All posts tagged: Snik

BSA Images Of The Week: 05.21.17 – Berlin Edition

May 21, 2017 Artists, BSA Images Of The Week

This week in Berlin we had the chance to meet so many great folks as a result of the final Urban Nation events before September’s opening of the museum. All the curators were in attendance, including your BSA friends here, for the “We Broke Night” show along with the artistic director, managing director, architect, and about 40 artists in the 225 person party that featured breakers on pedestals dancing with flourescent tape, Shepard Fairey as DJ, and plenty of new artworks created just for this event.

Along with the main museum space show, across the street was another exhibition, the Project M/12 show called “What in the World” with mainly European former graff writers/now-fine-artists curated by Evan Pricco from Juxtapoz. Overflowing from the main space, the sidewalks were a parade of aesthetes, fans, business people, graff writers, archivists, politicians, and sex workers… It’s a wild mix and it gets very rowdy and everyone is reacting to the dynamics at play and wondering aloud how a museum like this will pull this off.

We’re not wondering, however. The sheer volume and variety of interested artists and related art lovers and community supporters tells us that this museum is a success before it has even opened. Here are a few images from the last few days for you to take a look at from outside and inside.

Here’s our weekly interview with the streets, this week featuring: Besonders, BustArt, Cranio, Daniel Van Nes, Fin DAC, Herakut, Lora Zombie, Millo, Nasca, Nuno Vegas, Sebastian Wandl, Shepard Fairey, Stikki Peaches, Snik, Tank Patrol.

Top image: FinDac. Urban Nation Museum For Urban Contemporary Art in Conjunction with Project M/12. Berlin, May 19, 2017. (photo © Jaime Rojo)

FinDac. Urban Nation Museum For Urban Contemporary Art in Conjunction with Project M/12. Berlin, May 19, 2017. (photo © Jaime Rojo)

Nasca. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo © Jaime Rojo)

Stikki Peaches. Urban Nation Museum For Urban Contemporary Art in Conjunction with Project M/12. Berlin, May 19, 2017. (photo © Jaime Rojo)

Shepard Fairey in Berlin translates his No Future piece for the words apathy, sexism, xenophobia, and racism. Urban Nation Museum For Urban Contemporary Art in Conjunction with Project M/12. Berlin, May 19, 2017. (photo © Jaime Rojo)

Cranio. Urban Nation Museum For Urban Contemporary Art in Conjunction with Project M/12. Berlin, May 19, 2017. (photo © Jaime Rojo)

BustArt. Urban Nation Museum For Urban Contemporary Art in Conjunction with Project M/12. Berlin, May 19, 2017. (photo © Jaime Rojo)

Lora Zombie. Urban Nation Museum For Urban Contemporary Art in Conjunction with Project M/12. Berlin, May 19, 2017. (photo © Jaime Rojo)

“Pfui Teufel!” Ms. Merkel hears some disturbing news in this sticker placed on a post box.Unidentified Artist. Berlin, May 19, 2017. (photo © Jaime Rojo)

Bleib Besonders. Berlin, May 19, 2017. (photo © Jaime Rojo)

Obey . Sura. Berlin, May 19, 2017. (photo © Jaime Rojo)

Sebastian Wandl. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

Daniel Van Nes. Detail. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

Daniel Van Nes. Detial. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

Herakut in purple light for the “We Broke the Night” exhibit inside the space that will be the Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo © Jaime Rojo)

Stencil majicians Snik. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

BustArt. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

Tank Petrol. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

Millo. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

Lora Zombie. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

Nuno Vegas. Urban Nation Museum For Urban Contemporary Art. We Broke Night. Berlin, May 19, 2017. (photo © Jaime Rojo)

Untitled. Berlin, May 19, 2017. (photo © Jaime Rojo)

UN Convenes Scenes, Creates Its Own in Berlin. Artists in Action for Project/12 and More

May 18, 2017 Artists

Shepard, Findac, Stikki Peaches… and that’s before we even get into the UN exhibition space or the main museum space – both locations a combustible beehive of painting right now with perhaps twenty artists working at once.

Lowrider for Urban Nation Project M/12 curated by Evan Prico/Juxtapoz. Berlin, May 18 2017. (photo © Jaime Rojo)

Somehow this is the frenetic energy that we have grown to expect of a typical Urban Nation event. It is simply not enough energy unless the event you came for is compounded by three or thirteen other Urban Nation events happening simultaneously, due in large part to the omnivorous aesthetic and cultural appetite of director Yasha Young and her big-thinking and resourceful team.

In the three years of Project M exhibitions leading up to the official opening of the UN museum this September, Ms. Young has spread the curatorial wealth, mixed multiple metaphors, ignored stylistic boundaries, stirred myriad emotions and fired up a lot of talk on the street with weeks like these.

Daan Botlek for Urban Nation Project M/12 curated by Evan Prico/Juxtapoz. Berlin, May 18 2017. (photo © Jaime Rojo)

Evan Pricco’s description to us of his own curated show here helps to define this moment as well, “It’s sort of a nod to not really having to have boundaries, or a proper definition, but a feeling that something is happening. Its not street art, its not graffiti, but its this new wave that is looking out, looking in, and finding new avenues to share and make work.”

In New Orleans, they would call this savory multi-layered sensory-rich dish something like Jambalaya. In the Gambia it would be an Oyster Stew, in Spain it would be one of Valencian restaurateur Juan Galbis gargantuan paellas. Hungry yet?

Ermsy for Urban Nation Project M/12 curated by Evan Prico/Juxtapoz. Berlin, May 18 2017. (photo © Jaime Rojo)

At this moment there are artists and production folks preparing a new curated show by Pricco, Editor in Chief of Juxtapoz magazine in the UN auxiliary gallery called. He’s calling it “What in the World?”. Simultaneously there are preparations down the block for a huge dinner and night of live performances and temporary art installations inside the actual evolving museum space called “We Broke Night!”

And there are several outdoor installations roving throughout the neighborhood at the same time, with passersby interacting with and engaging the artists in discussions. All levels and disciplines of artists from the Street Art/Graffiti continuum are converging in this neighborhood painting, pasting, stenciling, hanging, installing, — enormous wall pieces (Shepard), smaller collaged wheatpastes (Stikki Peaches), hand-painted murals on a ladder outside walls (Findac), hand painted signage and calligraphy (Serge Lowrider), multi-layered stencil portraits (Snik), optically dizzying tape installations (Tape Over Crew), post-graffiti bucket painted organic geometries (Erosie and Daan Botlek), and yes, much more.

Erosie on the left with Grotesk’s news stand on the right for Urban Nation Project M/12 curated by Evan Prico/Juxtapoz. Berlin, May 18 2017. (photo © Jaime Rojo)

Variety and quality like this is unthinkable at best and un-pragmatic at worst in formal exhibition spaces and institutions. But witness the panoply unfolding before your eyes and this hybrid may strike you as a truer contemporaneous representation of this complicated generation than most organizers have the gall to attempt.

Somehow, this all works. Being in the midst of this UN kitchen feels as alive as the scenes it convenes.

FinDAC for Urban Nation in conjunction with PM/12. Berlin, May 18 2017. (photo © Jaime Rojo)

Stikki Peaches for Urban Nation in conjunction with PM/12. Berlin, May 18 2017. (photo © Jaime Rojo)

Shepard Fairey for Urban Nation in conjunction with PM/12. Berlin, May 18 2017. (photo © Jaime Rojo)

Shepard Fairey for Urban Nation’s “We Broke Night” Berlin, May 18 2017. (photo © Jaime Rojo)

Snik for Urban Nation’s “We Broke Night” Berlin, May 18 2017. (photo © Jaime Rojo)

James Bullough for Urban Nation’s “We Broke Night” Berlin, May 18 2017. (photo © Jaime Rojo)

Fanakapan for Urban Nation’s “We Broke Night” Berlin, May 18 2017. (photo © Jaime Rojo)

BSA Images Of The Week: 04.02.17

April 2, 2017 Artists, BSA Images Of The Week

Good to be back in dirty old New York from dirty old Hong Kong this week. Actually on the dirty meter, we think New York still wins! Hooray!

Looking to the national stage, things couldn’t possibly be more dirty, as the rolling dumpster fire looks like it is setting records for failure to deliver on promises and a gathering cloud of accusations of straight up conspiracy, nepotism, corruption, even treason. And that’s on a good day. Art on the streets sometimes reflects directly and often indirectly on the facts on the ground. Now that spring is here, we expect to see a lot more voices again joining the fray.

Here’s our weekly interview with the streets, this week featuring: Below Key, Chzz, Crash, Danny Boy Doid, El Sol 25, Laser 3.14, Obsrvrone,Pixel Pancho, Snik, Two One, Tony Matelli, Wrong Kong, Xeme, and Zura.

Top image: Crash in collaboration with The L.I.S.A. Project. (photo © Jaime Rojo)

Dany Boy Doid . It’s A Living (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

El Sol 25. Detail. (photo © Jaime Rojo)

Two One in Hong Kong. (photo © Jaime Rojo)

Laser 3.14 in Hong Kong. (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Wrong Kong in Hong Kong. (photo © Jaime Rojo)

Chzz in Ukraine. (photo © Chzz)

Zura (photo © Jaime Rojo)

Pixel Pancho (photo © Jaime Rojo)

We have previously published this Pixel Pancho piece shown in detail above and below. The artist had to restore the piece after additional text was added to it without permission from the artist. We liked how the piece plays with the architecture and the trees as experienced from the High Line Park, sort of like she is lounging and specifically peering through this opening.

Pixel Pancho (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Xeme in Hong Kong. (photo © Jaime Rojo)

Snik in Hong Kong. (photo © Jaime Rojo)

A more common refrain these days as New York’s long-heralded creative community finds fewer neighborhoods to afford – this one on a Williamsburg musical instrument store that had an amazing collection of guitars. It started out as a small business in the basement of a storefront and grew two more times during the 2000s. A powerful engine of the economy in the city, when artists can’t afford to stay due to high rents the city stands to lose revenue – and soul. The stories keep piling up as artists now often are giving up and leaving for cheaper cities – so whoever put this up addressing the mayor knows of what they speak. (photo © Jaime Rojo)

Obsrvrone in Hong Kong. (photo © Jaime Rojo)

Below Key (photo © Jaime Rojo)

Tony Matelli at the High Line Park. (photo © Jaime Rojo)

Untitled. A client waits while a her shoes are being repaired in Hong Kong last week. March 2017. (photo © Jaime Rojo)

HONG KONG Re-cap, HKwalls 2017 Makes New Paths for Urban Art

March 30, 2017 Artists

Go East Young Woman!

That’s where you’ll discover dynamic graffiti and Street Art and murals these days thanks in part to last weeks’ HKwalls festival, now in it’s fourth year. You’ll definitely see more women involved in this outdoor exhibition than most festivals that we’ve become familiar with, not that the organizers are making a point of it.

Zoer. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

And in an incredibly diverse display it is gratifying to see a wide range of countries represented in the artist pool from Asian cities like Jakarta, Manila, Taipei, Penang, Chiang Mai and Hong Kong – along with the European and American contingent you’ve been seeing in other proper Street Art so-called ‘festivals” elsewhere.

In some ways this feels like a new frontier in an old land.

Making the path by walking, this relatively tiny group of passionate urban art fans has convened here in the blooming bohemia/ industrial neighborhood Wan Chuk Hang on Hong Kong’s South Side, with the art-generated traffic getting heavier by weeks end to see live painting, painting competitions, DJs, gallery shows, a short film program, night time projections, and panel discussions.

Jecks. Detail. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

All week we saw intense interest and scrutiny from the new generation of fans who could easily fit into major cities globally with their fashion and omnipresent phones. With one eye on the rising international interest in Street Art and the other on the lettering traditions of graffiti, the calligraphic traditions of Chinese history, modern and traditional tattoo culture, these young fans are hungry for something that seems alive and contemporary.

Despite the much discussed high rents and small apartments here, you can also see that a relatively stable economy has provided many young people a disposable income to create or purchase art and art products.

Jecks. Detail. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

HKwalls co-founders Jason Dembski and Stan Wu and managing director Maria Wong say they’re supplying a much-needed public art element to the annual Hong Kong “Art Month”, which tends to be focused on galleries and the somewhat insular spectacle of high-end international art fairs like Art Basel and Art Central. But clearly after four years of bringing graffiti and Street Art together on walls in different neighborhoods across the city it’s much more than that.

With an inclusive welcoming vibe they’re harmonizing contradictory dynamics with diplomatic aplomb; honored traditions are melding with the hip digital tribe, mildly subversive free expression is getting elbowroom in a culture that doesn’t necessarily value it, wild-style graffiti burners are created in tandem with large multi-hued murals of many disciplines.

Jecks. Detail. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Jecks. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

But then, this is Hong Kong, an Eastern/Western city of 7.4 million that speaks English and Cantonese and has been acutely aware of the movements in Mainland China since HK’s transfer of sovereignty from the UK two decades ago. So, “balance” is an appropriate term to use with HKwalls, with an unusually balanced roster of talents from graffiti kings like Tuts from Jakarta and Dilk from Nottingham, stencil wizards like SNIK from UK, design/graffiti collective letterists like Alphabet Monsters, illustration/comic book artists like Hong Kong’s Messy Desk and Seoul’s SeeNaeMe, abstract geometrists like Kris Abrigo from Manila, and magic realists like Spain’s Spok, France’s Zoer, and Italy’s Pixel Pancho.

To present such a wide swath of influences and talents can run the danger of being unwieldy and fractured, but somehow there is a common thread of quality that runs through the offerings.

Kris Abrigo. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

In a way it is an irony that a subculture with roots in disadvantaged economic circumstances like graffiti appears to be garnering a certain cachet among educated artistic and professional people in their teens and twenties. Here is a marginalized, sometimes anti-establishment subculture that now welcomes many to participate either as artists or fans, and along with skater culture, hip-hop, and modern existential feelings of disconnectedness despite a hyper-connected digital world, you have an instant community to plug into.

Growing in tandem with the scene is an expanding middle class and a certain amount of free time among Hong Kong young – both rather feeding what may be described as the growth of an urban contemporary culture. “Sub” handily is removed from the descriptor and lifestyle brands swoop in for the “like”.

Dilk. Detail. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Ultimately, HKwalls is blazing new urban paths in a densely chaotic city and involving local unknown artists in their official selections along with bigger international Street Art names like Swoon, who did a Hong Kong city tram project that brought her work to city streets for about 6 weeks, as it did for Vhils a year ago. With a good sense of balance like this, we expect to see HKwalls on the streets for their 5th anniversary next year.

Not all the walls were completed before we left so here is a selection of the finished ones.

Dilk. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Snik. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Pixel Pancho. Detail. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Pixel Pancho. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Debe. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Tuts. Detail. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Tuts. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Anyway. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Mauy. Detail. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Mauy. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Aspire. Detail. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Aspire. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Merlot . Amuse126 AKA Alphabet Monsters. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Amuse126 . Merlot AKA Alphabet Monsters. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Merlot . Amuse126 AKA Alphabet Monsters. Detail. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Merlot . Amuse126 AKA Alphabet Monsters. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Spok. Detail. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Spok. HKwalls. Hong Kong – March 2017 (photo © courtesy of HKwalls)

Rodney Stratton. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

3 x 3 x 3. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Candy Bird. Detail. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Candy Bird. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Snub. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

Untitled. HKwalls. Hong Kong – March 2017 (photo © Jaime Rojo)

HKWalls and Hong Kong stories come to you courtesy BSA in Partnership with Urban Nation (UN)

#urbannationberlin #allnationsunderoneroof #unblog @urbannationberlin @bkstreetart

Artists for HKwalls 2017 include: Abudulrashade, Alphabet Monster aka Amuse126 & Merlot, Anyway, Brain Rental, Buff Diss, Candy Bird, Damt, Debe, Dilk, Jecks, Kris Abrigo, Mauy Cola, Megic, Messy Desk, Pixel Pancho, Ralph Macchio, Seename, Snik, Snub, Spok, Taka, Tuts, Wong Ting Fung, Zinan, and Zoer.

Exhibit artists include Snik, Abdulrashade, Dilk, Mauy Cola, Spok, Seenaeme, Wong Ting Fung, Jecks, Messy Deck, Mooncasket, Brain Rental, Kris Abrigo, Rodney Stratton, Cath Love, Barlo, 3x3x3, Debe, Taka, Xeme, Ralph Macchio, Candy Bird

This article is also published on Urban Nation and The Huffington Post

SNIK, Flip-Flops, Amuse & Merlot – HKWalls 2017, Dispatch 2

March 22, 2017 Artists

This week BSA and Urban Nation (UN) are in Hong Kong for the 4th edition of HKWalls to capture a very international and local mix of artists in this East/West nexus; a world-class city for art and culture, English and Cantonese, hi-tech and traditional methods – all during the enormous Art Basel week. We’ll bring you the new walls, some previous pieces, some graffiti, stickers, and a whole lot of color from this fast moving and dynamic city on the Pearl River Delta of East Asia.

“Hong Kong is that tough sweaty dude with a gas blowtorch in his hands, soldiering a metal frame on the sidewalk while wearing a muscle shirt and flip flops with a cigarette tucked over his ear and a lit one in his mouth,” to roughly paraphrase the description of this city from an artist at a discussion panel here last night.

As he delivers this gem, you look to your left at the pink-cheeked bearded half of the artist duo SNIK, who shakes his head in agreement. Yes, this does seem like a good description of HK so far.

The first finished wall for HK Walls 2017 is this multi-layered stencil by the duo Snik. Detail. HK Walls. Hong Kong – March 2017 (photo © Jaime Rojo)

Hong Kong also is the top-boss-lip-gloss power babe waiting for a train at the Prince Edward station with sharply drawn persimmon red lips and cinnamon-bun braided hair bobs that look like Mickey Mouse ears on her head – striking a commanding stance with one hand on her waist and her cool eyes laser-focused on her phone screen.

Also, Hong Kong is the pounding staccato noise of 5 double-decker buses hurtling around a concrete road curve at top speed only 5 meters away from you on the sidewalk, propelling hot bluffs of gritty wind that push you closer to base of factories here here on Wong Chuk Hang Road.

Snik. Process shot. HK Walls. Hong Kong – March 2017 (photo © Jaime Rojo)

Merlot and Amuse, an artist duo who know a lot about letter style, hand style, and style in general are painting a massive 30 meter long tag in a opening between industrial buildings knocking out their text based monikers that borrow and snatch from raw graffiti, wildstyle, pop, and advertising design. Lately, drips.

Merlot is originally from Seattle and its outskirts and has been writing/painting for a decade roughly. For the last two years she and Amuse have been hanging together, sometimes calling their two-person crew “The Alphabet Monsters”, possibly alluding to the cosmic comic influences that may evoke fantasies and stories from graphic novels.

Snik. Process shot. HK Walls. Hong Kong – March 2017 (photo © Jaime Rojo)

I’ve been testing and doing a bunch of different things because I am a graphic designer and so I like exploring a couple of different approaches,” she explains during a break from painting. “Typically the letters will all stay pretty much the same but with this one we wanted to have more fun and do something different,” which includes painting letters in each others names.

We point out the “S” in amuse, which appears to split wide at the top – little molecules spreading apart and spraying upwards. That’s his “S,” but she says he’s coming over later to give the treatment to her “O”.

BSA: Have you two used the fire extinguisher much before?
Merlot: I haven’t but he has before and I would really like to start using it more. He is into this very drippy kind of zone right now and I think that is what he wants his new look to be this year – he actually did a new fire extinguisher piece recently and he incorporated all of these different elements and it was really amazing.

Snik. Process shot. HK Walls. Hong Kong – March 2017 (photo © Jaime Rojo)

BSA: Where did you learn how to paint with the extinguisher?
Amuse: My buddy Morgan is a big solid influence of mine and he said to me, “We need to try something different.” Now that is all I want to do. A graffiti writer for more than fifteen years, Amuse says he gets his new tricks sometimes from other guys in other crews he is part of. “Morgan is another guy in the crew – we’re all in the same crew and his approach – Also a very good street artist who I grew up with (in Chicago)- Esteban del Valle – he is amazing and he has this same approach with the dripping and then the nice detailed line work over it,” Amuse explains, “and he told me ‘dude you are killing yourself with all the spray paint – why don’t you incorporate some other kind of paint?’ And he’s right, the bucket paint allows you to paint so much bigger and faster and then you can go back and work on it.”

Snik. HK Walls. Hong Kong – March 2017 (photo © Jaime Rojo)

Evidently HK Walls is in full effect right now, with the French trio Anyway, Berlin Duo Snik, Hong Kong’s Wong Ting Fung, Philippine’s Kris Abrigo, and Italy’s Pixel Pancho all on the street, on ladders, on bamboo scaffolding, on cherry pickers. Just saw Spain’s Spok in an elevator, Zoer showed us his purple/moss/tan color pallet on his phone and tape artist Buff Diss has been lurking from every corner.

And this is a taste of what it is like on the street; The electric/eclectic High/Low influences of Hong Kong are knocking everyone about – sounds of traffic and trucks and construction and laughter and the smell of a cigar smoke and petrol and sweaty basketball players on the public court and aerosol paint and flowering trees all blend together in a heady HK romance sort of way.

Thinking of buying some flip-flops.

Pixel Pancho. Process shot. HK Walls. Hong Kong – March 2017 (photo © Jaime Rojo)

Wong Ting Fung. Process shot. HK Walls. Hong Kong – March 2017 (photo © Jaime Rojo)

Anyway. Process shot. HK Walls. Hong Kong – March 2017 (photo © Jaime Rojo)

Kris Abrigo. Process shot. HK Walls. Hong Kong – March 2017 (photo © Jaime Rojo)

Amuse . Merlot. Process shot. HK Walls. Hong Kong – March 2017 (photo © Jaime Rojo)

Mundano . Martha Cooper. Hong Kong – March 2017 (photo © Jaime Rojo)

We met with Brazilian Street Artist Mundano, who just one first prize at the International Public Art Awards for 2017 for his “Pimp my Carroça” project here in Hong Kong Sunday night. He gave us this hand-made book that he made with photographer Martha Cooper calle “Viva or Catadores”. Congratulations Mundano!

Mundano . Martha Cooper. Hong Kong – March 2017 (photo © Jaime Rojo)

HKWalls and Hong Kong stories come to you courtesy BSA in Partnership with Urban Nation (UN)

#urbannationberlin #allnationsunderoneroof #unblog @urbannationberlin @bkstreetart

BSA Images of the Week 11.13.16

November 13, 2016 Artists, BSA Images Of The Week

After absentee voting last week in NYC it was a quick trip to Germany this week to see new stuff in Berlin and Dresden and to find that it’s autumn there too, and getting cold. Of course it was zero sleep election night because of the time differnce it was 6 am Wednesday before the Electoral College pushed Trump into the win zone.

Can’t even.

It’s getting harder and harder to explain things to people when we travel, let’s just say that much.

It was crisply chilly, rainy, and windy and the shop keepers were putting up Christmas trees in the windows, but the streets of Berlin were in bloom with new Street Art. Here is a very abbreviated autumn bouquet picked fresh from Berlin for your splendid review.

It’s our weekly interview with the streets, this week featuring A Squid Called Sebastion, Adele Renault, Bailon, Dainel Nehaus, Nafir, and Snik.

Our top image: Adele Renault for Urban Nation Museum For Urban Contemporary Art. Berlin. 11.16. (photo © Jaime Rojo)

Bailon and Ricardo AKN for Urban Nation Museum For Urban Contemporary Art. Berlin. 11.16. (photo © Jaime Rojo)

Nafir for Urban Nation Museum For Urban Contemporary Art. Berlin. 11.16. (photo © Jaime Rojo)

A Squid Called Sebastian for Urban Nation Museum For Urban Contemporary Art. Berlin. 11.16. (photo © Jaime Rojo)

Snik Arts for Urban Nation Museum For Urban Contemporary Art. Berlin. 11.16. (photo © Jaime Rojo)

Okay this lady has lazer beams coming out of her eyes. Seriously. Lister in Berlin for Urban Nation Museum For Urban Contemporary Art. Berlin. (photo © Jaime Rojo)

Daniel Neuhaus. Berlin. 11.16. (photo © Jaime Rojo)

Untitled. Berlin. November. 2016. (photo © Jaime Rojo)

UN & StolenSpace Create PM/8 “Freedom” in Berlin

June 25, 2015 Artists

Urban Nation in Berlin has just completed a new series of walls, window displayed artworks, and a gallery show for the eighth edition of Project M (PM/8) in conjunction with StolenSpace Gallery in London.

The show is called “Freedom” and features a few of the better known names in the Street Art / Urban Art game along with other emerging artists in the Stolen Space stable. In addition to the opportunity to see new work being created live and meeting many of the artists, this version of Project M also included a roundtable discussion hosted by Very Nearly Almost (VNA) editor Roland Henry and featuring a conversation with D*Face, Shepard Fairey, and UN Director Yasha Young.

Project M is taking it to the street, into a gallery/museum-like setting, and into the community with various educational projects like these. We’re looking forward to seeing the nascent Martha Cooper library project as it continues to grow as well as seeing more panels, discussions, scholarly examinations, and interactive community programming in the future as the UN evolves.

Project M is meant as a lead-up to the opening of Urban Nation, currently slated for 2016, and many of the window works made here will become part of the future institutions permanent collection. The full PM/8 roster continued to shape-shift as additional artists were painting walls as well but we think we have it right when we say it includes Cyrcle, D*Face, Evoca1, Miss Van, Herakut, The London Police, Shepard Fairey, Snik, Word to Mother, Maya Hayuk, Cyrcle, Case M’Claim, Elle, and Lora Zombie, with many of artists in attendance, and one giving tattoos (see below).

Maya Hayuk took on the large task of the UN façade while Shepard and D*Face knocked out a slim set of tall twin walls and Cyrcle knocked out a modern text balanced graphic piece.

Our very special thanks to Nika Kramer, who shares her exclusive photographs of some of the artists and action at PM/8 here with BSA readers.

More detail for Davey. During downtime tattoos were offered by Word To Mother in the back workshop at UN. (photo © Nika Kramer)

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Starkart Art Exhibitions Present: “Stencil Bastards” Curated By Christian Guemy. (Zürich, Switzerland)

June 4, 2012 Artists, Events, Gallery, Opening, Switzerland, Zurich

Stencil Bastards

C215, Epsylon Point, Eime, Btoy, Orticanoodles, Kris Trappeniers Leckomio und Snik

Eine Gruppenschau mit 9 Künstlern aus dem Umfeld der Street-Art Urban-Art, die Schablonen als ihr Stilmittel gewählt haben. Sie sind aus halb Europa, was heisst diese Ausstellung ist eine gute Gelegenheit für Leute die speziell interessiert sind an dieser Art von Graffiti Kultur, um sich einen Überblick zu verschaffen was da so abgeht.
Christian Guemy kuratiert.

Alle der Insgesamt neun Künstler aus dem Umfeld der Street Art, Urban Art und Graffiti Kultur, werden ihre Werke erstmals in der Schweiz zeigen.
Epsylon Point (FR), C215 (FR), Eime (PT), Btoy (ES), Orticanoodles (IT), Kris Trappeniers (BE), Leckomio (DE) und Snik (UK), sind sogenannte Stencil Artists und gehören
mit zu den bekanntesten in Europa. Sie nutzen überwiegend den öffentlichen Raum als ihr Medium und Schablonen als ihr Werkzeug.

Einer der berühmtesten unter ihnen ist sicherlich Christian Guemy aus Paris, auch bekannt unter seinem Künstlernamen C215.
Sein farbenfroher Stil, sein Talent, Mut, und seine unglaubliche Schaffenskraft sind ein wichtiger Teil der Stencil-Art Bewegung, die immer mehr Fans rund um den Globus findet.
Er hat schon an zahlreichen Ausstellungen teilgenommen, wird in zahllosen Publikationen erwähnt und kürzlich ein eigenes Buch “Community Service” veröffentlicht. Seine Werke findet man von Oslo über London, Paris, Moscow, Rom, Barcelona, Berlin und in vielen anderen Städten, über ganz Europa verstreut, bis hin nach Casablanca, Brooklyn, Sao Paolo und Neu-Dehli.

Erstmals in der Schweiz widmet sich eine Ausstellung exklusiv der Stencil-Art, dieser eigenständigen Richtung innerhalb der Graffiti Kultur.

Vernissage 8 Juni ab 18 Uhr, die SKA Band “Pueblo Criminal” aus Zürich (9 Leute) spielt auch an diesem Abend und DJ: “Musical Warfare”, er legt Early Reggae, Rock Steady and Ska auf…

Stencil History X Feature über die Ausstellung:
Stencil Bastards at Starkart Gallery Zurich

“Stencil Bastards”
Kuratiert von Christian Guemy
8. Juni – 8. July 2012
Vernissage: 8 Juni 18 – 24 Uhr
Öffnungszeiten: Do/Fr 17 – 20 Uhr, Sa 14 – 19 Uhr
Starkart Exhibitions, Brauerstrasse 126, 8004 Zürich

Fun Friday 03.30.12

March 30, 2012 Artists, Gallery, Opening

1. Wooly Bully! (VIDEO)
2. “International Woman” at The Warrington Museum (UK)
3. “While Supplies Last” at Pawn Works (Chicago)
4. Crossing Borders at MSA Gallery (Paris)
5. Isaac Cordal “Waiting for Climate Change” at Beaufort 04 (Flemish Coast, Belgium)
6. HOW & NOSM show you HOW they made “Reflections” (VIDEO)
7. Kid Zoom Crashes Cars (VIDEO)

WOOLY BULLY! Straight from the Desert Island – Sam the Sham and the Pharoahs!

Let’s see if you can shake it as fast as the back-up dancer lady in this video!

“International Woman” at The Warrington Museum (UK)

“International Woman” the new group show at The Warrington Museum and Gallery in Warrington, UK is open to the general public with a lineup of brilliantly talented women artists from around the world including many Street Artists: Catalina Estrada, Cheryl Dunn, Elizabeth Mcgrath, Faith 47, Hera, Kukula, Mel Kadel, Miss Van, Pam Glew, Sarah Joncas, Stella Im Hultberg, Swoon, Tara Mcpherson and Xue Wang. With so much female talent under one roof this promises to be one hot and interesting show not to miss, Miss!

For further information regarding this show click here.

“While Supplies Last” at Pawn Works (Chicago)

The Pawn Works Gallery in Chicago new show “While Supplies Last” opens this Saturday. For this show the space would be transformed into a site specific retail environment where you’d be able to purchase items from books to art from a list of artists that include: Shawnimals, Skewville, Kosbe, 5003, Ader, Amuse 126, Snacki, JC Rivera, Montgomery Perry Smith, Left Handed Wave, Max Kauffman, Nice-One, Swiv, and Jon Burgerman.

For further information regarding this show click here.

Crossing Borders at MSA Gallery (Paris)

MSA Gallery new group show “Crossing Borders” opens this Saturday in Paris, France and arttists including are: DAL, David Walker, Stinkfish, Faith47, David Shillinglaw, Martin Whatson, Klone, Snik, Otto Schade, Ben Slow, Joseph Loughborough, Inkie and Banksy:

For further information regarding this show click here.

Isaac Cordal “Waiting for Climate Change” at Beaufort 04 (Flemish Coast, Belgium)

Sculptor and conceptual artist Isaac Cordal is doing a series of outdoor installations From March 31st to September 30th, 2012 in 30 Locations spread across 9 coastal municipalities throughout the Flemish coast as part of Beaufort 04.

Mr. Cordal’s army of little cement characters are sure to stop you on your heels if you see them that is. His commentary on social issues runs deep and wide always with a humorous touch and an impeccable sense of placement:

For further information regarding this event click here.

HOW & NOSM show you HOW they made “Reflections” (VIDEO)

A custom installation by How & Nosm just finished at the new show opening next week in the Bronx called “This Side of Paradise”. See BSA coverage of the show and more photos of How & Nosm’s installation along with Crash and Daze HERE.>>“Poorhouse for the Rich” Revitalized By The Arts

Kid Zoom Crashes Cars (VIDEO)

The other Australian bad boy Kid Zoom made a video of himself building a house and crashing some cars. We have video to prove it:

MSA Gallery Presents: “Crossing Borders” A Group Show (Paris, France)

March 27, 2012 Artists, Events, France, Gallery, Opening, Paris

Crossing Borders

featuring work by

DAL, David Walker, Stinkfish, Faith47, David Shillinglaw, Martin Whatson, Klone, Snik, Otto Schade, Ben Slow, Joseph Loughborough, Inkie and Banksy

Opening Reception: Saturday, March 31, 5-9pm

MSAGallery @ L\INCONNU
17 rue Mazagran
75010 Paris, France

Please RSVP to rsvp@mystreetartgallery.com
Preview List can be requested to theshop@mystreetartgallery.com

Exhibition open to the public March 31st – April 5, 2012
MSAGallery is pleased to present Crossing Borders, a group show which brings for the first time in the heart of Paris, fifteen artists whose work activates creative conversations far from the French borders with geographically disparate cities of Bogotá, Cape Town, Beijing, Kiev, London, Oslo, Bristol, Concepcion and Tel Aviv

Artists will be present in Paris painting in the city for MSA’s open air gallery project ParisFreeWalls.

About MSAGallery:

Founded in 2011, MSAGallery focuses on a select group of artists breaking ground in painting, mixed media and sculpture. The annual program consists of a series of pop-up solo and group exhibitions that document the progress of these artists.

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