Happy Autumn New York! To our readers south of the Equator, the spring birds must be singing by now, right? Meanwhile in dirty old New York there is a lot of new stuff – including two new walls going up by OsGemeos and UK artist Lakwena’s turn at the Houston/Bowery Wall.
Here’s our weekly interview with the streets, this week featuring Anagard, Anthony Lister, Banksy, Brad Downey, D7606, Kai, Licuado, Martin Whatson, Mr. DiMaggio, Nafir, Nespoon, OsGemeos, Peter Phobia, Ron English, Silvio Alino, Voxx, and Zezao.
Blek Le Rat arrived at the Urban Nation office today with his wife Sybille after a long car ride from Paris, ready for a coffee and possibly to take a look at the wall he’ll be painting here to celebrate “UNSTOPPABLE”, the inaugural exhibition of the UN museum this weekend. The wind taunted BustArt as he attempted to lay his irreverent stencil of Mother Mary coddling Pluto Jr. and the sliced cutout cardboard bent and bowed beyond an average person’s patience while his buddy Stephan helped hold it down for spraying.
Under the elevated train a legion of police and traffic cops removed 80 or so cars so the team could begin building stages, cages, platforms, lighting, electricity – for a slew of fresh outdoor pieces which will be installed Thursday and Friday for the weekend outside component.
Who is going to be on display as part of the Art Mile? Try Pixel Pancho, Franco JAZ Fasoli, Bordalo II, Mimi S., HowNosm, Zezao, Isaac Cordal, Olek, Seth Globepainter, Blek Le Rat, Hottea, Dot Dot Dot, Borondo, Herakut, Deih XLF, Faith 47, David De La Mano, Nespoon, Tank Patrol, Lister, Cranio, Sandra Chevrier, Aaron Woes M, Yok & Sheryo, Haroshi, Don John, Ben Frost, Various & Gould, Icy & Sot, Mademoiselle Maurice, the Juxtapoz newsstand, Mark Bode, Shepard Fairey, 1 Up, James Bullough, and 2501. It’s a real cross section of styles, influences, and voice that will be engaging guests this weekend.
The Berlin police actually use a truss and truck that picks up the offending car, puts it on a flatbed. Then, believe or not, they look for an empty parking spot in the neighborhood an place the car into the new place – also signs are posted to let you know where your car was re-located to.
In New York City if you are unfortunate enough to park your car in the wrong place it is simply towed away to a massive car yard somewhere, banging into things occasionally on the way and flying through potholes – and then held for a King’s ransom. Then you have to simply guess if it was towed or stolen. No word on what the London Police do in regards to cars parked illegally.
Up on a lift for painting today also were Mademoiselle Maurice, David De La Mano, and James Bullough, and the company plastering the corner façade of the museum with pink letters. When the winds got to strong everybody was forced to bring the lifts down for an hour. Intrepid and lucky photographers like Jaime Rojo and Nika Kramer still managed to go up in the buckets to get some good shots in.
Hot Tea is spraying a big installation space with a rainbow of colors – on the walls and floors completely. People who are peeking through the plastic sheeting that protects the windows are wondering what this world of color is going to be.
Meanwhile the onslaught of arrivals continues, including hopefully we’ll see Martha Cooper and Carlo McCormick. Martha of course will be here to celebrate the beginning of the Martha Cooper Library within the museum and Carlo will be here to see the didactics and texts he wrote for the exhibition and catalogue –as well as speaking at the Unlock Book Fair. This publishing fair for graffiti, street art and related practices is a must see for those who relish the independent thinking minds who publish on paper in this scene. Other great speakers featured will be Pedro Soares, Jens Besser, Susan Phillips, Thomas Chambers, and Javier Abarca.
Okay that’s your update for today. See you on the streets tomorrow.
Murals hold their own place onstage in public space today for a variety of reasons that we discuss regularly on BSA. From grassroots and public, to private and corporate, we have watched the genre professionalize as Street Art festivals and other initiatives are often coupling artists with brands and are selling canvasses through the organizers galleries. Today we have the first of a promised four-part book series by Art Whino gallerist and organizer of the Richmond Mural Project in Virginia, Shane Pomajambo, that features many artists he has worked with in the brand new “The Art of the Mural”.
Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016
Featuring more than fifty current graffiti/Street Artists, the survey pays special attention to the show-stopping eye candy that commands attention for these nomadic painters who are developing their craft before an ever larger and more appreciative international audience.
Culture critic and curator Carlo McCormick, who writes the introduction to the Schiffer published hardcover, notes that this mural renaissance is quite unlike the US government funded New Deal era mural programs that produced “hundreds of thousands of murals for schools, hospitals, post offices, housing projects, and various government facilities”. And he’s right, these are emanating from a different place entirely.
Antony Lister. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016
The world-traveling media-soaked artists, of which this collection is subset, have had vastly more exposure to corporations and branding perhaps than, say, arts institutions, and a sophisticated self-handling is often on display with artists ever more savvy in their choices of style and content.
A greater percentage are now entering into private collections, galleries, and museums thanks to unprecedented platforms for huge exposure on the Internet, and their public works are adding rich character and dialogue to our neighborhoods and public spaces.
Curiot. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016
With academia, art critics, and auction houses all grappling with the rightful place of these artists in contemporary art and society at large it will be instructive to know the history and their lineage, content, context, and patronage. One has to agree when McCormick says that all of these “are helpful for us to consider in looking at and understanding the artists’ walls of today.”
This collection of talent is strong, with many of the mid-large names that are at play in this generation of painters whom are primarily born in the 1970s and 80s. In their work is a cultural appreciation for modern graffiti history as they now channel it along with formal training, art history, advertising, and a multitude of media. With few exceptions, it’s a tight list of artists, the images are riveting (though uncredited to their photographers), and the brief introductions by Pomajambo contain just enough biographical information and artist’ quotes to ground the story and give it context.
“As with everything I do,” says the Queens, New York native Pomajambo, “I always question and observe, and as we reach critical mass with murals I felt compelled to create this project and capture a moment in time.”
Evoca 1. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016
Fintan Magee. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016
Miss Van. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016
MOMO. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016
Onur & Wes 21. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016
Telmo & Miel. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016
Tone (Robert Proch). Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016
All photos of the spreads by Jaime Rojo
The Art of The Mural: Contemporary International Urban Art. Volume 01 by Shaen Pomajambo. Schiffer Publishing. Atglen, PA. USA.
Today we celebrate Mother’s Day in the USA and Mexico and about 70 other countries. Cheers and thank you to all the mothers of the world.
If only we would stop paying lip service to the foundational importance of motherhood; if millions of mothers would know that tomorrow they will have food to feed their children, that they could live without fear of violence, could take off time from work to care for their families, were paid a living wage equal to a that of a man, could feel loved, protected, supported, respected and cherished.
Let’s all work to make sure that more mothers experience love and a peace of mind. Even if your mother is not alive and here with us today, we can support someone’s who is.
Here’s our weekly interview with the street, this week featuring $howta, Anthony Lister, Brolga, City Rabbit, Gualicho, Hot Tea, JR, M*Code, Mr. Volpe, Nina Kunan, No More Lies, Pablo Harymbat, Phoebe New York, Pyramid Oracle, Swil, Tristan Eaton, and Willow.
Street Art A-Lister Mr. Anthony Lister is up and around the hood this past week or so with some fresh aerosol and automatic madness. The Brooklyn-Brisbane based contemporary artist is also opening at Jonathan Levine Gallery tonight for “Power Tripping”, a serpentine slicing of the status quo.
Using techniques of so-called adventure painting has been de rigueur in the street art practice for it’s history, and Lister has been incorporating new elements as they occur throughout his processes as well. For “Power Tripping” he’s making a more deliberate charge at it and promises to impale some of the dark spirits alive in our age of ascending raw capitalism, free of law and in love with might. We’re guessing there will be a superhero or two.
Check out these new adventures spotted around town recently as shot by Jaime Rojo.
While there was some mindlessly pompous chatter surrounding the heralded display of actual walls by Banksy at the Context fair, the sometimes vandal’s work was surprisingly unremarkable to most attendees, who glanced at it and kept walking. If anything, the security guards helped garner a little interest. It is illuminating to find that outside of the hyper-excited Street Art fandom bubble that we are often in, an actual Banksy work doesn’t have as much magnetism that you might expect.
The walls (or pieces of walls) that were on display are said to have been stolen and the artist is said to be angered about it, but no arrests have been made and no property seized. Since the majority of graffiti or Street Artists are not wont to ask for permission to do their thing, most understand that no “rules” are typically invoked to protect their work on the street, or off it. Now that Banksy’s work is so high profile and sells at auctions and is in museums, it’s like putting a luxury watch or crystal vase on a wall out in the public – its market value is just too tempting for certain individuals. While this is an unsavory outcome to some, it’s not likely to change much.
“I am not a fan of what Bankrobber did, but, presuming it’s not some elaborate collaboration, I’m amused by the fact that Banksy doesn’t control it, and how his work is being displayed: among people who apparently don’t care about it nor did they come to see it… where Banksy is not necessarily the center of attention,” says Hargadon, remarking that one piece is shown behind a velvet rope.
New York has seen its share of giants. For most people, Mike is just another one.
But for fans of cholo-style graffiti and tattoo inspired art, he is a giant among men. That’s why it was cause for a celebration to see this skate boarding, fixie tricking, graffiti painting, grandpa hipster in suspenders hitting up a fresh white wall with some juicy markers last week under the Manhattan Bridge.
Thermometer-wise, it was one of our worst July days. For a fleeting moment the bespectacled grey buzzcut artist looked like he wasn’t going to take the New York heat while working outside in crushing hot humidity that felt like the inside of a rice cooker here in Chinatown. But the visitor from San Francisco’s Tenderloin rallied, calmed himself, found his personal zen, and focused on his wall with a positive mindset. While a cluster of hosts and fans stood by Giant methodically laid out the kind of precise, sharp lined calligraphic illustration that has distinguished his work and indelibly marked his reputation among the skater-punk-tattooed-graffiti-lowbro West Coast heroes of the last two-plus decades.
Very covered in full color ink himself, except for black and grey sleeves, the sometimes tattooist routinely updates his personal skin art collection with work by the likes of Greg Rojas and Chris Conn, like the recent additions of the Apple logo and the bars from Black Flag among the skulls and snakes and sassy vixens. Also routinely, his exacting and precise drawings sell out at shops and packed gallery shows across the world as his work is compared to that of such Mexican/cholo art pioneers like Mr. Cartoon, Chaz Bojorquez, and Jack Rudy. The symbols and metaphors popping boldly, they frame each other even as their meanings and origins conflict; reptiles, tigers, garden roses and The Grim Reaper sit comfortably alongside ornately carved crosses, the Virgin of Guadalupe and hot tattooed girls in fishnets giving you the finger.
For this street installation, Giant’s act of inking the wall affected the assembled fans and observers like the chanting of Spanish monks in those remote and silent monasteries: a slowly creeping utter peace. He approached the task with serenity, at a pace that seemed to conserve time rather than spend it. In complete control of his craft, he can aptly break away when approached for a chat or to sign a deck or black book.
This gig at Klughaus Gallery was to help promote a group show and launch the 8th issue of Kingbrown magazine and Giant said he was happy to visit the town he once lived in for a year before seeking the quieter pace of San Francisco. Right across from the spot is one of the city’s busiest skateparks and for most of the afternoon his work was accompanied by the unmistakeable sound of some exhibition boards hitting the concrete for friendly competitive trickery. He probably felt at home like this since he’s known to hang at the occasional skatepark or empty swimming pool back on the west coast. And for one day in this unbearable NYC heat, a number of fans were happy to see him knocking out this black and white wall, meditating on the good things that a fine line brings.
Artists included in the show are Morning Breath, Andy Jenkins, Chris Cycle, Dave Kinsey, “Grotesk” aka Kimou Meyer, Stefan Marx, Kevin Lyons, Mike Giant, Raza Uno aka MAx Vogel, Greg Lamarche, Zach Malfa-Kowalski, Steve Gourlay, Jay Howell, and Ben Horton, Beastman, Phibs, Hiro, Reka, Kyle “Creepy” Hughes-Odgers, Meggs, Sean Morris, Yok, Sheryo, Ross Clugston, Daek, Lister, Numskull, Ian Mutch, Rone/ aka Tyrone Wright.
Let the Games Begin! (oh no, does that violate an Olympic copyright?) Here’s our Olympian sized Olympic Fun Friday Olympiatastic list, sponsored by nobody.
1. BOB ROSS REMIX (VIDEO)
2. KingBrown Group Show at Klughaus (NYC)
3. Quel Beast Solo Reception at Gallery Bar (NYC)
4. Believe the Hype at Pandemic Saturday (BKLN)
5. REVOK and SABER at Known Gallery (LA)
6. Matthew Silver Goes for the Gold in his Speedo at Union Square (VIDEO)
7. Pura Vida Presents: Entes Y Pesimo A Short Film (English) (VIDEO)
BOB ROSS REMIX (Video)
Bob Ross is back! Updated and autotuned, this visual medley ties together the overriding themes that his long-running show imparted to many people who may have been timid about reopening that creative spirit that we’re all born with. Some kids think they’re too cool and too street for this sh*t but really they like Bob’s message too, because he’s right. Get out your paintbrush and cans!
KingBrown Group Show at Klughaus (NYC)
Mike Giant is in New York and he brought some juicy markers with him. The New Show at Klughaus Gallery in Manhattan’s Chinatown hosted him yesterday with folks from Kingbrown Magazine to mark the release of their issue #8. The group show of small pieces in the gallery is smartly, densely packed with names you’ll like and is now open to the public after last nights hot and sticky grand opening that ended with Mother nature blowing exhibition skateboarders sideways with sudden summer storm high winds and pounding rain. The show was presented along with the dudes from Fountain Arts Fair.
Artists include Morning Breath, Andy Jenkins, Chris Cycle, Dave Kinsey, “Grotesk” aka Kimou Meyer, Stefan Marx, Kevin Lyons, Mike Giant, Raza Uno aka MAx Vogel, Greg Lamarche, Zach Malfa-Kowalski, Steve Gourlay, Jay Howell, Ben Horton, Beastman, Phibs, Hiro, Reka, Kyle “Creepy” Hughes-Odgers, Meggs, Sean Morris, Yok, Sheryo, Ross Clugston, Daek, Lister, Numskull, Ian Mutch, Rone/ aka Tyrone Wright.
Further information regarding this show click here.
Quel Beast Solo Reception at Gallery Bar (NYC)
The Gallery Bar on the Lower East Side of Manhattan hosts the opening reception today of Quel Beast’s solo show of portraits full of emotion as he continues in the journey of self-study. In a short career on the street that has depicted everything from anguish to rage to frustration, it is good to report that there is now an occasional smile.
For further information regarding this show click here.
Believe the Hype at Pandemic Saturday (BKLN)
PARTY! PARTY! PARTY! @ Pandemic Gallery tomorrow. “Believe The Hype” Is Pandemic’s title for this summer party including: The Yok, Sheryo, UFO 907, Swampy, Royce Bannon, Matt Siren, David Pappaceno, Darkclouds, Keely, Don Pablo Pedro, Cost KRT and Deeker. All the artists will paint the interior of the gallery in one collaborative mural. Go get wet and play. There will be limited prints, T shirts, zines and drawings for sale.
For further information regarding this show click here.
REVOK and SABER at Known Gallery (LA)
Double billing Revok and Saber in one night? You know the crowd will be big and enthusiastic to see these two concurrent solo shows and as Known Gallery hosts REVOK’s “Gilgamesh” and SABER’s “Beautification” simultaneously Saturday.
Climbing up on a roof during the sultry city summer can be liberating, and it turns out to be a prime place for painting too. Away from the cacophony of the sweaty streets, the breeze up here is a little cooler and stronger and aside from the occasional potted tomato plant or sun-tanning waitress, you are on your own. You may not own any personal real estate, but right now this is all yours, this sweeping urban vista of grand, glassy, grimy, gawdy, and gutted.
For years graffiti writers and Street Artists have sought these undiscovered spots as a kind of refuge, an urban backyard for hanging out and going big, often collaboratively. You could say that rooftop spots even have a certain lore, a place to tell stories about and revel in. In a hard-knock nasty city that sometimes seems to swallow people whole, on this rooftop with a view you can do a huge piece and feel like you are holding it all down. Not to mention the bragging rights you can claim for hitting a high profile location that grabs eyeballs and raises the stakes. As for the city dweller, the work, as ever, is subjectively reviled, ignored, or celebrated. No one can truthfully deny its affect on the character of the cityscape.
Here are some choice roof shots by photographer Jaime Rojo across New York, LA, Chicago, and Boston to give you a birds eye view of some art from on high.
Fitting within Fountain’s penchant for all things street and guerrilla, we are thrilled to partner with Kingbrown to launch their 8th issue, co-curated and designed by Morning Breath, at New York’s Klughaus gallery. Opening to the public July 26th, 2012 from 7-10pm, Klughaus Gallery: 47 Monroe Street NYC, NY. Featuring live painting, Skateboard demos and more.
Australia’s “Kingbrown Magazine has collaborated with curators, John Leo (Fountain Co-Founder) and Melissa McCaig-Welles (McCaig-Welles Gallery) to bring you a dynamic collection of skateboard inspired artwork. The exhibition will showcase some of the world’s most influential artists from members of the infamous Girl/Chocolate Art Dump, pioneers in NYC graffiti, talented illustrators, animators, art stars from Australia, sculptors, and that guy living in the NY green diamond.
Kingbrown is a distinctively designed magazine, sitting somewhere between a book, a magazine and an art zine. As a super limited edition periodical, delivered inside a hand silkscreened brown bag, sewn closed with artist stickers and posters included, Kingbrown remains different from any other publication.
Conceived in 2006 by co-creators Yok and Ian Mutch in Perth, Australia, Kingbrown’s mission was to produce a limited edition work of art, which would reach a wider audience, allowing accessibility to the public and its entirety. Each “magazine” is handcrafted and designed by some of the world’s leading innovators of photography, illustration and urban and skateboard art and design. Produced on museum quality paper, each page is a collectible item, individually sealed and packaged. Now in its 8th edition, Kingbrown has achieved worldwide success and is now launching for the first time in the US.
The term “Kingbrown” is Australian slang for a 40oz, and the magazine’s slogan “wrapped in a brown bag, just like a good 40 should”, is just as original as the artists it represents. This latest 8th edition, co-curated by the renowned collaborative, “Morning Breath”, focuses it’s topic on the visually rich artists who have influenced the world of skateboarding.
The impressive line-up includes Morning Breath, Andy Jenkins, Chris Cycle, Dave Kinsey, “Grotesk” aka Kimou Meyer, Stefan Marx, Kevin Lyons, Mike Giant, Raza Uno aka MAx Vogel, Greg Lamarche, Zach Malfa-Kowalski, Steve Gourlay, Jay Howell, and Ben Horton, all of whom have contributed to this limited 8th edition of Kingbrown Magazine.
Additional works to be included in the exhibition by Australian artists: Beastman, Phibs, Hiro, Reka, Kyle “Creepy” Hughes-Odgers, Meggs, Sean Morris, Yok, Sheryo, Ross Clugston, Daek, Lister, Numskull, Ian Mutch, Rone/ aka Tyrone Wright.
47 Monroe St.
New York, NY 10002
F to East Broadway / M15 Bus to Catherine St. x Madison St.
Miami is basically “South Brooklyn” starting right about now, minus the bagels, the B62 bus, and the compulsive habit of cutting you off mid-sentence. Artists, galleries, fans, party girls and boys, djs, – they all head south the first few days of December for the big fair and all the little ones.
It already seems a little quieter here because Fountain took the weirdos, Wynwood Walls took the Soho softshoes, and The Underbelly collected the hardcore characters just long enough to sign a book and scarf some pizza before looking for a tunnel somewhere. Art Basel is a feast and the draw of Street Art and graffiti continues apace this year, with entrants from all the strata looking for a wall, and maybe a party, and a honey to go skinny dip with.
We picked a few Street Art related gems here that you might want to hit, but even if you show up in Miami this week with no plans, you’ll easily find some trouble to get into, we trust. Do your best.
After a full year underground, The Underbelly Project is coming to Miami during Art Basel. A pop up gallery, the show will feature original artwork from many of the 103 international artists who participated in the hidden subway project in New York. The exhibition will feature a video piece of multiple installations happening simultaneously, as well as new pieces by many of the artists. Additionally a book signing of the first volume to come out about the project, published by Rizzoli, will take place on December 2nd. Artists participating in the signing include: Dabs & Myla, Rone, Gaia, Lister, Eric Haze, Joe Iurato, Adam Feibleman, Know Hope, Jeff Stark, Jason Eppink, Jim and Tina Darling, The London Police, Dan Witz, Specter, Surge and other surprise artists.
Included in the show are street, graffiti and fine artists alike. The full line-up includes: Faile, Dabs & Myla, TrustoCorp, Aiko, Rone, Revok, Ron English, Jeff Soto, Mark Jenkins, Anthony Lister, Logan Hicks, Lucy McLauchlan, M-City, Kid Zoom, Eric Haze, Saber, Meggs, Jim & Tina Darling, The London Police, Sheone, Skewville, Jeff Stark, Jordan Seiler, Jason Eppink and I AM, Dan Witz, Specter, Ripo, MoMo, Remi/Rough, Stormie Mills, Swoon, Know Hope, Skullphone, L’Atlas, Roa, Surge, Gaia, Michael De Feo, Joe Iurato, Love Me, Adam 5100, and Chris Stain.
THE UNDERBELLY SHOW 29 November – Press Preview 5pm/ Private View 7pm 30 November – Collector’s Preview 7pm 1 December – Secret Wars US vs. UK 6pm 2 December – General Opening 5pm and Artist Book Signing 6pm
The show will take place in the heart of Wynwood at 78NW 25th Street
“Placing a focus on public art for this program, the gallery will present a series of works that highlight a diverse range of distinct styles, cultural perspectives and unconventional mediums. Each of the four artists selected represent fresh directions in creating work in public space through their innovative vision and inventive use of materials. Photography documenting their interventional imagery, sculpture, and performances convey the transformative effect their work has on its surrounding
White Walls will be hosting four booths at SCOPE, situated in the center of Miami’s Wynwood Gallery Arts District, featuring a MTN Colors Group show with APEX, Neon, Estria, Vogue, Blek le Rat, HUSH, Kofie and Chor Boogie, a White Walls Group show with Casey Gray, Ben Eine and Greg Gossel, and solo shows for both ABOVE and ROA. APEX, Eine, Kofie, ABOVE, ROA and Chor Boogie will also be painting at the Kohn compound on 24th street.
For a full listing of exhibitors and events click here SCOPE
Wynwood Walls is premiering 7 new Street Art murals and 16 new pieces at Wynwood Doors and walls outside.
Debuting in tandem with the new murals and installations during Art Basel this year on Tuesday, November 29, 2011, the “Shop at the Walls” the first Wynwood Walls Pop Up gallery space that will offer artworks and the new Wynwood Walls book.The book has interview with Street Artists and photography by Martha Cooper.
Artists include Retna, The Date Farmers, How and Nosm, Gaia (USA), Saner and Sego (Mexico), Liqen (Spain), Neuzz (Mexico), Nunca (Brazil), Vhils (Portugal), Interesni Kazki (Ukraine), Faile (USA) and b. (Greece). Kenny Scharf is expected to augment his existing wall, and remaining work from the last two years from Nunca, Shepard Fairey, Aiko, Ryan McGinness, Stelios Faitakis and avaf will be on display.
Walls Outside the Wynwood Walls, encompassing key locations outside of the actual art park itself and in the surrounding neighborhood, will be created by Friends With You (USA), avaf (Brazil and France), Nunca, and Interesni Kazki (Ukraine); joining works previously completed by Swoon and Barry McGee.
Wynwood Walls and the Pop Up Shop are located at NW Second Avenue – between Joey’s Italian Café on 25th Street and the art-filled Wynwood Kitchen & Bar on 26th Street – and are open to the public free of charge.
HERE COMES THE NEIGHBORHOOD: WYNWOOD (Video)
Fountain Art Fair
“Our preferred punk rock lopsided Anti-Fair.” —Brooklyn Street Art
This year Fountain Miami’s signature on-site street art installation is curated by Samson Contompasis, director of Albany’s The Marketplace, and will feature over 150 feet of work Street Artists including Sharktoof, Chris Stain, Olek, Hugh Leeman, Chor Boogie, OverUnder, White Cocoa, Army of One, Clown Soldier, Joe Iurato, CAKE, Tip-Toe, Elle, Ian Ross, Know Hope, Depoe, and Zero Cents.
Brooklyn’s own Mighty Tanaka Gallery is showing at Fountain Participating artists include: Adam Void, Alexandra Pacula, Alice Mizrachi, ChrisRWK, Ellen Stagg, Gigi Chen, Hellbent, Hiroshi Kumagai, JMR, John Breiner, Max Greis, Mike Schreiber, Robbie Busch, Skewville, TooFly, URnewyork, VengRWK & Miguel Ovalle
December 1–4, 2011 2505 North Miami Avenue (at the corner of 25th St) | Miami, FL 33137 General Hours: 12pm–7pm daily Tickets: $10 daily / $15 weekend pass. All tickets sold at door.
A new exhibit debuting during Art Basel Miami Beach 2011
Thursday, December 1
7:00 to 10:00 p.m.
RETNA, Jessy NITE, Stormie MILLS, Evan ROBARTS, Lena SCHMIDT, Luis PINTO, Andrew SCHOULTZ, Karen STAROSTA-GILINSKI, Kenton PARKER, TM SISTERS, Samantha SALZINGER, Emmette MOORE, Anthony LISTER, Charles KRAFFT, Tatiana SUAREZ, Edouard NARDON, Andrew NIGON, Johnny ROBLES and Lawrence GIPE.
Painter Anthony Lister is also a Street Artist. His surreal pop and celebrity culture-infused abstractions are candy encrusted apples which may have something sharp inside. Many are figurative studies and wire frames bending wildly into characters who cavort and mock with blunt swipes of color, overlaid by costumed sexual role play… or is that a personal projection? Did I mention elegance, defiance, wit? Wait, there is so much here! Truth is, his work can be a cock-eyed psychological tempest, jarring to the head, strangely sweet.
A decade of discovery under his superhero belt, Mr. Lister continues to analyze and build his creative practice and it always includes work inside the gallery and outside on the street. He’s currently preparing for his solo show in Sydney called “Bogan Paradise” at Gallery A.S. At the same time he’s part of a group show with a gaggle of his Aussie expats on view at 941 Geary in San Francisco for “Young and Free”, including Kid Zoom, Dabs & Myla, Dmote, New2, Ben Frost, Meggs, Ha-Ha, Reka, Rone, Sofles and Vexta. Not to mention his participation in our show last month in Los Angeles at C.A.V.E. with Thinkspace, “Street Art Saved My Life : 39 New York Stories“.
The artist took some time recently to talk to Brooklyn Street Art about his practice;
Brooklyn Street Art:How much of one of your painted portraits is autobiographical? In other words, what portion of Mr. Lister is super hero, super model, furtive schoolboy, or Homer Simpson? Anthony Lister: I don’t really think about myself when I paint. My figurative works are more like reflections of characteristics I absorb from real life day to day.
Brooklyn Street Art:If you were to wear colored glasses, which color do you think you would most likely screen the world through? Anthony Lister: Pink, like John Lennon.
Brooklyn Street Art:Francis Bacon said, “The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness.” Would you drink that cocktail? Anthony Lister: Nice words. I agree.
Brooklyn Street Art:What role does analysis play in your creative process when bringing a painting to fruition? Anthony Lister: Analysis is the outcome of considered processing. Constant consideration is crucial.
Brooklyn Street Art:A big piece you did on Metropolitan in Brooklyn – you reworked that face a couple of times over a period of months, producing what appeared as a slowly morphing image. Were you covering up tags, or were you unhappy with the original, or maybe combating the effects of age with a little nip and tuck? Anthony Lister: When I re-work street paintings I think of it like I am a hairdresser. When something is in the public it has a different existence to something living privately in a residence. I’m like a hairdresser I guess.
Brooklyn Street Art:You have spoken about your work as reality, or a reaction to realities. What realities are you depicting these days? Anthony Lister: I just finished a body of work for a solo show in Sydney. This next body of work is about contemporary Australian culture. The exhibition is titled “Bogan Paradise.”
Brooklyn Street Art: When you consider the Street Art scene that evolved around Melbourne, how would you characterize its nature in a way that differentiates it from the work in other cities around the world? Anthony Lister: No different. This whole street art thing has sprung up post the turn of the digital revolution so it is on the Internet quick and the artists who inspire others and the ones who are easily inspired are constantly swimming in the same aesthetic pools of consciousness. Not to mention that most of the prominent artists travel lots so it is easy to see work of the same artist in multiple cities around the world at the same time.
Brooklyn Street Art:The titles you give your gallery pieces are entertaining, instructive, illustrative. Do you ever want to place a placard near a piece you’ve done on the street – just to make sure the message gets across? Anthony Lister: No. My street practice is less thoughtful and therefore needs less commentary.
Brooklyn Street Art:When is a painting complete? Anthony Lister: When it tells me so.