August 2019

Asbestos Behind a Mask in Cork, Ireland

Asbestos Behind a Mask in Cork, Ireland

The symbolism of the “L” repeated many times, the expression in the eyes peering nervously  through them, the appearance of this piece in Cork – it’s all a coded secret for the typical passerby here in Ireland. This is not unusual for Street Art or graffiti because much of it can be so woven into the personal history of the artist that it may require and extensive conversation with them to understand it- or a look at their diary.

Asbestos. Left Hand. Cork, Ireland. July 2019. (photo © Asbestos)

Asbestos is from Dublin but he make this new mural as part of a graffiti jam organized by Crack. He says it is a critique of his own hand skills when he is surrounded by Masters of the aerosol can. In fact he feels like he is all left hands – thus the “L” symbol creating a mask for him to hide behind.

“I like to explore an innocent and naive version of my own character called ‘Left Hand’ that sees the world in a different way to me,” he tells us. “Here he’s giving me learner ‘L’ signs because I’m a street artist painting with a bunch of graff artists. His honesty exposes my own frailties and insecurities and my fear that I’d mess the mural up in front of artists I respect.”

Asbestos. Left Hand. Cork, Ireland. July 2019. (photo © Asbestos)

When we get to know an artist better it is not a surprise to find how much of their personal history and psychology enters into their practice. The Dublin-based Asbestos is quite literal in explorations of self on the street; splitting himself into a ‘live’ version and a ‘dead’ version.

He said he’s been working on “a series of mask portraits that explore my identity. Each mask portrays two versions of myself, one alive and one dead. The dead version is a fictional character that represents me, if I’d been killed in a car bomb,” he reveals. The ‘bomb’ he refers to was a real one, he sayd. “It went off in Dublin 46 days before I was born, 5 minutes after my mother walked past it,” he says.

“I’ve always been fascinated about the fact that I may never have existed.”

Asbestos. Left Hand. Cork, Ireland. July 2019. (photo © Asbestos)
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Giulio Vesprini on the B-Ball Court in Fermo, Italy

Giulio Vesprini on the B-Ball Court in Fermo, Italy

A basketball court in summertime is a proving ground for skill, a place to kill time with friends, and sometimes a launchpad for dreams of going “professional”. Here in Fermo City in Northern Italy, it’s a place for Street Artist Giulio Vesprini to expand his abstract practice to the field of sport.

Giulio Vesprini. Struttura G041. FUM Festival. Fermo, Italy. 2019. (photo © Luca Antonelli-Andrea Amurri)

“The shapes, colors and unique elements of botany characterize my work,” he says, and you can see that his palette is carefully chosen, and sophisticated. His new work is in concert with the Fermo Urban Museum (FUM) and took an organic route to completion, with the help of a handful of assistance. It’s many steps away from the inner city work you might normally associate with innercity graffiti; the sound and fury transmuted. Primitive, graphic, and crisply illustrative, this freshly painted court provides a new field of art and nature for players he’ll never meet.

He calls it “Struttura G041”.

Giulio Vesprini. Struttura G041. FUM Festival. Fermo, Italy. 2019. (photo © Luca Antonelli-Andrea Amurri)
Giulio Vesprini. Struttura G041. FUM Festival. Fermo, Italy. 2019. (photo © Luca Antonelli-Andrea Amurri)

Giulio Vesprini. Struttura G041. FUM Festival. Fermo, Italy. 2019. (Video Andrea Amurri-New Media Solution )

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Steve ESPO Powers in Syracuse

Steve ESPO Powers in Syracuse

Graffiti writer, Street Artist, and muralist Steve Powers (aka ESPO) has created cryptic poetry in bold, nostalgia formed fonts on city walls including Brooklyn, Dublin, and his hometown Philadelphia.

Steve ESPO Powers. Syracuse, NY. (photo © Jaime Rojo)

In Syracuse, a city in mid-New York State, he has left his inside-joke humor outside on many bridges. We just happened to driving through this weekend and caught a few of his pieces from the last few years that suddenly cross your path – often as you are descending through an underpass.

Steve ESPO Powers. Syracuse, NY. (photo © Jaime Rojo)
Steve ESPO Powers. Syracuse, NY. (photo © Jaime Rojo)
Steve ESPO Powers. Syracuse, NY. (photo © Jaime Rojo)
Steve ESPO Powers. Syracuse, NY. (photo © Jaime Rojo)
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BSA Images Of The Week: 07.08.19

BSA Images Of The Week: 07.08.19

Here’s our weekly interview with the street, this time featuring BRCEDU, Captain Eyeliner, Damon, Dark Clouds,Fhake, Ghake, Jerk Face, Mad Villian, Mattew Hyte, MurOne, Praxis, R Burns Wilder, Shepard Fairey, Sinned, Stikman, Tatyana Fazlalizadeh, Thomas Allen, and Vy.

Thomas Allen in collaboration with Ethan. (photo © Jaime Rojo)
Tatyana Fazlalizadeh. This piece has been vandalized. The original artwork included a bouquet of flowers and text that read: “LET BLACK MEN BE SOFT”. They both have been buffed by an unknown person. (photo © Jaime Rojo)
Tatyana Fazlalizadeh (photo © Jaime Rojo)
Captain Eyeliner (photo © Jaime Rojo)
BRCEDU…damn right! (photo © Jaime Rojo)
Praxis (photo © Jaime Rojo)
Shepard Fairey (photo © Jaime Rojo)
Mad Vaillian (photo © Jaime Rojo)
Stikman (photo © Jaime Rojo)
Fhake (photo © Jaime Rojo)
Damon (photo © Jaime Rojo)
Damon (photo © Jaime Rojo)
Dark Clouds (photo © Jaime Rojo)
Vy (photo © Jaime Rojo)
Mattew Hyte (photo © Jaime Rojo)
This piece by an unidentified artist has been restored. The tag and posters have been removed. (photo © Jaime Rojo)
Chapeter 23 (photo © Jaime Rojo)
Chapeter 23 (photo © Jaime Rojo)
R Burns Wilder x Sinned (photo © Jaime Rojo)
MurOne (photo © Jaime Rojo)
Jerke Face (photo © Jaime Rojo)
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Judith Supine Stars in  MANLBDRO: The Cowboy Series

Judith Supine Stars in MANLBDRO: The Cowboy Series

A quick shout out to the new collaged gender fuckery Judith Supine uses that openly plays with the man. The Marlboro man that is; the ubiquitous cowboy that appeared in advertisements for thirty-five years, thanks to Philip Morris and Leo Burnett. Enveloped in mythology and archetypes of masculinity, countless men died of cancer emulating this hunky wind-whipped hero of the imaginary west, including at least four of the original actors who portrayed the fictional character, according to the LA Times.

Judith Supine (photo © Jaime Rojo)

Not to get sidetracked from Supine’s intensely playful machinations with the knife and magazine. The Street Artist has successfully redirected his studio and street practice in recent years, stripping back the fluorescence many of his 2000s-2010’s pieces were known for. Here he is choosing to focus instead on his unexpected recombinants of limbs, features, and proportions to present otherworldly figures who are just human enough to disturb your subconscious, and make you laugh.

Judith Supine (photo © Jaime Rojo)

By playing with the same magnetic images that drew millions to the messages in glossy magazines of the 60s-90s, Judith winks flirtatiously at you with clever bait and switching. Pulling apart our instincts and letting them lay next to, or sit upon, or lick, or pop out of one another, Supine daily plays with fantasy and fiction, and very possibly fear.

Muddguts in Williamsburg hosts Manlbdro right now, where they say “The Cowboy series is a continuation of the artist’s pursuit of placing art between the worlds of abstraction and representation.”

Judith Supine (photo © Jaime Rojo)
Shots from the future on Judith’s Instagram

The collages featured on the show are the original images that were used for the posters on his bus shelters ad take over around NYC city streets. We have published the ad take over installations HERE and HERE

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BSA Film Friday 07.02.19

BSA Film Friday 07.02.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Facing The Giant: Three Decades of Dissent Part Two – Shepard Fairey
2. Stephanie Boyce: If You Know Me Is To Love Me.
3. Dotmasters: Why Is That Shovel There?

BSA Special Feature: Facing The Giant: Three Decades of Dissent Part Two – Shepard Fairey

The sky is on fire! And it’s not just because of the gorgeous sunset.

Shepard Fairey has been respectfully smacking us in the head for 30 years with his earnestly alarmist art in the streets. Challenging a narrative pushed by the corporate state via smiling blond newsreaders fronting a well funded armature of skullduggery, this perpetual dissenter has found ways to deliver the poison pill with ever-more sophisticated graphic design and plain spoken diatribe.

“I was trying to encourage people to just be more analytical and to come to their own conclusions,” he says as he describes his work during the steady hail of disinformation called “The War on Terror”. Bless his heart.

He says he was looking for a more honest manifestation of his work and how he represented the observations and opinions he had based on his own research.

“I felt like I had the courage to become myself what I had emulated in a lot of my heroes.” Faced with a hostile political environment from the corporatized media machine and the dazed inertia response from a significant portion of his intended audience, it is surely maddening at times. Regardless, as an artist, catalyzer and a citizen, Fairey continues to challenge himself, and us.   

Stephanie Boyce: If You Know Me Is To Love Me.

Brooklyn Artist Stephanie Boyce has been drawing all her life and takes you on a tour of her neighborhood and the Muddguts Gallery that represents her.

“It’s difficult to tell my story in a ten minute movie,” she says, but you get a good idea of the ups and downs that she has faced through her art, their symbolisms, and of course her own words.

Special props go out to Director Nicolas Heller for this insightful and well-balanced storytelling.

Dotmasters: Why Is That Shovel There? Nuart Aberdeen. By MZM Projects

Dotmasters also takes you on a tour in his new video, and even instructs you how his technique is done. Mostly, it’s a relaxed conversation about his history and his approach.

“Oh that’s just a silkscreen process with a spraycan,” he said of his initial realization of how certain pieces on the street were done when seeing stencillists like Blek Le Rat in the 80s. “And I thought, ‘Wow, that’s a good way of invading public space’.”

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Guerilla Spam and 108 Paint 2 Versions of the “Quarantana”

Guerilla Spam and 108 Paint 2 Versions of the “Quarantana”

The Turin-based illustrator Guerrilla Spam has interpreted the “Quarantana” as a stylized toy extended from the arm of an elegant, almost Egyptian figure in a tall fez. Alessandria-born Street Artist 108 depicts the traditional doll as a unique abstraction merged within a form, not specifically figurative, rather primitive perhaps.

Guerrilla Spam x 108. Premio Antonio Giordano Festival. Santa Croce di Magliano, Italy. July 2019. (photo courtesy of the festival)

Both are interpreting a pagan/Christian traditional ritual next to each other here in Santa Croce di Magliano.

Guerrilla Spam x 108. Premio Antonio Giordano Festival. Santa Croce di Magliano, Italy. July 2019. (photo courtesy of the festival)

“ ‘Quarantana‘ is a doll made of fabric and straw, having the appearance of an old woman; the doll, usually hanged to a rope between the balconies or in front of the windows, stands on a potato with seven feathers attached,” say organizers at the Antonio Giordano Street Art festival. “The ritual, fusing Christian and pagan cultures, expresses the importance of living a life of sobriety and peace.”

An unusual topic to depict and oddly paired artists to create it – you are here able to better appreciate the multiplicity of styles at work on the street today. CLICK HERE to see a number of variations on the Quarantana doll as it is used throughout Santa Croce di Magliano, Southern Italy and the Balkan Region.

Guerrilla Spam x 108. Premio Antonio Giordano Festival. Santa Croce di Magliano, Italy. July 2019. (photo courtesy of the festival)
Guerrilla Spam x 108. Premio Antonio Giordano Festival. Santa Croce di Magliano, Italy. July 2019. (photo courtesy of the festival)
Guerrilla Spam x 108. Premio Antonio Giordano Festival. Santa Croce di Magliano, Italy. July 2019. (photo courtesy of the festival)
Guerrilla Spam x 108. Premio Antonio Giordano Festival. Santa Croce di Magliano, Italy. July 2019. (photo courtesy of the festival)
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