Welcome to BSA Images of the Week! A great week, minus the loss of Queens-born singer Tony Bennett Friday at 96, the sweeping of new immigrants out from under the BQE without regard for their few belongings and papers, and our general awareness of increased poverty on the streets, the introduction of the CBDC FedNow program with no fanfare in the press, and the gruesome news of the alleged serial killer suspect Rex Heuermann. On the other hand, we had some bright sunny days with lower humidity that pushed New Yorkers out in the streets and our parks to play games and read books and sashay in short shorts and strike up conversations with one another.
In street art and graffiti news, we appear to have entered an era of low-brow nouveau naive hand styling that has taken over characters and letters. Perhaps it is an attraction to the guileless or a need for clarity amidst the clutter – or that Gen Z doesn’t buy the bulls**t. Whatever it is, our art in the streets has a childlike quality that charms without being charming. So, drop the pretense, Pasqual. We all somehow know we are living in the eye of the hurricane so reach out and re-connect. And our street art is dazzling, entertaining, and has a sense of humor forged through sheer determination.
Here’s our weekly interview with the street, this week featuring: Faile, Chris RWK, Smells, Captain Eyeliner, JJ Veronis, Homesick, Neckface, Panic, Timothy Goodman, OH!, Aidz, Toe Flop, Wizard Skull, Emilio Florentine, Jakee, Tiny Hands Big Heart, RH Doaz, TobBob, Lucky Bubby, She Posse, Eww Gross Ok Fine, Carlton, Skiti, Five Gold Stars, Ekem 132, Rah Artz, 3Modes, Mdot Season, Luce Bokes, Words on the Street, Okina Cosmo, Alex Itin, and TomBob NYC.
Urban Revolution. On view from July 21 / December 03. Lisbon, Portugal.
“Urban[R]Evolution: A Journey from Graffiti to Contemporary Art” is a large exhibition that marks the rise and popularity of urban art and features original installations by 18 renowned Portuguese and international artists. Curated by Pauline Foessel and Pedro Alonzo, this showcase takes place at Cordoaria Nacional in Lisbon, running from June 21st to December 3rd.
The historic and iconic building that once served as the National Rope Factory during the late 18th century, catering to the needs of the Portuguese Navy by producing ropes for naval purposes, is situated near the scenic Tagus River. With its imposing neoclassical and industrial design, the building stands as a testament to the city’s cultural heritage and is now a versatile venue for hosting events after its meticulous restoration. With free-standing booths carefully built not to endanger the historic structure, the flow of the exhibition offers a pod-like adventure to visitors to experience individual artists’ work and visions. Some utilize the spaces fully with installations, while others choose the homey quality of an artist’s studio with work in progress.
The exhibition brings together a lineup of artists whose work was featured in early graffiti images by photographer Martha Cooper, second-wave western street artists who have burnished their names in the commercial urban contemporary art milieu, and a collection of names more locally known – each with profound ties to the graffiti and street art scene. Among them are esteemed names such as Barry McGee, Futura, Shepard Fairey, Swoon, Vhils, and Obey SKTR, to name a few. The curators thoughtfully selected these artists to narrate the fascinating development of urban art, tracing its origins from early tags, graffiti, and subway pieces to its current expression as street art and mural art.
Many of the artists are associated with previous projects of the curators and with one of Lisbon’s anchors of the street art scene, the artist and businessman Vhils. Aside from these connections and the common roots of early graffiti culture, it may be difficult for ticketed visitors to the show to discern the commonalities of the works on display. The connective tissue between the booths will be the many iconic photographs of North American photographer Martha Cooper, whose lens has captured the human experience in urban areas for about 50 years, immortalizing the origins and evolution of graffiti, street art, and urban art – when the scene was viewable directly on the train cars and streets of major cities like New York.
Another nerve center for the show is the installation by conceptual street artist ±MaisMenos± , known for his thought-provoking art pieces and street activations that sublimely challenge social norms and provoke critical thinking. Within this kinetic electronic display, a phalanx of screens emulates a bustling stock trading floor, listing street artists and graffiti artists and their market line charts bumping up and down alongside various commercial, academic, institutional, and cultural influencers and influences that have coalesced to foster their success.
In this exhibition’s composition of artistic expressions, each artist has the opportunity to tell their unique story through their installations and accompanying texts, reflecting on their journey from the streets to the contemporary art world. “Urban[R]Evolution” is a testament to the significance of Lisbon as a vital city for urban art, with the show embracing a dynamic mix of international pioneers and established/emerging talents from Portugal.
This major exhibition, presented by Everything is New and Underdogs Gallery, invites visitors on a dreamlike, poetic, and moving journey, oscillating between light and shadow, the humor and rancor of the street, expressing the heart of urban art’s evolution. It is an immersive experience into urban art’s origins and possible future, exemplifying a sample of the boundless creativity and diverse voices that have emerged from the graffiti and street art scene.
Our sincere thanks to exhibition participant and famed photographer Martha Cooper for sharing here her photos exclusively with Brooklyn Street Art, and to Vasco Vilhena, one of the exhibition’s official photographers.
The artist presented a video installation addressing the “market” for graffiti and street art, the intersection with art and commerce in a brilliant display.
“This took me to what is my thesis subject, where my work is the centerpiece of an eventual (or questionable) dichotomy between street art and the art market, the evolution from illegal, interventive and subversive work into a continuous institutionalization, mercantilization and commoditization, normalized with the (before pursued) but now consecrated and valuated (street) artists.
All of this materialized in an art industry (or market) of artist-companies, studios, galleries, festivals, fairs, museums, curators, collectors, political and media attention, touristic tours, financialization, etc, as so it is with the art world as a whole. Being this specific show, for its size, importance, where it is, its public, a realization of this “evolution”, or this stage of the urban arts. So I thought of an installation as a self-critique and self-awareness of this stage and present context of urban art (one of which myself and my work makes part), how capitalism kidnaps, agglutinates and transforms its (possible) critique and counter-culture, commodifying, massifying and selling it.”
Here’s the latest hit from the first-time street art festival Nice Surprise in Stavanger, Norway – a novel fusion of historical roots and contemporary brilliance showcased in the latest mural by the artist Doze Green. Born and bred on the vibrant streets of New York City, Green’s trailblazing journey in graffiti writing and breaking crews during the 1970s and 80s resonates deeply in the telling of this street art culture. With this modern expression as a mature visual artist today, it may strike you as a rare gift of great significance here – given his direct relationship to the foundational early days of graffiti and hip-hop.
As an original member of the iconic Rock Steady Crew, a pioneering force in hip-hop culture, Green’s mastery in breakdancing and subway-tagging graffiti informs the bedrock of his studio practice and public artworks. Venturing into uncharted territories, Doze Green’s contemporary canvasses embody a signature style of figurative abstraction and letterforms, interwoven with metaphysical inquiries about narrative, time, and the essence of existence.
Green has described his pieces as “biological entities; a swarm of arrows coming in from infinite perspective.” In this newest creation, “Spirits of the Midnight Sun,” Green draws inspiration from Norway’s enchanting 24-hour daylight periods that grace the northern region for three months every summer.
It is a pleasure to witness the artistic journey of Doze Green, and to see how it intertwines with the pulsating rhythm of life, art, and this modern city so far from his own. With his language of symbols and iconography, Green nods to the rich historical Nordic lore surrounding Norway’s natural wonders with much respect. The title also indicates that for the artist, the mural captures supernatural energies and mythic storytelling – through a lens of abstraction. In this context, the new work reads as an amalgamation of historical roots and contemporary vocabularies – and a reflection of the authentic voices of these streets.
Welcome to BSA Images of the Week! And how beautiful this city is, even when the heat is on. The amount of talent on our streets is so overwhelming, thank you New York.
Here’s our weekly interview with the street, this week featuring: Homesick, Mort Art, Optimo NYC, Savior El Mundo, Neckface, Lungebox, DEK2DX, Hektad, Paolo Tolentino, Jappy Agoncillo, SMURFO, Mike King, Mat Lakas, Lasak Art, Snith Node, Big808, Talia Lempert, Individual Activist.
Sponsored and curated by Biennale Street Art, this new wall in Padova, Italy is by muralist JDL, who has said that she makes art about people who are not being seen and not being heard. In this case, she says the mural is inspired by a person she calls ‘F’, “who knew his life would fall apart soon due to a personal crisis but still lived life fully. I spent a happy moment with him, learning to find joy in difficult times and how to dance with my eyes closed.”
JDL (Judith de Leeuw) says she chose this topic because it is on the façade of a building that houses the public institution INAIL (Istituto Nazionale per l’Assicurazione contro gli Infortuni sul Lavoro), which provides insurance coverage for workplace accidents and occupational diseases in Italy. Operating under the supervision of the Italian Ministry of Labour and Social Policies, INAIL’s primary responsibility is to ensure that employees in Italy are protected and compensated for any injuries or illnesses they sustain as a result of their work. It offers mandatory insurance coverage to employers, which helps to provide compensation and benefits to employees who experience work-related accidents or develop occupational diseases.
“I am very happy and honored,” says JDL, “that my piece and its meaning meant so much to the people who, for instance, lost a hand because of an accident.”
Nychos, the distinguished Austrian illustrator, urban artist, graffiti artist, and muralist, has gained international acclaim for his incisive and scientifically anatomical creations exhibited across numerous cities worldwide. Born during the early 1980s, his surrealist style gradually took shape, evolving through a process of experimentation enriched by influences stemming from hunting, heavy metal, tattoo culture, and associated subcultures. Nychos consistently taps into his profoundly introspective nature and a yearning to deconstruct objects to unravel their inner workings.
While participating in the inaugural Nice Surprise Festival in Stavanger, he presents “The Girl with the Tiger Tattoo,” a work imbued with profound personal significance. In a departure from his customary practice, Nychos even composed an Ode dedicated to this piece, a novel endeavor for the artist. While some may find themselves taken aback by the thematic content of his latest creation in this particular town, Nychos is well aware of the discerning nature of this audience, which has long celebrated the presence of exceptional artworks in the public realm.
Expressing his sentiments on his Instagram page, Nychos declares, “Stavanger has undeniably etched a special place in my heart.”
Welcome to BSA Images of the Week! Hello Friends! Lots of good new graffiti and street art and murals out there this week as the city was pausing for some fireworks – nearly every day including the official ones on Tuesday night. The illegal fireworks never completely go away, but they ebb and flow from year to year. The rotating sculpture of the Statue of Liberty that was made of drones really impressed the crowds of New Yorkers this year as they were waiting for the show on the 4th.
Here’s our weekly interview with the street, this week featuring: finDAC, Jenna Morello, DepsOne, TomBoy NYC, Tom Bob, Hiroshi Masuda, Cale K29, Fel 3000 Ft, Edospac, Seb Bouchard, Quaker Pirate, GOAT, and Trasheer.
As most people know, Kathy and Erwin are the co-founders of the Bed-Stuy Art Residency. Their love for the arts and the artists has guided their principles of sharing what they have with others. The residency provides a living space and a studio, free of rent, and a modest stipend to a very eclectic selection of international and American artists to create in a safe and quiet environment. At the end of the residency, which lasts for a month, Kathy and Erwing organize a party and an informal art exhibition for the visiting artist, and with their encouragement, the artist exhibits the works of art they created during their residency. Twelve artists participating in the residency have been selected to exhibit in a group show at LaMamaGalleria opening today.
“Rooted in compassion for artists’ struggles and a deep love of art, our family-run (Kathy Kupka, Erwin Bakx, Marshall Kupka-Moore) initiative ensures a supportive, inspiring environment. We foster diversity, cultural exchange, and community engagement with a vision to empower artists globally through mentorship and resource provision” – Bed-Stuy Art Residency
“C TO KINGSTON – THROOP” A GROUP EXHIBITION BY BROOKLYN ART RESIDENCY TO BE FEATURED AT LA MAMA GALLERIA
47 Great Jones Street. NYC JULY 6 – AUGUST 4, 2023
La MaMa Galleria is honored to present “C to Kingston-Throop,” an exhibition featuring the works of twelve accomplished alumni of Bed-Stuy Art Residency. These amazing artists have brought life into their craft through their dedicated work ethic and distinctive artistic voices. Each artist has a deeply rooted and personal connection to their work, which radiates an enriching, authentic, emotive power. Their narratives are informed by their journey through various life situations, speaking on their personal growth and ability to navigate and contribute to the contemporary art landscape. The participating artists are esteemed Bed Stuy Art Residency alumni in Brooklyn, NY. Their work has been displayed in galleries, museums, and art fairs and has received worldwide awards and recognition. This exhibition opens Thursday, July 6, from 6:00 pm – 9:00 pm and will be Bed-Stuy Art Residency’s first group exhibition with their artists.
Don’t Fret. (photo courtesy of BedStuy Residency)
FEATURED ARTISTS Ahmad George | Aliyah Bonnette | Amy Fisher Price | Don’t Fret | Hugo Girl | Juan Arango Palacios | Julie Shenkelberg | Masha | Sheryo | The Yok | William Irving Singer | Yarrow Slaps
ARTIST TALK “The Artistic Journey: Bed Stuy Art Res Alumni Reflect” Date & Time: July 15th, 1 pm – 3 pm In conversation with Bed-Stuy Art Residency alumni artists, provide a brief overview of the exhibition, and discuss the panel artists’ journey in art and how they have evolved as artists since their time at Bed-Stuy Art Residency. This event has been curated to encourage artists to freely share their thoughts and stories and engage with the audience to create a memorable and enriching experience.
Wishing you a safe and fun 4th of July celebration. In these tumultuous days, it is good to remember that the Boston Tea Party was the people’s rebellion against an unholy alliance of government and corporations – and state-sponsored monopoly.
Welcome to BSA Images of the Week! Happy 4th of July Weekend.
The smoke from forest fires revisited our fair dirty city again this week, causing the air to smell like a summer campfire wherever you rode your bike or walked, or scootered. In some neighborhoods, it was a new smell that almost overcame the smell of urine and garbage, so that was a silver lining. Also it served as a trigger for people who have gone camping to buy marshmallows, graham crackers, and chocolate to make s’mores in the kitchen. Or maybe we are just talking about ourselves.
Also, the results of having a right wing leaning Supreme Court came in this week; Rulings striking regarding affirmative action, GLBTQ+ rights, limitations on student loan forgiveness, and domestic abusers and guns – all took serious hits. Welcome to the increasingly conservative US courts, even as annual polls conclude that a majority of US citizens hold more liberal and progressive views every year.
This week we have an assortment of murals, street art, and graffiti for you. Enjoy!
Here’s our weekly interview with the street, this week featuring: Skewville, Matt Siren, Praxis, Lexi Bella, Eternal Possessions, Didi, BK Ackler, Enivo, Smile Boulder, Mena Ceresa, Jeff Rose King, Eye Know, Girlly, MS Chainker, Green Villian, XIK Art, and BustArt.
Experience the synergy of history and contemporary urban art practice during this summer’s Nice Surprise street art festival with BSA in this Norwegian city. Join us as we celebrate Stavanger’s 900-year milestone with a new cadre of artists and programming that continues the modern heritage of this fortunate city on the North Sea with street art and graffiti.
Brisbane-based Sofles is an Australian graffiti writer and street artist known for his exceptional skills in both graffiti and mural art. Known for his distinct style, and mastery of many styles in graffiti, he’s been honing his skills since the late 90s. He’s developed a unique and versatile style that blends graffiti lettering, characters, and abstract elements – always infused with movement and a limitless sense of discovery.
Here’s a wall he did a collaboration on with Mathis, a straight up Norwegian painting pro with lots of commercial experience and respect in the graffiti game. Mathis Anvik has a lot of great work in many styles on his social media, including stuff from Vestfold Kunstdekor, a company that specializes in painting buses, or RUSSEBUSSER – often known as party buses used by Norwegian high school graduates. But that’s another story
Sofles was the very first artist to paint in Stavanger, Norway for this first edition of Nice Surprise!, an auspicious and new Street Art Festival that will get its wings throughout the summer in this Nordic city. While in town, Sofles painted a whole train with his pals Smug One, Milliana, and Norse, which you can read all about it here. He also painted this wall in collaboration with Mathis and a wall in the downtown center of the city by himself. Tor Ståle Moen, a resident of Stavanger and frequent BSA collaborator, shared the photos of the murals with BSA readers to enjoy.
Experience the synergy of history and contemporary creativity during this summer’s Nice Surprise street art festival with BSA in this Norwegian city. Join us as we celebrate Stavanger’s 900-year milestone with a new cadre of artists and programming that continues the modern heritage of this fortunate city on the North Sea with street art and graffiti.
The street art community is abuzz with anticipation for the newly sprung Nice Surprise! street art festival taking center stage in Stavanger, Norway (pop 150,000). Stavanger, as a champion for street art and graffiti, is perhaps better known for Nuart, the long-running transformative event that breathed new life into the city, attracting acclaimed artists from around the world and elevating intellectual discourse studying graffiti and street art. Now the city is giving the seal of approval to Nice Surprise to bring its own distinctive blend of artistic brilliance and community-based camaraderie to this oil capital of Scandinavia.
Nice Surprise likes to say that it is a festival organized by artists for artists. Pøbel and Atle Østrem are artists, co-founders, and part of the team. They are internationally known as pioneers and proponents of the street art scene and have been active for at least two decades. Nice Surprise is working this summer to bring some high-profile international and local artists – and some surprises – to the city from June through September.
In addition to being a meeting place for like-minded individuals passionate about street art, Stavanger is preparing to commemorate its 900-year anniversary. Nice Surprise will embrace historical neighborhoods like Pedersgata, Domkirken, and Ullandhaug to bring fresh ideas and art into these cherished locations. By merging contemporary street art with the city’s strong cultural legacy, the festival hopes to honor Stavanger’s past while sparking excitement with relevant new works that blend artistic brilliance with historical reverence, possibly provoking some introspection.
This summer BSA will be in Stavanger to bring you images and developments of Nice Surprise as an international and local roster of names come through town. Today we begin with a collaborative train piece by Sofles, Smug One, Milliana, and Norse. The train is what we believe is to be the first legal whole train to be put in regular traffic, where it will run over the entire festival period.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
