millions of illegal logos plastered across our cities in violation of numerous regulations. You think graffiti is lawless? Hell, try advertising – it’s nearly completely unregulated in cities like New York and the very few laws that exist are rarely enforced. That Coke crew, for example, they are seriously worldwide with their bombing and tagging – taking over hectares of public space and millions of atoms of mindshare.

brooklyn-street-art-1up-jaime-rojo-berlin-08-2016-web-2

1UP. Berlin 2016. (photo © Jaime Rojo)

World-traveling superstar urban art photographer Martha Cooper, who has been tracking graffiti since trains were first plastered with aerosol paint in the late 1970s and whose first namesake library will open next year with the inauguration of the Urban Nation Museum for Urban Contemporary Art in Berlin, says she’s had some time to observe 1UP, and she acknowledges their status.

“This very active crew has sprayed the world with an impressive assortment of carefully-planned, well-executed tags, throwies and pieces above and below ground,” says Cooper. “Big Up to 1Up for helping to keep the original outlaw spirit of graffiti alive.”

brooklyn-street-art-1up-jaime-rojo-berlin-08-2016-web-6

1UP. Berlin 2016. (photo © Jaime Rojo)

brooklyn-street-art-1up-jaime-rojo-berlin-08-2016-web-9

1UP. Berlin 2016. (photo © Jaime Rojo)

brooklyn-street-art-1up-jaime-rojo-berlin-08-2016-web-8

1UP. Berlin 2016. (photo © Jaime Rojo)

brooklyn-street-art-1up-jaime-rojo-berlin-08-2016-web-7

1UP. Berlin 2016. (photo © Jaime Rojo)

 

 

 

BSA<<>>BSA<<>>BSA<<>>BSA<<>>BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

BSA<<>>BSA<<>>BSA<<>>BSA<<>>BSA

 

This article was also published on The Huffington Post.

Brooklyn-Street-Art-1UP-Berlin-Screen Shot 2016-08-24 at 4.14.11 PM

Read more