All posts tagged: Okuda San Miguel

“I Don’t Wanna Be, I Am” in Lisbon at Underdogs

“I Don’t Wanna Be, I Am” in Lisbon at Underdogs

Both the Portuguese Underdogs Gallery and the Spanish Ink and Movement (IAM) project have been building respectable artists rosters with a sense of intention – of current and former graffiti/street artists who have contemporary art aspirations for about a decade each. We’re lucky to have visited both locations in person and have high regard for the organizers and artists. Now they join together to present a selection of these confident artists who have been making names for themselves, perhaps as a generation that has defined itself uniquely, in all its many variations.

They’re calling it “I don’t wanna be, I am”. Since you have seen a majority of these artists on these BSA pages during our last 15 years, you probably already know that.

Elian Chali. “La Insoportable Cotidionidad del Ser”. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)

“They are creators who combine their work outdoors, performing in public spaces through murals and large-format sculptures, alongside their work in the studio, where they produce their creative work through painting, sculpture, and the conception and development of artistic installations,” says the promotional material sent with the announcement.

These creative voices are certainly strongly original and many of these minds are focused on becoming masters. We’re pleased to see such a strong group, and are looking forward to the new exhibition as they traverse into new areas of the art world. Included artists are Elian Chali, Franco Fasoli, Martí Sawe, Misterpiro, Nano4814, Okuda San Miguel, Sabek, , Sixe Paredes and Spok Brillor

Franco Fasoli. “En la manana suena musica de vecino”. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)
Misterpiro. Untitled. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)
Sabek. “Dog”. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)
Okuda San Miguel. “The Rest of The Rainbow Muses”. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)
Sawe. “Lampara del Pato Donald”. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)
Sixe Paredes. “Paisaje Zoomorfo”. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)
Spok Brillor. “Redondo1”. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)
Nano418. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)

The group exhibition “I don’t wanna be. I am” curated by Ink And Movement, opens today at Underdogs Gallery in Lisbon, Portugal. Click HERE for more details.

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BSA Film Friday: 07.09.21

BSA Film Friday: 07.09.21

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. Case Maclaim for WallStoryTown in Bad Vilbel, Germany
2. Sofles / Blood Moon
3. Okuda San Miguel. RONDA
4. Riton x Nightcrawlers – Friday ft. Mufasa & Hypeman (Dopamine Re-edit)

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BSA Special Feature: Case Maclaim for WallStoryTown in Bad Vilbel, Germany

Delabrave coming on strong in the one-minute category with Raül Acuña directing and a concise track progression on a master. Here in Bad Vilbel, Case Maclaim has no bad angles.

Case Maclaim for WallStoryTown in Bad Vilbel, Germany.


With mastery of a differently complex language using only cans, Sofles generates a fantasy with cities in clouds and the reflections of the Blood Moon overhead, a plump and racing belt of graffiti adventures sustaining the action underneath. High marks to After Midnight Film for editing and solid choice of Spooky Bizzle for the soundtrack.

Sofles / Blood Moon


Ever loosening his familiar components of representation, OKUDA reappropriates with skill and humor to create this dual portrait. Intercut with the majesty of flamenco, the strumming, swirling, finger-snapping, hand clapping bailaora lays the foundation for our visual cantanto, Okuda San Miguel.

Okuda San Miguel. RONDA


Riton x Nightcrawlers – Friday ft. Mufasa & Hypeman (Dopamine Re-edit)

The newest anthem that helps you dance your way into the weekend!


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BSA Film Friday: 07.02.21

BSA Film Friday: 07.02.21

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. HEREDITAS – Gonzalo Borondo
2. HOTTEA “Aaron.” Wooden Walls Project. Asbury Park, NJ.
3. DRAGON76 “COEXIST” Video by Tost Films

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BSA Special Feature: HEREDITAS – Gonzalo Borondo

A companion video to his exhibition project Hereditas at The Esteban Vicente Museum of Contemporary Art artist Gonzalo Borondo reveals the complexity of his intervention here.

Its aim is to question the past on the basis of present presuppositions, in particular, to recognize the museum as a place to preserve our cultural heritage for future generations and to show art’s amazing capacity to bring back to life objects that have lost their original purpose. In addition, it pays tribute to nature as the foundation of culture and inspiration of art and religious symbols.”

HOTTEA “Aaron”. Wooden Walls Project. Asbury Park, NJ.

Back with his second installation in this historic and tourist town of Asbury, HOTTEA dances with the breezes of the sea.

DRAGON76 “COEXIST” Video by Tost Films

A fresh piece in Jersey City by Dragon76, the folks at Tost Films offer an up close view of the work in progress.

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OKUDA Finds “Puppy Love” in Oldengburg, Germany

OKUDA Finds “Puppy Love” in Oldengburg, Germany

“It’s like performance art,” says film director Michael Maxxis, as he watches street artist Okuda painting a scene from Maxxis’ new film here in Oldenburg, Germany. It’s unusual for this city to have graffiti or street art, so this commercial painting by a street artist is pretty close to the real thing.

OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)

According to the Spanish artist, he took a screenshot of one of his favorite scenes and the idea was to bring the main characters in the movie to his own world. With eye-popping color and unusual combinations of geometrics with organic forms, he succeeds in sparking your imagination into an alternative-world of play. For the director, the image that Okuda selected to paint is a representation of the paradise of childhood.

OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)

The Filmmaker and writer and director has known Okuda for a few years and loves his work – Okuda even designed the film posters for the movie. Here in Olderburg, it appears to be love at first sight.

Our sincere thanks to photographer Nika Kramer who shares this story and her photographic documentation of this painting under the stunning September skies of northern Germany.

OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
A scene from Puppy Love, the opening movie of Filmfest Oldenburg in Germany. This screen photo shows the scene that inspired Okuda’s mural. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
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Okuda Paints an “Infinite Cantabria” on a Lighthouse on Spain’s Northern Coast

Okuda Paints an “Infinite Cantabria” on a Lighthouse on Spain’s Northern Coast

A beacon of color, seventy two colors to be exact, is now standing along the Spanish coast, thanks to Cantabria native Okuda San Miguel. The candy wrapped pole is circled by the street artist as he covers it and called it his “Infinite Cantabria” just as the fires of summer begin to cool.

Okuda San Miguel. “Infinite Cantabria”. Cantabria, Spain. (photo Beatriz Carretero & Omar H. Garcia)

He says he wanted this, the first lighthouse on the coast to be painted, to reflect the natural wealth and diversity of the autonomous Cantabrian region on Spain’s north coast. Built between 1833 and 1839, the Cabo Mayor Lighthouse is already a major tourist attraction with a storied past, so it is an unusual commission for a street artist to be invited to paint it and an opportunity to shed new light on these troubled times.

With sweeping vistas in every direction, this new treatment from Okuda is a hit, with 10K visitors in its first weekend a couple of weeks ago.

Okuda San Miguel. “Infinite Cantabria”. Cantabria, Spain. (photo Beatriz Carretero & Omar H. Garcia)
Okuda San Miguel. “Infinite Cantabria”. Cantabria, Spain. (photo Beatriz Carretero & Omar H. Garcia)
Okuda San Miguel. “Infinite Cantabria”. Cantabria, Spain. (photo Beatriz Carretero & Omar H. Garcia)
Okuda San Miguel. “Infinite Cantabria”. Cantabria, Spain. (photo Beatriz Carretero & Omar H. Garcia)
Okuda San Miguel. “Infinite Cantabria”. Cantabria, Spain. (photo Beatriz Carretero & Omar H. Garcia)
Okuda San Miguel. “Infinite Cantabria”. Cantabria, Spain. (photo Beatriz Carretero & Omar H. Garcia)
Okuda San Miguel. “Infinite Cantabria”. Cantabria, Spain. (photo Beatriz Carretero & Omar H. Garcia)


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OKUDA “Mother Natura” / Dispatch From Isolation # 60

OKUDA “Mother Natura” / Dispatch From Isolation # 60

Have you noticed that the air and sky in your city is cleaner than you ever remember it to be? Car traffic is down, plane traffic is scant. Many polluting industries have had no workers in the last few months either. Mother Nature is happy.

Okuda “Mother Natura” for Justkids/Park MGM Las Vegas. (photo courtesy of Justkids)

One wonders about the connection between our outright slaughter of nature and the fact that this virus is wreaking havoc on our physical health and economies. Mother Nature inserts herself into every conversation eventually – what fools we were to think that we were separate from her.

Okuda “Mother Natura” for Justkids/Park MGM Las Vegas. (photo courtesy of Justkids)

Street Artist OKUDA San Miguel says that he has been inspired by Mother Nature in his new commission for that natural oasis Las Vegas. Creating 3 new sculptures and a mural inspired by Mayahuel, the Mexican goddess of agave and fertility, his fragmented pop surrealist dreams will great guests and invite them to gamble the future at this luxury resort. He created this installation in coordination with Justkids founder and curator Charlotte Dutoit and he’s calling it “Mother Natura”.

Okuda “Mother Natura” for Justkids/Park MGM Las Vegas. (photo courtesy of Justkids)
Okuda “Mother Natura” for Justkids/Park MGM Las Vegas. (photo courtesy of Justkids)
Okuda “Mother Natura” for Justkids/Park MGM Las Vegas. (photo courtesy of Justkids)
Okuda “Mother Natura” for Justkids/Park MGM Las Vegas. (photo courtesy of Justkids)
Okuda “Mother Natura” for Justkids/Park MGM Las Vegas. (photo courtesy of Justkids)
Okuda “Mother Natura” for Justkids/Park MGM Las Vegas. (photo courtesy of Justkids)
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OKUDA: Colouring The World : You Can Help / Dispatch From Isolation # 17

OKUDA: Colouring The World : You Can Help / Dispatch From Isolation # 17

Always wanted to make suggestions to Okuda about his color choices? Interested in being an assistant painter in his Madrid studio? Wishing you had an opportunity to adult-color but are missing the actual coloring book?

OKUDA San Miguel. Caretas. (© OKUDA San Miguel)

Have no fear Quarantennial! We have just the thing for you to download and print out and while away the hours. These are new polygonal spirit animals from Okuda San Miguel for you or the children in your home to create a mask with. Once you have finished coloring it and cutting it out, imagine the theatrical photos you can take around your bunker – not to mention the opportunity for role playing!

Ignited as a project with the Red Cross (please donate) the artist hope to bring color and positive vibes into your home. The learn more about his Colouring the World initiative, check out @inkandmovement on Instagram.

OKUDA San Miguel. Caretas. (© OKUDA San Miguel)

CLICK HERE TO DOWNLOAD THE MASKS

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BSA Film Friday 02.28.20

BSA Film Friday 02.28.20

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Bernie Sand Art on NYC Street
2. Welcome to My Colorful World x Okuda San Miguel
3. “When Does Tribute Become Exploitation?” Kobe Murals and Fifth Wall
4. Michael Bloomberg Buys Media, DNC, Presidency. Enjoy!
5. Sorceror Robot Buttigieg Channels Obama Delightfully

BSA Special Feature: Bernie Sand Art on NYC Street

Sand Art is a barometer of populism on the street, so it seemed significant to find that this piece by Joe Mangrum of the Democratic frontrunner Bernie Sanders appeared in NYC in the spring of 2016. Now that Bernie is again polling the highest again against Trump, this little video keeps popping up in our feed for the 2020 race.

Joe Mangrum Creating sand art of Bernie Sanders in NYC’s Washington Square Park.

Welcome to My Colorful World x Okuda San Miguel

The Spanish Street Artist takes another public victory lap for his accomplishments in this new one from Okuda San Miguel.

“When Does Tribute Become Exploitation?” Kobe Murals and Fifth Wall

“Your grief, your pain, your anguish is completely side-stepped because this is a great opportunity,” says Doug Gillem as he imagines the wife and mother who has just lost two of her dearest family in an accident. These are relevant arguments made well by him in the Street Art observer’s newest video “When Does Tribute Become Exploitation.”


As long as we’re looking at politics this week, here are two stunning video pieces on two of the Democratic contenders. Well, actually only the billionaire is a contender anymore. The programmed robotic one, no chance this time.

Michael Bloomberg Buys Media, DNC, Presidency. Enjoy!

Sorceror Robot Buttigieg Channels Obama Delightfully

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BSA Film Friday: 07.05.19

BSA Film Friday: 07.05.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. VHILS “Debris” Sets Macau in Golden Nostalgia
2. OKUDA: The International Church Of Cannabis
3. Mr. Sis. and #SoloUnBeso
4. Parees International Mural Festival. Oviedo, Spain. Edition 2018.

BSA Special Feature: VHILS “Debris” Sets Macau in Golden Nostalgia

Is anybody listening?

Last year Vhils published this film about communication – personal, intimate, and global. We waited a year to see if it felt equally timeless as the first time we viewed it and indeed it is. Some stories like these have an additional element that secures their status. Surrounding the portraits created by the Portuguese Street Artist in Macau, this collage of images, interactions, flashes of expression and sequences of behavior is accompanied by a linear/circular narration that attempts to reconnect to a personal history while chiding the narrators own behavior.

It’s a winsome recounting of memories that are shared globally; a communal and personal experience at once told with clarity and emotional nostalgia, written and directed by José Pando Lucas.

OKUDA: The International Church Of Cannabis

One would hope that the International Church of Cannibis would look like this! Owing perhaps to psychedelic art of 1960s counterculture, liquid light art, concert posters, murals, underground newspapers, and of course kaleidoscoping the world with new eyes, the Spanish Street Artists Okuda San Miguel transformed this internal architecture into a truly holy space. Denver is one of those American cities that still has a good economy thanks to Colorado’s low taxes, growing marijuana industry and soaring real estate market. It seems like the whole city has invited many Street Artists to transform street space over the last decade and with a good collector’s base, the art galleries are busy and special projects are popping up everywhere to show off the skillz.

With a new church that uses pot as a sacrament, this project is spearheaded by Steve Berke, who’s Wikipedia posting lists him as “two-time candidate for mayor of Miami Beach, cannabis activist, rapper, YouTuber, entrepreneur, and former All-American tennis player.” Dude, just gaze at the ceilings here and you realize that the possibilities are awesome.

Mr. Sis. and #SoloUnBeso

“Artist Mr. Sis is in Barcelona painting this pair of full figured females going in for the kiss on this billboard for Contorno Urbano,” we wrote a few weeks ago in a posting about this wall. Today we have the finished video.

See more here: “Mr. Sis Paints #SoloUnBeso in Barcelona”

Parees International Mural Festival. Oviedo, Spain. Edition 2018.

A new mini-doc from the Parees Festival in Oviedo, Spain has just been released about the 2018 edition. It features on-screen interviews with many of the artists who were involved, including Colectivo Licuado, Roc BlackBlock, Taquen, Xav, Andrea Ravo Mattoni, Kruella d’Enfer, Alfalfa y Twee Muizen.

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“Titanes” at Work; New Murals and Social Inclusion in Don Quixote’s Land

“Titanes” at Work; New Murals and Social Inclusion in Don Quixote’s Land


“Every man is the son of his own works” ~ Miguel de Cervantes.


The greatest writer in the Spanish language was inspired by the character of this region and its arid but fertile elevated plateau when creating his greatest work Don Quixote, a true titan of historical literature and one of the world’s most translated books after the Bible.

His central character is a delusional would-be knight who calls himself The Ingenious Gentleman Don Quixote of La Mancha. His absurdist but imaginative self-regard is echoed in the sheer scale of the grand new Titanes (Titan) mural project. Given the camaraderie among artists and organizers here you may say that the heart of Titanes is more likely aligned with the earthy wit of his sidekick Sancho Panza.

Okuda. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

Naturally when these characters are intermingled by an imaginative multi-disciplinary artist like Okuda San Miguel you are not surprised to see the image of movie director Pedro Almodovar co-starring along with Quixote; Okuda’s silo is seated in the filmmaker’s town of Calzada de Calatrava and Almodovar’s richly drawn characters have captured a generation of Spaniards happily. As a rainbow splits the storm clouded sky behind him, it’s precisely this painters intuitive alchemy of reality and fiction that may shake a viewers’ conscience while entertaining them, revealing Titanes as an enormous vehicle of communication.

Okuda. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

“The past and present are seen through my geometric and surrealist filters,” says Okuda, who is a principle architect of this audacious public mural project in La Mancha. In an era of perplexing social, political, and economic upheavals, it is comforting to see modern artists take on the messages of the classics, reinterpreting and re-presenting them.

Okuda. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

15 or so more murals on silos are on the way here from top talents before the year is complete. The societal outreach is ground-breaking in its own way with an uncommon integration and engagement with the neighboring communities.

“It’s an interesting story,” says photographer Martha Cooper, who shares her images with BSA readers today. “Okuda is working with organizations who help people with disabilities like autism and Down Syndrome. The part of the mural at the base of each one of the silos was painted by a number of these participants,” she says. “And they all seemed to be having a great time.”

Okuda. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Okuda. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

Startlingly original and indelibly context-specific, Titanes is a mural/public art project that resides at the intersection of social responsibility and community participation. Organizers say that the goal is not only to bring a roster of well-respected artists here to paint but to be completely inclusive of societal members who aren’t typically thought of as artists.

Okuda. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

From now until October, a number of artists from the urban art scene will be transforming silos into art all across this region, including Bicicleta sem Freio, Daniel Muñoz, Demsky J., Equipo Plástico (comprised of Eltono, Nuria Mora, Nano4814 and Sixe Paredes), Fintan Magee, Hell’O, Smithe, Nychos, Ricardo Cavolo and Spok Brillor. In an unprecedented program of social inclusion through public art, 450 members of the Laborvalía association will also be working alongside the artists on various creative activities.

Okuda. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

Already the program has proven life-changing in many ways, say participants, as perspectives and relationships are evolving during the initial painting program. “Okuda worked with one boy with autism while painting his mural,” Martha tells us. “He began to speak and interact after starting to paint – much to his parents’ delight. This part of the project gave it more weight than just the usual “artists-painting-walls” event.”

Organizers say that they hope Titanes will be an epic project that will go down in history as one of the world’s biggest events to promote social inclusion. At its core are Okuda’s own multi-faceted art agency called Ink and Movement, the Laborvalía organization, the Provincial Government of Ciudad Real, and a number of other municipalities and civic and tourism-related fields who are supporting the art and its message throughout society.

Laborvalía says in its mission statement that its principal goal is to promote the integration of people with disabilities in society and the workplace.

Titanes looks like it is the perfect project to make a big impression.

Hell’O, Okuda collaborates with Hell’O and a client from Laborvalía organization helps the artists with the mural. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

Hell’O Our idea was to mix abstract shapes and figurative elements in a colorful environment. We enjoy playing with the balance between different shapes and finding a homogeneous composition. We wanted to give it an optimistic, pop, fresh touch, something that speaks to everyone

Hell’O and Okuda. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Hell’O. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Hell’O. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Hell’O. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Hell’O. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

Bicicleta sem Freio “Os Gigantes de la Mancha” (The Giants of La Mancha) represents the power of creativity and imagination and its indispensable role in the ability of human beings to make sense of the world and others, especially among children and people with disabilities.

Bicicleta sem Freio. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Bicicleta sem Freio and clients from Laborvalía organization help the artist with the mural. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Bicicleta sem Freio and clients from Laborvalía organization help the artist with the mural. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Bicicleta sem Freio. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Bicicleta sem Freio. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Bicicleta sem Freio. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

Daniel Muñoz & Spok Brillor:

There are a number of concepts behind our intervention. First, it represents 15 years of working together as artists and friends: each medal symbolizes a story from some of the projects we’ve worked on in recent years.

It also reaffirms the building from an architectural standpoint: “decoration” in the sense of an award or honor and not just ornamentation. For us, it’s important to reaffirm the object in itself and not its political history. Finally, there’s an irony in the use of gold and its contrast with bread, a basic product produced by the silo and one that, in reality, was always represented as luminary and powerful in the imaginary of the 20th century.

Daniel Munoz & Spok Brillor. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Daniel Munoz & Spok Brillor. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Daniel Munoz & Spok Brillor. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Daniel Munoz & Spok Brillor. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Daniel Munoz & Spok Brillor. (Equipo Plastico on the right) “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

Equipo Plástico (Eltono, Nuria Mora, Nano4818 and Sixe Paredes)

“Meseta” (Plateau) is a homage to the countryside, to the intractable space surrounding these silos. The tones and patterns of the surrounding areas, their textures and shades, cover every centimetre of the wall like a blanket, giving the building a round, almost sculpted look. Ignoring the limits of the building and symbolically camouflaging it in its environment accentuates its current invisibility after years of neglect and helps lighten the weight of its history.

Equipo Plastico (Eltono, Nuria Mora, Nano4818 and Sixe Paredes). “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Equipo Plastico (Eltono, Nuria Mora, Nano4818 and Sixe Paredes). “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Equipo Plastico (Eltono, Nuria Mora, Nano4818 and Sixe Paredes). “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Equipo Plastico (Eltono, Nuria Mora, Nano4818 and Sixe Paredes). “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Equipo Plastico (Eltono, Nuria Mora, Nano4818 and Sixe Paredes). “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)

Demsky & Smithe

In “Parábolas del Pensamiento” (Parabolas of Thought), we have unified our style, based on the phases of the brain for creation and thinking: preparation, incubation, illumination and verification.

Demsky & Smithe. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Demsky & Smithe. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Demsky & Smithe. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Demsky & Smithe. “Titanes” Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Windmills at Campo de Criptana. Ciudad Real, Spain. April 2019. It is at the windmills that Quixote’s famous adventures begin, starting with his attack on the windmills, because he believes that they are ferocious giants. (photo © Martha Cooper)
An artist’s interpretation of Don Quixote & Sancho Panza. Ciudad Real, Spain. April 2019. (photo © Martha Cooper)
Okuda presented Ms. Cooper with a portrait of her.
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MARTHA: A Picture Story. Shots from the Premiere and Movie Review

MARTHA: A Picture Story. Shots from the Premiere and Movie Review

First things first – Full disclosure; we are featured in the movie and we are close friends with both the subject of the doc and the director and we first suggested to the director that she was the perfect candidate to make a film about Martha Cooper. Now that we have that out of the way here are a number of shots from the premiere and our review of the movie:

Martha Cooper. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

Martha: A Picture Story had its world premiere at the Tribeca Film Festival this Thursday to an enthusiastic crowd that included big graffiti, Street Art, international press and film industry names, to see the highly anticipated documentary about the venerable photographer Martha Cooper by the Sydney director Selina Miles.

Selina Miles & Martha Cooper. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

Included in the crowd were old-skool New Yorkers and a large international contingent of folks like Henry Chalfant, Doze Green, Skeme, Lee Quinones, Soten1, Carlos Mare 139, Terror 161, Kane, Dink (Baltimore), Okuda San Miguel (Spain), Faith47 (Los Angeles), Mantra (France), 1UP Crew (Germany), Nika Kramer (Germany), Roger Gastman, Lars Pederson (Denmark), Ian Cox (UK), Dean Moses… and many more. Those who didn’t attend this screening are having the opportunity to see it at three more sold-out evenings over the course of the festival.

Steven P. Harrington, Martha Cooper, and Jaime Rojo. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

The electricity was in the air as Director Miles and producer Daniel Joyce along with the just-arrived Australian members of the “Martha” crew looked for their seats in the Village East Cinema. After a brief introduction by Miles, who told the audience that the film had been a great pleasure to make, the curtain went up to reveal the mother of the superstar art twins Os Gemeos on the big screen. She is sitting at her kitchen table in São Paulo remarking how her boys used to draw on everything, including fruit, and how Cooper and Chalfant’s 1984 book “Subway Art” changed their lives forever. With their story as a backbone for the film, the theme of personal transformation is repeated in a hundred large and small ways for the next hour and twenty minutes.

Martha Cooper with Faith47. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

Spanning nearly all of Ms. Cooper’s 75 years, including a photo at age 3 with a camera in hand from her father Ben and uncle Harry’s Baltimore camera store, “Martha” successfully identifies the underlying driving forces, the unique personality and intellectual traits, and the milestones that propelled the photographer across scenes, subcultures, cities, and continents.

While Cooper is most often identified as a crucial documentarian of the 1970s and early 1980s graffiti-writing scene in New York, with “Subway Art” considered a global holy book of preservation that inspired thousands of artists worldwide, the film is judiciously clear that the photographer has had an anthropologists’ zeal for documenting much more over her multi-decade career.

Okuda San Miguel being interviewed by Susanne Lingemann for German TV ZDF. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

During and after the film you don’t know who you are most impressed with – the director, Martha, the communities touched, the history and stories that are preserved with such care and respect.

“Martha” captures important and character-molding biographical events  – like her work in the Peace Corps in Thailand, a subsequent motorcycle trip from there to the UK, her investigations of tattoo techniques in Tokyo, and her work as the first “girl” photographer at the New York Post. During the film’s nearly magical depiction of Cooper’s first meeting with New York graffiti king Dondi, those in the audience who knew this story broke out into spontaneous applause.

The film isn’t shy about the low points and struggles of Cooper, like her repeated attempts to work at National Geographic, the continuous rejections of “Subway Art” by publishers, her loss of money by its initial disappointing sales, and the high-sniffing artworld classism of a clueless gallerist who unsuccessfully tries to dash her hopes of being recognized for her truest and most human work.

Jaime Rojo being interviewed by Susanne Lingemann for German TV ZDF. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

You are gently led to take that journey with great interest as well, finally arriving at the mid-2000s European promotional tour for her book Hip Hop Files where Cooper suddenly realizes the impact that “Subway Art” has had on graffiti artists worldwide. Building on that enthusiastic response from new-found fans of her work she jumps back into street photography just as the Street Art scene is exploding.

Despite such a complex story Miles is able to coax out many significant truths in character development along with their infinite shadings, facts and nuances of the story.

Susanne Lingemann from German TV ZDF with Martha Cooper. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

With interviews, testimonials, unseen home footage from Cooper’s ex-husband and excerpts from soft-news TV stories of the 1980s, viewers may gain a greater understanding of the sacrifice, dogged determination, and her sixth sense for capturing images that the subject exhibits. Keeping a quick pace aided by a smart soundtrack, pertinent graphic elements, and sharp editing, Miles finds ingenious ways to educate us about the various milieu Cooper worked with and the vicissitudes she had to overcome.

The additional layers of visual language infuse so many aspects of the story – a collaging of words, music, precise editing, intuitive pairings and lyrical, witty storytelling that lands in a pitch-perfect way.

Featured subject in the film, former New York Post and National Geographic photo editor Susan Welchman displaying her ticket. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

In the end you realize Coopers’ underlying credo of taking pictures is about shedding light on people, their lives, their amazing ingenuity in the face of difficulty, their ability to rise above their environment as well as the artists techniques of art-making.

Careful observers will also be struck by the scenes of quiet moments that remain still for a few seconds to reveal deeper feeling – a remarkable glimpse of the filmmaker’s intuitive grasp of the life path and its trials. It’s those in-between places of luminosity that are revelatory, and the human gestures she lets the camera linger upon allow the viewer to write small essays inside their head, bearing witness.

Susan Welchman, Martha Cooper, and Kathryn Mikesell at the after-party. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)

With gratitude and respect to Director Miles and her whole film crew whom have worked thousands of hours over the past 2 and half years, we know that the graffiti/Street Art/photography scenes have been given a huge gift; almost as big a gift as Martha herself.

Martha Cooper stands up to take a cell phone shot of Director Selina Miles as she introduces the premiere film about Cooper. MARTHA: A Picture Story. A film by Selina Miles. (photo © Steven P. Harrington)
Kathryn Mikesell, Martha Cooper and Jaime Rojo. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)
DJ Jazzy Jay at the after-party performs in front a 1982 photo Ms. Cooper took of him with his audience. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)
Steven P. Harrington, Youri Mantra, Martha Cooper, and Jay Edlin (Terror 161) at the after-party. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)
Martha…where are you going next? MARTHA: A Picture Story. A film by Selina Miles. (photo © Jaime Rojo)
Selina Miles and producer Daniel Joyce with the film’s crew along with artists, friends featured in the film. Red carpet photo call. MARTHA: A Picture Story. A film by Selina Miles. (photo © Nika Kramer)
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BSA Film Friday 04.26.19

BSA Film Friday 04.26.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. “A Message From the Future” Narrated by Alexandria Ocasio-Cortez and Illustrated by Molly Crabapple
2. Good Guy Boris – Viral Vandals Music Video
3. TITANES: Six Silos. Eight international artists in La Mancha, Spain.
4. The Story of Us and Them – Conor Harrington

BSA Special Feature: “A Message From the Future” Narrated by Alexandria Ocasio-Cortez and Illustrated by Molly Crabapple

What if we actually pulled off a Green New Deal? – Of course the corporate Democrats like Pelosi and Schumer are as likely to let that happen as Medicare for All – But its fun to imagine with the help of this seven-minute film narrated by congresswoman Alexandria Ocasio-Cortez. Not to mention that the whole video is illustrated by public/street/studio artist Molly Crabapple – who really takes the stage here.

A project from The Intercept and Naomi Kleinit imagines that somehow the oligarchy is going to let go of its addiction to fossil fuels and the aspirations of the citizens will prevail. Enjoy!


A Message From the Future

Good Guy Boris – Viral Vandals Music Video

Good Guy (bad guy?) Boris is back with his own version of Gypsy trap to entice and thrill you to do a big ass tag. A graffiti renaissance man who continues to plow his own path forward, the hijinx are hilarious and the song isn’t so bad either. Maybe it is a little better than those graffiti vandal road trip movies he was doing, but maybe we just have a short attention span these days.

TITANES: Six Silos. Eight international artists in La Mancha, Spain.

“People who normally lived in a very specific way and nobody had bothered to see whether they had talent or not,” explains Alfonso Gutierrez about the genesis of this project encouraging 450 students from around Spain to participate in a public mural campaign.

An inspirational message, and a welcome sign in this march of humans.

The Story of Us and Them – Conor Harrington

A short film that looks at the creative process on by the sincerely absorbed Irish Street Artist/fine artist Conor Harrington as he talks about his work and promotes his new show ‘The Story of Us and Them’ at Heni Gallery in London.

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