Monkey Bird Crew in Lille, France and Their Largest Monkey/Bird Stencil

Monkey Bird Crew in Lille, France and Their Largest Monkey/Bird Stencil

The Bordeaux-based Street Art duo Monkey Bird Crew were in the northern French capital Lille in November to create their largest mural ever and today we have some exclusive shots of the enormous piece from the natural stencilists as they scaled the bricked wall and sprayed the new work.

 

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Monkey Bird Crew in Lille, France. (photo © Aline Mairet)

Phototographer Aline Mairet tells us “This collaborative work was realized as part of the major cultural event called “Renaissance” (by Lille3000) and was built with the contribution and participation of the neighborhoods residents.”

It’s standard practice for Edouard and David to portray their chosen avatars of monkey and a bird – of many varieties – in a composition that shows their reliance on one another. Aline says that she sees the their inspiration as being derived “principally from sacred or lyrical works such as illuminated manuscripts, stained glass, and architectural ornamentation – as well as Japanese prints and fantastic illustrations from the ‘Arts and Crafts’ period.”

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Monkey Bird Crew in Lille, France. (photo © Aline Mairet)

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Monkey Bird Crew in Lille, France. (photo © Aline Mairet)

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Monkey Bird Crew in Lille, France. (photo © Aline Mairet)

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Monkey Bird Crew in Lille, France. (photo © Aline Mairet)

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Monkey Bird Crew in Lille, France. (photo © Aline Mairet)

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Monkey Bird Crew in Lille, France. (photo © Aline Mairet)

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Monkey Bird Crew in Lille, France. (photo © Aline Mairet)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Top 15 Videos on BSA Film Friday From 2015

Top 15 Videos on BSA Film Friday From 2015

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Every Friday you can stop by here to see a handful of videos that are directly/tangentially related to Street Art. The criterion for selection is admittedly loose so we’ll just say that BSA Film Friday is a platform for inspiration, expression, examination. Some people use video to write an exhaustive treatise, a thorough examination bolstering Street Arts’ rightful place in the canon of public arts. Others write a few verses of a poem with video. We give extra points for telling a story in a new way.

Here we collect 15 that resonated with BSA readers in 2015, along with some quotes from the original posting to show you what we were thinking. Our sincere thanks to the hundreds of videographers who work so hard and with so much passion to tell their story with this medium. We have such admiration for you and your talent.

BSA Film Friday: 01.23.15

Narcelio Grud Mixes Cement and Sprays It

 “Narcelio Grud and “Chaupixo” brings us back into the inventive mind of this experimenter – now hand pumping a slurry of colored concrete over a stencil pattern. The results are solid!”

BSA Film Friday 04.10.15

The Reinvention of Normal: Dominic Wilcox

“By doing the ridiculous, something else might come of it,” says Dominic Wilcox, and we couldn’t agree more.

“Just off the wall. And that is what I’ve always encouraged in him.” says Dominic’s dad.

“I had this idea to come up with something creative every day for 30 days,” says the artist.

And this is how we all move forward.

 

BSA Film Friday: 04.17.15

Gladys Hulot, AKA Hyrtis Animates David Bowie “Life in Mars”

“BSA readers will dig this animation of David Bowie’s “Life on Mars,” Gladys Hulot, also known as Hyrtis, brings Bowie to slink through the cracks and around the concrete underground, dripping with piercing drama, and plenty of distinctive style. The voice here is stunningly replaced with a musical saw, giving the chameleon just one more layer to his multiple identities.  Not precisely street art, but Bowie’s ties to the street are undisputed.”

 

BSA Film Friday: 05.08.15

Shepard Fairey: OBEY This Film

“This is almost a year old but it is also sort of timeless when you see how Shepard Fairey’s continous re-evolving of his philosophies about art and its place in our lives has come to such cogent arguments. It’s a short film, a genuine distillation of the larger themes that we have seen at work in the life and the career and public person.

Shot by a guy whose primary focus up until this point was nearly exclusively about skaters and skate culture, Brett Novak says he was pleasantly surprised to learn that Fairey was likeable and had a lot of good information to impart. “I was not aware at how incredibly inspiring Shepard would turn out to be.”

 

BSA Film Friday: 05.15.15

Kinetoscope: Angelina Christina x Ease One

“Slab City is sometimes billed as an isolated desolated off-the-grid sort of place in California so it was an adventure for Christina Angelina and Ease One discovered the remains of this abandoned water tank and transformed it into a circular mural. They call it The Kinetoscope.”

 

BSA Film Friday: 06.05.15

1010 Creates a Crater in Paris

“And you thought New York had potholes? Be careful in Paris!”

 

BSA Film Friday: 06.12.15

Born and Bred: The Rise of Street Art in Bushwick

“It’s all about Joe! While you were looking for a brunch spot or a beard wax or simply at your navel, Joe took an opportunity to connect artists with walls and did more for the “scene” in Bushwick than an L Train full of pilgrims ever could. He cleared the way for a slew of local and international artists and writers looking for an opportunity to exercise their creative speech and courted the press with his local native personal story so often that you can imagine a Netflix series will be next.”

 

BSA Film Friday 07.17.15

Roma Street Art Tribes as Captured by Dioniso Punk

“Disorderly, discordant, and richly chaotic, these two videos are centered around the Italian street art paintings and artists whom you will recognize from our earlier postings on community/gallery organized urban art programming – but within the context of historical art publicly displayed, peoples movements, patronage, fascism, the classics.

Dioniso Punk allows everyone to talk – neighbors, artists, organizers, curators, public philosophers, elected officials, psychologists, sociologists, entrepreneurs, posers, professors, historians, students, an opera singer, the petite bourgeoisie, international visitors and hapless puzzled opinionated locals.”

Part I

Part II

 

BSA Film Friday: 08.21.15

(RE) Prisma by Narcelio Grud

“The ship Mara Hope, stranded for 30 years on Iracema Beach alongside the Brazilian city of Fortaleza, received a benediction of more color in July thanks to Street Art interventionist and experimenter Narcelio Grud. A mistake in 1985, the ship has become a monument over time, a symbol of the history of the fishing industry, and after so many years a symbol of personal history for people who have grown up with it.”

 

BSA Film Friday 09.11.15

Hitnes. The Image Hunter / Voodoo Duck

 “At the Pine Island Audubon Sanctuary in Corolla, NC, The Image Hunter discovers the importance of duck decoys in Currituck County.”

 

BSA Film Friday: 10.16.15

Welcome To America Owen Dippie by Erin Dippie

“A nice homemade video this week by New Zealand painter Owen Dippie’s talented wife Erin, who documented his trip to New York and LA. Without the hype this gives you an idea what it is like to be a tourist here, and it is good to see the experience through the eyes of a loving partner.”

 

BSA Film Friday: 10.23.15

FAILE: “Wishing On You” Times Square 2015 NYC

“We debuted this video by Priest Fontaine live for the Brooklyn Museum audience with Faile and actual chills went up people’s spines. No lie.  Now you can see it too here online Capturing the current Times Square as county fair with mountains of screens flashing images around the Selfie Stick Forest, all corporate creepy and still sleezey – Fontaine evokes the magic that Faile is, as well as the pure industry that it takes to make their art work. Also good to remember that it was a hot and humid overnight installation that started at 8pm and ended around 10 the following morning.”

 

What Happened with BSA + FAILE at the Brooklyn Museum?

 

BSA Film Friday: 11.06.15

Your Tour Through Dismaland with Butterfly and Lars Pederson

“The views are sadly hilarious, pure sarcasm and commentary on issues and behaviors.  If Street Art is meant sometimes to hold a mirror to us as we pass by, this is a genuine funhouse of mirrors at every turn. Of course, this isn’t Street Art – its site-specific contemporary art – and many of the artists are street artists, but not all. Butterfly and Pederson discuss the installations as they encounter them and the viewer feels at though they have gotten a true sense of the wonderful world of Dismal.”

 

 

BSA Film Friday: 11.13.15

Ugangprosjektet 2015 in Drammen, Norway. A Film by Selina Miles

“UGANG2015 in Drammen, Norway had two weeks of murals from Street Artists and graffiti writers in late August. A relatively new event curated by local graffiti artist Eric Ness Christiansen (Eazy), the program is already slamming. A small town of 70,000 about 40 minutes from Oslo, they know how to take care of details, including inviting the inimitable Selina Miles to come and shoot it. Any questions?”

 

 

BSA Film Friday: 12.04.15

Brandalism Takes Over Bus Stops to Counter Cop21 Misinformation

“Here is a brief intro video about Brandalism’s answer to UN COP21 – and the first of what will surely be more videos about this massive effort by 82 Artists from 19 different countries to take back public space and the public dialogue about climate change from those who are skillfully employing misinformation and bending laws to enable them to continue making money at all costs.”

 

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Rubin415 : Take Me To Church

Rubin415 : Take Me To Church

Street Artist Invited to Bring Inspirational Modernism To a Brooklyn Parish

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Rubin415. Saint Cecilia Church. Greenpoint, Brooklyn. November 2015. (photo © Jaime Rojo)

Saint Cecilia is the patroness of musicians, which makes a lot of sense for a guitar player like Rubin415, who also happens to be a Brooklyn-based Street Artist.

In fact when we invited Rubin to paint the Domino Walls in Williamsburg in 2014 he described his mural-making process in musicians’ terms;

“Like the rhythm in a piece, it has to start with the intro, getting into the verse, then in the middle it gets busy with the chorus, then you get a bridge, the song gets to breathe a little bit, and then you have the outtro so its all the same between music and art.  It’s different tools to express – some ideas work better as paint and some as audio.”

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Tiled fleur de lis inspired Rubin415 in his new works at Saint Cecilia Church. Greenpoint, Brooklyn. November 2015. (photo © Jaime Rojo)

The patroness saint actually has a number of churches named after her around the world and this Greenpoint, Brooklyn location is one of two named for her in New York City. This fall Rubin was invited by a priest to consider bringing his clean mid-century modernism to the back yard and other vignette locations around the church – an occurrence that would have been unthinkable to him as an active teen graffiti writer in 1990s Sweden. Churches were someplace to avoid – an unwritten rule for graffiti writers in most cities actually regarding houses of worship.

The project has been rewarding however, and while he hasn’t become an official follower, he sounds like he has a new appreciation for houses of the holy. Spending many quiet hours in and around the various atriums and vestibules and congregative spaces Rubin says he took cues from the obvious architectural elements as well as the smaller more decorative flourishes when planning his intersecting planes and forms.

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Rubin415. Saint Cecilia Church. Greenpoint, Brooklyn. November 2015. (photo © Jaime Rojo)

Rubin says that no two commissions are alike and this was his first in a place so filled with history and meaning. He also will always associate it with the birth of his and his wife’s first child, so evidently Rubin was not the only one laboring in November, but more on that later…

Today we bring you exclusive images of this freshly completely and somewhat cloistered installation by Rubin, who actually took us to church to show us his inspired manifestations.

BSA: You mentioned that you thought the Priest had taken a big risk by giving you this commission. Why?
Rubin: It is very rare for the people of a church to commission a Street Artist to a paint mural on the church. It is kind of unconventional work that we do. He mentioned to me that a lot of new and young people are moving into the area and his idea was that Street Art could help to connect the church with them.

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Rubin415. Saint Cecilia Church. Greenpoint, Brooklyn. November 2015. (photo © Jaime Rojo)

BSA: Did you have to present a sketch for approval?
Rubin: Yes I had to present them with suggestions, not final sketches. They had to be approved by the community in the neighborhood at a community meeting on a Sunday. I attended one of those meetings. They wanted to meet the artist so I went and told them a little bit about what I do and who I am.

BSA: Did they ask if you were a religious person?
Rubin: No

BSA: Did they treat you well?
Rubin: Yeah, very well. I’ve done a lot of murals and every single one of them is different but this one is definitely a very memorable experience in many ways. They have been super easy-going and helpful. They gave total creative freedom.

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Rubin415. Saint Cecilia Church. Greenpoint, Brooklyn. November 2015. (photo © Jaime Rojo)

BSA: How was it painting outside?
Rubin: Very different because I spent a lot of time inside the church making sketches, drinking coffee. I don’t know if you are supposed to drink coffee inside the church. I took my hat off but I drank coffee. It was a bit cold but being inside this church and watching the amazing daylight changing was very nice. I like to work on site-specific commissions and be inspired by the neighborhood I’m working in. I don’t know much about the church and I’m not too religious but I started the project with an open mind and it has been an amazing experience and very quiet – which I think affects the end result. I also took clues from the church architectural and decorative details for inspiration on the mural.

BSA: So you didn’t have people on the street asking you a million questions?
Rubin: Yeah. People asking you questions when you work in public is part of the job but working on this mural was a nice break from the ordinary. Not having to talk to anybody. I didn’t listen to any music I just enjoyed the quietness.

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Rubin415. Saint Cecilia Church. Greenpoint, Brooklyn. November 2015. (photo © Jaime Rojo)

BSA: How did the Priest know of you and your work?
Rubin: It’s a very funny story. I went to the supermarket where I buy my groceries and the owner who had commissioned me to do a mural on the building approached me and told me that a Priest was asking for me. I was like “what’s going on, what have I done?”! He gave me the Priest’s number and I called him and I had no idea what was going on. His name is Father Thomas. He told me that he had seen my murals on Grand Street and Metropolitan Ave and he liked my work and he told me that it reminded him of the stained glass windows in the church. So he had this idea of me painting a mural on the back of the church on the walls of the auditorium. It worked very well.

BSA: So you mentioned that you were well into your first week of painting when your wife Sanna brought you lunch but didn’t mention to you that her contractions for giving birth had already begun?
Rubin: It was a Sunday, a beautiful day and she came here like she always did to bring me coffee and lunch and everything seemed fine. I worked for 12 hours at the mural and little did I know what I was going to find at home. My wife was having horrible contractions. But she wanted to wait as long as possible and at 11:00 pm I got the order from her to call UBER, that’s how it works nowadays. The UBER got lost on his way to us and it wasn’t fun to have her standing on the street.

We went to Bellevue and he screwed up again. He didn’t find the right entrance and had to walk for two blocks. She was checked in and I was told to sit in the waiting room and I waited for two hours and soon after that I was told that my wife was about to give birth. It all went very fast and they sent me back home. I wasn’t allowed to spend the night at the hospital. We all were tired so I decided to let them rest and I went home and crashed.

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Rubin415. Saint Cecilia Church. Greenpoint, Brooklyn. November 2015. (photo © Jaime Rojo)

BSA: When did you resume work on the mural?
Rubin: I took off a week and the priest knew what was going on and they were happy with the news and told me to take my time to come back and finish the mural.

BSA: How did you feel when the mural was completed?
Rubin: The labor was hard. When you do a large mural there’s a lot of work and in this case it was both physically and emotionally. Many times I though I was done with it but the finishing touches were too many and the original walls were in very bad condition so just priming them took a long time. When I finally finish I felt relieved but my mind was already onto the next project. What I enjoy most is always the process. By the time the mural is completed I usually need a break from the work. But I enjoy the process very much.

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Rubin415. Saint Cecilia Church. Greenpoint, Brooklyn. November 2015. (photo © Jaime Rojo)

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Rubin415. Saint Cecilia Church. Greenpoint, Brooklyn. November 2015. (photo © Jaime Rojo)

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Rubin415. Saint Cecilia Church. Greenpoint, Brooklyn. November 2015. (photo © Jaime Rojo)

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Rubin415. Saint Cecilia Church. Greenpoint, Brooklyn. November 2015. (photo © Jaime Rojo)

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Rubin415. Saint Cecilia Church. Greenpoint, Brooklyn. November 2015. (photo © Jaime Rojo)

 

 

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BSA’s 15 Most Popular Murals Of 2015 – A “Social” Survey

BSA’s 15 Most Popular Murals Of 2015 – A “Social” Survey

People’s Street Art preferences can be very hard to predict. On social media we can reliably tell you that opinions are unreliable. Murals that we are sure you’ll love fall flatter than a one-sided pancake. Conversely, that piece we were tepid about? – Up the charts faster than a Kardashian in search of a camera.

With that in mind we thought you might like to see how the top social platforms sorted out the shots of 2015 by our Editor of Photography, Jaime Rojo.

 

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We surveyed the number of “Likes” and shares his images received on Instagram, and Facebook in 2015 and based purely on the numbers, here are the Top 15.

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No. 15 : Os Gemeos in Manhattan

Brazilian twin brothers Octavio and Gustavo are Os Gemeos and this year they began popping out of walls – and that’s not all! See the original posting here :

OS Gemeos Pop Through Walls Downtown NYC, Screens in Times Square

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Os Gemeos in Manhattan. August 2015  (photo © Jaime Rojo)

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No. 14 : Icy and Sot in Berlin

Looks like we picked a winner when BSA curated Iranian brothers ICY and SOT onto this Berlin facade of the Urban Nation. Following the theme of our “Persons of Interest” show there in March with some of Brooklyn’s finest Street Artists, the brothers reflected the fall of the Berlin Wall in the face of this Brooklyn-based woman. Look for a release of their book by Lebowski Publishers with an essay by BSA telling the story of the Tabriz-now-Brookyn-based ICY and SOT to be released in Spring 2016.

See more about our Persons of Interest show and ICY and SOT’s mural here : Complete “Persons of Interest”: Brooklyn in Berlin

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Icy & Sot in Berlin for Urban Nation. March 2015  (photo © Jaime Rojo)

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No. 13 : Alexis Diaz in NYC

Surreal illustrationist Alexis Diaz has been making brains stretch and stand up and clap with his murals from Miami to Hawaii to Lodz, Poland this year, continually impressing with his meticulous and tight cross-hatching skills, wildly wide imagination, and his uncanny ability to collaborate stylistically with other artists.  This relatively small piece by him in Manhattan turned heads for months and earned this pic lots of attention via BSA.

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Alexis Diaz in Manhattan. May 2015 (photo © Jaime Rojo)

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No. 12 : Dian in Brooklyn

Essentially a live shot of the last frame for a stop -action mural video (featured on BSA Film Friday: 11.06.15) this image got a lot of traffic probably because of it’s perceived political critique of the Republican Party – but the artists say that they weren’t even familiar with US politics when they made it.

“Dian is a street artist from European art label Life is Porno. In 2015, he decided to do a series of stop-frame stop frame animations around Europe and the world. This time he turned a building in Brooklyn, NYC into his animated reality. And grew an elephant from his mushrooms…

(The) whole animation was spray-painted, without any computer animation. The Bullshit sign was installed by a legendary fusion artist Shalom Neuman.”

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Dian in Brooklyn, NY. November, 2015. (photo © Jaime Rojo)

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No. 11 : Pichi & Avo in Sweden

“The Spanish Street Art duo Pichiavo brought the antiquities and modern day graffiti together last week on a soaring multi-story wall in Borås, Sweden,” we wrote of this multi-story mural that appealed to many readers this September. It’s the sort of formula that works again and again for these guys, most recently in Miami last week.

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Pichi & Avo in Boras, Sweden for No Limits. September 2015. (photo © Jaime Rojo)

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No. 10 : Dal East in Sweden

Participating in the same small festival (Borås “No Limit)” as PichiAvo above, the artist Dal East captured the imagination of BSA readers with this soaring wingspan painted high upon a five stepped modern facade building across from a textile university campus.

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Dal East in Boras, Sweden for No Limits. September 2015  (photo © Jaime Rojo)

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No. 9 : Owen Dippie “Radiant Madonna” in Brooklyn

The first of two entries by Kiwi Owen Dippie on our Top 15 list for 2015, this merging of Raphael’s Madonna with Haring’s radiant baby snapped people out of their stupor with the unconventional paring. A fan of both artists, Dippie’s mural reminded us of Haring’s flirtation with Christian “Born Again” fundamentalism before he decided to be an out gay man in the 1980s – at a time when the so-called Moral Majority was ready to send gays to be quarantined because of the AIDS crisis. This three story mural by Dippie is still vibrating with the tensions he encompassed in this one powerful composition.

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Owen Dippie in Brooklyn. July 2015  (photo © Jaime Rojo)

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No. 8 : Ernest Zacharevic in Brooklyn

Outside of this Lithuanian Street Artists’ typical wheelhouse, its the irony of this piece that contains his DNA. Capturing the same commercial advertising linguistic that Street Artists typically lampoon, the text based riff clearly draws the connection to the appreciation for hand-style that originally marked a “style” revolution in graffiti. Maybe it was this timeless “instant classic” quality that drew so many fans on Instagram and Facebook.

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Ernest Zacharevic. Brooklyn, NY November 2015 (photo © Jaime Rojo)

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No. 7 : Ella & Pitr in Norway

The French couple were in the town of Stavanger to create the World’s Largest Mural so comparatively this was just doodle on the back of an envelope for Ella & Pitr, but something about it struck a chord with you this September.

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Ella & Pitr in Stavanger, Norway for NUART 2015. September, 2015  (photo © Jaime Rojo)

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No. 6 : ECB in Brooklyn

His pensive and looming old men and women from Morroco have been made into a book recently, but ECB made this guy in dirty old Brooklyn this year and photographer Jaime Rojo caught it a day after heavy rains provide this reflective moment. Read more about ECB’s portraits of working folks in : The Trades: Street Artist ECB Traces Morocco’s Faces

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ECB in Brooklyn. May 2015 (photo © Jaime Rojo)

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No. 5 : Okuda in Manhattan

Nearing 20 years in the game, the Spanish Street Artist Okuda is always a pleaser with his rich-hued pop surrealism and geometrics that mimic the man-made urban environment. Here his organic forms in a New York doorway pop out from the dim grayness of the streetscape.

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Okuda in Manhattan. June 2015. (photo © Jaime Rojo)

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No. 4 : Case Ma’Claim in Berlin

One of the current crop of photo-realists that are drawing so much attention, Ma’Claims’ meditation is often on hands. This one may have had additional appeal on Social platforms because of it’s combination of skin colors and its appearance during the “Hands Up, Don’t Shoot” marches in cities across the US.

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Case Ma’Claim in Berlin. March 2015 (photo © Jaime Rojo)

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No. 3 : Nick Walker

The Bristol-born Mr. Walker has a soft spot for New York and this placement outside a pizza parlor of his iconic bowler-hatted avatar made a lot of connections for viewers on Facebook who shared this image like crazy last winter.

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Nick Walker. Manhattan, NY. January 30 2015 (photo © Jaime Rojo)

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No. 2 : JR in Manhattan

A commercial wheatpaste project with The New York City Ballet, their principal dancer the ballerina Lauren Lovette, a documentary called LES BOSQUETS, and a real estate developer, this image of a woman flying through the air to kiss Manhattan’s sky was so riveting that it continued to ricochet JR’s image across digital devices for months after we posted it.

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JR in Manhattan. August 2015  (photo © Jaime Rojo)

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No. 1 : Owen Dippie “Ninja Renaissance Masters” in Brooklyn

With 1.1 million shares across our Facebook page, this merging of four Renaissance master visages and the 1990s Ninja Turtles masks leap-frogged every other image we posted this year, and busted peoples’ brains open. The New Zealand based Dippie was killing it this summer in Brooklyn before heading out to the West Coast, but this trackside trick continued to draw visitors long after he headed back to his homeland, and his pic wins 2015 decisively. See the original posting here : Leonardo, Raphael, Michelangelo and Donatello Spotted in BKLN : Owen Dippie Lies in Wait

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Owen Dippie in Brooklyn. July 2015  (photo © Jaime Rojo)

 

 

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article is also published on The Huffington Post

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A Quick Look at Wynwood Walls of Change 2015

A Quick Look at Wynwood Walls of Change 2015

Among the various events at this years’ Miami madness called Basel were the multiple projects that intersect with Street Art in the Wynwood District. Walls of Change brought new large scale murals and installations from fourteen international artists who have all done art in the streets at some stage of their career and represent some of the better known as well as a few up-and-comers.

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Case Ma’Claim. Detail. “Walls of Change” at  Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

The corporate sponsored program curated by real estate CEO Jessica Goldman Srebnick of Goldman Properties also debuted The Wynwood Walls Garden, a new space that cleverly added instant height to the scene by stacking shipping containers on top of each other.

Our thanks to Todd Mazer for sharing these fresh images for BSA readers to see what new pieces captured his eye at the installation. The invited list of artists includes Case (Germany), Crash (USA), Cryptik (USA), el Seed (France), Ernest Zacharevic (Singapore), Fafi (France), Hueman (USA), INTI (Chile), The London Police (UK), Logan Hicks (USA). Pichi & Avo (Spain), Magnus Sodamin (USA), and Alexis Diaz (Puerto Rico).

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Case Ma’Claim. Detail. “Walls of Change” at  Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

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Case Ma’Claim. Detail. “Walls For Change” at  Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

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Pichi & Avo. Detail. “Walls of Change” at  Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

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Pichi & Avo. Detail. “Walls of Change” at  Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

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Logan Hicks. Detail. “Walls of Change” at  Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

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Logan Hicks. Detail. “Walls of Change” at  Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

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El Seed. Detail. “Walls of Change” at  Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

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El Seed. Detail. “Walls of Change” at  Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

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Hueman. Detail. “Walls of Change” at  Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

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Cryptik at work. “Walls of Change” at  Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

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Cryptik at work. “Walls of Change” at  Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

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Cryptik. Detail. “Walls of Change” at  Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

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The London Police at work. “Walls of Change” at  Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

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Ernest Zacharevic’s Miami collaboration with photographer Martha Cooper. Mr. Zacharevic recreated Pablo Picasso’s 1958 sculpture “Bull” and placed it a scene from Ms. Cooper’s photo of children at play taken in 1978 in The Lower East Side of Manhattan. Detail. “Walls of Change” at  Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

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Ernest Zacharevic. Detail. “Walls of Change” at  Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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BSA HOT LIST : Books For Your Gift List from 2015

BSA HOT LIST : Books For Your Gift List from 2015

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This year BSA brought you a number of reviews of Street Art related books to consider. Now that it is Christmas / Hannukah / Kwaanza / Solstice / New Year time we thought you would like a brief review of some of the best books of 2015. Enjoy!

Djerbahood/Open-Air Museum Of Street Art

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From BSA:

“Djerbahood” Book About Tunisian Open-Air Museum Of Street Art

“Another top rate production from the Galerie Itinerrance in Paris, the book allows you to see most of the 150 or so artists who painted in this largest island of North Africa in Tunisia. Not surprisingly, most of these artists are represented by the gallery and organizer/author Mehdi Ben Cheikh so it is by default a catalog of talents whose studio work is for sale. But this is no mere sales catalog, Fatimah.”

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Djerbahood/Open-Air Museum Of Street Art by Mehdi Ben Cheikh. Published by Editions Albin Michel. Paris, 2015.

 

For more on this book click HERE

Anthony Lister “Adventure Painter” Gingko Press.

 

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From BSA:

The Adventures Of Anthony Lister

“Superhero and Street Artist/painter/contemporary artist Anthony Lister still crushes walls thank you very much. He never left the street actually – he just opened the door to the studio as well. And he lit things on fire in both.

Formally trained, he is one of the few of those much maligned art school kids painting on the street whom some graff heads allow themselves to admire, mostly because he doesn’t seem to give a good f**k. Don’t be mislead – he is a superhero as well as a villain, aesthete as much as vandal, respectful of convention even while shredding it. Anyone watching him work over the last decade will tell you that he cares very much and he is willing to do the heavy intellectual/emotional/physical labor to bring it to another level.”

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Anthony Lister “Adventure Painter” Gingko Press.

 

For more about this book click HERE

 

 

Borondo: Memento Mori

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From BSA:

Borondo and His Collection of “Memento Mori” (Book)

“By turning the pages you are a part of the research he is undergoing, and you see how he brings to the walls and windows his latest findings. Sometimes the process is additive, other times through subtraction, but Borondo appears to discover along with his audience what lies here.

A Street Artist yes, but one of the many former graffiti writers who are chafing against that term today, perhaps not realizing that their own practice is redefining it. Not only does the work speak to the average passerby in ways we haven’t been thinking of, he is using the context of the decaying wall as further evidence of a life cycle that everyone is a part of.”

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Memento Mori is produced and coedited by Chiara Caprasecca and Chiara Pietropaoli and published by Yard Press.

 

For more on this book click HERE

 

Graffiti South Africa by Cale Waddacor.

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From BSA:

Graffiti South Africa, The Book

“Arranged by three main areas of Cape Town, Durban, and Johannesburg, you even get a helpful map to help you appreciate the relative distance between them and the higher concentrations of writers in each – Graffiti South Africa gives a rather thorough overview of the scene, its players, and its history. The first book by the founder of the website by the same name, he has collected many images and interviews with artists from the early days as well as some of the newer ones, striking a balance in a widely varied scene that leans heavily toward graff vernacular while trying to incorporate the burgeoning street art scene as well.”

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Graffiti South Africa by Cale Waddacor available from Schiffer Publishing, Ltd.

 

For more on this book click HERE

 

Street Art Santiago by Lord K2

 

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From BSA:

Street Art Santiago : A Captivating Look and Insightful Read

“Using his own sense of discovery and a reporters’ tenacity for uncovering the story, Lord K2 (David Sharabani) scopes the walls for riveting images and first person accounts, digging below the obvious to present economic and social data along with a historical context of murals and their role in political life up to today.

Street Art Santiago adeptly draws connections between the quality of life, a lack of social mobility, and the soulful persistence of artists on the street who interpret the Santiago scene as one with its own distinct voice.

“The graffiti in Chile is mutating. We don’t want to paint graffiti from the Bronx anymore. We want to paint what reflects our Latin roots,” says Wend.”

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Street Art Santiago by Lord K2. Schiffer Publishing. Atglen, PA. 2015

 

For more about this book click HERE

 

C215. La Monographie. Éditions Albin Michel. Paris 2015

 

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From BSA:

The Genius of C215 In One Storied Tome : La monographie

“On the street and in the studio this guy has pretty much mastered the art of stencils over the last decade in a way that makes the medium have a human depth; something that few can do. He manages to give his subjects a character, revealing even the soul of his subjects in the lines on their faces, bringing life in their eyes. A proud and tormented fellow who honors art history as much as the suffering of people today, this is a talent that is fully engaged in the modern world.”

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C215 La Monographie / The Monograph. Éditions Albin Michel. Paris 2015

 

For more on this book click HERE

Ein Wandblatt Aus Wien. Issue Nr. 3: Erotik Edition. Zine. Irga Irga Crew. July 2015.

 

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From BSA:

Ein Wandblatt Aus Wien Issue #3: Erotik Edition

We’re always happy to see hand-made publications, especially when they are made by artists and collectives. For their 3rd edition, Ein Wandblatt Aus Wien have decided their theme is “Erotik”. With multiple contributions from fellow graffitti / Street Artists, you can see a few recurring themes amongst the figurative pieces. Included are some three dimensional pieces and many shots of favorite artworks on the street, which will apparently conjure erotik type feelings for certain folks.

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To order a copy of Issue Nr. 3 of  Ein Wandblatt Aus Wien: Erotik Edition click HERE

 

For more about this book click HERE

 

Søren Solkær: Surface

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From BSA:

Søren Solkær: “Surface” Reveals What’s Below

“ ‘At first it seemed like a closed community, but one artist would lead me to the next and before I knew it, I had entered into an amazing new world  a very tight knit community of artists, many of which live like creative nomads.,’ says photographer Soren Solkaer in the foreward to his new collection called Surface. A three year project that has led the Dane to 13 cities capturing 140 artists whose practice lies along the graffiti-Street Art continuum is a revelation on many levels  who knew that you could convince so many of these undomesticated ferocious coyotes to pose? Who would have guessed that they would agree to be in staged photographs as well?”

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Søren Solkær: Surface published by Gingko Press.

 

For more about this book click HERE

 

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich.

 

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From BSA

Malik and “Note” Bring 17 Street Artists to a Swiss Prison: “4661m2″

“Initiated by Aarau-based graffiti/street/fine artist Malik in May of 2012, the project eventually corralled 17 Street Artists, all but one from Switzerland, to enter the confines of the new high security Lenzburg Prison to paint murals on exterior walls, courtyards, hallways, and common areas.

‘I was looking for a new challenge and a new and exciting project where I could show my art,’ says Malik and while the 18 month project originated with his vision of getting a nice wall for himself, quickly the project grew far beyond his expectations to become an educational, sociological meditation on the penal system, the appropriate role of art within it, and our collective humanity.”

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4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich.

 

For more about this book click HERE

Shepard Fairey. Cover To Overt. Rizzoli, New York 2015

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From BSA:

Shepard Fairey: “Covert To Overt” Book and Show in London

“Chronicling the last 6 years or so of murals, wheatpastes, shows, screen prints, posters, collaborations and art products that Fairey has brought to the fore, “Covert to Overt” is also chock-full of endorsements and analysis of his work’s impact from people who he’s met along the way like Jello Biafra to Neil Young to Pedro Alonzo, Russell Brand and D*Face.

Sean Bonner recounts a night wheatpasting with the Street Artist and the personal ruminations that can surface when sharing such bonding covert behavior, ‘We talked about small actions that can have huge impacts. Writing a song. Telling someone about a band. Creating an image that makes people ask questions. Simple actions that can change the world.’ “

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015

 

For more on this book click HERE

 

Ella & Pitr “Baiser d’Encre” (=”Ink kisses”) France 2015.

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From Bizaare Beyond Belief:

“Ella & Pitr is proud to present their new book “Baiser d’Encre” (“Ink kisses”). It is set to be released on the 12th of December 2015 and the book will be available online for international shipping on this site: Superbalais and also in Le Feuvre’s gallery in Paris.

“Baiser d’Encre” is a collection of extracts from Ella & Pitr’s sketchbooks. Exclusive and intimate, this new book is an open window to the artists’ life. Mostly composed of sketches, it is completely understandable for non-french speakers. Tons of preview images after the jump!

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Ella & Pitr “Baiser d’Encre” (=”Ink kisses”). France 2015

 

For more about this book click HERE

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BSA Images Of The Week: 12.06.15

BSA Images Of The Week: 12.06.15

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A wild week in world geopolitics, terror, social crisis – interpret them as you may through the prism of art collecting and fandom – as Miami Art Basel and the Wynwood District were bursting with high prices, high emotions, high celebrity-counts, and people who appeared to be high almost all the time. There were also heavy rains, big name music performances, custom designed cocktails, luxury brands, brand fusions, and sponsored walls and events everywhere. Also a stabbing.

Once we can sort through the best photos we’ll definitely share some of the great work with you this week.

Meanwhile, Street Artists continue to create in cities elsewhere and while Miami is celebrating brands, logos and luxury, on the other side of the ocean Brandalism completed a 600 kiosk takeover in Paris this week skewering all of the above and the undue influence corporations are having in writing environmental/trade laws. On the aesthetic tip we’ve recently made a mental note that photo-realism is now reaching a critical mass. So there you are.

Here’s our weekly interview with the street, this week featuring A Pill NYC, Bifido, Buff Monster, Cash4, Dan Witz, Fuzeillear, Invader, Jordan Seiler, Knarf, LikMi, Luca Ladda, Østrem, Otto Schade, Persue, Pøbel, Rahmi Rajah, Sean9Lugo, Sipros, and Skount.

Top Image: Sipros for The Bushwick Collective. Detail. (photo © Jaime Rojo)

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Sipros for The Bushwick Collective (photo © Jaime Rojo)

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A portrait of Biggie Smalls. This was probably ripped from the ad campaign and affixed to this phone box. We call this re-porpoising and we consider it to be Street Art. (photo © Jaime Rojo)

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Pøbel . Østrem for NUART in Stavanger, Norway. (photo © Jaime Rojo)

These two pieces are part of the NUART collection of murals painted for previous editions of the festival. They are not freshly painted but we wanted to publish them as they are calling our attention to a topic that is current and urgent and addressed by world leaders in Paris for the COP21 Climate Summit 2015 as well as dozens of Street Artists with the #brandalism campaign.

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Pøbel . Østrem for NUART in Stavanger, Norway. (photo © Jaime Rojo)

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A Pill NYC (photo © Jaime Rojo)

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Jordan Seiler ad take over in the NYC Subway. (photo © Jaime Rojo)

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Luca Ledda for Festival Concreto in Fortaleza, Brazil. (photo © Luca Ledda)

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Luca Ledda for Festival Concreto in Fortaleza, Brazil. (photo © Luca Ledda)

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Dan Witz. Natural History series. (photo © Jaime Rojo)

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Dan Witz. Natural History series. (photo © Jaime Rojo)

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Cash4 (photo © Jaime Rojo)

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Bifido in Napoli, Italy. (photo © Bifido)

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Sean9Lugo (photo © Jaime Rojo)

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Buff Monster (photo © Jaime Rojo)

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One cool thing about this piece: The plaid pattern was done by hand with gaffers’ tape – it isn’t freehand painted or stenciled or printed. It’s a 3D piece, including the silvery collar portion. There was a tag and a code at the collar but it was too faded for us to read. From what we could read the tag is #IywIkr (photo © Jaime Rojo)

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Space Invader. (photo © Jaime Rojo)

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Otto Schade AKA OSCH in London. (photo © Rahmi Rajah)

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Persue (photo © Jaime Rojo)

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Knarf in Miami. (photo © Knarf)

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Skount surprised us with this abstract piece in Gold Coast, Australia – not the style he typically does. (photo © Skount)

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Skount and Fuzeillear at Maroochydore, Sunshine Coast, Australia. (photo © Skount)

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LikMi (photo © Jaime Rojo)

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Untitled. Staten Island – NYC Harbor. November 2015. (photo © Jaime Rojo)

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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TES ONE + BASK Stay Curious In Tampa

TES ONE + BASK Stay Curious In Tampa

You know, it’s not all about Miami, people. During this Art Basel-Wynwood week, sometimes it’s like all the other Florida cities are having Jan Brady middle-child syndrome (Miami, Miami, Miami!). Oh sure, Tampa has Disney, but what about beer cocktails being served in an aerosol spray can by a model in a white fur bikini?

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Tes One and Bask. Tampa, Florida. (photo © Greg Byron)

Long before the current graffiti industrial complex, there were public art murals. These commissioned works have been a time-honored way to give a community and artists an opportunity to collaborate for a common purpose – or set of common purposes. With many Street Artists carrying a certain caché in this moment, cities and towns and “Business Improvement Districts” are seeking the same artists who they once put in hand cuffs to beautify the environs, minus any possibly transgressive messages. The embrace is conditional of course but an intelligent and thoughtful approach to engaging with and valuing the talents of artists – a little more Jersey City  and a little less Detroit, as it were.

Street Artists/fine artists/mural artists Tes One & Bask recently completed a rather vast series of murals for the Arts Program Division of the City of Tampa with a team of 8 assistants and 175 gallons of paint  transforming a number of facades with a campaign they called “Stay Curious”. Here’s a look at some exclusive pics sent to BSA by the artists this week.

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Tes One and Bask. Tampa, Florida. (photo © Greg Byron)

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Tes One and Bask. Tampa, Florida. (photo © Greg Byron)

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Tes One and Bask. Tampa, Florida. (photo © Greg Byron)

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Tes One and Bask. Tampa, Florida. (photo © Greg Byron)

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Tes One and Bask. Tampa, Florida. (photo © Bask)

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Tes One and Bask. Tampa, Florida. (photo © Greg Byron)

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Tes One and Bask. Tampa, Florida. (photo © Greg Byron)

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Tes One and Bask. Tampa, Florida. (photo © Greg Byron)

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Tes One and Bask. Tampa, Florida. (photo © Greg Byron)

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Tes One and Bask. Tampa, Florida. CLICK on image to enlarge. (photo © Nicole Abbett)

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BSA Film Friday: 12.04.15

BSA Film Friday: 12.04.15

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Brandalism Takes Over Bus Stops to Counter Cop21 Misinformation
2. OLEK Working Women
3. Madame Edwarda: R.ö vs Höy
4. Lilys – High Writer at Home by Joey Garfiled and Stephen Powers
5. Miss Me By Pablo Aravena
6. So Much Winning! So Much! Head Spinning Winning!

 

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BSA Special Feature: Brandalism Takes Over Bus Stops to Counter Cop21 Misinformation

Misinformation is an entire industry today. It’s goal is usually not to make you active, but make you passive.

Here is a brief intro video about Brandalism’s answer to UN COP21 – and the first of what will surely be more videos about this massive effort by 82 Artists from 19 different countries to take back public space and the public dialogue about climate change from those who are skillfully employing misinformation and bending laws to enable them to continue making money at all costs.  “Two days before the launch of the UN COP21 Climate Conference, 600 posters were installed in outdoor media spaces across Paris – to challenge the corporate takeover of COP21 and to reveal the connections between advertising, the promotion of consumerism and climate change.”

 

OLEK Working Women

A new conceptual performance piece by OLEK and a troupe of Olekians on a sunny day in Union Square.

“The artwork is destroyed as it is created, and created out of its own destruction in an infinite loop. Like the perpetual punishments of Sisyphus or Prometheus, a woman’s work is never finished. Subject and object, static and metamorphic, old and new, enduring and fleeting, public and private, concealed and revealed, traditional and innovative, decay and renewal, are all interchangeable.”

 

Madame Edwarda: R.ö vs Höy

“Why do you do that – you see, she said, I am God.”
But seriously, this is really scored well, even if we don’t know what it is about. Something related to cutting off your head during coitus. Not your average Friday, is it?

 

 

Lilys – High Writer at Home by Joey Garfiled and Stephen Powers

Out of print for 20 years, this newly re-released album is coupled with Stephen Powers’ project “A Love Letter to Philadelphia” from a couple years back. As you get carried my the haze of the soundtrack you will swear that these two projects were originally with each other in mind.

“From the limited 21st anniversary vinyl LP pressing of the 1994 album, Eccsame the Photon Band – Lilys’ etheric second full-length album has become a shoegaze collector’s favorite.”

Also don’t miss Stephen Powers’ new installation at the Brooklyn Museum now on view. >>> Coney Island Dreaming: Following The Signs To Stephen Powers

 

Miss Me By Pablo Aravena

“When I started going on the streets, it just felt like the ultimate cry for freedom” says Montreal based Miss Me.

So Much Winning! So Much! Head-Spinning Winning!

Yes, you knew something sounded familiar. Those are your drunk neighbors winning over there. More biting revelatory critique than an hour and half of SNL, frankly.

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Shepard Fairey: “Covert To Overt” Book and Show in London

Shepard Fairey: “Covert To Overt” Book and Show in London

“How exactly does one become an authority on questioning authority?” we asked in our 2011 interview with Shepard Fairey called “Too “Street” For Corporate, Too Corporate For The Street”. Even though he doesn’t mention us in his new tome “Covert to Overt” we feel like we called the paradox right with that characterization, one that recognizes the complexity of advocating for rooting out the corruption of a system while adeptly playing it at the same time.

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

Chronicling the last 6 years or so of murals, wheatpastes, shows, screen prints, posters, collaborations and art products that Fairey has brought to the fore, “Covert to Overt” is also chock-full of endorsements and analysis of his work’s impact from people who he’s met along the way like Jello Biafra to Neil Young to Pedro Alonzo, Russell Brand and D*Face.

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

Sean Bonner recounts a night wheatpasting with the Street Artist and the personal ruminations that can surface when sharing such bonding covert behavior, “We talked about small actions that can have huge impacts. Writing a song. Telling someone about a band. Creating an image that makes people ask questions. Simple actions that can change the world.”

In fact it is a series of simple and complex actions that are changing the world when it comes to Fairey, and his is an antidote to the cynical politics that rule the day. In this age of Wikileaks revelations, cleverly disguised oil wars, and social cancers like racism and classicism no longer hidden under subterfuge but brandished with flair, Fairey’s meditations on the overt and covert are more emblematic of our time than we realized.

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

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Shepard Fairey. Cover To Overt. Rizzoli, New York 2015. (photo © Jaime Rojo)

Last night in London an exhibition opened featuring the work of Fairey’s most favored photographers, Jon Furlong.  The show closes on Sunday and the book is available there as well.

Covert To Overt: Photography of Obey Giant by Jon Furlong
December 2nd – 6th, 2015

House of Vans
Arches 228 – 232
Station Approach Rd
Waterloo, London

Wed – Fri: 4pm – 10pm
Sat.: 10am – 10pm
Sun: 12pm – 6pm

Shepard Fairey “Covert To Overt” Published by Rizzoli. New York, NY 2015. Click HERE for more on this book.

 

 

 

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“Wall Poetry” in Iceland : Stunning Views and Music-Inspired Murals

“Wall Poetry” in Iceland : Stunning Views and Music-Inspired Murals

Urban Nation (UN) and Iceland Airwaves Festival Create Mural Program

Sound and vision are inextricably bound in the modern music canon, with inspired visuals leading our auditory imaginations at least since Toulouse-Lautrec’s depictions of Moulin Rouge orchestral and singing talents. Later illustrators were important for ushering us into the jazz era with snappy collage and geometrics for album covers and the birth of rock and roll expanded and shaped popular album-oriented daydreams. With every subsequent genre and subgenre of music from pop to rap to metal to disco and EDM, static and video artists continue to visually augment, interpret, define, and expand upon the music that we listen to.

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Telmo & Miel. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

This autumn in Iceland an equally inspired program pairing of 10 Street Artists with 10 musicians for the Airwaves music festival brought Reykjavik new murals from a mix of local and international artists. Since Iceland is the new Brooklyn, you’ll like to see how Berlin’s Urban Nation (UN) is precisely on top of something hot and icy with these eye-popping murals inspired by pace-setting modern sounds.

“I love music,” says UN Director Yasha Young as she describes the process that she and Iceland Airwaves’ Grímur Atlason and Henny Frímannsdottír went through to select music for their 1st edition of Wall Poetry. “We started to play our favorite bands from the lineup to each other, researched their album art, read their lyrics in great depth and watched all the video footage we could find,” she explains. “After that we decided who we thought would be interesting to approach for such a creative adventure. I know the artists I work with very well so it was more about listening to them and defining in more detail what the their individual ideas were for this project. The main goal for me was to pair them with the right collaborative partner musically and visually.”

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Telmo & Miel. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

“With paintings in and around Reykjavik the artists had time to complete their walls in time for the 10 day music festival in November, drawing the attention of fans and locals who were interested in the artwork that is impacting their daily experience of the city. The musicians were asked to provide the street artists with a song, lyrics or poetry especially chosen or written for this project,” says curator Frímannsdottír on the site. “The visual artists were provided a city wall as surface for the large scale work.”

Artist and musician collaborations for Wall Poetry include:

Ernest Zacharevic + Dikta, Caratoes + Ylja, Tankpetrol + GUS GUS, D*FACE + Laxdæla saga, Deih XLF + Vök, Telmo Miel + Mercury Rev, Li Hill + John Grant, ELLE + ÚlfurÚlfur, Evoca1 + Saun & Starr, and The Ugly Brothers + Gísli Pálmi.

 

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Telmo & Miel. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

We spoke to Yasha Young about the first year of Wall Poetry and the challenges of mounting a project like this:

Brooklyn Street Art: How important is the visual aspect of music to you? Many people may not always make that connection.
Yasha Young: To me it is so very important. I am a visual person to begin with but I think that it is vital as an individual who works with and for artists to work across genres and with as many different creative aspects as possible to be able to create one lasting and meaningful overall experience.

I remember buying LP’s for their cover art and the stickers and zines that came with them. I remember Buzzocks’s and The Ramones buttons and the silk printed posters by the Sex Pistols that came with the LP if memory serves me correctly. I think about The Rolling Stones “Some Girls” sliding cover and the art for Pink Floyds ‘The Wall’ and the “Led Zeppelin III” album with its rotating cover art that you could interact with.

And of course music videos became huge productions; actually they are little films that often connect with you on an even deeper level and enhance your experience of the music. Videos were launch pads for creative careers and massive innovations; for example Peter Gabriel’s ‘Sledgehammer’, ‘Cry’ by Godley and Crème, Gorillaz’ ‘Clint Eastwood’, Radiohead’s ‘No Surprises’, and my all-time favorite song and visuals combination was  Radiohead’s ‘Street Spirit’. Of course as we speak I’m thinking also about Iceland’s Björk and her video for ‘ Human Behaviour” and John Grant and Tate Shots collaboration… I could go on and on.

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Telmo & Miel. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

“Mothrider” is inspired by the lyrics of Mercury Rev for “Moth Light”:

If, if I was a moth
I’d fly to the light in you
And if, if I was lost
I’d lose myself in you

Planets line up in the sky
Feel the waves go rushing by
Let’s just give it one more try
Ain’t got nothing to lose.”

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Telmo & Miel. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

(Young, continued) In my career I’ve had the great pleasure to be part of making album art happen for bands, such as KORN’s ‘Untitled’ for example. I worked with many bands on that creative level and it only deepened my connection and convictions when it came to art and music. Today we have a one-click behavior for experiencing streaming music that almost reminds me a little of when video killed the radio star. There is an essential part of the experience that is fading and we feed it with the “instant buy”.

I believe that we are losing more than ‘just’ the record store and the poster art or album cover. We are losing an essential and lasting connection that came with the purchase of the record or CD but was established long before; the multi-faceted creation of the entire visual aspect. You became part of a creative baseline and connected to the music through the visual work. Reading the lyrics as audio poetry on the back sleeve or the LP or interacting with the music and the art made it a much more lasting and impressive experience in my view. This is just the surface of what I think and would like to explore even further and on a deeper level next year when we return for the 2nd edition of Wall Poetry.

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Northern Lights. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Brooklyn Street Art: What inspired you to start the project?
Yasha Young: I am always inspired by new opportunities to bring together different artistic genres and unusual or challenging – but always exciting – new venues. I had been visiting Iceland Airwaves for many years and finally decided last year to find walls and spaces and to connect with the Iceland Airwaves crew.

My idea was to visually prolong the reach of the music and bring it onto the walls through well-conceptualized and executed art pieces. In a way I wanted to re-connect two entities that have always been vital and necessary for each other in a public space, with music and art spilling out of the concert venues onto the streets and into the lives of people.

It was almost like we were going to extend the music, with the core idea being “We paint the music you love to hear”. Once that  was established as the core of the project I very quickly had an idea of which visual artists would be not only be a great fit for the city and the project but also who would be able to work in rather unusual and unknown conditions – namely, the Icelandic weather, and I say this with great fondness for those wild and unpredictable skies.

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Elle. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Brooklyn Street Art: How did you choose the lyrics? Was it a difficult process?
Yasha Young: Actually I only picked the bands and visual artists. It was more about creating and encouraging the connection between both of these groups to get their beautiful creative minds talking together. Once connected they picked songs and talked about their choices in depth. I was a bystander, a very curious fly on the wall and following the process was simply amazing. To read the exchanges and feel the moment the spark ignited – that moment to me is, and will always be, what marks true curatorial success and is key to all collaborative creative projects.

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Elle. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Elle was inspired by the song “Tuttugu og Eitthvað” by Úlfur Úlfur

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Elle. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Brooklyn Street Art: Were there any challenges along the way? Specifically regarding logistics..
Yasha Young: ( laughs ) Yes! Many many many – but less in the actual execution of the vision and more in the daily production. For example the wind picks up and the mechanical lifts start swaying in the wind like a leaf. It was “Safety first” of course so we had to stop working immediately. Often the rain can be surprising and torrential and water runs down the walls like little waterfalls washing all the hard work from the night before off the wall again. But these artists are professionals and in my job the goal is to work as innovatively as possible – always finding or inventing new methods and finding other options.

It’s part of the journey and it can actually be fun. For my stubborn mind the only factor that will always be in way is time – we have not found a way to stop it or make more of it.

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The road where the valley ends and the glaciers begin. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Deih One. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Deih One. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Deih One. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Deih took inspiration from Icelandic band Vok Music’s song “Waterfall” for this mural.

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Deih One. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Giant ice cubes on the beach. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Li’ Hill. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Li’ Hill. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Li-Hill. Detail. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Li-Hill worked in collaboration with John Grant and his song “Pale Green Ghosts” for this mural.

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Li-Hill. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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The carcass of an air plane on the beach. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Caratoes. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Caratoes. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Caratoes. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Caratoes took inspiration to paint this whole house from the lyrics of the song “Ode To a Mother”by Icelandic band Ylja.

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Caratoes. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Waterfall. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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D*Face. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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D*Face. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

D*Face depicts the Icelandic saga of Laxdaela; a tale of love, betrayal and intrigue.

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D*Face. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Northern Lights and Ice Cubes. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Ernest Zacharevic. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Lithuania’s Ernest Zacharevic transformed the shadow of an earlier building into a personal photo book.

“It’s inspired by the song ‘I Miss You’ by Dikta,” says Ernest. “The image has the same sadness and nostalgia in the photographs that I felt in the piano track song. The work is my imagining of all the past scenarios that could have happened in this old heritage house, physically and emotionally being taken down and rebuilt.

It’s more about memory because after I spoke to a lot of locals they were very nostalgic about how Reykjavik used to be, not so keen on how modernized it has become.”

Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Tank Petrol. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Tank Petrol. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Tank Petrol’s modern take on the myth of Freya, considered to be the mother goddess of Love and Beauty.

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Tank Petrol. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Ice cube. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Evoca One. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Evoca One. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Evoca One tells the story of the Sauna and Starr song “Gonna Make Time” about home and returning to those waiting on shore.

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Evoca One. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

 

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The gang. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Our special thanks to photographer Nika Kramer for sharing her amazing shots with BSA readers.

To learn more about Iceland Airwaves please click HERE.

This article is also published on The Huffington Post

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Velvet and Zoer Bring Tokyo Amusement to Lodz

Velvet and Zoer Bring Tokyo Amusement to Lodz

A sepia toned carrousel illusion is painted with acrylic with a band of Tokyo signage intruding across the top. If you happen to divine meaning from or read something into this new composition on a wall for Lodz Murals, you may be reacting to the CSX crew’s experience and love for  graffiti, design, and urbanism. Enlarging a seemingly random moment of the city experience, this one is lifted directly from a Tokyo amusement park. Inspired by their GEISAI show this spring and their interactions with curator Takashi Murakami 村上隆 while there, it is possible that Tokyo has left them feeling a little psychedelic about our built environment.

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Zoer and Velvet. Lodz Murals 2015. Lodz, Poland. (photo courtesy of Lodz Murals)

The long time friends and collaborators Velvet and Zoer are reflecting the urban experience as frozen moments, elevating what may be considered mundanity to be reconsidered as possibly poetry through a cracked mirror or camera lens. But to be clear, “This mural doesn’t talk about Cop 21 nor about Paris attacks,” says Zoer. As Frenchman, you can see how their fans could be pre-disposed to interpreting anything they do as possible commentary on two events that people associate with Paris at the moment.

“The Japanese typography on the top of the piece is taken from an advertisement for the 40th anniversary of the invention of Walkman in Japan,” says Lodz Murals Michał Bieżyński, “I guess that everybody could tell their own story and should interpret it in their own way. I really like the piece because it’s not something obvious, not something easy to recognize. I hope that at least part of the audience will stop and think, ‘Hey, what’s going on here?’ ”

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Zoer and Velvet. Lodz Murals 2015. Lodz, Poland. (photo courtesy of Lodz Murals)

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Zoer and Velvet. Lodz Murals 2015. Lodz, Poland. (photo courtesy of Lodz Murals)

https://www.facebook.com/lodzmurals

 

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