All posts tagged: Selina Miles

Top 15 Videos On BSA Film Friday From 2018

It’s BSA Film Friday! Now we present the best of the year, according to you. We bring you new videos each week – about 240 of them this year. The beauty of the experience is that it can feel quite random and exhilarating – rather like the serendipity of finding new Street Art.

You helped us decide who made it to the top 15 – and we feel proud to see some of these because we liked them too. When we take videos on the road to different cities and countries doing our BSA Film Friday LIVE we also like to share these in classrooms or theaters or lecture halls with locals, students, city leaders. Nothing can beat seeing faces light up, a person thrilled to finally get the sense of something, better understanding the scene, helping people with a new way to look at art in the streets.

The best part is many of these videos encourage you to create, to co-create, to actively participate in public space with meaning and intention. As a collection, these 15 are illuminating, elevating, riveting, strange, soaring, secretly otherworldly, and achingly beautifully human.

Special congratulations go out to artists/directors Kristina Borhes & Nazar Tymoshchuk who landed on the list two times this year, including the number 1 position. Their work is about the intersection of art and theory and life, how to create it, to see it, and how to re-see your world.

We hope you can take some time to enjoy some of the best Street Art videos from around the world and on BSA this year.


No. 15

Fatheat and TransOne/”The US Tapes”

From BSA Film Friday 06.01.18

“Listen, my only request…. When you’re done doing your thing, do an Italian flag with my daughter’s name on it,” says a guy who is shouting up from the street to the roof where two Hungarian graff writers are preparing to hit a wall with a giant rat in Jersey. That rat looks fantastic as it basks in the blinking glow of the marquee for Vinny Italian Gourmet on the streets in the Newark night below.

That scene alone can stand as their American iconic moment for the US Tapes, but Fatheat and TransOne documented a number of golden moments on their trip this winter to New York, Wynwood, LA, and Las Vegas. Travel with them as they try to square the television mythology of modern America with the one they are encountering in all its ridiculous free-wheeling self satisfied unreflective emotional consumerist funkified freedom*.  Standby for sonic blasts from the cultural pulp soundbook and prepare for a celebrity visit.

Slyly they observe and sample and taste and catalogue the insights by traversing the main stage and the margins, smartly not taking it too seriously, finding plenty of places for wide-eyed wonder and wiseguy sarcasm. Steeped in graffiti history with mad skillz themselves, this is all an adventure. Generous of heart, they also share it with you.

Ready for your Friday road trip?

No. 14

Nadia Vadori-Gauthier/”One Minute Of Dance”

From BSA Film Friday 10.26.18

“And lost be the day to us in which a measure hath not been danced.” ~ from Nietzsche’s Thus Spake Zarathustra


Every day since the shootings of artists and journalists at the Charlie Hebdo offices on January 14, 2015, dancer Nadia Vadori-Gauthier has made sure to dance for a minute or more. It sounds like a good idea.

“Without editing or effects, in the place and state of mind I find myself that day, with no special technique, staging, clothing, or makeup, nothing but what is there,” she says on her website.

“I dance inside or outside, in public or private places, alone or with others, strangers or people I know, sometimes friends.

I dance as protesters demonstrate, to effect a living poetry, to act through sensitivity against the violence of certain aspects of the world.

This is the solution I found: an action to my own measure, a concrete, repeated action that may redraw lines, disrupt the design, shake up the norms.”

Here she is in Paris on Esperance Street in front of a mural by Street Artist Seth.

No. 13

1UP Crew – Selina Miles /”Graffiti Olympics”

From BSA Film Friday 03.02.18

All the subversive drama of a terrorist cell, all the color of Mardi Gras, all the pomp and ceremony of an Olympic triathlon. Wielding the long-handled roller like a javelin in the hands of Järvinen, weight lifting multiple backpacks full of paint cans, climbing and jumping walls with speed and dexterity, the 1UP team goes for the gold.

Debuting today on BSA is the flaming new 1UP crew video directed by the ingenious Selina. Slicing the streets with the drone camera like a hot knife through butter, she follows the unruly yet highly organized vandals from overhead in a manner more melodic than menacing as Miles lines up one shot after another in this instantly classic continuous thread of aerosol mayhem.

Passing the aerosol can like a baton, this relay race puts 1UP over the finish line while many rivals would have just blasted out of the blocks. But will those Olympian circles turn into golden handcuffs before the closing ceremony?

No. 12

Banksy /”Banksy in Paris”

From BSA Film Friday 06.29.18

A quick overview to catch you up on the 7 most recent pieces attributed to Banksy in Paris. He’s said to be creating work more attuned to the plight of migration, but others have observed it is a return to the classic Banksy sarcastic sweetness that has characterized the clever sudden missives he has delivered since he began. See Butterfly Art News’ coverage here: Paris: Banksy for World Refugee Day

No. 11

Street Atelier /”Rocco And His Brothers”

From BSA Film Friday 04.13.18

It’s an Italian movie directed by Luchino Visconti in 1960, yes. It is also the name of a crew of Berlin graffiti/installation artists whose satirical interventions play on issues propriety and property – and on social experiments that dupe the media, the public, and banks.

Did they really set up an apartment inside the subway? Is that really the tracks and wall of a metro inside a gallery? Is that Wagner playing in the mobile war arcade set up in the Christmas market? Are those hand grenades being lobbed by children? Is the bank facade blinking red every 20 seconds?

Rocco und seine Brüder (Rocco and His Brothers) have you engaged. Now you have to answer the questions.

Shout out to Red Tower Films for the great storytelling.

No. 10

Colectivo Liquado /”Pandereteras” at Parees Art Festival.

From BSA Film Friday 11.23.18

The Uruguayan Street Artists/muralist Florencia Durán and Camilo Nuñez are “Colectivo Licuado” and here in the middle of Oviedo in Northern Spain to create a new mural for the Parees fest this September. As is their practice they study the culture that they are visiting and create an allegory that is familiar to the community, if still rather mystical.

In this case they visit Colectivo Licuado & Nun Tamos Toes for a visit of great cultural exchange – sharing sketches, songs, and learning the history of women’s roles in traditional Asturian culture. The resulting mural project is collaborative in nature and powerful in person.

No. 9

YZ YSeult Digan /”Street Vendors”

From BSA Film Friday 05.25.18

“I pay attention to the intensity of the gaze and the posture, so the passerby is challenged and seeks to question the project.”

A sociological experiment and intervention on the streets by the French Street Artist YZ takes place in Abidjan and camera work in the crowds allows you to appreciate the action on the street. A city of 4.7 million people and the economic capital of Côte d’Ivoire, the city has a lively culture of street vending that is unregulated and often populated by children.

YZ speaks with the folks she meets who are vending, who she refers to as “girls” although many are women. Her goal is to better understand them, she says, and to create a Street Art campaign of their portraits.

“I realized that their situation was very different from the men. So I wanted to know more about them. So I started the project ‘Street Vendors’,” she says.

No. 8

Bane & Paste /”Recover – Street Art in Chernobyl”

From BSA Film Friday 02.02.18

Chernobyl is a nuclear disaster that figures profoundly into the modern age – and for centuries into the future.

Today not so many people talk about this man-made horror that killed a Russian town and chased out its survivors in 1986 just 90 kilometers northeast of Kiev. Called the most disastrous nuclear accident in history, it evacuated 115,000 and spread a radioactive cloud around the Earth, with European neighbors like Scandinavia, Switzerland, Greece, Italy, France and the UK detecting the effects of radiation for years afterward. Three scientists at The New York Academy of Sciences have estimated that over time the number of people killed by effects from the meltdown was almost a million.

Because of the nature of radiation, Chernobyl has been estimated to not be safely habitable for about 20,000 years.

No. 7

Gonzalo Borondo /”Matiére Noire”

From BSA Film Friday 07.06.18

A short documentary today taking us through last autumns On October 7th in Marseille, France in collaboration with Galerie Saint Laurent and Spanish artist Gonzalo Borondo as they presented Matière Noire. A massive collection of individual installations that took over the top floor of an exhibition space normally used for shops, Borondo’s influence in the selections is throughout, a story told in three acts on Projection, Perception and Interpretation.

No. 6

Shepard Fairey/Johny Cash

From BSA Film Friday 09.14.18

“When I was just a baby, my Mama told me, ‘Son, always be a good boy, don’t ever play with guns.’ But I shot a man in Reno just to watch him die.” Johnny Cash sings with some bravado in Folsom Prison Blues on an album released 50 years ago this year. Street Artist Shepard Fairey honors the album and here in Sacramento, California to raise consciousness about the outrageously high rate of incarceration here. “The United States has 5% of the world’s population but 25% of it’s prisoners,” he says, making you question the system in the Land of the Free.

No. 5

MZM Projects – Kristina Borhes & Nazar Tymoshchuk/”Wasteland Wanderers”

From BSA Film Friday 10.05.18

This week we feature a couple of new film pieces from the Ukraine based duo of Kristina Borhes and Nazar Tymoschuk which fairly present an insightful treatise on a particular flavor of Post-Graffiti. Think of it as a two volume textbook and your professors will guide you through the darkness into the light.

A Dilogy.

“The place tells you what to do,” is a poetic and truthful phrase uttered in “Night” on the relationship a vandal has to an abandoned factory, school, home, medical facility; it is spacial and alchemical.

It is also personal, says the female narrator. “The presence of their absence,” is something that every Wasteland Wanderer will be familiar with, the knowledge and feeling that others have been there before you. The work is undeniably affected, even created in response.

“Echoes, whispers, shadows, lines.”

No. 4

FWTV/”On The Road With Add Fuel”

From BSA Film Friday 03.16.18

“I’ve started a new series called ‘On the Road’ which looks at life behind the scenes in street art culture,” Doug Gillen tells us about this debut episode. Look forward to Doug’s unique perspective on Street Art festivals, art fairs, and studio visits as he expands to the world of urban contemporary.

Not typically who you think of as a Street Artist, here we see Add Fuel and Doug talk about his first book and you see examples of work from this tile maker who infuses traditional Portuguese techniques and pattern making with pop-modern cultural references and cartoon archetypes.

No. 3

Chip Thomas

From BSA Film Friday 04.06.18

He has a hat, sunglasses, and he has been creating huge black and white photo installations of people wheat-pasted to the sides of buildings for how long? Surprising to us that Jetsonorama is not more of a household name in Street Art circles – his work is solidly tied to biography and human rights, uses his own photography, and routinely elevates humanity – and has been doing it for some time now.

Why isn’t he in huge museum exhibitions?

Today we have a new video giving you a good look at the work and the artist along with the genuine connection and presence that he has with community, taking the time to share their stories.

No. 2

Vegan Flava/”While They Seek Solutions”

From BSA Film Friday 01.19.18

“The speed of ruin is just something else,” says Street Artist Vegan Flava, and it’s an exasperating realization. Extrapolated to thinking about the enormous war industry, and there is such a thing, you realize that pouring money year after year into ever more sophisticated and destructive weaponry only results in broken bridges, buildings, water systems, vital infrastructure, lives.

Construction, on the other hand, can be arduous and time consuming, takes vision, planning, collaboration, and fortitude. Like great societies.

How quickly they can be eroded, destroyed.

But since Vegan Flava is creating during this destructive enterprise, you get a glimpse into his creativity, and sense of humor. Similarly the psychographics of this story and how it is told reveal insights into the artist and larger themes.

“A drawing, an idea on a piece of paper, can swiftly grow into something larger, thoughts and actions leading to the next. But creating something is never as fast as to tear it to pieces. The speed of ruin is just something else,” he says.

No. 1

MZM Projects – Kristina Borhes & Nazar Tymoshchuk /”Aesthetic of Eas”

From BSA Film Friday 01.12.18

“We wanted everything to occur naturally in this movie. We wanted to achieve spontaneity,” say film makers Kristina Borhes and Nazar Tymoshchuk about their up close look at graffiti writer/abstract painter EAS. In this new film they have captured the creative spirit in action as unobtrusively as they could, allowing the artist to speak – in a way he never does, they say.

Today on BSA Film Friday we’re proud to debut this new portrait by three artists – one painter and two film makers – to encourage BSA readers to take a moment and observe, inside and outside.

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“Martha” the Movie: Selina Miles’ Most Ambitious Project To Date

“Martha” the Movie: Selina Miles’ Most Ambitious Project To Date

The Director Invites You to Participate in the New Documentary

The rising star film director who has captured and woven riveting narratives of artists and graffiti virtuosos like Melbourne’s Sofles and the ultimate train-jumping outlaws 1UP Crew from Berlin – verifiably raising their respective games and profiles in the process – Brisbane’s Selina Miles has been tackling a graffiti/Street Art juggernaut right before our eyes; a full scale movie-length documentary on famed New York photographer Martha Cooper.

Martha Cooper (photo © Selina Miles)

We knew that these two talented and powerful personalities would compliment each other stunningly and that’s why we encouraged them two years ago to do a doc. A short term one was the original plan. But the two hit it off so well and when you are looking at a five decade career like Ms. Cooper’s and you have the dogged determination to do her story justice, Ms. Miles tells us that even an hour and a half film feels like its just getting started.

Now “Martha” the movie is at a unique juncture in the project and YOU may be able to participate; Selina and the team are looking for any original footage you may want to show them – and it may be used in the documentary.

Martha Cooper. Subway Art (photo © Selina Miles)

We have an amazingly involved, interconnected, and brilliant audience of BSA readers across the time zones, so she’s asking you first. Please click this link and let Selina and Martha know if you might have something to show them.

Specifically right now the team  is looking for:

1.     Historical photos and video of artists interacting with “The Holy Book of Graffiti”, Subway Art, by Martha Cooper and Henry Chalfant, and

2.     Modern day footage of Martha Cooper going to any and all lengths to get the shot.

Read more at “Martha” the Movie and please contact them ASAP.


In an exclusive interview director Selina Miles today shares with Martha Cooper fans some unseen images from making the movie. She also gives insights into what it has been like making the biggest movie ever produced about the famed photographer.

Martha Cooper. Archives. (photo © Selina Miles)

Brooklyn Street Art: What gave you the idea to do a documentary about Marty?
Selina Miles: As with most of us interested in graffiti, I knew of Marty’s book Subway Art from a young age. We first met at ONO’U Tahiti Graffiti Festival in 2014, and I was immediately taken with her approachable, passionate and vibrant character. In 2015, I had been working on a series called “Portrait of an Artist,” an anthology of 10 minute documentaries profiling artists, and a good friend asked me “Who’s next?.” Martha was an obvious choice.

We both returned to Tahiti the following year for the same festival. Seated around a dinner table with a group of artists, I casually asked “When do you think you’ll be in New York next?” she replied “I’m not sure, why?” I ended up asking her right on the spot if I could make a film about her, in front of the whole group. It felt very much like awkwardly asking out a prom date. Luckily she said yes.

Martha Cooper at work at the Houston/Bowery Wall in NYC with Pichi & Avo. (photo © Selina Miles)

BSA: Is it true that at the start of the project you were thinking of doing a short film?
Selina Miles: The following February, I had just finished directing my biggest TV commercial yet, and wanted to the use bigger-than-usual pay check to do an ambitious project. I booked myself a 2 week trip to New York, as well as a ticket for Marcus Autelli, an amazing cinematographer from London. Our mission was a 10 minute piece.

Like so many fans of Martha’s work, I discovered her through the graffiti subculture. I did my best to research before the trip. I scoured Youtube and Vimeo for videos and interviews with Marty, flicked through Subway Art, pored over Street Play, re-watched Style Wars and thought I had done a pretty good job.

Martha Cooper. Archives. (photo © Selina Miles)

When I arrived in New York, Marty met me at her train station, and together we walked to her studio. She gave me a key and pointed me in the direction of her archives. Large folders lined the shelves. I still remember the first time reading those labels, hand-drawn in Marty’s signature authoritative, all-caps handwriting. “Windsurfing.” “Korea.” “Tunisia.” “Israel.” Each one full to the brim with boxes of Kodachrome mounted slides, stamped and dated.

The first person Martha suggested I interview was her good friend Susan, who flew down from her home in Maine to speak to me. It wasn’t until a few days before the interview that I learned that “Marty’s friend Susan” was actually Susan Welchman, photo editor of the New York Post and of National Geographic Magazine for 35 years. I began to learn of Martha’s incredible, rich photographic career, too often obscured behind the monumental popular reverence for her graffiti work.

Martha Cooper with her longtime friend Susan Welchman, the former photo editor at The New York Post and Senior Picture Editor at National Geographic  (photo © Selina Miles)

I realized with a combination of terror and excitement that I was facing much more than a 10 minute graffiti video. That this was the story of a photographer who had shaped entire generations of a worldwide subculture. A woman whose camera had witnessed historical events from the 1960s until now, whose story was deeply entangled with that of New York City, whose work had touched so many lives across boundaries of time and place and culture. And most importantly, a story that was relatively unknown, absolutely begging to be told, and that Martha had put her faith in me to tell that story.

It was then that I realized that 10 minutes wasn’t going to cut it.

Martha Cooper. Graffiti Writers. (photo © Selina Miles)

BSA: Is there anything call “a typical day” when you are following Marty in her travels?
Selina Miles: There is never a boring moment when you’re with Martha. What she has can’t even be described as work ethic, because she doesn’t see photography as work. It is just who she is, and there is nothing else. She will go anywhere, any time, to any extreme to do the projects she wants to do.

That being said, there are certain consistencies in her days. Any time she is presented with a window of downtime of more than 3.5 seconds, she is playing Pokemon Go. When it comes to food, Marty frequents exactly 2 restaurants in New York, both 4 blocks or less from her apartment. In total she has about 4 dishes on rotation, supplemented on particularly busy days by Lunchables, ready-made snack packs of deli meats and Oreos.

Martha Cooper. Pokemon fun with Steven P. Harrington at Metro Diner in NYC. (photo © Selina Miles)

It is well documented that many successful entrepreneurs and geniuses keep rigid routines or wear the same clothes every day as a way to save precious cognitive resources for what they really love to do. Marty is no exception. My best tip for anyone lucky enough to share a lunch with her – you have about 30 seconds to decide on your order before her patience runs out.

Marty’s life is chaos wrapped in deeply ingrained habit, on a bed of compulsive, obsessive collecting and photo-taking. An ideal combination for a documentary subject.

Martha Cooper. SIM cards from her international travels. (photo © Selina Miles)

BSA: You have unprecedented access like no one ever before to the archives of 50 years. It must to have felt overwhelming sometimes.
Selina Miles: Most of my career has focused on making short films where the objective is creating something out of nothing. This project is the opposite. The real challenge is to distill 50 years, 17 published books, hundreds of travel destinations and more than an estimated half a million images into a singular, watchable 90 minutes. In this case, making a good film is as much about what you choose to leave out as what you include.

Martha Cooper. Archives. (photo © Selina Miles)

My team and I have collected archive from every major medium, from Super 8 film, to VHS, to DV tapes, to our own 4K video. We have searched high and low over the 19 months working on this project, and there hasn’t been a week that we don’t discover some essential snippet of the story. Friends and colleagues of Marty have sent in material from South Africa, Prague and Germany. Her ex husband’s basement held over 6000 feet of Super 8 home movies, unseen since the ‘80s.

This constant digging and discovery is anxiety inducing, chasing leads that never end, having nightmares of dusty tapes sitting in a basement somewhere that could unlock all the answers if only I could find them. On the flip side, the elation that comes when you find that perfect piece makes it all worth it.

Martha Cooper. Archives. (photo © Selina Miles)

BSA: Were you able to speak to individuals whom you considered to be close to Martha personally or professionally?
Selina Miles: Out of every subject we approached, all but one agreed, the exception being a prominent anti-graffiti policymaker from New York City during the early ‘80s.

I interviewed in 6 cities and had material translated in 4 languages. I spoke to friends and family, peers, cultural commentators, graffiti writers. Each contributor was more varied and vibrant than the last. After the interview, when I would thank each contributor for their time, they would often respond with the same phrase, jumping out at me like a mantra – “Anything for Martha.” It became quite ridiculous how often I heard this exact phrase coming from everyone from kids at the skate park in Baltimore to curators at major New York museums. Access was not an issue on this project.

BSA: Can you share a special insight that you gained one day with her?
Selina Miles: I have been inspired in so many ways by this project, but I would say the most significant lessons I took away from the Marty Cooper approach to life would be to take risks, embrace failure, never grow up, and choose your own path in life. Although it takes place in very fantastical world full of weird and wonderful characters, Marty’s story is full of extremely universal, relatable human experiences, failures and triumphs. I hope that in watching the film, each viewer can find their own insights and take home lessons within her story.

Martha Cooper with the Brazilian twins Os Gemeos. (photo © Selina Miles)

BSA: You live In Australia and Martha lives in Manhattan. How do you make a feature film documentary when you have to travel such long distances?
Selina Miles: Firstly I am very fortunate to have built a freelance career that allows me to work when and where I choose. I can definitely encourage anybody thinking of making that leap to go for it. Not having a boss that you need to ask for time off makes it much easier. Secondly, being Australian you get really used to working weird time zones and traveling long distances. Modern aviation is a wonderful thing! Get on a plane, fall asleep for 14 hours, wake up and you’re in a different country! How cool is that!

Martha Cooper. Archives. (photo © Selina Miles)

Our world is so connected now, and filmmaking has become infinitely easier than it was for previous generations. Martha Cooper traveled the world photographing for National Geographic before the days of digital photography. She would have to physically purchase, carry, store, develop and print the hundreds of thousands of exposures of film required for one story.

She constantly battled against the physical mass and cost of that medium. This made photography or filmmaking accessible only to those with a formal education and money. We don’t have any of those issues anymore, anyone can walk into a store and purchase a $500 camera and a hard drive and start a career as a photographer or a documentary filmmaker. This project has given me a greater appreciation for how easy we have it now, and for the skill that was required to shoot on film.

A Subway Art fan clutching his copy close while looking at some of Martha Cooper’s more recent Street Art photography. (photo © Selina Miles)

BSA: Martha was one of the first documentors of the graffiti scene. What will the audience learn about how Martha first found out that she wanted to document the graffiti movement?
Selina Miles: It is my firm belief that I cannot make a film that will do anything for the documentation of early graffiti that wasn’t done by Style Wars in 1983, but I hope that the graffiti community leaves this film feeling well represented, and with greater context of how Martha Cooper became the legend we regard today.

BSA: How can people help you complete your film?
Selina Miles: Right now we are wrapping up our last month of post production, and searchin over the last few weeks we have been able to dig for new archival material. If anybody out there has footage of Marty, no matter what quality or how big or small, please send it to me! It might be just the bit that I am missing.

Marty’s story is such an international one, it’s so great to receive clips showing her at work in different locations around the world. Every little bit helps really bring to life the incredible bond that is shared within the graffiti and street art communities.

Martha Cooper. Archives. (photo © Selina Miles)

The slides of early tags were a selection for a chapter in Martha’s book “Hip Hop Files”.  “Make Your Mark” was a possible chapter heading she and the publisher eventually decided not to use. It comes from a 1982 anti-graffiti poster Koch put in the subways saying “Make your mark in society not on society.” It became a joke among graff writers, still remembered and quoted today.


Please click this link and let Selina and Martha know you might have something to show them.

Specifically right now the team  is looking for:

1.     Historical photos and video of artists interacting with “The Holy Book of Graffiti”, Subway Art, by Martha Cooper and Henry Chalfant, and

2.     Modern day footage of Martha Cooper going to any and all lengths to get the shot.

Read more at ” ‘Martha’ the Movie’ ” and please contact them ASAP.


www.marthathemovie.com

Instagram.com/marthathemovie

Facebook.com/marthathemovie

 

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BSA Film Friday: 03.02.18 / 1UP Special / Graffiti Olympics In Athens

BSA Film Friday: 03.02.18 / 1UP Special / Graffiti Olympics In Athens

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. 1UP is Fire in “The Graffiti Olympics”: Selina Directs

bsa-film-friday-special-feature

BSA Special Feature: 1UP is Fire in “The Graffiti Olympics”: Selina Directs

All the subversive drama of a terrorist cell, all the color of Mardi Gras, all the pomp and ceremony of an Olympic triathlon. Wielding the long-handled roller like a javelin in the hands of Järvinen, weight lifting multiple backpacks full of paint cans, climbing and jumping walls with speed and dexterity, the 1UP team goes for the gold.

Debuting today on BSA is the flaming new 1UP crew video directed by the ingenious Selina. Slicing the streets with the drone camera like a hot knife through butter, she follows the unruly yet highly organized vandals from overhead in a manner more melodic than menacing as Miles lines up one shot after another in this instantly classic continuous thread of aerosol mayhem.

Passing the aerosol can like a baton, this relay race puts 1UP over the finish line while many rivals would have just blasted out of the blocks. But will those Olympian circles turn into golden handcuffs before the closing ceremony?

“GRAFFITI OLYMPICS” Directed by 1UP & Selina. Drone photography by Selina.
Feating @goodguyboris and #BerlinKidz @1upcrewofficial @s__e__l__i__n__a__

1UP . Berlin Kidz. Graffiti Olympics. (image courtesy of One United Power/Selina Miles)

1UP / Berlin Kidz. Graffiti Olympics. (image courtesy of One United Power/Selina Miles)

1UP / Berlin Kidz. Graffiti Olympics. (image courtesy of One United Power/Selina Miles)

1UP / Berlin Kidz. Graffiti Olympics. (image courtesy of One United Power/Selina Miles)

1UP Graffiti Olympics. (image courtesy of One United Power/Selina Miles)

1UP Graffiti Olympics. (image courtesy of One United Power/Selina Miles)

1UP Graffiti Olympics. (image courtesy of One United Power/Selina Miles)

1UP Graffiti Olympics. (image courtesy of One United Power/Selina Miles)

1UP Graffiti Olympics. (image courtesy of One United Power/Selina Miles)

1UP Graffiti Olympics. (image courtesy of One United Power/Selina Miles)

1UP Graffiti Olympics. (image courtesy of One United Power/Selina Miles)

1UP Graffiti Olympics. (image courtesy of One United Power/Selina Miles)

 

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BSA Film Friday: 01.05.18

BSA Film Friday: 01.05.18

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. ONO’U Tahiti 2017. A video re-cap by Selina Miles
2. Private View: Ian Strange via Nowness
3. Desprestigio by Pejac
4. Bonus Video. What the hell is a “Bomb Cyclone”?

bsa-film-friday-special-feature

BSA Special Feature: ONO’U Tahiti 2017. A video re-cap by Selina Miles

There is so much going on that you might miss during a mural festival. Aside from the progress of the artists at different rates in various locations around a city, which is a standard expectation, each festival is so unique in its personality and people that you cannot predict what you are likely to see next.

In Tahiti you can expect gorgeous natural beauty, and with ONO’U you can also expect a fashion show, a live projection mapping with the community, a panel discussion, a museum opening, delicious foods, flowers in your hair, and stories about the native people, wildlife, religious customs, colonialism, the value of the currency, and face painting. That’s before the weekend.

Filmmaker Selina Miles takes you up above it and directly streetside, a clear-visioned romantic who sees the beauty and the eclectic nature of our nature. Today we’re pleased to show her wrap up of October’s events in French Polynesia on the islands of Tahiti and Raiatea.

Private View: Ian Strange via Nowness

Continuing the attack on sublime suburbia to gain vengeance on the evil within, former Street Artist Kid Zoom, now Ian Strange, has the funding to do large and elaborate decimations and capture them on film for exhibition. Here is a private view, as it were, of a series of private matters made public.

 

Desprestigio by Pejac

Prestigious indeed.

A riveting bit of documentary storytelling that leads you to his newest artwork, Pejac takes a glocal story and reveals the folly of man. It happened 15 years ago, and is happening every few days all over the globe while the Earth’s economy is still firmly in the grip of the oil industry.

“This piece talks about the tragedy (of Prestige) that covered the coast of my country (and my region) in black 15 years ago, and whose damages to nature are still visible today,” says Pejac.  “I chose this particular case, but want to extend it to all the environmental tragedies that happen on our seas and oceans every few years. Desprestigio works as a dark souvenir of a fact that should not be forgotten: we must, and can, be much better guests on Earth. After all, this work is a message in a bottle.’’

Bonus Video. What the hell is a “Bomb Cyclone”?

We started this week’s Film Friday with Tahiti’s tropical weather and end it with our own Jaime Rojo wading through the snow in New York’s Central Park yesterday for what the news services informed us all was called a “bomb cyclone”. For most of us, it looked like a snowstorm. The blustery wind and the snow and rapidly dropping temperatures meant that many stayed inside and many took the opportunity to see the natural beauty of this whitewashing of the urban environment. Here are a few choice shots Rojo got yesterday for you from right in the middle of Manhattan.

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BSA Images Of The Week: 10.15.17. ONO’U-Raiatea Special

BSA Images Of The Week: 10.15.17. ONO’U-Raiatea Special


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Raitea, or more correctly, Ra’iātea, is the second largest of the Society Islands, after Tahiti, in French Polynesia. A 50 minute plane ride from where we spent a week in Tahiti for the ONO’U Festival, the organizers treated us and some of the artists and documentarians to an additional few days on this island this week.

The experience in this down to earth environment deepened our understanding and appreciation for the history, the sacred sites, and people here – many who have not previously had any interest in so-called Street Art or graffiti- or the current iterations of it anyway. The mainly port town is lush in vegetation with modest architecture, a lot of fresh produce, bare feet, a number of impressive tattoos, coral reefs, brightly colored schools of fish, vanilla beans, pineapples, black pearl farms, and now, murals from Street Artists from New Zealand, Paris, Madrid… Yes, we had the conversations about colonialism, cultural imperialism, hip hop culture, western culture, respecting traditions, giving and receiving. We’ll probably need more.

In the end, the artists thought perhaps more carefully about their work here than usual, sensitive to the audience, wanting to share. It’s this attitude of cultural exchange that inspires us to share them with you as images of our week. With gratitude to the organizers Sarah Roopinia, Jean Ozonder, Sarah’s kind parents, people of Tahiti and Raitea, and to you the loyal BSA reader here are some of the scenes that Jaime shot this week.

Here’s our weekly interview with the streets, this week featuring Akimbo, Charles & Janine Williams (Phat1 and Lady Diva), Kalouf, Marko93, Okuda, and Soten.

Top image: Kalouf. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Kalouf. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

 

Kalouf. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Kalouf. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Kalouf. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Marko93. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Marko93. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Marko93. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Marko93. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Marko93. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Marko93. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Akimbo . Okuda. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Okuda. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Okuda. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Okuda. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Okuda. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Okuda. Martha Cooper modeling the new pair (0nly pair available at the time) of Okuda sunnies. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Okuda. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Okuda. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Akimbo. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Akimbo. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Akimbo. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Akimbo. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Akimbo. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Phat1. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Phat1 . Lady Diva. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Charles & Janine Williams. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Charles & Janine Williams. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Charles & Janine Williams. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Charles & Janine Williams. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Charles & Janine Williams. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Charles & Janine Williams. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Charles & Janine Williams. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Charles & Janine Williams. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Selina Miles)

Charles & Janine Williams. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Selina Miles)

Soten. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Soten. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Soten. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Soten. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Soten. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

 

Soten. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Selina Miles)

Soten. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Selina Miles)

SOT for short. Soten. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Lady Diva. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

Lady Diva. ONO’U Tahiti 2017. Raiatea Edition. French Polynesia. October 2017. (photo © Jaime Rojo)

 

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ONO’U Tahiti 2017: “Personal Genesis” ONO’U 2017 Conférence, Dispatch 6

ONO’U Tahiti 2017: “Personal Genesis” ONO’U 2017 Conférence, Dispatch 6

“Personal Genesis’ ONO’U Tahiti 2017. Panel discussion. Tahiti, October 2017. (photo © Jaime Rojo)

ONO’U 2017 Conférence

BSA was proud to host the first ONO’U Conference on Thursday night to bring alive a somewhat academic experience to the festival for a curious crowd of 175 in the showroom of a local car dealership. The theme of “Personal Genesis” invited our 7 panelists to talk about their unique entryway into the graffiti and Street Art scene, and we were treated to genesis stories, images, and video about all of them.

“Personal Genesis’ From left to right: Steven P. Harrington, Martha Cooper, Inkie, Soten, Marko93, Charles Williams, Kalouf and Selina Miles. ONO’U Tahiti 2017. Panel discussion. Tahiti, October 2017. (photo © Jaime Rojo)

With Steven P. Harrington, BSA Editor-in-Chief running the panel, we heard from American photographer and documentarian Martha Cooper, Australian film maker Selina Miles, French graffiti writer/ light writer Marko93, Dane graffiti/ fine artist SOTEN, UK graffiti/Street Artist/ illustrator Inkie, Maori graffiti writer/naturist muralist Phat1, and French graffiti writer/ hyperrealist naturalist Kalouf.

With each panelist asked to speak about their start in the graffiti/Street Art/ Urban Art world, guests were treated to stories of discovery and aspirational routes to success that took many directions. Each guest narrated images and videos of their work and illustrated that no one comes to this scene from the same vantage point, yet there are many who With so many panelists it was obvious that the stories could have filled three hours easily, but we kept it to an hour and a half, with questions from the audience being particularly illuminating.

Our thanks to hosts Sarah Roopinia and Jean Ozlander at ONO’U Festival for helping translate to French and then back to English sometimes, and our thanks to all of the talented artists and documentarians who participated.

“Personal Genesis’ ONO’U Tahiti 2017. Panel discussion. Tahiti, October 2017. (photo © Jaime Rojo)

“Personal Genesis’ ONO’U Tahiti 2017. Panel discussion. Tahiti, October 2017. (photo © Jaime Rojo)

 

“Personal Genesis’ ONO’U Tahiti 2017. Panel discussion. Tahiti, October 2017. (photo © Jaime Rojo)

“Personal Genesis’ ONO’U Tahiti 2017. Panel discussion. Tahiti, October 2017. (photo © Jaime Rojo)

 

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Urban Nation Museum. Art Mile: Installations In Progress. Dispatch 5

Urban Nation Museum. Art Mile: Installations In Progress. Dispatch 5

Today some progress shots – these projects were not completed while we were shooting so you’ll want to go to the Museum Mile today along Bülowstraße (Berlin U-Bahn). The Urban Nation Art Mile (Artmeile) is in full effect this weekend day and night and it will be difficult to pass up on this funhouse performance-packed interactive exhibition that includes single installations in pop-up spaces along the street and in one large car-free area beneath the trains, which roar appropriately over your head.

Icy & Sot at work at their installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Also overhead for those who are observant, Isaac Cordal’s small concrete businessmen watch over the proceedings below with guilt, ennui and existential worries . You have to check out Faith XLVII’s multi-disciplinary piece in a pop-up space with powerful video imagery of the sexy uniformity of marching soldiers and the panicked distraught migratory movements of people created in its wake – with fierce and expressive dance performer Manthe Ribane and sound/set direction by Inka Kendzia with Faith. Migration, or immigration, is also directly addressed by an unbending and heavy steel sculpture of a family who are just like yours, and different from yours, facing a wall topped by razorwire.

Sheryo at work at her installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Evan Pricco and Juxtapoz bring the famous newsstand that has been displayed in 6 locations, including Times Square, now moving into the UN collection. Make sure to look at the independent zines and tags from its many travels. HOTTEA has a splendidly sharp and effervescent takeover of a corner first floor space that illuminates the white box, here comprised of hundreds of hanging yarns in a multiverse of color.

Sheryo. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

This series of outdoor components feels more like a fair than a museum show, a cross section of works that you may associate with post-graffiti/graffiti/Street Art or any number of related influences without a timeline – cobbling together a hodgepodge illustration of the wide range of influences at play on the street today – attempting to channel the asymmetric energy that it generates.

It is possible that this collection represents a catalyzing of interest in sculpture, as a number of interpreters including Cranio, Ben Frost, and Anthony Lister, are blurring lines with these 3 dimensional expressions of work they’ve done in 2D. How will a general community audience interactive with these – the possibilities seem limitless. Considering the sheer number of authors and performers and documentors and artists and academics and critics on the street right now, you are garunteed to find some intellectual and/or visual stimulation.

Isaac Cordal at work at his installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Olek. Getting ready for her Art Mile performance on Sunday. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Herakut moment of levity and humor while at work on their installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bordalo II work in progress for his installation at the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Evan Pricco fastidiously arranges the magazines at the Juxtapoz Newsstand for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

The Juxtapoz Newsstand for the Art Mile is almost completed. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Seth Globetrotter work in progress for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Zezao work in progress for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Women Power: A group of strong individuals who capture, enable dialogue and work, some daily, on the street art/graffiti scenes. From left to right. Nika Kramer, Karolina Pajak, Olek, Martha Cooper and Selina Miles. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

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Selina Miles : Wishes & Hopes for 2017

Selina Miles : Wishes & Hopes for 2017

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As we near the new year we’ve asked a special guest every day to take a moment to reflect on 2016 and to tell us about one photograph that best captures the year for him or her. It’s an assortment of treats for you to enjoy and contemplate as we all reflect on the year that has passed and conjure our hopes and wishes for the new year to come. It’s our way of sharing the sweetness of the season and of saying ‘Thank You’ for inspiring us throughout the year.

Australian filmmaker and nomad Selina Miles specializes in street art and graffiti, and is also in love with music video, documentary, and most people she meets. First making her mark with a series of mind-baking action videos with Sofles a few years ago, Ms. Miles is now a dynamic storyteller. She is just as likely to be shooting artists as she is plundering their histories and connecting the dots of their influences, aspirations. Willing to take creative risks and to push her own limits, look out in 2017 for Selina to craft a piece on one of the biggest documentary subjects whom she’s profiled yet – in a way that only Selina can do.


Image of Charles and Janine Williams
Papeete, Tahiti
October 2016

Photo by Selina Miles

I love this photo because Charles and Janine Williams really embody my hope for the future street artist. I still love graffiti, the more ignorant/illegal the better, but if artists are entering into a community and putting up a huge mural in the context of street art, this is the right way to do it in my opinion.

They worked together on this wall in Papeete, Tahiti as part of a series they are working on, painting different species of birds native to a particular area, particularly focusing on endangered species. The CR on this painting of a Tahitian Monarch means the bird is critically endangered. They collaborated with the local bird watching group, who provided the photos and also attended a blessing when the wall was finished, where Charles and Janine sung a traditional Māori song as thanks.

In my opinion, this kind of deep, genuine engagement with people and place is the future of street art, in contrary to the commercialisation and trivialisation we see from sponsored / branded events. As a film maker, these are the kinds of stories I look forward to documenting in the future.

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Top 15 Videos on BSA Film Friday From 2016

Top 15 Videos on BSA Film Friday From 2016

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Your 15 Top Videos of 2016!

Every Friday we invite you to stop by and take a look at new videos that have been submitted or recommended or we just tripped over in the alleyway.

We call it BSA Film Friday and it doesn’t exist only online these days – we take the show to lectures in classrooms and museums and festivals to show people what kind of dope, strange, illuminating, elevating, soaring, and pedestrian films are being made about artists working in  the public sphere.

Brooklyn-Street-Art-copyright-Frank-Embacher-Steven_Harrington_Ethel_Seno-Carlo-McCormick_Jaime_Rojo-Dresden-Magic-City-740We even curated a film program this year for the Magic City exhibition in Dresden, Germany with 12 of the best – and it was our honor to present ‘Live’ there to audiences with those folks last month.

Today we’re giving you the BSA Top 15 Videos from 2016 – the ones that garnered the most traffic and conversation online. We are never quite sure what you will find interesting, so to see this collection of videos all together gives us a good idea that we have some of the smartest and savviest readers !

Included with each one is an excerpt of what we said for the original posting.

Grab the popcorn and enjoy the show!

 


No. 15
Sofles / Wayfarer by Selina Miles

From BSA Film Friday 03.11.15

“Selina Miles has just directed an epic excursion through the pleasant looking Collingwood and Fitroy areas of Melbourne and the graffiti culture there. The prolific and talented writer Sofles rides and runs center screen on this guided tour of his aerosol stomping ground and this (nearly) one continuous shot drone film is a revelation. Again Miles pushes the documentation category forward, going beyond merely recording toward capturing, creating a sense of drama, certainly poetry.

Omar Musa grabs you with his words before you even know where you are and holds your heart tethered to a string and pulling you along these streets and alleys and back lots. Many times this piece is soaring in its singularity and its sense of collaboration.”

 


No. 14
Chump for Trump. Ron English x The Sutcliffes

From BSA Film Friday: 07.01.16

“Seeing the new Ron English mural of Donald Trump in Bushwick, Brooklyn last week we were reminded of the video he released in April with a soundtrack by The Sutcliffes, a Beatles tribute band. It uses footage from Trump rallies and commercials interspersed with illustration and animation in an approachable folky way. Once you go down the rabbit hole of Trump satire and parody videos that have been made in the last year, you’ll find enough to begin a film festival.”

 


No. 13
Between The Lines With RISK

From BSA Film Friday: 04.15.16

“Risk talks about his evolution from a kid in New Orleans sketching in his notebook at school to getting up with a crew in LA, painting all over public space and property to gain a higher profile and retain the thrill of hit-and-run, and some highlights of his professional career. In route from illegal to legal he developed a reverence for color, form, and technical experimentation and aspirations for museum quality work and large scale public sculpture. Just don’t tag his stuff please.”

 


No. 12
“Street Food” from Mathieu Roquigny

BSA Film Friday: 09.30.16

“Some simple stencil activism well placed can be very effective. Vulgar, absurd, playful. Call it what you want, but Mathieu Roquigny is the first one we have seen do it. Do not view during your morning donut and coffee.”

 

 


No. 11
Faith 47, No Standing Anytime

From BSA Film Friday: 01.08.16

“A gorgeously ambient tribute to New York through the eyes of a visitor who takes some alternate routes through the city along with the more obvious ones to capture vignettes of mundanity and of wonder. Rowan Pybus shoots this city poetry as a series of visual stanzas stacked unevenly, accompanied by the occasional Faith47 mural (she has accumulated a few in NYC now) as well as the wistful sound recordings of lemurs by Alexia Webster that melt into the gentle audio cacophony of the street as designed by Jonathan Arnold.

The combined passages allow you to slow down and contemplate the whirring city and a handful of its moments as sweet parenthesis in this run-on sentence called New York. Okay, that’s enough, move along now, no standing.”

 


No. 10
Ella & Pitr: Utsira Island

From BSA Film Friday: 08.26.16

“It is funny to see this video stamped with the name “Street Art, Utsira ” because Utsira is an island with about 200 inhabitants off the coast of Norway, and there not many streets.  Also, this piece is not on a street.

Regardless, french roof painting couple Ella & Pitr made a trip there recently and squeezed in one of there cuddly characters, who looks like he is on the lamb from the huge childrens story book that he escaped from. Stay tuned for some exclusive shots and reportage on the making of this piece and their upcoming show at the local pub!”

 


No. 9
Herakut: “Masters Of Wrong”

BSA Film Friday: 04.01.16

“HERA + AKUT=HERAKUT – a back-to-basics introduction to Herakut today, since new fans are joining the fold and need to become acquainted with a duo that has been on the street around the world for years and has been moving into galleries for a while also.

Here at the white box Corey Helford Gallery in Los Angeles for their “Masters of Wrong” show it is a different view entirely from the street surely, including paintings evenly spaced across white walls as well as an area for a more immersive environment.

Outside, “The wolf that wins is the one you feed” is the Cherokee wisdom they paint on the side of the local high school, and in the commercialization of the Street Art world, we see this enmeshed dichotomy more daily.

Let the softly kinetic paddling of the marimba escort you through their political and social commentary, now more overt and obvious and  satirical than ever, as they show you their new show and their new works for exhibition and for sale.”

 


No. 8
“Watching My Name Go By”

BSA Film Friday: 08.05.16

“Directed by Julia Cave and originally shown on the BBC documentary series OMNIBUS in December of 1976, this was actually the second half of a program that followed a tour through the art gallery scene of Soho.

A hidden gem that surveys the variety of opinions held by citizens, historians, police and front stoop sociologists about the graffiti scene on trains and the streets, the story is measured and inquisitive. It’s without glamour, although there may be guile.”

 


No. 7
Os Gemeos Mural: Hangar Bicocca Building

BSA Film Friday: 04.29.16

“Graffiti writers and assorted urban artists have a romantic fixation with the steel monsters that snake through our cities and across the backyards and fields of entire countries. For the urban art culture subways and freights have distinct but overlapping associations with freedom, wanderlust, a daredevil mentality, … and Brazilian brothers Os Gemeos have just created their latest ode to the subway train in Milan – almost as big as any writer’s dream.”

 


No. 6
David Choe: The Perfect Day in Cambodia

From BSA Film Friday: 01.15.16

“This looks like a trailer for a larger piece:

Artist David Choe writes “This trip to Cambodia was not a news trip, we were there strictly to spread the message of love, light, beauty, joy, free expression and creativity. I didn’t realize how many millions of musicians, artists, writers and creative people had been murdered in the Cambodian genocide, so I wanted to bring the best artists in the world to Cambodia, a country that has virtually no murals or street art. Our goal, working through the #IglooHong Foundation, was simple: to spread some light, joy and beauty to a country with such a dark past.”

 


No. 5
The Restoration of Blu for “Street Art Banksy & Co”

BSA Film Friday: 06.10.16

“Part II of a behind the scenes look by Good Guy Boris at the controversial show in Bologna that features art works by BLU and others that were originally not intended to appear in a museum, like most things in museums.

Here we learn about less sexy topics like copyright law and one lawyers interpretation of the realistic expectations of artists when painting illegally and legally as it applies to copyright in Italy and France. We also receive a quick education about traditional and modern techniques for the restoration of works for archival purposes, which is why people will be looking at these things long after you and we are gone.”

 


No. 4
Lister Prepares for “MAD PROPS STREET CRED“

BSA Film Friday: 02.05.16

“On the occasion of his show last fall at New Image Art in Los Angeles, artist/street artist Anthony Lister had an emotional meltdown. Told with the help of top name graffiti writer RISK, gallery owner Marsea Goldberg, and the artist himself we learn about a tumultuous personal backstory that informs his experience while creating new works on the street and for the show. Especially rewarding in this new short directed by Mark Simpson is an unobtrusive examination of the artists gestural technique, a revelation in itself.

Additionally, the performance artist Ariel Brickman on stage at the show opening is the personification of Lister’s  fantasic/heroic/treacherous figures; a spot-on example of his work come to life.”

 


No. 3
Pixel Pancho: “Teseo e il Minotauro” in Rome

From BSA Film Friday: 03.04.16

“In a city steeped in art history where every camera shot looks like a classic movie scene you have to be cognizant of the critical analysis that will be directed at your new mural from every Giovanni, Adriana, and Luca who are walking by or hanging out of the window.
These are the countrymen and women of Pixel Pancho so he takes it all into consideration and presents a classic of his own, merged with a steam-punked futurism of robots who are rather romantic in their own way.”

 


No. 2
Narcelio Grud: Public Music Box

BSA Film Friday :01.22.16

“Narcelio Grud has a track record of transforming public space in an unassuming manner that actually engages people directly. Here is his latest urban intervention – a music box for pedestrians to listen to while waiting for the light to change.”

 

No. 1

In Memory: Giulio Vesprini

From BSA Film Friday: 07.15.16

“Murals have an entirely different function in the urban environment than Street Art and graffiti, although some folks use the terms interchangeably. One of the time-honored functions of a public mural in many cities has been the “memorial mural,” the one that recalls a person or people or a  significant event that has impacted a neighborhood, even a nation. Because it is artwork mounted publicly, it can be used as a meeting point for people in a community to gather and talk about it, trading stories and impressions and gaining understanding.  At its’ worst, a memorial mural can be superficial or overwrought, moralizing, even stunningly unartful.

Sometimes however, it can provide to a community a sense of pride or history, and it can be empowering. Other times there is a mental, emotional catharsis that takes place with the artwork providing a forum, a safe space to discuss the undiscussible in a public forum or simply to share in a common sense of loss, or experience some sense of healing.

‘It’s not mere decoration, but deals with ethics,’ says Giulio Vesprini as he paints this mural remembering Camp No.70 Monte Urano, a WWII prison camp a mile or two from the sea and Porto San Georgio, in Italy. ‘So it has been very important to me that I could give my contribution.’ “



 

We dedicate this compilation to the filmmakers who bring so much joy, knowledge and awareness with their artistry and technical wizardry every day and especially every Friday from BSA Film Friday to all of us here at BSA and to our readers. Cheers for a wonderful 2017…

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VNA Magazine #34 with BSA, Martha Cooper, Yasha Young, Selina Miles and More

VNA Magazine #34 with BSA, Martha Cooper, Yasha Young, Selina Miles and More

A constant and influential voice on the contemporary urban art scene for one decade VNA (Very Nearly Almost) has been charting the magnificently murky waters of graffiti and Street Art and many of its most notable discontents. London based with global reach, their story-driven editing and writing has an evergreen quality with a keen eye toward touchstone detail.

brooklyn-street-art-vna-magazine-issure-34-jaime-rojo-10-16-web-1

VNA Magazine. Issue 34. Cover: Martha Cooper’s photo of Keith Haring painting on the Houston Wall.

Together with carefully selected photography, probing interviews and pithy witticism, VNA imparts an insight about this fluid global phenomenon that few know how to adequately represent. Freights, train writers, tattoo, skater culture, photography, tagging, even the muralists – the wingspan is there. Knowing what kind of work, imagination and expertise goes into producing a serialized print publication, especially in this age of digital, we have always appreciated the magazine and the folks who care enough to create it.

brooklyn-street-art-vna-magazine-issue-34-jaime-rojo-10-16-web-4

VNA Magazine. Issue 34. Martha Cooper profile.

That’s why we’re especially proud that the BSA Instagram account is spread across two pages of the current issue #34 of VNA. A daily-curated collection, all our photos on BKStreetArt are from Jaime Rojo, not appropriated from other sources and all our followers are organically grown, so the roots are deep and strong. An artist behind the camera, Rojo doesn’t just document the artwork of others, but has his eye on the environment that engenders, cavorts with, frames the so-called “scene”. With 100K photos now under his belt, we think Rojo is starting to get the hang of this thing.

And really, if there was ever a VNA issue to be included in, this is the one! With three of the defining people who have shaped and will shape your experience of graffiti and Street Art – Martha Cooper, Yasha Young, and Selina Miles – all featured, these combined self-made talents pack a punch that spans the last 50 and the next 50 years with no problem at all.

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VNA Magazine. Issue 34. Martha Cooper’s shot of Dondi painting trains on the yards.

Cooper’s early photographic documentation of a nascent graffiti scene in NYC is unquestioned (check the cover photo of Keith Haring) and her globe-trotting capturing of Street Art and artistic process is in effect to this very minute when she is in Tahiti for the O’nou Festival.

Once private gallery owner and art dealer and now the founding director of Urban Nation, Yasha Young is an expansive visionary who is daring to jumpstart an audacious project that creates a Berlin museum housing a definitive collection of Urban Contemporary Art intended to exist long after doors open in 2017.

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VNA Magazine. Issue 34. BSA Instagram Spotlight with all photos taken by Jaime Rojo around the world.

The 20-something Australian film maker Selina Miles has already re-defined visual storytelling of the graffiti and Street Art scene in only five short years of work in a way that has made her a rising star. We have every confidence that her core strengths and vision are yet to be fully explored and that she will blast open new pathways ahead, so be prepared!

To be included in the mix with these folks and Invader, Seen, Fafi, James Jean, Kai & Sunny, Ghostpatrol, Dave White, Todd Francis, Usugrow, and a series of London photographers in VNA is totally an honor and we sincerely thank Roland Henry for inviting us.

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VNA Magazine. Issue 34. Selina Miles shines.

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VNA Magazine. Issue 34. Yasha Young talks.

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VNA Magazine. Issue 34. Fafi installation.

 

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BSA Film Friday: 09.30.16

BSA Film Friday: 09.30.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. “Street Food” from Mathieu Roquigny
2. Moses & Taps™ in Moscow
3. Panmela Castro in NYC “Women’s Rights are Human Rights”
4. Detroit: Murals In The Market. By Selina Miles
5. Murals In The Market 2016 Brings 40+ New Murals To Detroit.  By Selina Miles

 

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BSA Special Feature: “Street Food” from Mathieu Roquigny

Some simple stencil activism well placed can be very effective. Vulgar, absurd, playful. Call it what you want, but Mathieu Roquigny is the first one we have seen do it. Do not view during your morning donut and coffee.

 

Moses & Taps™ in Moscow

Famed train writers and fine artists in the gallery, Moses & Taps got a gig with a paint manufacturer and made a short 50 second overview of three walls they recently did in Moscow.

 

Panmela Castro in NYC “Women’s Rights are Human Rights”

With her lyrical touch and the softest of soundtracks, Panmaela Castro makes New York look like a welcoming tropical oasis. Also we thank her for the reminder that women’s rights are human rights, because it is evident that not everyone knows this.

Detroit: Murals In The Market. By Selina Miles

We had the pleasure of meeting the spectacular video storyteller Selina Miles in Detroit. She only confirmed to us that the spirit and intellect and talent are all there and so much more is in store from this fine person. Here are a couple of the short videos she made with the 1xRun team while in the Motor City.

Dozens Of Murals Take Shape In Eastern Market For Murals In The Market 2016. By Selina Miles

 

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DETROIT: Murals In The Market. Dispatch 4: The Beat of the Street and “Mighty Love”

DETROIT: Murals In The Market. Dispatch 4: The Beat of the Street and “Mighty Love”

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This week BSA is in Detroit with our hosts 1XRun for the Murals in the Market festival they are hosting with 50+ artists from various countries and disciplines and creative trajectories. In a city trying to rise from the economic and post-industrial ashes it is often the dynamic grassroots energy and vision of artists that sets the tone for how the community evolves.

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Pat Perry at work on his mural. Also, his truck. Murals In The Market – 1XRUN-Detroit-September 2016. (photo © Jaime Rojo)

Every city, every neighborhood it seems, has its own beat on the street. It is a rhythm of movement and sound and light comprised of different elements that meter the activity, determine its pacing, its lilt, its cadence.

Cars figure heavily into the beat of this wide-spread city of Detroit of course, an inherited trait central to the story of this factory town that gives certain deference to cars and trucks careening around corners and flying up battered blocks. Riding bicycles, as we do to quickly cover ground and see murals and artists, is a curiosity and not always respected by drivers.

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Greg Mike at work on his mural. Murals In The Market – 1XRUN-Detroit-September 2016. (photo © Jaime Rojo)

But the rhythm of the human-powered bike is not entirely foreign here either, as the city boasts some of the most tricked out custom rides you are likely to see and posses of show-biking clubs like Detroit’s East Side Riders, who can shut down a few blocks at a time with flashy illuminated music thumping parades of stylish riders parading through.

The Slow Roll, which is a now a seasonal weekly biking event run by the non-profit Detroit Bike City, Inc. brings as many as 3- 4,000 bicyclists at a time to the city streets, a communal event that reintroduces people to each other and to their city.

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Selina Miles at work with her camera. Murals In The Market – 1XRUN-Detroit-September 2016. (photo © Jaime Rojo)

There is cacophony in the market, with deliver trucks, sixteen wheelers, and construction and forklifts and all the hallmarks of light industry. Right now there are colorful and oddly dressed artists weaving like mangy cats through the sidewalks and streets with cans in their backpacks and visions in their heads.

Add to the mix the golf-cart driving 1XRun folks who are bringing bottled water, ladders, electrical generators flying around corners and rumbling up and down The Dequindre Cut, a below-grade pathway that used to carry the Grand Trunk Western Railroad line here on the east side – suitably covered with graffiti along its sidewalls.

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Kevin Lyons at work on his mural. Murals In The Market – 1XRUN-Detroit-September 2016. (photo © Jaime Rojo)

Toss in a few art gallerists, dreadlocked organic farmers, meat cutters and conduit benders in their respective aprons, graphic design shops, lifestyle brands, waitresses, drug dealers posing as fans, intrepid looky-loos with white-sneakers and cameras and maps of murals, watermelons, gladiolas, bags of string beans, the occasional pop-up DJ tent, camera grip, skateboarder, wide-eyed sophist, tattooed Romeo, army-booted art-school woman, and a random chicken who is pecking among the grass between street bricks by a dumpster and you’ll get an idea of this particular menagerie of sights and sounds.

It’s a beat on the street that is full of rumbling, beeping, clicking, thumping – sometimes placid, sometimes crashing. All full of life and possibility, and one that is only contained in this very moment.

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1010. Process shot. Murals In The Market – 1XRUN-Detroit-September 2016. (photo © Jaime Rojo)

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Xenz at work on his mural. Murals In The Market – 1XRUN-Detroit-September 2016. (photo © Jaime Rojo)

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OG Slick is gradually revealing his animated burner on a quiet side street. Process shot. Murals In The Market – 1XRUN-Detroit-September 2016. (photo © Jaime Rojo)

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Cey Adams at work on his mural, inspired by a classic mid-70s hit “Mighty Love” by the Spinners, sometimes called the Detroit Spinners. Cey took a minute for us to find the song on his iphone and pump up the sound. Then he wished he had brought some speakers, but it still sounded beautiful. A great moment of harmony on the street. Murals In The Market – 1XRUN-Detroit-September 2016. (photo © Jaime Rojo)


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Shades at work on his mural. Murals In The Market – 1XRUN-Detroit-September 2016. (photo © Jaime Rojo)

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Sheefy at work on his mural. Murals In The Market – 1XRUN-Detroit-September 2016. (photo © Jaime Rojo)

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English documentary photographer and fan of Street Art and featured artist of Murals in the Market this year, Janette Beckman in front of Chris Saunders mural. Murals In The Market – 1XRUN-Detroit-September 2016. (photo © Jaime Rojo)

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