BSA Film Friday: 11.04.22

BSA Film Friday: 11.04.22

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. The Wanderers – Guido van Helten. A Film by Selina Miles
2. Leon Keer. “Misfit”
3. Duality: A graffiti story. Trailer

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BSA Special Feature: The Wanderers – Guido van Helten. A Film by Selina Miles

We focus today on one episode of a brilliantly human street art-related video-short series on artists called The Wanderers, directed by Selina Miles. Today we follow the muralist/portraitist/photographer Guido Van Helten as he travels to a small town in Australia to pursue stories, personalities, and a 10-car project on the train. Train writing, indeed!

“I am very interested in portraiture in a documentary style,” he says as you watch him almost tentatively introduce himself to new people. “I was a painter first, and now through this style of working, I’ve become very interested in meeting people and photography. Now I’m pushing myself to involve that in the process.”

A young veteran of storytelling, Miles allows the details of the scene to illustrate unique aspects of life and the people here. Without gawking, the subjects and their environments, and their body language are observed with the same respectful eye that the artist has as well. Each person responds differently, each brave to allow the film camera to capture them while Van Helton establishes a rapport. Ironically, he’s not comfortable with the process himself. “Sometimes this is challenging for me to introduce myself to people.”

These hand paintings of his subject’s eyes on the cars of a train may remind you of the photography of JR plastered across surfaces everywhere with a sense of spectacle – but these take such adept technical skill rendered with a unique warmth that it wouldn’t be fair to compare. Van Helten doesn’t even seem sure what his agenda is, aside from connecting in a human way to another.

Each chapter of this short film illustrates the connections, and you are rewarded with sumptuous sweeping views of the final results as well as the disarming pleasure the artist takes from it. “I enjoyed the idea of not knowing what reaction it could have with the people who see it,” he says of the project. “No one has any idea what this is going to do in the town. Maybe nothing, maybe something. Maybe someone will go home and say, ‘You know what I saw today! –  Something really strange on the side of a train.’ I think that is exciting.”

The Wanderers – Guido van Helten. A Film by Selina Miles



Leon Keer. “Misfit”

Anamorphic street artist Leon Keer does a special project here at Château du Taureau in Baie de Morlaix France. His 3D floor painting ‘MISFIT’, is a reference to the previous use of this compound as a prison for the aristocracy – or at least certain members of their families who might cast them into dishonor.

“Under the Ancien Régime, most of the prisoners at the Château were Breton aristocrats,” says Leon’s description of the previous residents, “which were put in prison at the request of their own families, anxious to avoid dishonor. Libertinism, misalliance, madness, and an immoderate taste for alcohol or gambling could certainly lead to a forced stay at the Château during those days.”



Duality: A graffiti story. Trailer

A new film striking at the heart of the graffiti practice – the fact that many writers have a ‘straight’ life that doesn’t exactly run parallel to their night-time illegal escapades can in hand.

Director by Ryan Dowling, the stories of many are illustrated by the testimony of a small handful of writers who clearly elucidate the complexities of a form of expression that runs the gamut between criminalized and celebrated. Featuring a cast of DUAL, SLOKE ONE, JABER,  MERES ONES, and NEVER – the stories vary, but the narratives return to foundational truths even as the scene evolves. Well produced and executed, Duality will join the list of ‘must-see’ documentaries about graffiti, street art, and everything in between.

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JDL: “Love is stronger than death” in Belgrade, Serbia

JDL: “Love is stronger than death” in Belgrade, Serbia

A powerful sentiment is portrayed in this new and acutely personal mural in Belgrade, Serbia, today.

For us, it is a reminder that we don’t always know who is walking near us with a broken heart. We all do at certain parts of our lives, no matter what. Perhaps it is good for us to be a bit more caring, a little more patient, and a little more human in our daily interactions.

JDL. “Love is stronger than death”. Runaway Festival. Belgrade, Serbia. (photo courtesy of the artist)

“It is one year ago since my most loved one got diagnosed with terminal cancer,” street artist JDL shares with us. “Now that he died recently, I will spend my coming murals on dedicating his beautiful piece of mind.”

Part of the Runaway International Street Art Festival here and under the guiding eye of curator Andrej Josifovski, the mural rises many floors about this Belgrade street. It is sponsored by the Embassy of the Netherlands, home to the Amsterdam-based artist known as JDL Streetart (Judith de Leeuw).

Speaking of her dearly departed and much loved one, JDL says, “As he stated in the past year: I don’t have to be present to be here with you, because love is stronger than death.”

JDL. “Love is stronger than death”. Runaway Festival. Belgrade, Serbia. (photo courtesy of the artist)
JDL. “Love is stronger than death”. Runaway Festival. Belgrade, Serbia. (photo courtesy of the artist)
JDL. “Love is stronger than death”. Runaway Festival. Belgrade, Serbia. (photo courtesy of the artist)
JDL. “Love is stronger than death”. Runaway Festival. Belgrade, Serbia. (photo courtesy of the artist)
JDL. “Love is stronger than death”. Runaway Festival. Belgrade, Serbia. (photo courtesy of the artist)
JDL. “Love is stronger than death”. Runaway Festival. Belgrade, Serbia. (photo courtesy of the artist)
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Sebas Velasco: Ordinary Story With Chef and Volvo. Sweden

Sebas Velasco: Ordinary Story With Chef and Volvo. Sweden

The glaring intrusion of advertising’s florescent night – the stirring it causes inside your head and heart as it demands attention. This is not normal, yet we have tried to normalize it, this shallow gaudy preening cousin of fire. Muralist Sebas Velasco makes a hunt of this sort of late-night urban scene with photographer Jose Delou. Like reporters on the city beat, they play interviewer and sociologist, ultimately portraitist.

Today we have a Latvian chef and a Swedish chariot of a more recent vintage, a Volvo. The parking lot is a depository, now also a stage. The family wagon in the glow of the Swedish hypermart; the modern hunter, circling the prey for dinner.

Jose Delou. Ordinary Story,  for Oskarshamn street art festival. Oskarshamn, Sweden. October 2022. (photo © Jose Delou)
Jose Delou. Ordinary Story,  for Oskarshamn street art festival. Oskarshamn, Sweden. October 2022. (photo © Jose Delou)
Jose Delou. Ordinary Story,  for Oskarshamn street art festival. Oskarshamn, Sweden. October 2022. (photo © Jose Delou)
Jose Delou. Ordinary Story,  for Oskarshamn street art festival. Oskarshamn, Sweden. October 2022. (photo © Jose Delou)
Sebas Velasco. Ordinary Story,  for Oskarshamn street art festival. Oskarshamn, Sweden. October 2022. (photo © Jose Delou)
Sebas Velasco. Ordinary Story,  for Oskarshamn street art festival. Oskarshamn, Sweden. October 2022. (photo © Jose Delou)
Sebas Velasco. Ordinary Story,  for Oskarshamn street art festival. Oskarshamn, Sweden. October 2022. (photo © Jose Delou)
Sebas Velasco. Ordinary Story,  for Oskarshamn street art festival. Oskarshamn, Sweden. October 2022. (photo © Jose Delou)
Sebas Velasco. Ordinary Story,  for Oskarshamn street art festival. Oskarshamn, Sweden. October 2022. (photo © Jose Delou)
Sebas Velasco. Ordinary Story,  for Oskarshamn street art festival. Oskarshamn, Sweden. October 2022. (photo © Jose Delou)
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El Dia De Los Muertos/Day Of The Dead 2022

El Dia De Los Muertos/Day Of The Dead 2022

The festival has begun in parts of Mexico – a festival of remembering and celebration called The Day of the Dead. We celebrate this important event with some tears and with some joy – and more importantly, with you.

Special thanks to Core Art, who created this piece here in NYC.

Core Art. Detail. (photo © Jaime Rojo)
Core Art. Detail. (photo © Jaime Rojo)
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Happy Halloween 2022

Happy Halloween 2022

Halloween 2022 (photo © Jaime Rojo)

Welcome to New York, where it is basically Halloween year-round when it comes to outlandish fashion on any given Wednesday on the D train or in the laundromat or at Fashion Week. Sometimes you may even think that the best costumers take Halloween off- leaving it to the amateurs. Honey, it’s all drag.

Here are some street art shots to help your mood for ’22.

Los Muralistas de El Puente. “La Guacamaya”. This mural is more fitting for El Dia De Los Muertos, but the two holidays have been sort of merged in the last decade or so here in the USA with many people adopting themes from El Dia De Los Muertos for their Halloween get up. (photo © Jaime Rojo)
Los Muralistas de El Puente. “La Guacamaya”. Detail. (photo © Jaime Rojo)
Halloween 2022. We don’t know if MASNA went over himself here, or if somebody else went over him. (photo © Jaime Rojo)
ELFO’s house of horrors somewhere in Italy. Halloween 2022 (photo © Elfo)
Hugo Girl. You Go Girl! Halloween 2022 (photo © Jaime Rojo)
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BSA Images Of The Week: 10.30.22

BSA Images Of The Week: 10.30.22

Welcome to BSA Images of the Week! Happy Halloween

 

Enjoy this Halloween parade of art on the streets of NYC. Stay safe!

Here’s our weekly interview with the street, this week featuring: Adam Fujita, Lunge Box, Entes, Clint Mario, CMYK Dots, Font 147, Laurier Artiste, Nathan Nails, Lin Feitel, Spit, Eyeball Crew, Minvske, Gigstar, and Lou Hugus.

Font 147 (photo © Jaime Rojo)
Lunge Box (photo © Jaime Rojo)
Unidentifed artist (photo © Jaime Rojo)
L’Amour Supreme (photo © Jaime Rojo)
Nathan Nails (photo © Jaime Rojo)
Lin Feitei (photo © Jaime Rojo)
Clint Mario (photo © Jaime Rojo)
Clint Mario. Spit (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Berlin-based artist CMYK Dots left their imprint on the streets of NYC. Didn’t contact us, but that’s okay. (photo © Jaime Rojo)
Adam Fujita for East Village Walls. (photo © Jaime Rojo)
Eyeball Crew. Detail. (photo © Jaime Rojo)
Eyeball Crew (photo © Jaime Rojo)
Minvske (photo © Jaime Rojo)
Gigstar (photo © Jaime Rojo)
Lou Hugus (photo © Jaime Rojo)
Peru-based artist, Entes also came through the city and left us a gift. (photo © Jaime Rojo)
Laurier Artiste (photo © Jaime Rojo)
Untitled. Fall 2022. NYC. (photo © Jaime Rojo)
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ROA: “In Limbo”, In New York

ROA: “In Limbo”, In New York

A pronghorn; the only antelope in North America and the fastest land mammal in the Western Hemisphere. The Oppussum is the only true member of the marsupial order that is endemic to the Americas. Basileus, a ring-tailed cat, and mammal of the raccoon family that is native to arid regions of North America.

ROA. “In Limbo”. Detail. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)

These are all animals in our environs, yet you may not have ever seen one. They are important to our ancestral history of migration, development, and evolution across these expanses of land, air and water. We have co-existed for hundreds of years with these animals in his new exhibition in a tiny gallery on Manhattan’s lower East Side: a land mass that once was once a fertile landscape of marshes and woods. These furry and feather figures in ROA’s paintings may be far more aware of us than we are of them.

ROA, the street artist, the graffiti writer, the fine artist, the urban naturalist, the contemporary artist – whose work has appeared on city walls and on ruins in the rural countryside across many continents, may be unknown to you. But he has been here on the scene for 20 years, and BSA has been publishing about him for about 15 of them.

ROA. “In Limbo”. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)

As we look at these new works, he speaks of these exceptional examples of species of North America, including more familiar ones like the chipmunk and the bluejay-which is painted here in his signature monochrome palette.

Whether a small drawing or a mid-sized canvas, or a massive multi-story outside wall, ROA stays true to detail and accuracy. The leeway he grants himself sometimes is the compositions, especially in his fictional groupings that also consider overall composition. An example in this show is the graphite on a paper scroll that features a small chorus of animals, an animated scroll of species crawling over each other that he says is “a crazy composition of something that never happened yet.” ROA says it isn’t necessarily a study for a future wall, but he could understand why you may think so.

ROA. “In Limbo”. Detail. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)

“It’s unfinished. It’s a dynamic sketch,” he says. “It’s a show of how something could be.”

It is also a similar drawing to an aerosol wall painting that you may have seen elsewhere online. “I did a similar wall in Belgium not too long ago. This sketch is kind of inspired by that wall. It was a rounded wall. It was like 6 meters high, and I forgot the diameter. It is a silo. I painted around and around it, and it took me so long. That wall took me about two months. Not every day – sometimes I took a weekend off.”

After a pandemic period, this is ROA’s first trip back to New York. It’s a small, potent, intentional show that echoes others he has had here but now feels like an old friend returning. One that has survived. A native of Ghent, a city and a municipality in the Flemish Region of Belgium, he’s traveled the world actively until it all screeched to a stop in 2020. We’ve changed. Our city has changed. Nevertheless, he says, “I love New York. I couldn’t wait to get back here.”

ROA. In Limbo. Detail. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Detail. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Detail. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Detail. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Detail. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo Detail. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Detail. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Detail. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Detail. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Detail. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Detail. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)
ROA. In Limbo. Detail. Benjamin Krause Gallery. Manhattan, NYC. October 2022. (photo © Jaime Rojo)

ROA. In Limbo, on view at Benjamin Krause Gallery October 20th through November 6th.

149 Orchard St. Manhattan, NYC.

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BSA Film Friday: 10.28.22

BSA Film Friday: 10.28.22

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. Shepard Fairey – The Intersection of Art and Music
2. La Fuite – Pantonio. Via Street Art Fest Grenoble – Alpes 2022
3. Iran’s anti-Hijab protests enter 5th Week

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BSA Special Feature: Shepard Fairey – The Intersection of Art and Music

It’s an advertisement for something but Shepard’s recollections of making the connection between art and music, specifically between the punk era and its effect on his creatively formative years, go a long way to illustrate his recurring themes and aesthetic. Interesting that the title is part of a Sound and Vision series, the same theme that is currently running through Faile’s work at their new club downtown, Deluxx Fluxx; “an immersive visual and audial art space and arcade”.

Shepard Fairey – The Intersection of Art and Music – Via Syng

La Fuite – Pantonio. Via Street Art Fest Grenoble – Alpes 2022

A gentle flickering flyby of “The Flight” by Pantonio for the Street Art Fest Grenoble in the Alps.

“Escape or think about the moment a single gesture changed direction,” says Pantonio.”When resistance collaborates in the opposite direction. Each one with his poetry or his determination”

Directed by Olivier Ruggiu Video Assistant: Yannis Lefrançois Drone by Olivier Ruggiu, Images by Oliver Ruggiu.

Iran’s anti-Hijab protests enter 5th Week

In the category of art in the streets, free speech, and protest; We focus on the fifth week of widespread anti-Hijab protests that continue to rock Iran amid the rising calls for the country’s leadership to step down. Iran’s Supreme leader Ali Khamenei has now issued a warning to the protesters- as he speaks to largely audiences of men, while the protesters are, in the majority, women.

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Sebas Velasco: An Old Master Modern, Building a Future Past

Sebas Velasco: An Old Master Modern, Building a Future Past

A young master painting in the Old Master vein, perhaps, this Spanish poet captures something between the past and the future. Sebas Velasco is not yet 6 years out from his Masters in painting, yet he is bringing imagination and emotion to his mural work that gives you a longing to know more.

Jose Delou. Wir Werden Sehen. With the Landmarks Project. Ingolstadt, Germany. September 2022 (photo © Jose Delou)

Along with the photographer, friend, and longtime collaborator Jose Delou, Velasco has been traveling the last six weeks from the Prado in Spain through Germany, then Sweden. Bringing depth to the surface, his portraiture stands astride the beauty, and decay; a romantic alienation found only in the modern metropolis.

While you might hesitate to mention the Spanish and Old Master painter Goya for fear it might complicate the conversation, Velasco is showing us how he will continue to build the image that will captivate. In some way, his manner of capturing the character is familiar, compelling, and somehow impossible.

Jose Delou. Wir Werden Sehen. With the Landmarks Project. Ingolstadt, Germany. September 2022 (photo © Jose Delou)
Sebas Velasco. Wir Werden Sehen. With the Landmarks Project. Ingolstadt, Germany. September 2022 (photo © Jose Delou)
Sebas Velasco. Wir Werden Sehen. With the Landmarks Project. Ingolstadt, Germany. September 2022 (photo © Jose Delou)
Sebas Velasco. Wir Werden Sehen. With the Landmarks Project. Ingolstadt, Germany. September 2022 (photo © Jose Delou)
Sebas Velasco. Wir Werden Sehen. With the Landmarks Project. Ingolstadt, Germany. September 2022 (photo © Jose Delou)
Sebas Velasco. Wir Werden Sehen. With the Landmarks Project. Ingolstadt, Germany. September 2022 (photo © Jose Delou)
Sebas Velasco. Wir Werden Sehen. With the Landmarks Project. Ingolstadt, Germany. September 2022 (photo © Jose Delou)
Sebas Velasco. Wir Werden Sehen. With the Landmarks Project. Ingolstadt, Germany. September 2022 (photo © Jose Delou)
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PEST for Art Azoï in Paris

PEST for Art Azoï in Paris

Writing since the late 80s, Parisian artist PEST pulls out another high-style classic for Art Azoi in the city that has spawned much of the great graffiti since the 1990s – including his own crew named P19. While he has kept up with all the new styles from original New York to German style and many of the newer ones across the world, PEST gravitates to the classic graffiti culture and likes to keep it clean. 

Pest in collaboration with Art Azoï. Paris. (photo courtesy of Art Azoï)
Pest in collaboration with Art Azoï. Paris. (photo courtesy of Art Azoï)
Pest in collaboration with Art Azoï. Paris. (photo courtesy of Art Azoï)
Pest in collaboration with Art Azoï. Paris. (photo courtesy of Art Azoï)
Pest in collaboration with Art Azoï. Paris. (photo courtesy of Art Azoï)
Pest in collaboration with Art Azoï. Paris. (photo courtesy of Art Azoï)
Pest in collaboration with Art Azoï. Paris. (photo courtesy of Art Azoï)
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Mural Jam At The 3 Xemeneies in Barcelona

Mural Jam At The 3 Xemeneies in Barcelona

Three Chimneys (3 Xemeneies) Park in Barcelona sponsored a fall Mural Jam again this year and photographer Lluis Olive Bulbena shares some of the results with BSA readers. BCN once again organized the event along with the 6th Periferia Beat Festival where more than 50 artists came to show their skills and spend a relaxing day with their family and peers. Also onboard were DJs, concerts, dance performances, a roller skate jam, and an art market. This community event continues to grow and some say that this was the biggest roster by far.

Turkesa. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Noble. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Noble, Turkesa, KTHR, Wios. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Uri, KTHR, Wios. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Kram. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Kather. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Inventura Studio. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Juandres Vera. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Emak. Leim. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Vita Violenta. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Poleras Para Todos. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Eslicer and Dazo. Sigrid Amores. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Eslicer. Sigrid Amores. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Dazo. Mariona Rios. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Mariona Flowers. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Jeba. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Tony Boy. Mural Jam BCN. Plaza De Las 3 Xemeneies. Barcelona, Spain. (photo © Lluis Olive Bulbena)
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Banner Dissent: Protesters Unfurl Anger Inside  Guggenheim

Banner Dissent: Protesters Unfurl Anger Inside Guggenheim

Religion and its practices should be voluntary, not mandatory. For some reason historically, it takes men longer to realize this than women.

The killing of Jina Mahsa Amini for not wearing a headscarf (or hijab) in Iran recently may remind you of the various women’s rights movements internationally in the last century – a loud, messy, often violent insurrection of the oppressed – and the raised voices of those acting in solidarity. Unfortunately, this is how real change happens sometimes; by fighting for it.

Anonymous Artist Collective for Iran. Guggenheim Museum. New York City. October 22, 2022. (photo courtesy of the Anonymous Artist Collective for Iran)

Obviously, the young Kurdish Iranian had the right to decide whether to wear a scarf, or not. The ocean of women’s voices from inside Iran and outside over the past few weeks has been a resounding rejection of certain men’s authoritarian attempts to presume to dictate over women – including about completely personal topics like what to wear.  

We bring you some exclusive shots of a visual protest inside the Guggenheim Museum in Manhattan over the weekend. Unfurling banners from the top end of the continuous winding street of galleries that lead to the ground, a group of activists/artists called Anonymous Artist Collective for Iran, let loose yells and clapping as the red strips rolled toward the floor and captured the attention of museum-goers.

Anonymous Artist Collective for Iran. Guggenheim Museum. New York City. October 22, 2022. (photo courtesy of the Anonymous Artist Collective for Iran)

The lateral design alternated a stenciled portrait of Ms. Mahsa Amini with graphic text echoing those slogans shouted in streets in Kurdish, Persian, English, and many other tongues. “Zan zendegi azadi! Woman, life, freedom!”

History tells us that these riots and demonstrations will work gradually, in waves, until the oppressor gives up and concentrate on better uses of their intellect. By choosing a Manhattan museum of such stature, allies may be reaching new audiences who, in turn, will join the crowds at recent demonstrations like those in cities like Berlin, Washington, and Los Angeles – even Tempe, Arizona.

Anonymous Artist Collective for Iran. Guggenheim Museum. New York City. October 22, 2022. (photo courtesy of the Anonymous Artist Collective for Iran)
Anonymous Artist Collective for Iran. Guggenheim Museum. New York City. October 22, 2022. (photo courtesy of the Anonymous Artist Collective for Iran)
Anonymous Artist Collective for Iran. Guggenheim Museum. New York City. October 22, 2022. (photo courtesy of the Anonymous Artist Collective for Iran)
Anonymous Artist Collective for Iran. Guggenheim Museum. New York City. October 22, 2022. (photo courtesy of the Anonymous Artist Collective for Iran)
A security guard from the museum is photographed removing the banners from the premises. Anonymous Artist Collective for Iran. Guggenheim Museum. New York City. October 22, 2022. (photo courtesy of the Anonymous Artist Collective for Iran)
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