All posts tagged: Isaac Cordal

BSA “Images Of The Year” For 2018 Video

BSA “Images Of The Year” For 2018 Video

Here it is! Photographer Jaime Rojo of BSA selects a handful of his favorite images from his travels through 9 countries and around New York this year to present our 2018 BSA Images of the Year.

Seeing the vast expressions of aesthetics and anti-aesthetic behavior has been a unique experience for us. We’re thankful to all of the artists and co-conspirators for their boundless ideas and energy, perspectives and personas.

Once you accept that much of the world is in a semi-permanent chaos you can embrace it, find order in the disorder, love inside the anger, a rhythm to every street.

And yes, beauty. Hope you enjoy BSA Images of the Year 2018.


Here’s a list of the artists featured in the video. Help us out if we missed someone, or if we misspelled someones nom de plume.

1Up Crew, Abe Lincoln Jr., Adam Fujita, Adele Renault, Adrian Wilson, Alex Sena, Arkane, Banksy, Ben Eine, BKFoxx, Bond Truluv, Bordalo II, Bravin Lee, C215, Cane Morto, Charles Williams, Cranio, Crash, Dee Dee, D*Face, Disordered, Egle Zvirblyte, Ernest Zacharevic, Erre, Faith LXVII, Faust, Geronimo, Gloss Black, Guillermo S. Quintana, Ichibantei, InDecline, Indie 184, Invader, Isaac Cordal, Jayson Naylor JR, Kaos, KNS, Lena McCarthy, Caleb Neelon, LET, Anthony Lister, Naomi Rag, Okuda, Os Gemeos, Owen Dippie, Pejac, Pixel Pancho, Pork, Raf Urban, Resistance is Female, Sainer, Senor Schnu, Skewville, Slinkachu, Solus, Squid Licker, Stinkfish, Strayones, Subway Doodle, The Rus Crew, Tristan Eaton, Vegan Flava, Vhils, Viktor Freso, Vinie, Waone, Winston Tseng, Zola

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UPEA Finland 2018, A Cross Country Installation of Quality Murals

UPEA Finland 2018, A Cross Country Installation of Quality Murals

UPEART 2018 in Finland took place during the month of September including 20 international and local artists in 12 different cities across the country.

Case Maclaim. Detail. UPEArt Finland 2018. Espoo, Finland. September 2018. (photo © Jaime Rojo)

Today we give you a recap of some favorite scenes from the festival across many cities of Finland thanks to the vision and organizing of Jorgos Fanaris and his team who collectively direct the festival from their headquarters in a post-industrial neighborhood of Helsinki. While there is a proud graff scene and history here, and the city has areas like the Pasila Street Art District, the capital is usually known as a sparkling international city of islands and a peninsula by the Gulf of Finland facing Tallinn, Estonia across the bay.

Proudly humble, elegant and rationally romantic, the city is flanked on all sides by arts and culture, low and high, with historical art institutions like the National Museum as well as the more contemporary Kiasma and cross disciplinary Kunsthalle Helsinki. A deeper rooted cultural history is also apparent in the traditional wooden architecture, the influence of its neighbors Sweden and Russia, and its ability even today to evolve with the most modern of global design practice.

Case Maclaim. Detail. UPEArt Finland 2018. Espoo, Finland. September 2018. (photo © Jaime Rojo)

For urban explorers like ourselves who wander the margins and explore the forgotten, neglected parts of the metropolis, it was a bit of a shock to see 8 charming Finnish cities and towns in only a few days – interspersed with millions of birch tree forests and sweeping vistas of farmland, with Russia visible at one point just across a canal.

We drove from uncongested towns surrounded by woodlands like Joensuu and Hyvinkää to midsized cities like Tampere and Espoo, using a stick shift Volkswagen and minding the speed cameras on a smooth and well maintained system of roads and highways. Usually we’re looking out for rats and broken glass and homeless drug users, not slow-moving farming tractors and wily-eyed moose who may cross your path.

Case Maclaim. UPEArt Finland 2018. Espoo, Finland. September 2018. (photo © Jaime Rojo)

But the murals! Choosing from among some of the most accomplished painters and planners of design in the current international scene, Fanaris relies on his own history with graffiti, hip hop, and perhaps the Finnish National Opera when selecting participants to invite.

The quality is high in many instances throughout the mural program and municipalities are gifted with some works may prove timeless – until they fade. Perhaps more decorative than transgressive as a whole, these are public works made in collaboration with local tastes. Some meanings are buried beneath layers, others more obvious and on the surface. An unrealized irony of many “legit” mural programs like this one is many of these artists used to do the illegal stuff too.

As UPEART travels and evolves it will be interesting to see how it changes. Fanaris tells us that the future will include installations, sculpture, even performance as the festival becomes more integrated with communities. With a solid foundation of curation on a massive country-wide scale in these first three years, we look forward to see where UPEART moves next.

Mantra. UPEArt Finland 2018. Hyvinkää, Finland. September 2018. (photo © Jaime Rojo)

“When I was a child I was not curious about painting,” Mantra says, “I was more curious about what I could find in the garden so that’s why I spent a lot of time studying these insects and these animals.” Later he shows us images of butterflies and other winged creatures rendered in high fidelity inside decaying factory rooms, including a large dead bird lying on its side. “I painted this because I had seen a dead bird in the garden only a week before.”

Read more: Mantra in Hyvinkää for UPEART Festival 2018 Finland – Dispatch 5

Mantra. Detail. UPEArt Finland 2018. Hyvinkää, Finland. September 2018. (photo © Mantra)

Mantra. UPEArt Finland 2018. Hyvinkää, Finland. September 2018. (photo © Mantra)

Sainer. UPEArt Finland 2018. Helsinki, Finland. September 2018. (photo © Jaime Rojo)

“I think my work is changing recently,” he says. “I have liked to do plainer paintings – like small landscapes . I’m not really into the characters that much in the same way that I was. When I do paint characters they are in the shadow. I like the idea of making portraits where the portrait is not the most important part of the painting.”

BSA: That’s so anti-intuitive – because normally that would be the center focal point, right?

Sainer: Yes – even here the portrait is central but I am trying to play all around it just to hide it. It’s just one of the ideas that I am trying to work with these days.

Read more from our interview with Sainer here.

Sainer. UPEArt Finland 2018. Helsinki, Finland. September 2018. (photo © Jaime Rojo)

Waone. Detail. UPEArt Finland 2018. Kotka, Finland. September 2018. (photo © Jaime Rojo)

Ukrainian artist Waone, of Interesni Kazki titled his mural “Spirit of Antique Book”.

“Reading the real book in the age of technology and internet may look rare and a kind of old fashioned, but not for me,” he says. “This mural ‘Spirit of Antique Book’ I dedicated to all book lovers. It represents the wonderful way to escape from ordinary life to extraordinary worlds, and depicts that magic moment when you read the book and lose yourself between the pages.”

BSA: Does it concern you that school children today are becoming unfamiliar with reading traditional books on paper?

Waone: Hmm I didn’t think about books in schools, in Ukraine we still use “normal” books… But I’m sure normal books will become more and more rare. I don’t judge it and I’m not saying that’s good or bad. I just love the book esthetic, a strong symbol of knowledge.”

Waone. UPEArt Finland 2018. Kotka, Finland. September 2018. (photo © Jaime Rojo)

Natalia Rak. Detail. UPEArt Finland 2018. Joensuu, Finland. September 2018. (photo © Jaime Rojo)

Natalia Rak. UPEArt Finland 2018. Joensuu, Finland. September 2018. (photo © Jaime Rojo)

Sepe. UPEArt Finland 2018. Jyväskylä, Finland. September 2018. (photo © Jaime Rojo)

David De La Mano. Detail. UPEArt Finland 2018. Jyväskylä, Finland. September 2018. (photo © Jaime Rojo)

David De La Mano. UPEArt Finland 2018. Jyväskylä, Finland. September 2018. (photo © Jaime Rojo)

David De La Mano. Detail. UPEArt Finland 2018. Jyväskylä, Finland. September 2018. (photo © Jaime Rojo)

Helen Bur. UPEArt Finland 2018. Kotka, Finland. September 2018. (photo © Jaime Rojo)

Eero Lampinen. Work in progress. UPEArt Finland 2018. Helsinki, Finland. September 2018. (photo © Jaime Rojo)

Of his own work, he says, “It’s like a mix of fantasy with contemporary and realistic elements – kind of magic realism. I like to play around with fashion different types of characters.”

The characters are here in the evolving mural – three figures who are working the runways of the street in distinctly different styles.

“There is a night demon, a rubber-outfit person, and then an older character,” he says, “They are all walking separate ways in the streets – and it plays around with this street.”

Read more with Eero Lampinen here.

Eero Lampinen. UPEArt Finland 2018. Helsinki, Finland. September 2018. (photo © Eero Lampinen)

Pertti Jarla. UPEArt Finland 2018. Tampere, Finland. September 2018. (photo © Jaime Rojo)

Fabio Petani. Detail. UPEArt Finland 2018. Salo, Finland. September 2018. (photo © Jaime Rojo)

Fabio Petani. Detail. UPEArt Finland 2018. Salo, Finland. September 2018. (photo © Jaime Rojo)

Fabio Petani. UPEArt Finland 2018. Salo, Finland. September 2018. (photo © Jaime Rojo)

How & Nosm. Detail. UPEArt Finland 2018. Lisalmi, Finland. September 2018. (photo © Jaime Rojo)

How & Nosm. UPEArt Finland 2018. Lisalmi, Finland. September 2018. (photo © Jaime Rojo)

Leon Keer. UPEArt Finland 2018. Salo, Finland. September 2018. (photo © Jaime Rojo)

Leon Keer. UPEArt Finland 2018. Salo, Finland. September 2018. (photo © Jaime Rojo)

Robert Proch. Detail. UPEArt Finland 2018. Joensuu, Finland. September 2018. (photo © Jaime Rojo)

Robert Proch. UPEArt Finland 2018. Joensuu, Finland. September 2018. (photo © Jaime Rojo)

Isaac Cordal. UPEArt Finland 2018. Espoo, Finland. September 2018. (photo © Jaime Rojo)

Isaac Cordal made a number of interesting installations in Karakallio in Espoo, including a haunting series of small buildings attached on trees throughout the forest.

Read more about Isaac Cordal at UPEA Art Festival 2018 – Finland. Dispatch 3

Isaac Cordal. UPEArt Finland 2018. Espoo, Finland. September 2018. (photo © Jaime Rojo)

Isaac Cordal. UPEArt Finland 2018. Espoo, Finland. September 2018. (photo © Jaime Rojo)

Isaac Cordal. UPEArt Finland 2018. Espoo, Finland. September 2018. (photo © Jaime Rojo)

Isaac Cordal. UPEArt Finland 2018. Espoo, Finland. September 2018. (photo © Jaime Rojo)

Isaac Cordal. UPEArt Finland 2018. Espoo, Finland. September 2018. (photo © Jaime Rojo)

Isaac Cordal. UPEArt Finland 2018. Espoo, Finland. September 2018. (photo © Jaime Rojo)

 

NOTE: No trees were damaged by installing the birdhouse sculptures on them.


All the participating artists on UPEArt 2018 are: Andrew Hem, Case Maclaim, David De La Mano, Eero Lampinen, Fabio Petani, Gummy Gue, Helen Bur, How & Nosm, Isaac Cordal, Jussi Twoseven, Kenor, Leon Keer, Mantra, Natalia Rak, Pertti Jarla, Robert Proch, Sainer, Sepe, Silja Selonen and Waone.

 

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BSA Film Friday 9.24.18 – From UPEART in Finland. Dispatch 4

BSA Film Friday 9.24.18 – From UPEART in Finland. Dispatch 4

bsa-film-friday-JAN-2015

BSA is in Finland this week to see firsthand the work of UPEART, an expansive mural art festival in its third iteration. Unique for its geographical breadth as well as it’s curatorial depth, UPEART has quietly revealed its amazing strengths without being self-aggrandizing or showy, slowly transforming cities and towns across the entire country with consultation of the locals and an eye toward the incredible international. Come with us this week as we traverse the country with you.


Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Mantra in Hyvinkää
2. Isaac Cordal in Espoo
3. Sainer in Helsinki
4. Eero Lampinen in Helsinki

bsa-film-friday-special-feature

BSA Special Feature: Scenes from UPEART this Week

This week BSA had the privilege of touring the sites from the mural arts program called UPEART in Finland which continues to showcase the work of many artists from graffiti/Street Art culture, their work now often morphing into public art. While on the road from city to city in this Nordic country full of natural lakes, forests and sparkling clean cities during the advent of fall, we also caught some past and present murals as well as a few artists in action. Here are a few quick home-made videos to share with BSA readers what we found.

Mantra in Hyvinkää

French entomologist and former graffiti writer Mantra studies insects – here specifically butterflies and a large moth that are all found in this region of the world. We found him just as he was finishing his newest work for UPEART in Hyvinkää.

Isaac Cordal in Espoo

Spanish Street Artist and sculptor Isaac Cordal has begun his nearly surreptitious installations of his concrete figures here above Finnish heads. Often businessmen, they contemplate existentially as you walk by them a number of times during your daily travails – until one day you discover them.

Sainer in Helsinki

Polish artist Sainer completed a massive portrait here in Helsinki this week on the side of a multi-story building – yet he tells us that he is less concerned with the mystery woman in the center than his is with the planes and palette that back her.

Read more here: UPEA Art Festival 2018 – Finland. Dispatch 1 – Sainer

Eero Lampinen in Helsinki

Helsinki native, illustrator and graphic designer Eero Laminen is at work on his second large scale mural here behind a complex scaffolding. We walked with him during a break to see the characters that he is imagining for this neighborhood.

Read more here: Eero Lampinen at UPEA Art Festival 2018 – Finland. Dispatch 2

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Isaac Cordal at UPEA Art Festival 2018 – Finland. Dispatch 3

Isaac Cordal at UPEA Art Festival 2018 – Finland. Dispatch 3

BSA is in Finland this week to see firsthand the work of UPEART, an expansive mural art festival in its third iteration. Unique for its geographical breadth as well as it’s curatorial depth, UPEART has quietly revealed its amazing strengths without being self-aggrandizing or showy, slowly transforming cities and towns across the entire country with consultation of the locals and an eye toward the incredible international. Come with us this week as we traverse the country with you.


The petite businessman looks up blankly from wiring money to the arms dealer over the phone and stares blankly at you, through you. He’s made his deal and his cut is secure. Now if only he can buy back his soul.

The philosopher/comedian/social critic Isaac Cordal has brought his guilt-ridden, depressed businessmen to transform the public space of Karakallio, and we have caught his first installation.

Isaac Cordal. Work in progress. UPEA Finland 2018. (photo © Jaime Rojo)

Climbing the ladder and pressing his handmade cement figure at the nexus of exterior panels in this residential community in Espoo, Finland, Cordal once again transforms a large space into an imaginary stage, an unsuspecting environment, for the drama that plays out in the minds of adults and children who pass it by.

This is the stunning simplicity of surreality that the Spanish Street Artist has been bringing to cities across the globe, one mournful soul at a time.

Isaac Cordal. Work in progress. UPEA Finland 2018. (photo © Jaime Rojo)

A first installation for him here, and a first for this community, where BSA and UPEART founder Jorgos Fanaris have begun preliminary planning for the inaugural events of the Karakallio Collective, a new initiative that looks to involve multidisciplinary artists in this suburban neighborhood outside of Helsinki. It’s an exciting time to engage in public space in new ways, and UPEART is laying plans long term here and in communities across the country.

We’re just excited to see Isaac again and see what new adventure his “cement elipses” take on.

Steven P. Harrington and Jaime Rojo of BSA with Jorgos Fanaris, UPEA’s curator and Isaac Cordal discuss current and future projects within the community of Karakallio on the outskirts of Helsinki. (photo courtesy of UPEA Art)


 

UPEA Art and BSA will be closely working with #karakalliocreative to bring a wide variety of art initiatives in the neighborhood…

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BSA + UPEA in Finland

BSA + UPEA in Finland

BSA is excited to bringing you new works from Finland next week as we explore Helsinki and nearby cities that are part of the UPEA 2018 Festival. A unique model of mural festival that invites international and local artists to paint across the entire country, UPEART has quietly entered the global Street Art and graffiti stage without entering the fray: providing top caliber artists with uncommon opportunities to create works in cities for a handful of years now.

Waone Interesni Kazki at UPEART (image © the artist)

The full line up for this year’s stellar UPEART edition is:

Andrew Hem, Case Maclaim, David de la Mano, Eero Lampinen, Fabio Petani, Gummy Gue, Helen Bur, How & Nosm, Isaac Cordal, Jussi TwoSeven, Kenor, Leon Keer, Mantra, Natalia Rak, Pertti Jarla, Robert Proch, Sainer, Sepeusz, Silja Selonen and Waone Interesni Kazki, who poses here yesterday with the mural he’s been working on for 10 days


To keep on top of the action on the ground and up on the lifts click on UPEA’s FB link below:

https://www.facebook.com/upeart/

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BSA Film Friday: 07.06.18

BSA Film Friday: 07.06.18

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Gonzalo Borondo Matiére Noire
2. r1. on the corner of August House in Johannesburg
3. Banksy in Paris on FWTV
4. Joan Cabrer “Hot Pixel”

bsa-film-friday-special-feature

BSA Special Feature: Gonzalo Borondo Matiére Noire

A short documentary today taking us through last autumns On October 7th in Marseille, France in collaboration with Galerie Saint Laurent and Spanish artist Gonzalo Borondo as they presented Matière Noire. A massive collection of individual installations that took over the top floor of an exhibition space normally used for shops, Borondo’s influence in the selections is throughout, a story told in three acts on Projection, Perception and Interpretation.

Artists include BRBR FILMS, Carmen Main, Diego López Bueno, Edoardo Tresoldi, Isaac Cordal, Robberto Atzori, Sbagliato and A.L. Crego, with curatorial guidance from Carmen Main.

Borondo has thrown open the doors to this cavernous space for a vitrine displaying our strong attachments to the fragile, ethereal objects and impressions. Their original meanings mixing with your own, projecting yourself as you do upon them. This is a chance for the artist to experiment and explore – perhaps to pursue something they have not been able to previously. Here is the laboratory, here in the interstitial. Yours is the gift of perception.

Directed by Matteo Dellangelo, reflections blur into paintings and tapestries, shadows morph into cats sleeking moving  just beyond your periphery. An army of executives kneel, their faces distraught and mournful as they ask forgiveness for ushering in the fascist age their now caught in; Revolutions of video, scraps of family warmth and other things that aren’t there; benchmarks in social ritual, humble sets for theaters of manners, possibe deceptions, probable blurry sherries, fizzy Tom Collins, tortoise shell horn rims, cracked crystal, hair cream, horny men and  haberdashers snapping apart girdles and garters, knocking over the slide tray and projector.

There are dark natural wonders and new highways in this Internet of things; prize winning cakes and first communions and turtles and turtlenecks; crying babies, bonbons, blond wood, great escapes and many lost opportunities mixed among the found ones.

But we wander….The project is to successfully outline an object onto another surface, and each artist in this curiously lit labyrinth of myth, memory and phantasma plays with these objects to bend perception. Carmen Main helps you find the way.

r1. on the corner of August House in Johannesburg

The thrilling drilling of geometic chromadek adornment of the corner installation by artist r1 in South Africa. “It took me 4 days to install and I drilled 688 holes,” he says. “One of the key aspects I love about the work is its placement on the corner wall, creating a 3D like effect. It makes the artwork seem to pop out of the building, creating a sculptural-like mural.”

Banksy in Paris on FWTV

Join Doug Gillen as he assembles and analyzes the recent Banksy installations in Paris.

Joan Cabrer “Hot Pixel”

Dig this dark funky groove that accompanies the sweep of the spray as Joan Cabrer paints a recent wall in Barcelona. For more on the story check out

“Joan Cabrer. “Hot Pixel” Digitizes Life and Nature For Contorno Urbano. 12+1 Project”

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URVANITY 2018: 3 Days in Madrid

URVANITY 2018: 3 Days in Madrid

Today we go to the Urvanity New Contemporary Art Fair in Madrid to see some art inside and outside the fair and to hear about some of the programming happening there, courtesy of Fernando Alcalá Losa.


URVANITY New Contemporary Art Fair 2018

Or, “How we spent the whole weekend in Madrid enjoying art, friends and talks while censorship from the central Spanish government is choking the liberty of expression.”

The 2nd edition of Urvanity New Contemporary International Art Fair was our main focus of interest. With an exciting program including some of the most interesting galleries and artists from all over the world, 4 walls being produced in different areas of the Spanish capital and a more than attractive set of talks and lectures, we knew that we were going to make our weekend. But, of course, there was going to be more, much more…

Cranio. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

DAY ONE: Galleries

After sleeping a few hours, I started my little marathon outside the new Urvanity headquarters in the beautiful ME Madrid María Victoria Hotel for attending a round table about ‘Women in the cultural industry beyond feminist clichés’. With Alberto Aguilar from Urvanity moderating, I was excited to see what journalist Belén Palanco, gallerist Consuelo Durán and artist and friend Anna Taratiel had to say about all this arty world ‘dominated’ by men in these times when initiatives like La Caja de Pandora are rebelling against sexual abuse and the heteropatriarchy hegemony in the art world and fighting for visibility, justice and equality in working conditions and salaries.

Jan Kaláb. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Artists like Nuria Mora and Animalitoland, Sergio Bang, from Swinton & Grant Gallery, and Diana Prieto from MadridStreetArtProject were in the audience. Issues like education, quotes, discrimination, the toughness of being a female street artist, being out or inside the system, some critics to the female clichés and personal experiences were brought into the table. Being a heterosexual cis male, I don’t know if I’m the right person to say this, but I missed a more radical speech about the whole scenario and the role of women about making the necessary changes for reaching the place and conditions that they deserve.

Apart from this, Juncal Roig, Urvanity’s communication manager, had prepared a little gift with fellow artist Antonyo Marest. Last year, Marest had painted 4 walls in a nice courtyard inside the Hotel, so we did a small private shooting with the artist. It was fun, because we had to access the place through a window in one of the rooms. As Antonio said, imagine how ‘easy’ it was to move 6-floor wall scaffolding through that small ‘hole’. Watch out for Marest USA tour coming soon in the next months.

 

Jana & JS. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

‘The Impact of Urban Creativity in Cities’, a talk, as I said before, by Contorno Urbano founders, was next. Ninoska’s and Esteban’s explanations about some of their most important projects and about how to work with students, neighbors, the local authorities and the artists themselves really got my attention, although I was already aware about the details of their work. The never ending growing 12+1 project and, of course, the soon to come ‘Mural Salut Wall’ by Escif were some of the top hits of the lecture, including the announce of the International Tortilla Competition held this last weekend at Sant Feliu de Llobregat’s La Salut square as a part of Escif art residence in the city. Hyper fun 3rd grade by the artist that caused lots of laughs between the audience. Looking forward to see what Escif will create in the next months here.

 

Long but full of experiences day. Beer time and back to our place where a bunch of young adults were waiting for us celebrating Miriam’s (our host) birthday, singing songs with ukuleles at 2am and drinking bourbon. Fuck me: I’m getting old…

Jana & JS. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

DAY TWO: The day of Walls.

Good morning Vietnam! Slept 4 hours, dizzy head (if you can’t fight the enemy, join him) and García in groundhog mode on. I was starting to feel kind of nervous, as I hadn’t seen a wall yet, so I had a mission going on. Being lucky enough to know one of the best hosts that you can find in Madrid, I met Guillermo, from Madridstreetartproject ‘MSAP’, had some quick breakfast and began walking by. Guille was one of the people taking care of the production duties of the Urvanity walls. A veteran actor in the local scene, his way of seeing and understanding the urban landscape is outstanding.

Cranio. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Guillermo de la Madrid)

I had to leave Cranio’s wall for Sunday due to ‘logistic’ reasons. But, I was so glad to have the chance to shoot with Alexey Luka, as I had seen some photos about the WIP of his mural and I was loving it. After a small talk with the artist and the ‘formal’ presentations, I began shooting from the ground while Guille was struggling with drivers trying to not have them parking besides the crane.

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Then a little magical episode took place when Javier, a neighbor living in the building opposite to Luka’s wall, offered himself to give us access to the rooftop. Nicest human being ever, Javier told me that he was a military pilot and a great photography aficionado. It’s always surprising to me how people that don’t know you at all trust in you and open their houses to strangers like us, offering all the possible help because they are liking the project and/or the artists’ work.

Alexey’s wall was being a tough one to deal with. Guille, Rocío and the rest of the production team had to treat the wall twice with some special products because dust and sand were getting out from it. They lost 2 days because of this, but when I arrived there, everything had been solved and the artist was working hard. After dealing with a couple of issues, we head to the next wall… Before, I would love to say some words about Rocío here. We have just met maybe twice during all these years.

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Working and collaborating with MSAP, Mula Fest and Asalto among others, it’s always interesting to listen to her clever thoughts and knowledge about the whole scene, how she approaches the tours that she guides in Madrid and get to know a little bit more about the kind of person that everyone would love to have in their teams. You can check Rocio’s blog here.

Maybe Jan Kaláb’s wall was the most popular one during the whole weekend. Pedestrians were loving the mix of nice colors and soft shapes – so selfies, stories and boomerangs were spreading as flu. I just tried to include some human traffic in the photo. Maybe I have a thing with old ladies… Just maybe…

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Guillermo de la Madrid)

Xavier Eltono’s talk was one of my top moments of the whole trip. Although I follow his career since years ago, I hadn’t got any deep thoughts about his work. After I heard what he had to say about his art and about how he connect his studio work with the skin of the cities where he had intervened, I understood a lot of things regarding his philosophy and the way he interacts with the city.

Another thing that got my attention during his lecture was the fact of how many respected artists were attending the talk. Names like Zosen, Mina Hamada, Aryz, Rocblackblock, Daniel Muñoz SAN, Kenor, Anna Taratiel, Suso33, Aleix Gordo, Vermibus…were there showing respect for Eltono’s art and explanations. The academic world was also represented nicely with awesome Fernando Figueroa and Elena Gayo.

Xavier Eltono. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Xavier told me by email that this talk had been very important for him, so I asked him why: ‘I’m used to give talks, I do a couple every year and I actually really enjoy it. Doing it in Madrid though was a very different exercise. Even if I’m not Spanish, I became an artist in Madrid, this is the city where everything started for me. Talking about my work in this city was very challenging to me because I knew a lot of friends and a lot of artists I admire would be listening to me. It’s very easy to talk about your work in front of an anonymous crowd but in front of people you know and you care about is totally different! I was very nervous, but, according to the feedback I received after the talk, it looks like no one noticed it!!!

Tina Ziegler of Moniker Art. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Then, the main dish of the menu took place. ‘The Art Conference, by Urvanity’, hosted by Doug Gillen, from Fifth Wall TV and featuring some of the most important managers/curators/creative directors/promoters in the biz was meant to be the grand finale of Urvanity’s Saturday program. Tina Ziegler, Director of Moniker Art fair, Yasha Young, Creative Director of Urban Nation Museum, and Anna Dimitrova, Director of Montana Gallery, were adding some more girl power to the place.

Yasha Young of Urban Nation Berlin. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

FER: One of the most interesting things about the fair this year was the Talks Program. I couldn’t go to all of them because I would need to clone myself for attending everything, but was it intentional for you to enhance this side of the event? Do you think that these talks and lectures are useful for attracting a potential audience or are they more focused on an indoor point of view for people inside the art world? Why the 2 talks were the role and presence of women was more significant were moderated by a guy with a penis?

Sergio Sancho: For us the talk program it is a fundamental base within the fair. It is something that we want to keep on and give more importance and visibility. We think that the best way to understand this movement it’s from inside, giving voice and visibility to the main characters. About the moderator you are talking we think the gender its irrelevant. This year we wanted to give more visibility to women in a world where there is such an inequality and it has been casual that in the case of The Art Conference the moderator that Tina used it’s always a man and in the case of the talks opening program it has been Alberto the leader and we think it was the suitable person to do so.

 

Esteban Marin and Ninoska of Contorno Urbano Foundation. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

An impressive example of power, clear minds, commitment and, above all, tough work during several years in a penis based industry, these 3 forces of nature explained to us the main points of their careers, their way of working, their ethics, spoke about good practices and loyalty, some episodes about dealing with male chauvinism attitudes and how to get through all this without stepping forward.

Antonyo Marest. Madrid, Spain. February 2018. (photo © Fer Alcalá)

After personally meeting Ampparito and chatting a little bit with Octavi Serra and some other guys from Cúmul we ended the day talking and drinking beer in a relaxed atmosphere at some ‘Manolo’ bar in Madrid. Time to breathe, smile and relax.

DAY THREE: The art fair day.

And Sunday arrived. Keeping the military discipline of the whole weekend, woke up early, had some bad coffee while planning the morning and started my 3kms walk to check Cranio´s wall out. Sunday is ‘rastro’ day in Madrid, so some streets and squares of the area were flood with people that you had to avoid while trying not to kill yourself watching the screen of your mobile phone as it was compulsory for me to check the map and my old time friend Kini González was helping me out getting some invitations for colleagues.

Once of the few times that I was moving my head up, I almost crashed with some familiar guy. Rafa appeared suddenly in front of me with his eternal smile in the face. A friend from Barcelona, it had been years since we had seen each other, so it was a funny and nice coincidence to meet by chance 624kms away from our hometown. We continue our walk together speaking about life, anarchy, music and veganism and, at the same time, Guille was telling me the last news about Cranio´s work as we were all pendant of the keys of the crane for the final shot.

Jan Kaláb. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

As I was seeing that this wasn’t happening in the next few hours, I changed my plans and went to Luka’s wall as I wanted to take some photos from the crane. There it goes… Say bye to Rafa, put my stuff together and we went up for capturing some details.

As we were saying in Madrid, there’s a poker of photos that you should take while capturing, if possible, the whole process of painting a big mural: shots from the ground, shots from other buildings and rooftops, shots from the crane and the final shot. If you get decent photos from all these angles, you will come back home with a smile on your face… I missed Luka’s final photo, by the way, as he finished his work on Monday.

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Once we had arrived to Urvanity’s headquarters I started to check all the artwork that galleries like Montana, SC, Ink and Movement, Stolen Space, Fousion, Plastic Murs, Swinton & Grant, Station 16, Ruarts or Pretty Portal were exhibiting. I liked to see some personal faves like Enric Sant, Isaac Cordal, Sixe, SAN, Herakut, Deih, Hyuro, She One, Dilka Bear, Kofie, Jaune, L’Atlas, Stikki Peaches, Anna Taratiel or Guy Denning, having in mind that you don’t always have the chance to admire all these people’s work in one place at the same time. I also enjoyed to discover other great artists that were kind of new for me like Gregory Watin, Marc C. Woehr, Solomostry, Spazuk, Jaime Molina or Morik Marat.

I also spoke with some of the gallerists who were quite happy about the sales and the whole experience in general. Okuda almost did a sold out, Taratiel sold her bigger piece for Durán gallery, veteran Henry Chalfant and Enric Sant were also selling for Adda & Taxie. Vicente, from Plastic Murs, was much happier with the sales this year than he was in 2017 after seeing how Deih and, above all, Vinz had been successful during the fair. Dilka Bear for Fousion gallery also saw how some of her works were going to some collector’s homes.

Jana & JS. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

It was also interesting for me to know that Kofie ‘papers’ in Swinton & Grant had been sold even before than the fair officially started. Classic names of the scene like Gripface, Stikki Peaches, GR170 or Belin also sold in this year edition. On the opposite hand, Olivier, from Vroom & Varossieau, which exhibited one of the most powerful group of artists in the fair, told me that his sales had been better last year, maybe because of his high prices. As we say in Spain: ‘nunca llueve a gusto de todos’ (something like: not everyone likes when it rains).

I spent my last minutes at COAM trying to find Sergio, Juncal and Victoria from Urvanity’s team without success, as I wanted to say bye and thank them for the treat that they gave to us during the whole weekend. I really like when you get the chance of meeting personally people that you have spoken with by email and that you have interacted with on the social media, as it happened this time with Sergio and Victoria.

Okuda. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

So, this was it. We couldn’t leave Madrid without having a couple (a couple…yeah, right…) of vermouths with some old time friends and colleagues, feeling sad because of the ones that we missed and thinking about all the great moments and experiences that we had lived during the weekend.

Thanks A LOT to all of you who we spent some time with during those 3 crazy days, specially to Sergio, Juncal and Victoria, Miriam for sharing her home with us, Guille, Diana & Rocío for being there as always, Lara, Soledad and Rebekah, at Espacio SOLO, for being such great hosts and, of course, Audrey García for breathing and existing. ‘til next time Madrid…

Laurence Valliéres. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Laurence Valliéres. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Jaune. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Daniel Muñoz AKA SAN. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Guy Denning. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Augustin Kofie. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Herakut. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Hyuro. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Spok. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Henry Chalfant. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Isaac Cordal. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

JAZ. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Stikki Peaches. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Deih. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

URVANITY ART MADRID 2018

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In Your Face With Sekone and Rexenera Fest in Carballo, Galicia

In Your Face With Sekone and Rexenera Fest in Carballo, Galicia

Dude! Turn the can around!

SekOne. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Sekone caught our eye in this Spanish Oceanside town of 36,000 recently with this mural that gets it all backwards – nevermind the handstyle.

Carballo in Galicia on the northwest tip of Spain is home to the Rexenera Fest, a mural festival that gathers local and international urban artists like Curiot (Mexico), Sekone (Galiza), Pixel Pancho (Valencia), Jorit (Italy), Aryz, Isaac Cordal (Galiza), Cinta Vida (Catalunya, and AnimitoLand (Argentina). Now planning for a fourth year, the town is blessed with some high quality works and photographer Lluis Olive Bulbena shares some of the loot with BSA readers here today.

SekOne. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Cinta Vidal. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Cinta Vidal. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Yoseba M.P. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Yoseba M.P. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Isaac Cordal. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Isaac Cordal. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Jorit Agoch. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Curiot. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Animalito Land. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Animalito Land. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Saturno. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Saturno. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Saturno. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Saturno. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

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BSA “Images Of The Year” for 2017 (VIDEO)

BSA “Images Of The Year” for 2017 (VIDEO)

Of the thousands of images he took this year in places like New York, Berlin, Scotland, Hong Kong, Sweden, French Polynesia, Barcelona, and Mexico City, photographer Jaime Rojo found that Street Art and graffiti are more alive than every before. From aerosol to brush to wheat-paste to sculpture and installations, the individual acts of art on the street can be uniquely powerful – even if you don’t personally know where or who it is coming from. As you look at the faces and expressions it is significant to see a sense of unrest, anger, fear. We also see hope and determination.

Every Sunday on BrooklynStreetArt.com, we present “Images Of The Week”, our weekly interview with the street. Primarily New York based, BSA interviewed, shot, and displayed images from Street Artists from more than 100 cities over the last year, making the site a truly global resource for artists, fans, collectors, gallerists, museums, curators, academics, and others in the creative ecosystem. We are proud of the help we have given and thankful to the community for what you give back to us and we hope you enjoy this collection – some of the best from 2017.

Brooklyn Street Art 2017 Images of the Year by Jaime Rojo includes the following artists;

Artists included in the video are: Suitswon, Curiot, Okuda, Astro, Sixe Paredes, Felipe Pantone, Hot Tea, Add Fuel, Hosh, Miss Van, Paola Delfin, Pantonio, Base23, R1, Jaune, Revok, Nick Walker, 1UP Crew, SotenOne, Phat1, Rime MSK, Martin Whatson, Alanis, Smells, UFO907, Kai, Tuts, Rambo, Martha Cooper, Lee Quinoes, Buster, Adam Fujita, Dirty Bandits, American Puppet, Disordered, Watchavato, Shepard Fairey, David Kramer, Yoko Ono, Dave The Chimp, Icy & Sot, Damien Mitchell, Molly Crabapple, Jerkface, Isaac Cordal, SacSix, Raf Urban, ATM Street Art, Stray Ones, Sony Sundancer, ROA, Telmo & Miel, Alexis Diaz, Space Invader, Nasca, BK Foxx, BordaloII, The Yok & Sheryo, Arty & Chikle, Daniel Buchsbaum, RIS Crew, Pichi & Avo, Lonac, Size Two, Cleon Peterson, Miquel Wert, Pyramid Oracle, Axe Colours, Swoon, Outings Project, Various & Gould, Alina Kiliwa, Tatiana Fazalalizadeh, Herakut, Jamal Shabaz, Seth, Vhils, KWets1, FinDac, Vinz Feel Free, Milamores & El Flaco, Alice Pasquini, Os Gemeos, Pixel Pancho, Kano Kid, Gutti Barrios, 3 x 3 x 3, Anonymouse, NeSpoon, Trashbird, M-city, ZoerOne, James Bullowgh, and 2501.

 

Cover image of Suits Won piece with Manhattan in the background, photo by Jaime Rojo.

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“A Real Turning Point” : Sculptures on the Art Mile at Urban Nation Museum For Urban Contemporary Art

“A Real Turning Point” : Sculptures on the Art Mile at Urban Nation Museum For Urban Contemporary Art

“I think it’s a real turning point as far as seeing three dimensional things,” says Street Artist and fine artist Ben Frost while hand painting text on the side of the large facsimiles of pharmaceutical boxes that he’s creating for the UN Art Mile. “I think sculptures and installations have been paving a way forward for Street Art.”

Seth Globepainter. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

In fact sculpture and all manner of three dimensional installations as Street Art have been a part of the current century for sure, from the variety of lego and yarn artists to the soldiered steel tags of REVS and eco-bird houses of XAM and small little men made of wood by Stikman – among many others.

The traveling exhibition “Magic City” curated by Carlo McCormick and Ethel Seno that displays the wide range of works by todays’ interventionists now features a section devoted to sculpture including a selection of Street sculpture photography by Jaime Rojo.

Ben Frost. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Certainly when fine artists began joining the graffiti game they brought many additional techniques to the street, most of them applied to the surface of existing walls – stencils, wheat paste, rollers, for example.

Others have procured objects and attached them to the city; either creating new sculpture or replacing or adapting existing sculptures. For the public the experience may feel more intimate and evocative of the museum and gallery experience, encouraging one to regard the work from many perspectives. Naturally one would like to take selfies with them as well.

“Isn’t there a phrase, ‘Alls fair in love and war’? I feel like ‘Alls fear in love and war’,” says artist Ben Frost. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

For the opening of UN this weekend, the Urban Nation Museum of Urban Contemporary Art in Berlin this week, a curated selection of artists working in such dimensions were invited to create substantial pieces – including video installation, mobile, interactive, the purely static. Enjoy the variety of works by Street Artists who are working today.

Dot Dot Dot. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bordalo II. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Franco JAZ Fasoli. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Anthony Lister. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Anthony Lister. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Aaron Woes. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Herakut. Detail. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Ludo. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Sheryo . The Yok. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Haroshi. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Icy & Sot. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Icy & Sot. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Cranio. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Cranio. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Born To Die In Berlin. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Don John. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Grotesk . Juxtapoz Newsstand. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

 

Borodo. Moving Image on  glass panels. Art Mile. Urban Nation Museum For Urban Contemporary Art. Video by BrooklynStreetArt.com

 

 

Various & Gould. Mobile. Art Mile. Urban Nation Museum For Urban Contemporary Art. Video by BrooklynStreetArt.com

 

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BSA Images of the Week 09.17.17 Urban Nation (UN) Special

BSA Images of the Week 09.17.17 Urban Nation (UN) Special

 

BSA-Images-Week-Jan2015

Welcome to Sunday! This week we have a special edition of BSA Images of the Week; Dedicated to stuff on the street for last nights opening of Urban Nation Museum of Urban Contemporary Art (UN).

Readers of BSA will know that we are on the curatorial board of the new museum and have worked with 8 other curators along with Director Yasha Young to bring the inaugural show that happened last night to fruition. A block buster with thousands of people coursing through the perspective-bending walkways to see the GRAFT designed interiors, it was gratifying to see the 150 pieces admired by such interest, such avid curiosity.

As part of our mission, we want to foster an ongoing dialogue between the art in the streets and the art inside the museum. As UN’s first programmatic approach to this goal, the Art Mile invites the public to see installations that are made by many of the artists/collaborators which UN has had for projects in the city and around the world during the last few years of building the museum and reaching out to the community.

So with gratitude to you and to all the creatives and their supporters who rock our world, here’s our weekly interview with the streets, this week featuring 1UP Crew, 2501, Anthony Lister, Berlin Kidz, Blek Le Rat, David De La Mano, Faith XLVII, Franco “Jaz” Fasoli, Hot Tea, Icy & Sot, Inka Kendzia, Isaac Cordal, James Bullough, Louis Masai, Mademoiselle Maurice, Manthe Ribane, Seth Globepainter, Tankpetrol, Zezao, and Zio Ziegler.

Top image: 8 a.m. the morning after. Space Invader’s new plate unveiled last night to commemorate the opening of Urban Nation Museum For Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

Berlin Kidz . 1UP Crew. James Bullough . 2501 . Zio Ziegler. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Anthony Lister. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Franco JAZ Fasoli. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Mademoiselle Maurice . Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Zezao. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Blek Le Rat. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Blek Le Rat. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Blek Le Rat. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

David De La Mano. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Tankpetrol. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

“AURUAM” Manthe Ribane, Inka Kendzia, and Faith XLVII. Art Mile. Urban Nation Museum For Urban Contemporary Art. (Photo © Jaime Rojo)

Icy & Sot. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Icy & Sot. Detail. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Louis Masai. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Seth Globepainter. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Hot Tea. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

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Urban Nation Museum. Art Mile: Installations In Progress. Dispatch 5

Urban Nation Museum. Art Mile: Installations In Progress. Dispatch 5

Today some progress shots – these projects were not completed while we were shooting so you’ll want to go to the Museum Mile today along Bülowstraße (Berlin U-Bahn). The Urban Nation Art Mile (Artmeile) is in full effect this weekend day and night and it will be difficult to pass up on this funhouse performance-packed interactive exhibition that includes single installations in pop-up spaces along the street and in one large car-free area beneath the trains, which roar appropriately over your head.

Icy & Sot at work at their installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Also overhead for those who are observant, Isaac Cordal’s small concrete businessmen watch over the proceedings below with guilt, ennui and existential worries . You have to check out Faith XLVII’s multi-disciplinary piece in a pop-up space with powerful video imagery of the sexy uniformity of marching soldiers and the panicked distraught migratory movements of people created in its wake – with fierce and expressive dance performer Manthe Ribane and sound/set direction by Inka Kendzia with Faith. Migration, or immigration, is also directly addressed by an unbending and heavy steel sculpture of a family who are just like yours, and different from yours, facing a wall topped by razorwire.

Sheryo at work at her installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Evan Pricco and Juxtapoz bring the famous newsstand that has been displayed in 6 locations, including Times Square, now moving into the UN collection. Make sure to look at the independent zines and tags from its many travels. HOTTEA has a splendidly sharp and effervescent takeover of a corner first floor space that illuminates the white box, here comprised of hundreds of hanging yarns in a multiverse of color.

Sheryo. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

This series of outdoor components feels more like a fair than a museum show, a cross section of works that you may associate with post-graffiti/graffiti/Street Art or any number of related influences without a timeline – cobbling together a hodgepodge illustration of the wide range of influences at play on the street today – attempting to channel the asymmetric energy that it generates.

It is possible that this collection represents a catalyzing of interest in sculpture, as a number of interpreters including Cranio, Ben Frost, and Anthony Lister, are blurring lines with these 3 dimensional expressions of work they’ve done in 2D. How will a general community audience interactive with these – the possibilities seem limitless. Considering the sheer number of authors and performers and documentors and artists and academics and critics on the street right now, you are garunteed to find some intellectual and/or visual stimulation.

Isaac Cordal at work at his installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Olek. Getting ready for her Art Mile performance on Sunday. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Herakut moment of levity and humor while at work on their installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bordalo II work in progress for his installation at the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Evan Pricco fastidiously arranges the magazines at the Juxtapoz Newsstand for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

The Juxtapoz Newsstand for the Art Mile is almost completed. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Seth Globetrotter work in progress for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Zezao work in progress for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Women Power: A group of strong individuals who capture, enable dialogue and work, some daily, on the street art/graffiti scenes. From left to right. Nika Kramer, Karolina Pajak, Olek, Martha Cooper and Selina Miles. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

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