April 2014

Jaime Rojo and His Glimmering Series “The Last Picture”

Jaime Rojo and His Glimmering Series “The Last Picture”

The fog rolls in and your city gently disappears into it.

A young man tenderly clings to his lover under a bridge, or is he strangling her?

You are studying the secret and slow language of moving construction cranes traversing and bobbing backward and forward when suddenly a passenger plane cuts silently across the geometry in motion.

These are moments to witness, here and now gone.

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Untitled. Williamsburg Bridge and the stately Empire. Brooklyn, NY. January, 2014. (photo © Jaime Rojo)

Capricious.
Magical.
Flowing.

Jaime Rojo describes his photography in the city with those adjectives that evoke movement and something more ethereal than concrete, steel, and glass.

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Untitled. Midtown, Manhattan from the L Train on the Williamsburg Bridge. Brooklyn, NY. January, 2014. (photo © Jaime Rojo)

Known for his images of art in the streets, his photos of Street Art appear once a week in a parade on BSA called ‘Images of the Week’. But he always tacks one more at the end – one last picture.

It is always something unrelated to street art. That is, unless you think the city itself is art.

“NYC is compelling whether you are approaching from an airplane or driving in from the outer boroughs or on the train crossing a bridge. It’s just amazing how much industry, how much invention and design has gone into building this city,” explains Rojo about an environment continuously in flux.

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Untitled. Manhattan, NYC. February 2013. (photo © Jaime Rojo)

“At the same time it is surrounded by water that provides it with an amazing atmosphere that keeps evolving, depending on the climate. Even though the buildings don’t move it feels like the buildings are constantly changing because of the light, the season, or even the intense fog – it’s like a dream sequence in a movie because you know the buildings aren’t moving but it seems like they are,” he says.

Siting photographers like Wolfgang Tillmans and Richard Avedon as artists whose work inspires him, Rojo hopes to capture a singular poignant moment in a moving scene. “New York is very dense – It’s kind of magical for me to be able to capture an individual in the middle of the street in a city that is so crowded that invariably we are smelling the breath of each other at some juncture. So when I see the opportunity of an individual who is standing or doing something by himself or herself, I have to capture it as one New York minute.”

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Untitled. Times Square, NYC. February, 2014. (photo © Jaime Rojo)

“This is a busy intersection in Times Square. People are always going by. It is a cold night. People are hyped up with the Super Bowl. They are wearing, for the most part, monochromatic dark colors. And there is this guy who is trying to make a dollar playing Spiderman. And no one is paying attention to him. He’s doing every single thing possible to get attention and no one cares. I have a series of frames of this but this is the one I wanted to capture. There he is in the middle of this crowd in the intersection with that bright outfit and no one is paying attention.”

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Untitled. SOHO, NYC. February, 2014. (photo © Jaime Rojo)

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Untitled. Manhattan, NYC. January, 2014. (photo © Jaime Rojo)

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Untitled. Lower East Side, NYC. October, 2012. (photo © Jaime Rojo)

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Untitled. Union Square, NYC. July, 2013. (photo © Jaime Rojo)

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Untitled. DUMBO, Brooklyn. August, 2013. (photo © Jaime Rojo)

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Untitled. Greenpoint, Brooklyn. October, 2012. (photo © Jaime Rojo)

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Untitled. Houston Street, NYC. July, 2013. (photo © Jaime Rojo)

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Untitled. Gowanus Canal, Brooklyn. March, 2014. (photo © Jaime Rojo)

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Untitled. East River from Brooklyn, NYC. March, 2014. (photo © Jaime Rojo)

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Untitled. Manhattan sky landscape. January, 2013. (photo © Jaime Rojo)

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Untitled. Williamsburg, Brooklyn. February, 2012. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article is also on The Huffington Post.

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Joe Caslin Carries “Our Nation’s Sons” to Trinity in Dublin

Joe Caslin Carries “Our Nation’s Sons” to Trinity in Dublin

After visiting the prison Kilmainham Gaol the second most popular place for visitors in Dublin is probably Trinity College. That’s where the latest installment of ‘Our Nations Sons’ is laying as it waits to be plastered on the 400 year old institution of learning that has about 17,000 current students.

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Joe Caslin “Our Nation’s Sons” Original drawing for the installation at Dublin’s Trinity College ( © Joe Caslin)

Street Artist and illustrator Joe Caslin, who has been creating and executing the huge installations of marginalized or unfairly demonized youth on the streets of Edinburgh, tells us that the series will conclude at the end of the year. The portraits are drawn by him but the installations take a small team, even if the piece looks small in Trinity’s Great Hall as it is laid out for final alterations before it goes up.

“What looks massive on the floor gets somewhat consumed by the enormity of the urban landscape; This hall was given to us for the duration of the installation. We slept there, mixed paste there and made all final adjustments to the drawings. That night it was ours and it became our studio – we felt like we owned the space,” says Caslin.

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Joe Caslin “Our Nation’s Sons” Process shot. Trinity College, Dublin. April 2014. (photo © Gavin Leane)

Miguel, who is the subject of this portrait, was also part of the crew who installed it on an overnight that lasted until 5:30 am. He admits it feels kind of strange to be pasting his own image on such a scale on a wall, but also says he likes the team.

“It was tough pasting through the night, there is no denying that. But I suppose it’s not everyday you stick a 42 foot monolith of yourself on a wall in Trinity College. The crew warmly accepted me as the clueless new lad. We worked in the cold and rain, but working with such a great team of hardened workers made the laboring that bit easier. Above all I am proud to be part of such an inspiring project,” Miguel says.

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Joe Caslin “Our Nation’s Sons” Process shot. Trinity College, Dublin. April 2014. (photo © Gavin Leane)

“The portraits have been interpreted as a commentary on the social isolation of young men, issues surrounding suicide, how society perceives young men as a menace and more,” says the artist who conceived ‘Our Nations Sons’. Undoubtedly the sheer scale is a helpful reminder that everybody has something valuable to offer to the conversation, and Caslin managed to be persuasive with the university to let it happen.

“I think the power of both the subject matter and the portrait made this a much easier decision for Trinity to make at the end of the day. Who knows! I’m just happy it exists within the centre of Dublin city and on such a prestigious site,” he says.

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Joe Caslin “Our Nation’s Sons” Process shot. Trinity College, Dublin. April 2014. (photo © Gavin Leane)

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Joe Caslin “Our Nation’s Sons” Process shot. Trinity College, Dublin. April 2014. (photo © Gavin Leane)

 

To read more about “Our Nation’s Sons” click HERE

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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New Stinkfish in The Pilsen in Chicago

New Stinkfish in The Pilsen in Chicago

The dudes from Pawnworks are back in the Pilsen neighborhood of Chicago with the “Art in Public Places” project and Stinkfish is here for his first time in the US. Nick Marzullo tells us this is only the second outdoor piece in the US. “He is also going to be showing an entire new body of work here in Chicago for his first ever Solo show in US with Vertical Gallery entitled Savage Gaze and that opens on Saturday May 3rd,” says Nick.

The program will continue work here in Chi-town this year as well and they have another project beginning this week in Cleveland. “We will also be facilitating a couple of really great installs in Brooklyn this year also!” More news on that later.

 

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Stinkfish. Detail. Chicago. April 2014. (photo © Pawn Works Gallery)

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Stinkfish. Chicago. April 2014. (photo © Pawn Works Gallery)

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Stinkfish. Process shot. Pilsen, Chicago. April 2014. (photo © Pawn Works Gallery)

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Stinkfish. Process shot. Pilsen, Chicago. April 2014. (photo © Pawn Works Gallery)

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Stinkfish. Process shot. Pilsen, Chicago. April 2014. (photo © Pawn Works Gallery)

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Stinkfish. Pilsen, Chicago. April 2014. (photo © Pawn Works Gallery)

Stinkfish “Savage Gaze” solo show at Vertical Gallery in Chicago opens on Friday, may 3rd. Click HERE for more details.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Images Of The Week: 04.27.14

Images Of The Week: 04.27.14

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Here our weekly interview with the street, this week featuring Adam Fujita, Billy Mode, Cabaio, CB23, City Kitty, Damon, Dylan Egon, JB, Li Hill, Nychos, Olek, Roma411, Tec, Un Pez Verde, and Zola.

Top Image >> Zola (photo © Jaime Rojo)

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Dylan Egon (photo © Jaime Rojo)

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City Kitty (photo © Jaime Rojo)

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CB23 (photo © Jaime Rojo)

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Nychos new piece in Oakland, CA (photo © Steven Ballinger)

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TEC for The Bushwick Collective. (photo © Jaime Rojo)

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Li Hill (photo © Jaime Rojo)

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Un Pez Verde (photo © Jaime Rojo)

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Roma 411 for The Bushwick Collective. (photo © Jaime Rojo)

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Olek does a special installation for Earth Day this week. That’s Mother Earth to you. (photo © Jaime Rojo)

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Balu. We are always happy to see Frida Khalo on the streets. (photo © Jaime Rojo)

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Balu. The same artist talking about war. (photo © Jaime Rojo)

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Adam Fujita for The Bushwick Collective. (photo © Jaime Rojo)

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JB strikes a “Balance” in Rome, Italy. (photo © JB)

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Cabaio. Detail. The Bushwick Collective. (photo © Jaime Rojo)

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Caballo for The Bushwick Collective. (photo © Jaime Rojo)

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Damon (photo © Jaime Rojo)

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Billy Mode for The Bushwick Collective (photo © Jaime Rojo)

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Untitled. Manhattan, NYC. Spring 2014 (photo © Jaime Rojo)

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Martha Cooper and Elle and a Fire “Unextinguished”

Martha Cooper and Elle and a Fire “Unextinguished”

Two women, two distinct generations. The same fight for recognition, let alone to determine the direction and manner of discourse.

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Martha Cooper and Elle “Unextinguished” Installation in progress. (photo © Jaime Rojo)

Martha Cooper in the 1970s newspaper world found herself as the only woman photographer in a huge room full of men at the New York Post – and she was often pushed into doing “weather” related or “soft journalism” photographs because only men could be presumed to handle the important hard news like politics and crime.  Luckily for us, she didn’t accept those limitations and blasted her own path into the streets and shot what she wanted – but she had to fight for it.

In 2014 a certain kind of man still has a hard time finding space for the women to be in the game, so Elle gets hit with the vitriol often out on the street from some of the graff and Street Art dudes. Sometimes its just the banter of a beef-loving competitive spirit. Other times it takes on the undertones of gender related models of patriarchy.

Sorry Judy Chicago, the work isn’t done yet; that “feminist artist” who coined the term in the 1970s celebrates her own 75th birthday tonight in Prospect Park by spraying her pyrotechnics across the sky, but she also is under no illusion that women have reached parity in the art world, or almost any other.

Even the most fundamental expectation of mutual respect on the New York streets cannot be assumed as harassment by men is still prevalent. Obviously if women were respected on the street we wouldn’t see Tatyana Fazilazadeh creating her postering campaign with New York women called “Stop Telling Women to Smile”.

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Martha Cooper and Elle “Unextinguished” Installation in progress. Elle made these dresses from printed photos of Martha Cooper’s work. (photo © Jaime Rojo)

That’s a long intro – and a sad one to have to write but the context somehow gives more power to the dual show by Cooper and Elle tonight. A combining of their skills, “Unextinguished” unites a flame of a mutual determination to take over a space and to define it.

Who knew that a  Boomer and a Millenial would enjoin in the epic battle to extinguish the bullshit and make room for experimenting with new ideas while accommodating the old ones?  For the viewers tonight it’s a juxtaposition of styles that merges into a collaboration of spirit.

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Martha Cooper and Elle “Unextinguished” Installation in progress. (photo © Jaime Rojo)

“We thought this had to do with a sense of history, through different generations. My pictures are all from 1978, so we are using some old school pictures but re-invigorating them with some new school techniques – like splattering them with a fire extinguisher with a sort of abandon,” says Cooper as she scans the gallery of plastered blown-up images she took thirty five years ago now newly splashed with color.

The view of her shots shown this way is an adjustment for Cooper’s eye too, but one she’s willing to go with for the spirit of collaboration.

“I wouldn’t want to see it every day –  but in the context of this rough-and-ready kind of gallery, I think its kind of cool.”

Here are some shots of the show in preparation.

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Martha Cooper and Elle “Unextinguished” Installation in progress. (photo © Jaime Rojo)

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Martha Cooper and Elle “Unextinguished” Installation in progress. (photo © Jaime Rojo)

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Martha Cooper and Elle “Unextinguished” Installation in progress. (photo © Jaime Rojo)

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Martha Cooper and Elle “Unextinguished” Installation in progress. (photo © Jaime Rojo)

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Martha Cooper and Elle “Unextinguished” Installation in progress. (photo © Jaime Rojo)

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Elle (photo © Jaime Rojo)

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Martha Cooper (photo © Jaime Rojo)

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A completely extinguished extinguisher outside of the Martha Cooper and Elle “Unextinguished” Installation in progress. (photo © Jaime Rojo)

Martha Cooper and Elle “Unextinguished” opens today at Mecka Gallery. Click HERE for more details.

Check out this cool video interview just released on AnimalNY.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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BSA Film Friday: 04.25.14

BSA Film Friday: 04.25.14

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Bandes de Pub Strip Box from Farewell
2. Stop Telling Women To Smile: Tatyana Fazlalizadeh
3. Borondo London Glass by Fabiano Caputo
4. Dan Witz, a Veteran of the Streets

BSA Special Feature: Bandes De Pub / Strip Box from Farewell.

Disrupting the message system is something that challenges the ingenuity of many a culture jammer. Here we see the simplest of materials employed to shred the message and in the process create a compelling new lightbox installation.

 

Stop Telling Women To Smile: Tatyana Fazlalizadeh

A strong and effective campaign by Tatyana Fazlalizadeh in Brooklyn that draws attention the the catcalling and street time Romeos who like to pretend that they are being complimentary to complete strangers on the street but really they’re just harassing them.

 

Borondo London Glass by Fabiano Caputo

Dude is pretty talented. Here is Borondo creating by subtraction – a work on glass in Shoreditch on high street in London.

 

Dan Witz a Veteran of the Streets

A concise and focused look at Dan Witz by Animal New York that allows you to quickly understand the mind and the motivation for a guy who has been putting work on the street since he was an art school kid in the East Village in the 1970s.

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Entes y Pesimo by Sea, Land, and Air; a New Mural in Lima

Entes y Pesimo by Sea, Land, and Air; a New Mural in Lima

Here are some new images from Entes y Pesimo of their latest mural work in Lima. Former graffiti artists, the duo are now invited around the world to do their richly saturated figurative pieces that contain symbols of culture, images of nurturing relationships, and the depiction of an overall interconnectedness of life systems.

This more complex work, which they say was difficult to photograph in its entirety, appears to be telling a series of stories related to ornithological and marine life, coupled with agricultural themes and symbols.  If in fact it is about the impact of humans on Earths’ other systems, then it would explain why the expressions indicate the people here are transfixed, pensive, thoughtful, and somewhat worried. But this is just conjecture, so don’t hold us to it.

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Entes y Pesimo. Lima, Peru. April 2014. (photo © Ale Escudero)

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Entes y Pesimo. Detail. Lima, Peru. April 2014. (photo © Ale Escudero)

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Entes y Pesimo. Detail. Lima, Peru. April 2014. (photo © Ale Escudero)

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Entes y Pesimo. Detail. Lima, Peru. April 2014. (photo © Ale Escudero)

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Entes y Pesimo. Detail. Lima, Peru. April 2014. (photo © Ale Escudero)

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Entes y Pesimo. Detail. Lima, Peru. April 2014. (photo © Ale Escudero)

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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“The Wack Donald’s Project” and Mr OneTeas

“The Wack Donald’s Project” and Mr OneTeas

The actual street and the digital version of it are now intrinsically linked and often if you see new occurrences of street art it takes just a bit of searching online to find out more about the artist and what they are up to. This week we were surprised to find these posters that incorporate Ronald McDonald into their messaging, and to find out how they appear to be marketed just as thoroughly through social media online.

It’s all about the subtleties of course, and many street artists leave a breadcrumb of clues digitally to lead you to their work on the street or in the gallery or on a t-shirt.  And everyone is familiar with large “urban” brands that traverse the transgressive vibe through adroit social messaging that invariably leads to a product you may purchase. Nonetheless, sometimes it gets very confusing.

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Mr. OneTeas (photo © Jaime Rojo)

A French illustrator/painter/graphic designer from Nice who also has had shows in galleries in Monaco, Mr OneTeas is known to some as a graffiti artist who samples pop culture on his canvasses and appropriates commonly recognizable images of Hollywood names like Liz Taylor, Princess Grace, and Alfred Hitchcock. He also presents 80s television culture ironically (spotlighting Gary Coleman, Alf, Mr. T), inverts meanings with global brand logos, critiques consumerist culture, and interprets his subjects using the visual language of street art and the commercial finesse of artists such as Mr. Brainwash, for example.

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Mr. OneTeas (photo © Jaime Rojo)

That said, some people on the street here have been intrigued by these posters with the Mr OneTeas name on them which have popped up on street walls around Brooklyn appearing to skewer the fast food giant and consumerism – both because it has been a little while since we’ve seen a satirical bashing of a world brand on the street and because mroneteas appears to be so publicly documenting it on his Instagram and Facebook page.

If you consider the artist name as a brand (for the sake of argument), this is culture-jamming that is being re-jammed; a guerilla-advertising campaign-style series of postering that attacks a huge brand and is critical of consumerism which then employs common social media advertising techniques of promotion to get its message out. Is this still détournement?

In a brief email interview with the artist we learned that “The Wack Donald’s Project” began in 2011 when he first merged the Mona Lisa with Ronald McDonald. Influenced by the documentary “Supersize Me,” Mr OneTeas says that his illustrations began to equate the ubiquity of the friendly clown in the minds of children as something far more sinister than he originally thought.

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Mr. OneTeas (photo © Jaime Rojo)

“McDonald’s use Ronald the clown and they made him so friendly and attractive for the children customers,” he says. Describing the piece entitled, “Ronald’s Daughter / My Father Is A Terrorist,” the artist says, “Today we all are scared about terrorism, suspecting everybody around us, but no one is suspecting McDonalds to hurt us. We’ve been conditioned by it because we have grown up with it, and now if you’re looking at the Mc D restaurant world map, you will be surprised that they are everywhere.”

He says he started his campaign last month in Prague and this month he was in New York with five more posters. But the New York campaign was just a small one. “100 different Wack Donald’s characters are waiting to pop up, each one chosen for special reasons for different countries.” You can expect the social campaign will also follow the postering campaign closely because Mr OneTeas considers the fast food to be on par with tobacco. “On the cigarette packs in France you can read ‘Smoking Kills’. My thoughts are that I would like to make people realize that eating junk food can kill as well,” he says.

Guess we’ll just have to follow his Instagram to see how the campaign progresses.

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Mr. OneTeas (photo © Jaime Rojo)

 

Check out more on the artists Instagram page, which says “Mr OneTeas (ARTIST) Graffiti, Street Art, Recycler The Wack Donald’s Project… Oneteas@gmail.com http://www.facebook.com/Mr.OneTeas”

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article is also published on The Huffington Post.

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Finding Peace In Copenhagen with Sculpting Street Artist Tejn

Finding Peace In Copenhagen with Sculpting Street Artist Tejn

Sandra Hoj has been tracking the work of iron sculpture Street Artist Tejn for a few years now and she tells us that she had spotted a number of new ones recently. Any kind of art in the streets that is illegal and elicits a response is considered “real” street art by most today, so it is interesting to see this welded storyline as it continues to unfold and lock itself around the capital city of Denmark.

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TEJN (photo © Sandra Hoj)

“Tejn just released a fresh batch of lock on sculptures in Copenhagen. Made from salvaged iron found in the streets, welded into sculptures, and returned as art chained to public railings. The three pieces I have spotted so far, all speak of peace, and they seem almost tailored for the locations. Like the gun in the meat grinder, attached to a pole by the troubled People’s Park.”

“The attention to detail is extraordinary. Look at the tiny hands on the man carefully winding up the peace sign! I find it impossible to pass a Tejn, and not feel instantly better.”

~ Sandra Hoj

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TEJN. Detail. (photo © Sandra Hoj)

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TEJN (photo © Sandra Hoj)

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TEJN. Detail. (photo © Sandra Hoj)

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TEJN (photo © Sandra Hoj)

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TEJN. Detail. (photo © Sandra Hoj)

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TEJN. Detail. (photo © Sandra Hoj)

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TEJN (photo © Sandra Hoj)

For more Street Art and other tasty morsels in Copenhagen visit Classic Copenhagen

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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15 Murals and a Submarine: Amsterdam’s Urban Art Scene Now

15 Murals and a Submarine: Amsterdam’s Urban Art Scene Now

We’re very pleased today to take BSA readers to Amsterdam, where the graff/Street Art continuum reaches back more than three decades and where the vibrant scene still remains fresh and relevant right now. We’re very thankful to Ed Little and Alex Pope for taking the initiative to present the scene here for us and to give us valuable context about Amsterdam’s Urban Art Scene. If you don’t know, now you know.

By Ed Little and Alex Pope

Amsterdam has always been progressive in welcoming Urban Art. This March, artwork by Banksy was projected on the Dutch National Museum (the Rijksmuseum), in support of Syrian refugees. More than thirty years earlier, New York graffiti artists such as Seen, Dondi, Blade, Quik, Rammellzee and Futura 2000 were given their first taste of success in the high brow art world by Amsterdam gallery owner Yaki Kornblit. In 1986, Keith Haring did a commissioned mural for the Museum depot. Even before the arrival of the Americans, Amsterdam had a uniquely homegrown punk graffiti scene.

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Fefe Talavera (photo © Ed Little)

By being exposed to the New York artists so early on, Amsterdam graffiti ignited and burned on well into the nineties. Amsterdam writers like Shoe and Delta, along with foreign partners Bando and Mode 2, spread the Crime Time style throughout Europe. In 1992, the city temporarily stopped cleaning subways because of toxic chemicals in the cleaning material. The writers completely took over the subways, creating a scene reminiscent of 1970s New York, as Amsterdam bathed in graffiti euphoria.

Today’s street art and graffiti scene is relatively small, and not pushing the envelope as much as it once was. That is not the say Amsterdam doesn ́t get down anymore. Feast your eyes on a selection of commissioned murals, illegal burners and creative get ups that Amsterdam has to offer.

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Fefe Talavera (photo © Ed Little)

Here is a double header by Brazilian female artist Fefe Talavera, painted as part of the 2012 RUA Festival. The RUA Festival aims to show urban and contemporary Brazilian art next to institutionalized art of museums and galleries. According to the artist, the two heads represent two Indians wearing animal masks. The vibrant tribal color scheme really stands out against the dull grey backdrop, and is a good reminder of what a little bit of paint can do for a building.

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Zed1 (photo © Ed Little)

This is a mural by Italian artist Zed1 at creative hotspot café Roest, home of Max Zorn ́s Stick Together festival. Awesome incorporation of the building window into the depicted scene, which reads as a critique of the current cost of living.

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ETHOS (photo © Ed Little)

Here is another Brazilian mural in Amsterdam, painted by Ethos for the 2011 edition of the RUA Festival. Once again, masks are a big part of the artwork, which fits well with Ethos’ surrealist style. The mural itself functions as an awesome mask for an otherwise pretty shabby looking squat.

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Adnate x Andersen (photo © Ed Little)

Here is Australian artist Adnate along with Morten Andersen from Denmark. Nice clash of Adnate ́s photorealist style of characters and Andersen ́s abstract geometrics. Painted for the Kosmopolite Art Tour, next to an insane burner by Dems UB which unfortunately is no longer there to be seen.

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Vrankrijk (photo © Ed Little)

The legal squat Vrankrijk is one of the focal points of Amsterdam ́s squat scene. The Lichtenstein type BOOM! is a clear representation of Pop Art, which was also used as a vehicle by Fab 5 Freddy to push graffiti into the American higher art sphere in the late seventies.

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Inkie (photo © Ed Little)

Here is a commissioned work by Englishman Inkie from 2012. Painted on what was once an always tagged up parking entrance. The wall on the right was painted later on, as the original was reclaimed by street bombers, who tagged it again within no time, even crossing out the artist ́s website with the word ́toy ́. The Inkie was left untouched, probably out of respect.

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Niels “SHOE” Mulman and Adele Renault (photo © Ed Little)

A good example of calligraffiti here by Amsterdam graffiti legend Shoe. Brushstroked fill in, outlined by black spraypaint. Though Shoe ́s calligraffiti style is so uniquely his, it reminds us of that Amsterdam ́s 1970s punk graffiti feel. Pigeon portrait by Adele Renault, who went on to have a pigeon inspired exhibit at Shoe ́s Unruly Gallery.

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Rammellzee Memorial Wall (photo © Ed Little)

Above is a Rammellzee memorial wall by Shoe and friends from 2010, paying homage to the evo griller. Rammellzee was one of the twelve New York graffiti artists who each had a one month solo exhibit at Yaki Kornblit ́s gallery in the early 1980s and who would inspire Shoe and eventually many other writers worldwide to pursue a career in the streets and the fine arts world.

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The London Police (photo © Ed Little)

Here’s a large London Police commissioned mural on the Prinsengracht canal. Adopted Amsterdammers The London Police paid for their first stay in Amsterdam with t-shirts and art, and have made a comfortable living off their art ever since. The mural is located next to the street oriented Go Gallery, which has an original London Police mural from their earlier Amsterdam days.

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C215 (photo © Ed Little)

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C215 shown here with Kid Acne (photo © Ed Little)

Above are two subtle works by regular French visitor C215. The first one was painted with permission from the same Dutch family that first gave the London Police a roof over their heads. The second one is located near Amsterdam’s NDSM werf hall of fame. C215’s romantic works seem to make icons out of regular folks, which is probably why they are at their best when they are visible in the streets for everyone to see.

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Jorit. Vincent Van Gogh (photo © Ed Little)

Italian-Dutch artist Jorit did this Vincent Van Gogh portrait. The technically very impressive photorealist depiction of Van Gogh didn’t fair well with everybody, as someone gave his 2 cents by writing “Vincent wouldn ́t approve” in the bottom corner. While Jorit’s photorealistic Van Gogh may be very opposite to the subject’s impressionist style, we wanna say that we do approve. Please note that Van Gogh ́s eyeliner was also added by a third party.

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Delta (photo © Ed Little)

Here is an illegal burner by Amsterdam graffiti legend Delta from 2006. When Delta returned to graffiti in the 90s, he blew up big with his 3-D styles, which lead to a very successful career in the arts. Staying true to his roots, he remains active in his hometown streets while killing it in the galleries and even the architectural world.

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ROA (photo © Ed Little)

An early work by international superstar ROA from the mid 2000s; While it is undeniably a ROA, it is awesome to see how his style and eye for detail have developed. It is part of an original mural that also featured Bue the Warrior and Chase. The wall was mostly repainted, but the ROA has been left untouched.

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Leno, Twice and Gear (photo © Ed Little)

Above is some illegal wildstyle graffiti by the most prolific Amsterdam duo of the new millennium, Twice and Gear, along with colorful blockbuster letters by subway and trackside killer Leno on an old submarine nearby the NDSM hall of fame. Bastardilla and Stinkfish are on the bottom as well.

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NEKST tribute. (photo © Ed Little)

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Nekst Tribute (photo © Ed Little)

From Banksy projections to illegal wildstyle graffiti, all of the different aspects of today ́s modern urban art landscape are still a part of Amsterdam ́s creative daily routine. But for a city known for its liberal feel, it would be nice to see Amsterdam embrace urban art even more and reclaim its previous position as ahead of the worldwide pack.  In order to do so, we will always keep an eye on the streets.

 

We thank Alex and Ed for this sharing this good work with BSA readers.

© Text Alex Pope © Photos Ed Little

To see more Amsterdam Street Art and read interviews with the artists click Keep It Hush

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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BSA Images Of The Week: 04.20.14

BSA Images Of The Week: 04.20.14

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It’s Easter! It’s also 4/20! What kind of grass did that bunny leave in your basket this morning?

While you are chewing the chocolate ears off of your new friend you can have look at some of the springtime gifts that have appeared on the streets this week.

Here’s our weekly interview with the street, this week featuring Alice Pasquini, Cern, Hamlet, JC, Jerk Face, Lexi Bella, Mika, Myth, Pyramid Oracle, and Tripel.

Top Image >> Jerk Face for The Bushwick Collective (photo © Jaime Rojo)

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Cernesto painted this mural last year but were patiently waiting for the Spring to arrive to post the photos. Detail. (photo © Jaime Rojo)

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Cernesto. Detail. (photo © Jaime Rojo)

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Cernesto. Detail. (photo © Jaime Rojo)

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Lexi Bella (photo © Jaime Rojo)

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Mika (photo © Jaime Rojo)

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Myth (photo © Jaime Rojo)

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Myth (photo © Jaime Rojo)

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Myth (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Artist Unknown. Modern Hamlet. (photo © Jaime Rojo)

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Artist Unknown. Detail (photo © Jaime Rojo)

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Artist Unknown. Detail. (photo © Jaime Rojo)

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JC (photo © Jaime Rojo)

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Tripel (photo © Jaime Rojo)

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Tripel (photo © Jaime Rojo)

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Pyramid Oracle (photo © Jaime Rojo)

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Alice Pasquini in Woodhaven. (photo © Jaime Rojo)

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Untitled. Brooklyn, NYC. April 2014. (photo © Jaime Rojo)

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Kliptown & Soweto in South Africa: Falko, Rasty and Martha Cooper

Kliptown & Soweto in South Africa: Falko, Rasty and Martha Cooper

Today we take you to Kliptown and Soweto in South Africa where we find artists Falko and Rasty collaborating and ethnographer/photographer Martha Cooper capturing the action of the painters, as well as the games and color of the streets.

“Kliptown seems to be stuck in time,” say Pybus of the historic town that retains much of it character but could use help with its infrastructure. “It is situated opposite a historical square and an upmarket hotel in Soweto in the city of Johannesburg. In the 1950’s Kliptown became famous as it is where the Freedom Charter was written, the document that formed the basis of the our current constitution. Now in 2014, it is a somewhat forgotten place across the tracks, filled with families trying to makes ends meet, 100 year old homes and crumbling businesses, but there are splashes of color, street games, youth centers and galleries emerging.”

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Falko at work. (photo © Rowan Pybus @makhulu_)

“Falko and Rasty have lost count of the walls they have painted together, and exchange very few words while they worked.  They both are technical masters of their styles, but don’t get closed off to their environment while painting, always finding a way to befriend the curious passerbys who stop to look,” says Pybus.

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Falko and Rasty collaboration. (photo © Rowan Pybus @makhulu_)

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Martha Cooper on the foreground with Falko and Rasty on the background. (photo © Rowan Pybus @makhulu_)

“I witnessed Martha engage with people with so much respect while she searched for the similarities between Sowebo, in Baltimore – her hometown, and Soweto for her latest project Soweto/Sowebo. She shared some of the work she has captured thus far with me while I was visiting her in New York a few weeks ago. It was calming and honest, sensitive and humorous, and revealed that these two places that are worlds apart that are perceived to be so different, are more similar than one realizes – and her anthropological eye is trained to capture the common threads of humanity that intwine us,” Pybus tells us.

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Falko (photo © Rowan Pybus @makhulu_)

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Kliptown, Soweto. (photo © Rowan Pybus @makhulu_)

“On my last day in Soweto as the sun set, the trains started to fill up, so much so that people start riding the front of the cars. South Africa has developed so much in the last 20 years, but while standing in Kliptown one would be forgiven for thinking not much in the way of improvement has been done since its first brick was laid,” says Rowan.

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Someone playing in front of a piece by Lady Aiko (photo © Rowan Pybus @makhulu_)

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A boy walks on the streets of Kliptown wearing a Madiba memorial shirt. The recently passed Nelson Mandela was present here in 1955 at the Kliptown Congress of the People “where the Freedom Charter was adopted as the document which outlined the aims and principles of the anti-Apartheid struggle coalition formed by the Freedom Charter’s authors and signatories.” (photo © Rowan Pybus @makhulu_)

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Two “sunny-side up” from Falko (photo © Rowan Pybus @makhulu_)

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Portrait of Falko covering his face. (photo © Rowan Pybus @makhulu_)

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Neighbors enjoying a popular board game called LUDO. (photo © Rowan Pybus @makhulu_)

As part of a 10 day Social Innovator workshop, a group of artists were invited to Soweto including photographer Martha Cooper(USA), artists Falko (RSA), Rasty(RSA) and Mundano (Brazil).

Thank you to Rowan Pybus @makhulu_ for sharing his images and words  with BSA readers.

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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