LA II Exhibition in NYC: “ODE 2 NYC”

LA II Exhibition in NYC: “ODE 2 NYC”

Chase Contemporary is announcing an upcoming solo exhibition for renowned graffiti artist Angel Ortiz, also known as LA II/ LA2. Titled “ODE 2 NYC,” the show will feature 30 new canvas works in Ortiz’s vibrant and playful geometric style, which evokes the atmosphere of early 1980s New York.

Silver on Blue (H&T), 2022
Acrylic & Silver marker on canvas
60 x 72 in

Ortiz, a New York City-based, self-taught artist of Puerto Rican descent, is known for his early citywide graffiti projects with his crew TNS (The Non-Stoppers) and for his collaborations with Keith Haring, which took them around the world to participate in numerous gallery installations, fashion shows, and museum exhibitions. Ortiz’s signature style combines contemporary geometric, abstract symbols with influences attributed to hieroglyphics and calligraphy.

Teflon Don, 2023
Acrylic and marker on canvas
36h x 36w in

His signature motif is his street tag LAII/LA2, completed in a dense, nearly overlapping pattern he refers to as “High & Tight”. He weaves it with geometric patterns and animated characters that he created, such as the TV and Spray Can characters.

Ortiz’s contributions to the art world are said to have been overlooked for a long time after Haring’s death, and there has been an effort from some of those closest to him to rewrite his contributions back into the history books. The new exhibition will give him a new platform – a solo exhibition in New York. Word has it that a full-length documentary may be in the works for release next year.

Purrfect, 2023
Acrylic and marker on canvas
24h x 24w in
Hudson, 2023
Acrylic and marker on canvas
24h x 24w in

“ODE 2 NYC”, LA II/ LA2
Chase Contemporary

On View:
May 18 -June 18, 2023

Opening Reception:
Thursday, May 18, 6-8pm

Location:
413 West Broadway, New York, NY

Click HERE for further details.

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Borondo – “Substratum” for Fotografia Europea Festival 2023

Borondo – “Substratum” for Fotografia Europea Festival 2023

Substratum” is the latest exhibition by Spanish artist Gonzalo Borondo on the occasion of the Fotografia Europea Festival. Borondo, a renowned street artist, is set to unveil his latest project, taking a measured look at the complex themes of cultural heritage and its conservation. Through analog and digital photography, Borondo challenges viewers to think about the past and its relationship with the present, using semitransparent materials to create a diorama-like effect that gives the artwork a spatial and temporal diffusion.

Gonzalo Borondo. “Substratum”. SpazioC21. Reggio Emilia, Italy. (photo © Fabrizio Ciccone)

Borondo’s latest installation departs and adheres to the spirits enlivened in his previous street artwork; he focuses on a personal and collective archive to create a small imaginative Pantheon that highlights humankind’s ancestral need to believe in something. The exhibition, gently aflame in the gallery space, is a thoughtful and provocative exploration of cultural heritage, which Borondo navigates with awareness and authenticity.

As a European artist trained more on the street than in academies, Borondo brings a unique perspective to the conversation involving cultural heritage, inclusion and exclusion, ownership, and relevance. Through his work and his proposals of new ways of looking at the past and examining our relationship with the present, Gonzalo may well be encouraging visitors to consider how we can construct a multicultural and multiethnic society open to all of our stories.

Here’s looking at you kid. Gonzalo Borondo. “Substratum”. SpazioC21. Reggio Emilia, Italy. (photo © Fabrizio Ciccone)

“Substratum” is presented at SpazioC21 at Palazzo Brami in Reggio Emilia, as part of the OFF section of European Photography 2023.

Gonzalo Borondo. “Substratum”. SpazioC21. Reggio Emilia, Italy. (photo © Fabrizio Ciccone)
Gonzalo Borondo. “Substratum”. SpazioC21. Reggio Emilia, Italy. (photo © Fabrizio Ciccone)
Gonzalo Borondo. “Substratum”. SpazioC21. Reggio Emilia, Italy. (photo © Fabrizio Ciccone)
Gonzalo Borondo. “Substratum”. SpazioC21. Reggio Emilia, Italy. (photo © Fabrizio Ciccone)
Gonzalo Borondo. “Substratum”. SpazioC21. Reggio Emilia, Italy. (photo © Fabrizio Ciccone)

SPAZIOC21 presenta SUBSTRATUM di GONZALO BORONDO
29 aprile / 25 giugno 2023

SpazioC21
Via Emilia San Pietro 21
42121 Reggio Emilia, Italy
Wend/Sat 15/19 and by appointment

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May Day 2023: “The U.S. is a country built on immigration”- Fairey

May Day 2023: “The U.S. is a country built on immigration”- Fairey

I’m an immigrant rights activist because I believe in the promise of opportunity this country was founded on.”

Shepard Fairey


“Immigrants pay more taxes than they consume in benefits,” writes Alex Nowrasteh on his Substack. He’s one of the authors of a brand new 242-page study published by the conservative Cato Institute, called “The Fiscal Impact of Immigration in the United States”

Cato knows that immigrants (documented and undocumented) greatly benefit the country economically because they base their exhaustive study on data collected by the US Government, which also annually makes meticulous studies of the benefits of having immigrant labor to keep an economy alive and growing. But it is not only think tanks and governments who keep this meticulously detailed data proving the net financial benefits of keeping workers employed who are not granted equal pay, rights, or protections; so do all the banks and corporations across the globe.

Shepard Fairey
Workers’ Rights
Canvas : Mixed Media Painting
Mixed Media
44 inches by 60 inches
2016

Imagine how you would benefit if you could hire workers in your business who live in fear of getting arrested or being separated from family members. You could pay them lower wages and offer no sick days, vacation days, pensions, insurance, medical care, or even safe working conditions. These business owners know that these lowered costs and repressed wages make them more significant profit. It has always been true and, for many, a temptation too great to resist.

So why don’t we see this on the news or hear it from the political class? We rarely, if ever, do.

Today on International Workers Day, celebrated in much of the world, we’ll be regaled instead by stories of frightful “illegals” at the border and the Biden administration’s plans to lift Title 42 restrictions, and how we’ll soon be flooded by arriving Mexicans, Cubans, Haitians, Nicaraguans and Venezuelans. If the past is prologue, and it usually is, the US and its captains of industry will continue to profit from the labor of new arrivals as it has for centuries, despite any heated rhetoric from your TV news host of choice.

Shepard Fairey. Immigration Reform Now!
Offset Print
24 x 35 inches
Edition of Open

Street artist and fine artist Shepard Fairey has kept our collective eye on socio-political matters through his posters, advocacy, and donations of work and time to causes of the worker over the last three decades or so, and today we feature some of his work to celebrate May 1st. He also offers a few words to BSA readers as we think about the contributions of immigrants to the economic and cultural wealth of the US and how all workers deserve fundamental basic rights no matter who they are.

I’m an immigrant rights activist because I believe in the promise of opportunity this country was founded on. The U.S. is a country built on immigration by people leaving their homes to build a better life. That concept should not be something only open to white Europeans from decades and centuries past, but for all those seeking work and asylum. Only a short while ago whites were the immigrants to this land seeking a better life, so let’s not allow short memory and racism to diminish our compassion for those who want to work hard for a good life in the U.S. now!”

Shepard Fairey

https://en.wikipedia.org/wiki/United_Farm_Workers

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BSA Images Of The Week: 04.30.23

BSA Images Of The Week: 04.30.23

Welcome to BSA Images of the Week!

Where is the mafia news? Have you noticed how there is no news anymore about the mafia in the US? No sting operations, uncovered networks, perp walks, or wagging tongues? The New York tabloids used to go for days about Don this and Don that, accompanied by blurry surveillance photos in black and white. Did the mafia disappear? All our companies and industries and institutions are relatively free of corruption now, right?

Now our gripping concerns across the country are wokeism, racism, transphobia, ableism, ageism, pronouns, immigrants on the border, the government itself, abortion, and gun control. There are two teams, two sides; One is patently evil, and the other clearly is virtuous. Patriot vs Terrorist. Your solemn, weighty decision is to pick which team you are on and to join in the great debate as we head into election season, evidence of our thriving democracy! Go Team Good!

This week we wander through the seemingly emptier streets of Manhattan’s Lower East Side, The Village, and Soho to discover what street artists are bringing to their audience with earnest amor de primavera. The results are bracing, racing, effete, mysterious, hip hop, heady, graphic, and subversive: even as the flowering trees and ground vegetation is abloom, and the April rains have been prodigious.

Here’s our weekly interview with the street, this week featuring: Praxis, CRKSHNK, VOZ, Lexi Bella, Pear, Zexor, CP Won, Ollin, Phetus88, Eternal Possessions, Humble, Font147, and Whatifier.

Humble (photo © Jaime Rojo)
Humble (photo © Jaime Rojo)
Humble (photo © Jaime Rojo)
Humble (photo © Jaime Rojo)
Humble (photo © Jaime Rojo)
CP WON for East Village Walls. (photo © Jaime Rojo)
#whatifier (photo © Jaime Rojo)
PEAR (photo © Jaime Rojo)
FONT147 (photo © Jaime Rojo)
FONT147 (photo © Jaime Rojo)
FONT147 (photo © Jaime Rojo)
CRKSHNK (photo © Jaime Rojo)
Lexi Bella (photo © Jaime Rojo)
Lexi Bella (photo © Jaime Rojo)
Praxis (photo © Jaime Rojo)
Praxis (photo © Jaime Rojo)
LOSO! (photo © Jaime Rojo)
Phetus88 and Hip Hop Is My Religion (photo © Jaime Rojo)
Phetus88 and Hip Hop Is My Religion (photo © Jaime Rojo)
Phetus88 and Hip Hop Is My Religion (photo © Jaime Rojo)
ZEXOR. This roller piece has been on this wall for a minute; we’ve published it before. What’s remarkable this time around is that the city just completed the renovation of three small parks in the area, and this was one of them, and they left the graffiti intact. That hasn’t always been the case with municipal property. Graffiti is/was usually the first thing to get buffed/painted over, involving a beautification project by the city of New York. Not this time. (photo © Jaime Rojo)
The palimpsest at the Houston/Bowery Wall continues… (photo © Jaime Rojo)
Eternal Possessions (photo © Jaime Rojo)
They It Forward (photo © Jaime Rojo)
Ollin Crew (photo © Jaime Rojo)
Ollin Crew (photo © Jaime Rojo)
Untitled. Pink Dogwood. Spring 2023. NYC. (photo © Jaime Rojo)
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Confronting Mental Health Challenges at UN Berlin / “Loneliness And Other False Friends”

Confronting Mental Health Challenges at UN Berlin / “Loneliness And Other False Friends”

PROJECT M/19 | LONELINESS AND OTHER FALSE FRIENDS

URBAN NATION has launched an exhibition to address mental health concerns and issues in today’s society. The exhibit was prompted by feedback from museum visitors, who were asked to suggest topics that needed to be discussed. UN reports that the majority of responses focused on mental health, and the exhibit is a response to this concern.

The featured artworks explore emotions and modern life’s stress on mental health. One of the main issues addressed in the exhibit is loneliness. The COVID-19 pandemic only worsened feelings of isolation and disconnectedness; with more people, particularly young people, reporting that they were experiencing anxiety, depression, and self-harm, often compounded by social media.

The exhibition Loneliness and Other False Friends is part of the M series that began a decade ago, now in its 19th edition, or Project M/19. Associated with the main museum’s current exhibition Talking… & Other Banana Skins aims to raise awareness of mental health issues and spark conversations about this critical topic. By showcasing these artworks, visitors are encouraged to reflect on their own experiences and the experiences of others, perhaps spurring meaningful discussions of a deeper quality.

As is often the case with the community-centered vision and voice of UN lead curator Michele Houston, the exhibit is an excellent opportunity to learn about mental health and how it affects individuals and society. Through transference and reflection, the exhibition may catalyze analysis of topics that are often elusive to describe or quantify, in this case providing visitors tools to countenance the emotional toll that modern life can take on people, raising awareness of the importance of mental health.

All images © courtesy of Urban Nation Museum

PROJECT M/19
LONELINESS AND OTHER FALSE FRIENDS
URBAN NATION Project Space
BÜLOWSTR. 97, 10783 BERLIN
EXHIBITION DURATION: 28 APRIL 2023 – 18 AUGUST 2023


ACCOMPANYING THE EXHIBITION
On the occasion of the ceremonial opening of LONELINESS AND OTHER FALSE FRIENDS and in conjunction with Gallery Weekend, URBAN NATION presents a programme beyond the exhibition. 5 Berlin-based artists will create new murals, to join what is collectively called the C-Walls (Community Walls). Each will reflect the exhibition theme on and around Bülowstraße.
PARTICIPATING ARTISTS:
CARO PEPE, DEVITA, HONEY BEEBS, LAKE AND MATE.

All images © courtesy of Urban Nation Museum

The exhibition serves as a space for public discourse, conversations, and workshops.
Event highlights include a mural design with artist Honey Beebs in collaboration with the Anna Freud School. In addition, there is the art workshop “Talk about it” with artist Fehmi Baumbach and photographer Darius Ramazani in partnership with Freunde fürs Leben e.V. for children in grades 11 to 13.

Inside the exhibition, there is a large seating area where visitors are encouraged to
engage with the works and receive further reading material on mental health topics.

Bülowstrasse 7
10783 Berlin
Germany
info@urban-nation.com

Click HERE for more details, hours of operation, tickets, etc.

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BSA Film Friday: 04.28.23

BSA Film Friday: 04.28.23

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. Da Corte looks at Everyday Icons

2. Vhils – Jose Saramago

3. FUTURA on How To Think About Identity + Brand, and The Power of Collaboration. Via Idea Generation

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BSA Special Feature: Alex Da Corte looks at Everyday Icons

“In a darkened gallery, artist Alex Da Corte appears projected on the wall in Slow Graffiti (2017) as Boris Karloff, performing as both the actor himself and his 1931 role as Frankenstein’s monster, blurring the lines between actor and character. In his work, the artist never appears as himself, but rather, embodies the larger-than-life characters who influence or intrigue him: Mr. Rogers, the Wicked Witch of the West, Marcel Duchamp, and the Pink Panther are but a handful. Studying these characters who exist in worlds of fantasy and cartoon and integrating them into his own expansive artistic vision, Da Corte hopes to gain a deeper understanding of them and learn new ways of thinking. Alex Da Corte was born in Camden, New Jersey, in 1980 and lives and works in Philadelphia.

Da Corte creates vibrant and immersive large-scale installations, including wall-based works, sculptures, and videos. Colorful and surreal, his work combines personal narrative, art-historical references, pop-culture characters, and the glossy aesthetics of commercial advertising to reveal the humor, absurdity, and psychological complexity of the images and stories that permeate our culture.”

Alex Da Corte / “Everyday Icons” – Season 11 – “Art in the Twenty-First Century”. Via Art21

Vhils – Jose Saramago

“That is the virtue of maps, they show what can be done with limited space, they foresee that everything can happen therein.” José Saramago, The Stone Raft

FUTURA on How To Think About Identity + Brand, and The Power of Collaboration. Via Idea Generation

“What’s a good idea, what’s a bad idea…you gotta give both a shot”

“Street Art pioneer FUTURA started painting his name on walls as a coping mechanism to deal with his struggle with identity. But as he turned a signature into a brand, he quickly realized that it could also be a business. And that’s where things got interesting. From Lower East Side galleries to t-shirts and toys to collaborations with nearly every blue chip brand you can name, over the last 40 years, FUTURA has redefined what it means to be a pop artist.”

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Jetsonorama Honors the Junaluska Community in NC with Newly Wheatpasted History

Jetsonorama Honors the Junaluska Community in NC with Newly Wheatpasted History

Today we’re looking at a new piece from Jetsonorama (also known as Chip Thomas), a talented artist/activist/historian who has made a name for himself by pasting up photos of great historical and cultural significance in indigenous and African American communities, as well as throughout the broader American narrative.

What makes his installations particularly remarkable is how he repurposes unconventional spaces, whether urban or rural, to display these powerful black-and-white photographs on a larger-than-life scale. By pairing his striking imagery with rich narratives and compelling backstories, Thomas can give voice to these critical subjects in a deeply meaningful way to the communities who view them.

Chip Thomas is shown here talking with family members of Sam Horton Jr. and other folks in the community. Janaluska – Boone, NC. (photo © Mary Anne Redding)

Here we see his new piece as a warm gathering of the Junaluska community in Boone, North Carolina, recognized as one of the earliest African American communities in western North Carolina – one spanning from the 1800s to today.

Chip Thomas is shown here walking with his assistant Travis Donovan. Janaluska – Boone, NC. (photo © Mary Anne Redding)

“I was invited to learn this history last summer and to be a guest artist at Appalachian State University, which I did from April 15th – 24th,” says Thomas. “The image chosen for an installation in Junaluska comes from the early 1950s and is found in Keefe’s book. While installing it, a member of the community drove by and stopped to share with my assistant, TravisDonavan (art professor at ASU), that it was her mom who found this photo in her archives and shared it with Susan Keefe.”

Chip Thomas. Jamison Whittington plays by the mural depicting his great-grandfather, Sam Horton Jr. Janaluska – Boone, NC. (photo © Chip Thomas)

Chip Thomas would like to thank Sarah Donavan, Travis Donavan, Ron McCullum of Appalachian State University and Mary Anne Redding the Turchin Center for the Visual Arts for
making this project possible. Thank you also to the Junaluska Heritage Association for the
use of the image from the Chocolate Bar. #applachia #blackappalachia #junaluska
#blackjoy

Screenshot from the book above by Susan E. Keefe showing the image chosen by Chip Thomas for his installation.
Chip Thomas. Janaluska – Boone, NC. (photo © Chip Thomas)
Chip Thomas. Janaluska – Boone, NC. (photo © Chip Thomas)
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Sebas Velasco Looks at Life As it Was Once Before

Sebas Velasco Looks at Life As it Was Once Before

Contemporary artist and muralist Sebas Velasco was born in 1988 in Burgos, a city in northern Spain. His disciplined romance with painting continues to produce nighttime scenes of the urban every day, mysterious, gloomy, but not necessarily forlorn. Large-scale scenes incorporate elements of the surrounding architecture and marginal cityscape, his canvasses are painterly, blurred, and focused on the emotional, and psychological trajectory of a life lived alongside the wreckage of a city, often solitary figures seeking adventure in gritty, industrial scenes.

Velasco often uses a combination of spray paint and acrylic paint to create his murals and canvas paintings, sometimes incorporating stenciling and other forms of street art into his work, a unique blend of traditional and contemporary techniques.

Sebas Velasco. Kao da je Bilo Nekad (As it Was Once Before). Fine Art Print Giclee on Hahnemühle 310gsm. Hand Pulled Varnish Finish, 45cm x 45cm. (image © courtesy of the artist)

Today we pass along the news that Sebas is offering two of his nighttime reveries as prints for a short time and at more affordable prices than his other work demands today. Named after favorite songs by bands in Yugoslavia and Poland, the two prints capture this moment in his career, this time of unsettling transitions, insecure daily existence where it seems that anything is possible, and chaos is probable.

“Titles for the work often draw from song titles, Kao da je Bilo Nekad (As it was once before) was named after a song from EKV; a Serbian and former Yugoslav rock band from Belgrade
and Kalejdoskop Moich Dróg (Kaleidoscope of my ways) is from a Polish Reggae band called Daab. This fusion in the margins almost feels like spring, stolen moments that can be shared – in lingering romantic brush strokes. If you are interested, we included a link below to learn more.

From the press release, “Compositions are collaged from his own photography to create impossible yet familiar vistas, his brutal constructions become stoic remnants of a memory lost to time.”

Timed Edition Print Release Artist Sebas Velasco
Kalejdoskop Moich Dróg (Kaleidoscope of my ways) (left)
Kao da je Bilo Nekad (As it Was Once Before) (right)
Fine Art Print Giclee on Hahnemühle 310gsm
Hand Pulled Varnish Finish
45cm x 45cm

Launch Wednesday 26th April 16:00 CET / 15:00 GMT / 07:00 PST
Ending Friday 28th April 16:00 CET / 15:00 GMT / 07:00 PST
Prints purchased within the first 12 hours will have free shipping anywhere in the world and
will receive the special rate per print

CLICK HERE FOR THE LINK TO THE PRINT

Sebas Velasco. Kalejdoskop Moich Dróg (Kaleidoscope of my ways). Fine Art Print Giclee on Hahnemühle 310gsm. Hand Pulled Varnish Finish, 45cm x 45cm. (image © courtesy of the artist)

CLICK HERE FOR THE LINK TO THE PRINT

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Sixe Paredes on the River / Bes Art The River Museum in Barcelona

Sixe Paredes on the River / Bes Art The River Museum in Barcelona

Barcelona-based muralist, fine artist, and experimenter Sixe Paredes is associated with his vibrant extractions with a geometric lightness. His stylized murals may have elements of nature, mythology, and indigenous echoes; delivered in a whimsical, surreal, and engaging way that keeps even his most static work moving. At work for the last two decades, building a name and a personal brand, Paredes has been commissioned to create murals and installations for a variety of public and private spaces around the world, including museums, galleries, and corporate headquarters.

Sixe Paredes. BesArt. The River Museum. Besòs River. Santa Coloma de Gramenet (Barcelonès Nord). Barcelona, Spain. (photo © Lluis Olive Bulbena)

A couple of weeks we wrote about Aryz, the Catalan artist being the first artist invited to paint at BesArt The River Museum. Today we have a new mural by Sixe Paredes as well. A project under the umbrella of the municipality of Santa Coloma de Gramenet, the Mediterranean Association of Street Art, and the Royal Artistic Circle of Barcelona, their goal is to invite a constellation of local, national, and international artists to execute works of art on the river’s walls. An excellent addition, he creates a new colorful abstraction along the river banks for summer.

Sixe Paredes. BesArt. The River Museum. Besòs River. Santa Coloma de Gramenet (Barcelonès Nord). Barcelona, Spain. (photo © Lluis Olive Bulbena)
Sixe Paredes. BesArt. The River Museum. Besòs River. Santa Coloma de Gramenet (Barcelonès Nord). Barcelona, Spain. (photo © Lluis Olive Bulbena)
Sixe Paredes. BesArt. The River Museum. Besòs River. Santa Coloma de Gramenet (Barcelonès Nord). Barcelona, Spain. (photo © Lluis Olive Bulbena)
Sixe Paredes. BesArt. The River Museum. Besòs River. Santa Coloma de Gramenet (Barcelonès Nord). Barcelona, Spain. (photo © Lluis Olive Bulbena)
Sixe Paredes. BesArt. The River Museum. Besòs River. Santa Coloma de Gramenet (Barcelonès Nord). Barcelona, Spain. (photo © Lluis Olive Bulbena)
Sixe Paredes. BesArt. The River Museum. Besòs River. Santa Coloma de Gramenet (Barcelonès Nord). Barcelona, Spain. (photo © Lluis Olive Bulbena)
Sixe Paredes. BesArt. The River Museum. Besòs River. Santa Coloma de Gramenet (Barcelonès Nord). Barcelona, Spain. (photo © Lluis Olive Bulbena)
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Fabio Petani – Chloride Acid & Salicornia Europaea

Fabio Petani – Chloride Acid & Salicornia Europaea

As the corporations and the war machine continue to destroy and de-nature, Italian muralist Fabio Petani makes it his job to re-nature with his rich representation of beauty. It isn’t quite summer here yet in Comacchio, Italy, but Mr. Petani is on the Po river delta for the Manufactory Project 2023 painting his newest mural that brings us face to face with the stunning leaves and stalks and blossoms that draw us in and festoon the streetscape.

Fabio Petani. CHLORIDE ACID & SALICORNIA EUROPAEA. Comacchio, Italy. (photo courtesy of the artist)

The artist barely has a word to describe “CHLORIDE ACID & SALICORNIA EUROPAEA” the new mural, before he ascends the wall, cans in hand, a rugged sturdy street artist with the precise eye of a surgeon. He knows that he has begun another spring, another year of travel to add an already prodigious collection of paintings that are aesthetically pleasing and botanically relevant to the environment he paints them in. Here in Comacchio, participating in this festival of music, painting, community, and education, the city plays its role as host, its guests their role of sharing the richness of their talent.

Fabio Petani. CHLORIDE ACID & SALICORNIA EUROPAEA. Comacchio, Italy. (photo courtesy of the artist)
Fabio Petani. CHLORIDE ACID & SALICORNIA EUROPAEA. Comacchio, Italy. (photo courtesy of the artist)
Fabio Petani. CHLORIDE ACID & SALICORNIA EUROPAEA. Comacchio, Italy. (photo courtesy of the artist)
Fabio Petani. CHLORIDE ACID & SALICORNIA EUROPAEA. Comacchio, Italy. (photo courtesy of the artist)

Pics: @delta.cinematica
Project by @riccardo_buonafede, @stravagante73 @manufactory.project @spaziomarconi

Location: Via Bocca della Punta 3, Comacchio (IT)

To get a true sense of the Manufactury project, see this video from a couple of years ago.

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BSA Images Of The Week: 04.23.23

BSA Images Of The Week: 04.23.23

Welcome to BSA Images of the Week! Happy Eid-ul-Fitr 2023!

Here’s our weekly interview with the street, this week featuring: City Kitty, 1UP Crew, Blade, Rae, Kai, Dirt Cobain, Ollin, Qzar, Optimo NYC, Eternal Posessions, Shoot Me Jade, Chelsea Lewinski, Carla Torres, Brent Estabrook, Kern, Enzyme, Misstencil, OASE, Doex, Stroke, Crome, and FLD.

Dirt Cobain painted this portrait last week, coinciding with the 7th anniversary of Prince’s death this past Friday the 21st. Prince Rogers Nelson, commonly known as Prince, was an American singer, songwriter, musician, and record producer.(photo © Jaime Rojo)
Dirt Cobain (photo © Jaime Rojo)
Shoot Me Jade. Wynwood, Miami. (photo © Jaime Rojo)
RAE keeping up in Brooklyn. (photo © Jaime Rojo)
Chelsea Lewinski. Wynwood, Miami. (photo © Jaime Rojo)
Check out the bling! Eternal Possesions. (photo © Jaime Rojo)
Eternal Possesions (photo © Jaime Rojo)
1UP Crew. Wynwood Miami. (photo © Jaime Rojo)
Carla Torres (photo © Jaime Rojo)
Brent Estabrook. Wynwood, Miami. (photo © Jaime Rojo)
KERN uses two techniques on the street. Wynwood, Miami. (photo © Jaime Rojo)
QZAR (photo © Jaime Rojo)
OLLIN. Wynwood, Miami. (photo © Jaime Rojo)
Optimo NYC takes it to the bridge. (photo © Jaime Rojo)
ENZYME (photo © Jaime Rojo)
KAI (photo © Jaime Rojo)
Misstencil. Wynwood, Miami. (photo © Jaime Rojo)
Cats are going crazy. City Kitty for East Village Walls. (photo © Jaime Rojo)
OASE. Wynwood, Miami. (photo © Jaime Rojo)
A real throwback from Blade with the Museum of Graffiti. Wynwood, Miami. (photo © Jaime Rojo)
Doex. Stroke. Crome. A tribute to Ed “Big Daddy” Roth, the South California Kustom Culture warrior – an American artist, cartoonist, illustrator, pinstriper and custom car designer and builder who created the hot rod icon Rat Fink. Wynwood, Miami. (photo © Jaime Rojo)
FLD. Wynwood, Miami. (photo © Jaime Rojo)
Untitled. Spring 2023. NYC. (photo © Jaime Rojo)
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Earth Day 2023

Earth Day 2023

As we think of springtime in the Northern Hemisphere and Earth Day, we gaze upon Epic Uno’s iconic Skull & Flower series with favor. He presents the visual with humor, making it accessible – even if there are many interpretations of his intentions.

We’ve selected this most recent work in collaboration with The L.I.S.A. Project NYC to lead this year’s edition of Earth Day. What better way to speak about the perilous state of our planet than a flower with a skull at its center!

The cycle of life and death is endlessly reflected in the natural world. While this witty illustration may not have been intended to, we think he’s talking about the net negative effect we have had on the Earth’s environment.

Following is a recent selection of street artworks that address the climate, our role in protecting the natural world, and how frequently we fail. Here’s to our Mother Earth, with respect.

Epic Uno for The L.I.S.A. Project NYC. (photo © Jaime Rojo)
Winston Tseng’s current campaign taking over bus shelter’s ad spaces in NYC includes a critique of the toxic materials some fast food companies employ in their food delivery packaging. The tagline in this illustration reads: “Burger King packaging leaches toxic PFAS ‘forever chemicals’.” (photo © Jaime Rojo)
TheEnviromentExcuse.org – Not sure who funds WildAid, but posting anyway. Beware of corporate climate-washing, by the way. Sometimes they have ulterior motives, and PR firms propagate positive narratives for nefarious ends. Not saying that this is necessarily the case here, but one has to ask, “Where does the money come from to advertise initiatives like this?” (photo © Jaime Rojo)
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