February 2020

Axel Void’s “Homeless” Project Comes “Home” in Miami

Axel Void’s “Homeless” Project Comes “Home” in Miami

Doug Gillen’s New Video Captures “Homeless”

Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)

“The aim is to create quality shows outside of the conventional art scene, cutting the middlemen, galleries or institutions,” says Axel Void’s mission statement for “Homeless.”

When his Instagram following gets big enough, will he add art websites and magazines to that list of superfluous middlemen/women?

Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)

In the meantime, here’s London based filmmaker/vlogger and Radio Juxtapoz co-host Doug Gillen with his take on the “residency” that Void (Alejandro Dorda) hosted this year in Miami during Art Basel. As his craft evolves, more of his subjects are emerging; his languorous takes are fulsome, his pacing creating space.

It’s a meditation on what “home” means for 15 or so artists who are in Void’s house “to eat, sleep and create together”. The construction of that phrase suddenly makes this residency sound a LOT more interesting.

Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)

For Axel Voids’ project, the location is North Miami and the temperature is 75 degrees Fahrenheit and the architectural era in the 1920s. From the looks on the face of this crew of international painters, “home” has a lovely barefoot-in-the-grass quality, a sun-drenched smokey Arkestra of soul and silliness. 

When you look at these paintings and these people and think of this environment you may ask yourself, “What is home?”

Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo © Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo © Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo © Doug Gillen/FWTV)
Void Projects. “Homeless” Miami, 2019. (photo still from the video by Doug Gillen/FWTV)
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James Bullough Shares a Sneak Peek at “Parallel Truths”

James Bullough Shares a Sneak Peek at “Parallel Truths”

American muralist James Bullough continuously ups his game on canvasses as well, his realism and figurative work slid through the slicer and rearranged with little emotion, a lot of languid style, exquisitely.

James Bullough. “Parallel Truths”. Detail. (photo courtesy of the artist)

He tell us he’s been developing distinctly different styles of painting for the last eighteen months in his Berlin studio and here we share new shots of the works as he prepares for his new show on Leap Day (Feb 29) at Thinkspace in Los Angeles.

We’re pleased that James is sharing these first images with BSA readers – along with a teaser video of the new works in progress.

James Bullough. “Parallel Truths”. Detail. (photo courtesy of the artist)
James Bullough. “Parallel Truths”. Detail. (photo courtesy of the artist)
James Bullough. “Parallel Truths”. Detail. (photo courtesy of the artist)
James Bullough. “Parallel Truths”. Detail. (photo courtesy of the artist)
James Bullough. “Parallel Truths”. Detail. (photo courtesy of the artist)
James Bullough. “Parallel Truths”. Detail. (photo courtesy of the artist)

THINKSPACE GALLERY

James Bullough

Parallel Truths (Main Room)

Opening Reception with the Artist(s): Saturday, February 29, 2020 6:00pm – 9:00pm

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41 Artists Band Together for #BushfireBrandalism

41 Artists Band Together for #BushfireBrandalism

New brandalism campaign commands attention across 3 Australian Cities at bus stops. They call it #BushfireBrandalism

“We’re not a real group. There’s no back story, no history, no narrative – it’s a reaction to what’s just happened,” an anonymous brandalism activist tells us as they describe the sudden swelling of artists who joined together to take over those outdoor big illuminated ad kiosks that pepper your walk through public space.

#BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)

“Sell the water. Dry the Land. Watch it Burn. Blame Drought,” says one of the boldface headlines on one bus-stop ad controlled by the ubiquitous street ad purveyor JCDecaux. 

“Despite Australia being the driest inhabited continent on earth, the Australian Government continues to sell water to mining companies, large irrigators and foreign corporations. This must not go on. Act now,” says the remainder of the black and white poster before providing a QR code for you to scan in the lower right-hand corner.

BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)

“It’s an awareness project. It’s just trying to raise money for a charity but its so much bigger than that,” says one of the organizers. “It’s about having a conversation, changing our habits, becoming more interested in politics, participating.”

With a very loosely organized 41 artists making brand new works that were installed in the last week with the help of about 20 volunteers across three large Australian cities, Sydney, Melbourne and Brisbane, the new messages in these ad spaces are in direct opposition to the coal industry that the current Prime Minister often promotes. There are a number of solutions proposed, and the tenor of urgency varies –but none seem to use particularly offensive imagery.

BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)

“Most of these artists have never had a political bent to their work,” says one person involved in the video released here today. “So this campaign can be an exercise in new territory for the artists as well. These are artists who have huge followings and people look to them as leaders, cultural leaders.”

Indeed, the group says that they have “a combined 700,000 social media following,” and they hope to raise awareness of the underlying causes of the recent unprecedented fires in Australia.  

BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)

“We do not accept that this situation is ‘business as usual’, says a statement by the artists. “We are making these issues visible in our public spaces and in our media; areas monopolized by entities maintaining conservative climate denial agendas.”

“I think there is something cool about taking over the bus stop advertising because we’re the home of Rupert Murdoch and so much of our media and advertising is controlled by News Corp,” one activist tells us, “and they are not really interested in having conversations about climate change so it’s a way to put that conversation out there in public.”

BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)
BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)
BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)
BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)
BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)
BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)
BushfireBrandalism Sydney, Melbourne, and Brisbane. Australia. January 2020. (photo still from the video)


 
Artists include: Georgia Hill, Tom Gerrard, Sarah McCloskey, Amok Island, Andrew J Steel, Blends, Callum Preston, Cam Scale, Damien Mitchell, Dani Hair, DVATE, E.L.K, Ed Whitfield, FIKARIS, Fintan Magee, HEESCO, JESWRI, Ghostpatrol, Leans, Lluis fuzzhound, Lotte Smith, Lucy Lucy, Makatron, Michael Langenegger, Peter Breen, The Workers Art Collective, Stanislava Pinchuk, The Lazy Edwin, Thomas Bell, Tom Civil, WordPlay Studio, Peter Breen.  

Thanks to the many participating artists and creative professionals who chose to remain anonymous, 20 volunteers, MilkBar Print,
Brandalism UK , Bill Posters, Sasha Bogojev, Ian Cox, KGB Crew, Public Access, Nicole Reed, Luke Shirlaw, Jordan Seiler, After Midnight Film Co, Everfresh Crew, The Culprit Club, The Peep Tempel, Wing Sing Records, Waste, Adam Scarf, NCCP, Gabby Dadgostar, James Straker, Partier Bresson and Charlotte Pyatt

 

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BSA Images Of The Week: 02.02.20

BSA Images Of The Week: 02.02.20

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The ebullient brilliance of the street is what lifts us up in this time of disarray and misdirection. Our collective cognitive dissonance, fed by hired mercenary disinformationists of the oligarchy and their corporate armies, tells us that truth is foggy, or even a lie. No wonder the preponderance of surrealists who are spraying the streets these days. They are merely a reflection of this war on our minds, a war by the way, that you and we are not winning.

Here’s our weekly interview with the street, this week from Miami, and this time featuring A Lucky Rabbit, Bunny M, Caratoes, City Kitty, CRKSHNK, Insomniak Crew, Koalas of NYC, Lauren YS, The London Police, W3r3on3, and Zio Ziegler.

Zio Ziegler deeply wrecking your brain with emanating rays of gold foil genius. Detail. (photo © Jaime Rojo)
Zio Ziegler. Detail. (photo © Jaime Rojo)
Zio Ziegler (photo © Jaime Rojo)
The London Police can’t give a complete compliment. Wynwood, Miami. (photo © Jaime Rojo)
Need a hand?
City kitty (photo © Jaime Rojo)
Unidentified artist’s 3-d rendition of Saturn and its moon Europa. The rings are made with a compact disc-like material. (photo © Jaime Rojo)
Caratoes. Detail. Wynwood, Miami. (photo © Jaime Rojo)
Caratoes. Detail. Wynwood, Miami. (photo © Jaime Rojo)
Caratoes. Wynwood, Miami. (photo © Jaime Rojo)
bunny M (photo © Jaime Rojo)
Lauren YS. Wynwood, Miami. (photo © Jaime Rojo)
W3r3on3. Insomniak Crew. Wynwood, Miami. (photo © Jaime Rojo)
Koalas of NYC. A scannable code overleaf links the reader to a GoFundMe account where they can donate to WIRES, the largest wildlife rescue and rehabilitation charity in Australia. (photo © Jaime Rojo)
Koalas of NYC (photo © Jaime Rojo)
CRKSHNK. This reminds us of the work of MC Escher. (photo © Jaime Rojo)
A Lucky Rabbit (photo © Jaime Rojo)
Dont Fret (photo © Jaime Rojo)
Dont Fret in collaboration with The L.I.S.A. Project NYC. (photo © Jaime Rojo)
Dont Fret in collaboration with The L.I.S.A. Project NYC. (photo © Jaime Rojo)
Dont Fret in collaboration with The L.I.S.A. Project NYC. (photo © Jaime Rojo)
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Three Madonnas In the Gritty Garden: A Hidden Wynwood Triptych

Three Madonnas In the Gritty Garden: A Hidden Wynwood Triptych

Adriana Vila. Pixel Pancho. Uriginal.

A Street Art mural triptych in the thick of Wynwood, without flourish, with guile.

Adriana Vila / Pixel Pancho / Uriginal. Wynwood, Miami. (photo © Jaime Rojo)

From Bosch to Beckmann to Bacon the multi-paneled presentation of the barnacled and beatific has commanded the attention of art fans for centuries. Here on a backlot in the swampy section of Miami that’s now known for public painting, we find a trio of uniquely stylized female sitters, one slightly more robotic than her flanks. In a darkly storied and neglected neighborhood now painfully clamoring for attention, it was this partially obscured wall that adroitly captured ours.

Adriana Vila. Wynwood, Miami. (photo © Jaime Rojo)

Commanding your eyes, and then your heart, these three hold court in the scruffy sod with complementary hues, blinkered by a tree that blocks and reveals according to the breeze and the sun. Calling to mind altar paintings from the Middle Ages as well as pensively poetic video panels at the Venice Biennale, this maximizing of an easily overlooked opportunity skillfully attracts the discerning art fan, leaving you satiated, slightly stirred.

Pixel Pancho. Wynwood, Miami. (photo © Jaime Rojo)
Uriginal. Wynwood, Miami. (photo © Jaime Rojo)
Adriana Vila / Pixel Pancho / Uriginal. Wynwood, Miami. (photo © Jaime Rojo)
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